100 books like Summer Hours at the Robbers Library

Set in Victorian England, this novel begins where romances often start—with a beleaguered heroine. She is a brilliant cook with a questionable past. Her patron dies. His brother takes over the estate where—let’s say—she’s been multi-tasking. The brother has perversely cut all pleasure from his life. But oh, that food. Complications develop, including his desire to not desire the food or the cook. There are dark secrets and dark hungers including a hunger for revenge on both the hero’s and heroine’s parts. I love a sexy, twisty story that I can’t put down. This one meets all of my marks. 

Spending is about a divorced artist and mom. It starts with a middle-aged protagonist reluctantly giving a gallery talk. She complains that male artists often have muses to do their laundry and supply sex, thereby providing practical and “therapeutic” support. A man in the audience stands up and offers to be the artist’s muse. The story is about what happens when this stubbornly independent woman takes him up on it. I totally related to the crusty heroine who has fought for everything she has and distrusts fortune when it offers abundant gifts. 

I confess that almost everything Baxter has written is too intellectually frigid for me. But this novel is one of my favorites. At times sweet, at times intense, it is a meditation on the ways we love, and the various stages of love based on our ages and the duration of our relationships. Baxter explores romantic love, first love, old love, love for our children, and sexual obsession. Grief and hope figure prominently. At first, seemingly a series of short stories, the novel’s characters gradually drift into one another’s orbits and their stories become integrated. I love the author’s mastery of form while telling a brilliantly humane—and sexy—story about what it means to love.

Ms. Wesley didn’t publish until she was seventy, which I find inspiring. She produced ten slim interconnected novels. Like the heroine of Delicious although a century later, this one cooks. She cooks for elderly ladies, visiting for a week or two to stock their freezers with fabulous meals. Her less innocent sideline is “visiting” with men. These occupations earn her enough to keep her fatherless son in an excellent private school. Then, the unthinkable happens: two men who were previously unknown to each other discover they may be sharing the same mistress. The problem is they thought their arrangements were exclusive. A comedy of manners ensues. Wesley’s prose cuts like a finely honed knife. And she does her cutting with very few words. I so admire that skill!  

I found this book wonderfully relatable, imagining myself as either of the two main protagonists who accidentally swapped shoes at the gym and whose lives are changed accordingly. The mix-ups and mess-ups that ensued had me clutching my sides.

I was so invested in both the characters and how their lives would turn out I nearly cried when I finished it. I found this book very clever and believable as well; a tiny bit far-fetched but still realistic.

This book is a celebration of many things: embracing your visible markers of age, seeking a new kind of relationship with an adult child, and the fabulous music of the 80’s and 90’s.

Any person from Generation X will absolutely see pieces of themselves and their friends in the characters in this book. Originally college friends, our couple finds themselves both back in New York and via a series of missteps and then some forced proximity (not only do they have to work together, they have to work for his daughter), they fall gloriously in love.

This is a chatty and intimate fly-on-the-wall book look at everyday things through the lens of aging and mortality.

Nora Ephron makes the bittersweet mix of chattiness and philosophy seem so easy. The engrossing, snippet-write-ups of her friends, family, and career in New York give you a vivid snapshot into her heart and soul.

Despite the title, I think that any gender can draw something from this book. It is the sequel to her phenomenally successful book “How to be a woman”, which quite frankly changed my life and made me decide to have children. This new book can be read as a stand-alone and charts Caitlin’s thoughts on her late 30s and 40s. It begins with her usual hilarious and irreverent tone, speaking about the pressures put on you by children, parents, work, best friends, basically everything. It suddenly becomes very serious in a way I didn’t expect though, and the message of balance is one that is important for anyone to read in this way. I rarely say this and mean it but… it made me laugh and it made me cry.

Jane Fallon does seriously good messed-up families. I’ve read most of her books, but particularly enjoyed this one – the characters aren’t all likeable by any means, but the set-up is great and you’re desperate to find out how things will be resolved. Helen has been having an affair with a married man, Matthew, for four years when he suddenly turns up on her doorstep, announcing he has left his wife and twin daughters; the timing is unfortunate because Helen has just decided she wants to dump him. Rather than doing the sensible thing and knocking the relationship on the head, Helen goes rogue and ends up befriending Matthew’s wife and getting off with his grown-up son (she’s his age, and initially doesn’t know they’re related). Not surprisingly, chaos ensues.

Patrick Hamilton has a wonderfully simple and direct style, and is always utterly compelling, no matter if he’s writing about ordinary people going about their daily lives. This wartime novel seems to happen a long way from the war itself, though it is set in Maidenhead, which was far enough away from the capital to be thought safe for evacuees. We spend our time with a wonderfully cliquey and gossipy set of boarding house tenants who constantly compete with each other and have their own little wars and conflicts. Like many of Hamilton’s novels it has a theatrical quality, reading it is almost like watching actors performing on a stage. Indeed, one of the characters is an actor, and theatre provides a note of redemption in this beautifully bleak novel.