When I was ten, I found a book on witchcraft on the shelves of my local bookstore and eagerly set out to learn how to practice magic. I had very little success—one rain spell maybe worked, but to be honest, rain was in the forecast anyway. So instead I became a novelist who likes to write about people who can do magic. I love books that not only sweep you into other worlds but show you how it really feels to live there. I hope these five novels give you a truly magical escape.
I can’t resist a good alternative history novel. This is a book you can and should get lost in. I love the world that Susanna Clarke creates, a Napoleonic War-era England where magic is a subject only for historians until the two title characters revive it, teaching themselves to become the first real English magicians in hundreds of years. Clarke makes magic entirely convincing by having her characters conduct passionate scholarly arguments over spells, and by exploring the tension between the magic learned from books and the wild magic of this and other worlds. Her writing is devilishly brilliant, pitch-perfect in its Austenian restraint and wit. A funny, spooky, exciting novel.
Two magicians shall appear in England. The first shall fear me; the second shall long to behold me The year is 1806. England is beleaguered by the long war with Napoleon, and centuries have passed since practical magicians faded into the nation's past. But scholars of this glorious history discover that one remains: the reclusive Mr Norrell whose displays of magic send a thrill through the country. Proceeding to London, he raises a beautiful woman from the dead and summons an army of ghostly ships to terrify the French. Yet the cautious, fussy Norrell is challenged by the emergence of…
I picked up this novel on impulse at a bookstore, and from the first page I fell in love with its clever, quirky blend of science fiction and fantasy. Two misfits, childhood friends, grow up to become a witch and a tech geek, respectively. Their slow-burn romance runs into problems as they both have to respond—in very different ways—to a gathering climate crisis. I adore the way Charlie Jane Anders writes about both magic and not-yet-invented technology with equal aplomb (but gives magic the last word).
WINNER OF BEST NOVEL IN 2016 NEBULA AWARDSFINALIST FOR BEST NOVEL IN THE 2017 HUGO AWARDSPatricia is a witch who can communicate with animals. Laurence is a mad scientist and inventor of the two-second time machine. As teenagers they gravitate towards one another, sharing in the horrors of growing up weird, but their lives take different paths...When they meet again as adults, Laurence is an engineering genius trying to save the world-and live up to his reputation-in near-future San Francisco. Meanwhile, Patricia is a graduate of Eltisley Maze, the hidden academy for the magically gifted, working hard to prove herself…
As a boy, Ged accidentally releases a dark force that shadows him throughout his magical education; as a young wizard, he sets out on a quest to meet and destroy it. When Ursula Le Guin published this novel in the 1960s, she quietly subverted many then-prevalent conventions of fantasy—making her protagonist a person of color, building a plot that didn’t revolve around violence. Personally, I wish she’d gone even further by creating more interesting female characters. That said, this book is a seminal work that explores the limitations of magic, and shows how magic can reveal character in a novel. I also admire the way LeGuin builds a realistic world through the slow accumulation of detail and lore; her simple but vivid prose just blows me away.
The first book of Earthsea in a beautiful hardback edition. Complete the collection with The Tombs of Atuan, The Furthest Shore and Tehanu
With illustrations from Charles Vess
'[This] trilogy made me look at the world in a new way, imbued everything with a magic that was so much deeper than the magic I'd encountered before then. This was a magic of words, a magic of true speaking' Neil Gaiman
'Drink this magic up. Drown in it. Dream it' David Mitchell
Ged, the greatest sorcerer in all Earthsea, was called Sparrowhawk in his reckless youth.
Cynthia, a forty-something English professor in the throes of perimenopause, develops unusual abilities and slowly learns to channel them, with help from a visiting faculty member from Faerie. I was lucky enough to read this book in an early draft, and then in its final version. What I love about this novel is how it treats magic as yet another weird thing that happens to you as you get older. I also relished watching Cynthia figure out her new powers in the context of ordinary life: navigating faculty politics, being a mom, working on her marriage. A smart, wry twist on the School for Magic trope.
What if women gained uncanny power at middle age? In Unbecoming, Cyn's family is shattering, and she is at war with her own body. Then, when her best friend flies off on a mysterious faculty exchange program, a glamorous stranger takes her place--Fee Ellis, a Welsh poet who make it all look easy. But it may be costly to welcome this charismatic outsider to their little college town. Cyn's best friend, meanwhile, communicates only in ominous fragments.
Did I mention that I am a sucker for alternative histories? This one takes place in a nineteenth-century America where both witchcraft and women’s rights are ruthlessly suppressed, but three sisters, all witches, are working to revive magic by tracking down forgotten spells. I found this novel much scarier than many fantasy novels because, well, the authorities’ efforts to keep women in line felt all too true to life. The relationships among the sisters are thorny, warm, and satisfyingly complex, and Alix Harrow’s rich, evocative language makes their magic powerfully real.
'Glorious . . . a tale that will sweep you away' Yangsze Choo, New York Times bestselling author of The Night Tiger
'A gorgeous and thrilling paean to the ferocious power of women' Laini Taylor, New York Times bestselling author of Strange the Dreamer
In 1893, there's no such thing as witches. There used to be, in the wild, dark days before the burnings began, but now witching is nothing but tidy charms and nursery rhymes. If the modern woman wants any measure of power, she must find it at the ballot box.
Emily Croy Barker’s enchanting debut novel offers an intelligent escape into a richly imagined world. With an appealing female protagonist, cinematic storytelling, wry humor, and clever literary references, The Thinking Woman’s Guide to Real Magic has captured the imaginations of readers everywhere.
During a miserable weekend at a friend’s wedding, eager to forget about her disastrous breakup and stalled dissertation, Nora Fischer wanders off and somehow finds herself in another realm. There, she meets glamorous Ilissa—who introduces Nora to a decadent new world—and her devastatingly handsome son, Raclin. But when the elegant veneer of this dreamland shatters, Nora finds herself in a fairy tale gone incredibly wrong. And the only way she can survive is by learning magic herself.
It took me awhile to understand that I was on a spiritual path. I started out as an actor, and working in the theater brought me joy. But as time passed, and I turned to writing novels, the same questions kept emerging: “Who am I?” “Why am I here?” I began to see that I was on a spiritual journey. With A Poet of the Invisible World, I finally felt ready to write about that journey. Nouri’s adventures chart the twists and turns—as well as the deep rewards—of the spiritual path. It’s a book that’s very close to my heart.
This delightful fable about the Golden Age of Broadway unfolds the warm story of Artie, a young rehearsal pianist, Joe, a visionary director, and Carrie, his crackerjack Girl Friday, as they shepherd a production of a musical version of A Midsummer Night's Dream towards opening night.
Drawn from the personal experiences of its author, it's a glittering love letter to the Great White Way—and all the crazy, gifted people who keep it humming.
This is a delightful fable about the Golden Age of Broadway. It follows Artie, a young rehearsal pianist, Joe, a visionary director, and Carrie, his crackerjack Girl Friday, as they shepherd a production of a musical version of A Midsummer Night's Dream towards opening night.
Drawn from the personal experiences of its author, this is a glittering love letter to the Great White Way, and all the crazy, gifted people who keep it humming.
