10 books like Something in the Blood

I know what you’re thinking. Dracula isn’t unconventional. Well, at the time it was released, it was. Stoker did an excellent job of incorporating many genres into his vampire novel, including gothic horror and dark fantasy. Dracula is one of the reasons I write dark fantasy. The genre has changed so much over the years that if Dracula were released today, it would be unconventional once more, with Dracula being a true predator.

This book has engendered controversy for almost forcefully bridging the gap between the 15th Century Wallachian Prince Vlad III or Vlad the Impaler or Dracula. Stoker had already constructed his character, called “Count Wampyr,” before he learned of his future namesake. However, he quite clearly establishes a connection between the two through an explanation provided by Abraham Van Helsing. The Dracula of the eponymous novel is a heavily fictionalized version of the real-life figure, but so are most similarly positioned characters in literature, film, and television. Florescu and McNally provide a cursory overview of Slavic and Balkan vampire folklore, a biographical sketch of Vlad the Impaler, and illuminate the process by which Stoker adapted this violent, cunning, and sometimes brilliant nationalist and military tactician into a fictional monster.

Whereas Barber expounds upon the anthropological origins of the vampire myth, McClelland focuses on the practices, principles, and logistics of killing the dead. The most familiar form comes in the unearthing and mutilation of bodies. McClelland explains the whys and wherefores of that practice, but he also gives their killers more than their due, explaining the role of vampire slayers as shamans, village elders, and quasi-religious figures during Europe’s transition from its pagan roots to modern Christianity. He demonstrates that vampires fell into an uneasy space between a fading system of peasant folklore and the organized religious rituals and beliefs that ultimately took their place. There are no vampires in the Bible, so where was the church during the vampire hysteria of the 1800s and how did they regard these mythical creatures? McClelland answers that and more. He also includes an overview of our modern conception of vampire slayers from… show more.

This was a breakthrough in our (and my) understanding of vampires as an explanation for disease in the context of pre-industrial, agrarian societies. Everyone understood that there were (and to some degree, are still) persistent folk beliefs about vampires around the world, with Slavic and Balkan variants having gained a foothold in the popular imagination. Paul Barber explains the intricacies of belief, the particulars of that folklore, and illuminates one of humanity’s oldest tendencies that lies at the root of vampire stories—to blame death on the dead. There are gruesome anecdotes aplenty and Barber explains the logistics of vampire “attacks” down to every last, bloody detail. 

Bloodsucking Fiends begins in the mid-1990s (the present day as of its writing) and is set in AIDS-fighting, pre-tech-boom San Francisco – a time and place rendered with great affection and plenty of humor. It’s that latter quality – the humor – that I love about this book. Beginning with the beginning, we get Moore’s take on the classic tableau of a vampire rising as the sun sets. But instead of emerging from a coffin, our vamp pops out of a dumpster that’s being peed on by a homeless, benevolent lunatic known as the Emperor. If that setup just made you smile (fangs or no fangs) then Bloodsucking Fiends is for you. It is also why, when I decided to write a funny vampire novel, I turned to Mr. Moore’s novel for inspiration.  

Auerbach’s book takes the vampire story into more contemporary territory and, some might say, into more treacherous waters. Although beginning again with Polidori, she follows the evolution of the vampire tale through to Stephen King’s Salem’s Lot, Anne Rice’s Vampire Chronicles, and Tony Scott’s 1983 film The Hunger (starring an elegantly wasted David Bowie). She shows how homoeroticism has been a part of the vampire narrative since its nineteenth-century inception, notably with Sheridan Le Fanu’s 1872 novella Carmilla, and how readily the narrative lent itself as an allegory of the 1980s AIDS epidemic. I don’t agree with all of Auerbach’s interpretations, but she has some zinging one-liners.

I found this book funny and different from what I expected.

There is a love triangle, suspense, and a twist between the three characters, which I found refreshing too.

It’s got that ‘new age’ feeling to it, based on a dating app, but with a delicious twist. 

Something that also caught my eye was that it is a standalone, so it's perfect if you just want a vampire romance to read and leave it at that. I usually read series, so it was nice to not have to mentally prepare myself to dive into a sequel. 

Frayling’s book is very much a forerunner of Groom’s, being one of the first serious (but also immensely readable) studies of the vampire in culture. This one keeps its sights trained more on the nineteenth-century vampire. It begins with The Vampyre, the story written by John Polidori at the Villa Diodati at the same infamous gathering that spawned Marty Shelley’s Frankenstein. Polidori was Lord Byron’s physician, but the two men fell out badly, and Polidori’s aristocratic bloodsucker Lord Ruthven is widely regarded as modeled on Byron. Although now little remembered, The Vampyre began the Victorian craze for vampires that culminated in Bram Stoker’s Dracula. Frayling is the perfect guide, being not only a cultural historian of wide learning but also a splendid communicator.

Again, this is one that has stuck with me for many years. The twist on the age-old vampire story where an elderly lady must commit murder to grow younger is interesting and unique. Her two nieces, one ambitious, one off the rails crazy, assist her in her evil doings while the Keystone detective, sort of, investigates. As I recall, it was a delightfully horrible guilty pleasure.

I’m biased. Some Girls Bite takes place in Chicago, where I’m from, and where some of my own characters are from. It’s really cool to see how another author uses the city I grew up in and love. But aside from that nifty accolade, it’s a fun well-written story with mature themes. The main character, Merit, is no shrinking violet. She can kick ass and take names with the best of them, which is why I love her books. It would be amazing if our characters could meet mine someday.