84 books like River, Sing Out

My first books were set in and around San Francisco, an area I knew well and with plenty of opportunities for crime stories. When we moved to Montana twenty years ago, people asked when I’d write one there. I resisted setting dark stories in my own city, where my kids were growing up. Reading about the Bakken Oil Formation in North Dakota, a boom of wealth and expansion and a subsequent bust, offered a perfect storm—the kind that drives desperation, where locals conflict with newcomers, where money—new and old—drives people to make bad decisions. After a visit to the area, the fictional town of Hagen, North Dakota, and the Badlands Thriller Series was born. 

Not only am I an avid reader of the urban love/romance/erotica genre, but I'm an award-winning, bestselling author in the genre, having written under multiple pen names. I've worked with enough traditional editors and freelance editors to know a well-crafted, entertaining, engaging read of this nature when I not only write one—ha!—but read one. As an author, I rarely offer book reviews—you'll only find one review from me on Amazon—but that's because I'm brutally honest and hard to win over, and I respect my relationship with my fellow literary artists too much to risk it on a not-so-favorable review. So, you know when I say it’s good, it’s good.

Whether I read fiction, non-fiction, poetry, or prose, I especially love books by authors whose voices resonate with authenticity and originality, and who write imaginative page-turners about characters who change and grow personally, regardless of the difficulties they face in life. When their changes lead to creating conducive conditions for others to thrive, I feel gratified and inspired by them. As a practicing psychotherapist and writer I have devoted my career to supporting people in discovering and nurturing the creative sparks within themselves. My PhD in psychology and Post-Doctoral studies, presentations, and publications over the past 45 years have focused on the healing aspect of the creative process.  

As the sex and relationship advice columnist at Men’s Health Magazine, I’m obviously pretty damn obsessed with sex. I find it fascinating on so many levels, which is why I not only have a ton of it but also made it my career. For so long, I struggled with sexual shame, and one thing I realized as a writer is that I’m not special. Sure, I’ve probably been to more sex parties than you, but if I’m struggling with shame, being bisexual, and embracing my kinks, then other folks are, too. And just like I’m obsessed with sex, I’ve become obsessed with helping others remove sexual shame.

I'm a contemporary African American writer born and raised in the South. It was this sense of place that has shaped my artistic sensibilities. I was in my mid-twenties, searching, seeking for answers and direction on my own, when other Black southern writers were instrumental in pointing me in the right direction: Richard Wright, Zora Neale Hurston, Margaret Walker, Ernest J Gaines, Alice Walker, Arna Bontemps, Albert Murray, just to name a handful. Their writings were revelatory. The same issues that they were dealing with a generation earlier were the same ones I was struggling with every day. It opened my eyes, mind, heart and creativity to put into perspective what I was feeling. 

I’m fascinated by the mountain wilderness and national parks of my home state, Colorado. In my younger days, I hiked to the mountain lakes of the Sangre de Cristo range near my hometown and then later the high-country trails of northern Colorado and Rocky Mountain National Park. When I began writing the Timber Creek K-9 Mysteries, I combined my experience as a veterinarian’s wife with my love of the great outdoors and dogs to create Killing Trail, book one of eight in my series that features Deputy Mattie Cobb, her K-9 partner Robo, and veterinarian Cole Walker. Together they solve mysteries in the fictional mountain community of Timber Creek, Colorado.

My earliest filmgoing memory is of a bad guy getting pushed down the stairs in Alfred Hitchcock's The Man Who Knew Too Much. That shocking scene has stayed with me, leading me into a lifetime of exploring the dark visions of crime stories. It was only natural that my love of rock music, and in its interaction with other media would draw me to mystery writers whose books were fueled by their love of rock, blues and pop. "If not for music and movies, I wouldn't be a novelist," George Pelecanos once told me. "They have influenced me more than any author. I want to shout about it." Me too.

Over my two decades as a scholar of American foreign policy and international politics, I had multiple opportunities to serve as a Latin America foreign policy aide. Given that Latin America plays a central role in the U.S.-hatched modern war on drugs, much of my policymaking was directly or indirectly tied to drug policy. I thus wrote Drugs and Thugs above all to make sure that I had a good sense of the history of this seemingly eternal conflict, one that is “fought” as much at home as abroad. 

I am a multicultural published author from California. I attended different schools growing up, reading classic literature that I couldn't relate to, resulting in becoming a reluctant reader. I didn't live in historical time periods. My skin was a lighter shade of brown. In my world, I met kids from diverse backgrounds, who spoke slang and had personal hardships. Where were the books like that? That's why I wrote Graffiti Girl. To share a realistic, multicultural approach so the reluctant reader could have characters they could see themselves in. That's why I chose these books, in no specific order, that share contemporary, urban stories involving people of different cultures, who face unique hardships.

I love puzzles. I’ve made a career of tackling hard puzzles—from aerospace engineering to climate change policy (and now novel writing). A good mystery that keeps me turning pages is a joy, but a good mystery with an unusual investigator is awesome. I think seeing through the eyes of someone unexpected can let us appreciate new perspectives and see the world afresh. I wrote a climate fiction mystery with an amnesiac main character investigating because, in the context of adapting to climate change, perhaps it’s helpful to be less attached to the way things used to be; perhaps an investigator with no memory is just what we need.