100 books like Praisesong for the Widow

Why include on this list the diaries of a secular Jewish woman who is in the grip of self-centered anxieties and an unusual, if not bizarre, relationship with her analyst? Because spiritual transformation begins and evolves in uncanny ways, leading one to find transcendence where one never would have expected it. Etty’s diaries and letters allow us to follow the process by which she became so profoundly lucid and open-hearted that she was able to see the humanity even in the Nazis organizing extermination.

It’s not possible that Tolstoy died and lived to tell about it, but that's what this book feels like.

As Ivan Ilych’s illness progresses, the reader sees how shallow his relationships are, and how fruitless is his striving to “get ahead.” As I read this book, I felt the vast chasm between the living and the dying, how alone Ivan is in his suffering. Ivan Ilych is no hero: he is an everyman. He squarely faces the pointlessness of his life, and ultimately throws off the things of no importance.

Through his experience I anticipated my own death, and felt how important it must be to live my life remembering that all the stupid stuff doesn’t matter. What does matter is my relationships with God and with other humans. Everyone who expects to die someday should read this book.

Drawing upon stories from all the great spiritual traditions, Kurtz and Ketcham keep shocking us out of our assumptions about the spiritual life, and inviting us to abandon the pursuit of perfection that many of us identify with it. They pull the rug out from under us, telling us what we don’t expect to hear. There’s something comical about embracing imperfection. But if they’re right, it’s the only real alternative to living tragically. I suggest watching Chaplin’s City Lights and Laurel and Hardy’s The Music Box, as you make your way through the chapters of this book.

Because Lear is a philosopher and a psychoanalyst, his book has a more academic flavor than the others on my list. But because he’s a philosopher and psychoanalyst attentive to lived experience, his book draws us into the devastating loss suffered by the Crow Nation, and especially by Plenty Coups, their last great chief, when their culture was stripped from them. This was, of course, an irreparable trauma from which it was impossible to recover. But instead of trying to retrieve what was unrecoverable, Plenty Coups turned to the unknowable, unprecedented future with the “radical hope” that it could be charged with transcendent meaning for his people. Perhaps the spiritual life, especially in these crisis-ridden days, consists in learning how to practice such hope.

Fast-paced, exciting, with enough twists to keep me reading without a single break – this is one of my all-time favourites by prolific author Alistair MacLean. I found myself chuckling and, in the next instant, holding my breath as the First Officer has to outwit terrorists who have taken over the tramp carrier cum cruise ship “Campari.” But what I enjoy most is the mix of humour and lightheartedness that balance the high octane thrills which are grounded in meticulous research.

Eliot Bliss was a Jamaican born Anglo-Irish woman; she was also gay. Her stance as a Creole gay writer interests me. I also think she’s largely forgotten and should be read more. I related to her return to Jamaica (depicted in this novel) and her search for her sort of childhood home—that brings the realization that she both does and doesn’t fit in. She is white, she is gay so she doesn’t fit in British society where she feels out of place because of her Creole childhood and her sexuality, and she can’t fit in Jamaica because she is white and gay. And she sees clearly now the white oppressive colonials who were her family. It is a deeply felt search for home, both geographically but also in her body.

Claire is seven years old when her college-age sister is found dead at a resort on the Caribbean island of Saint X.

Years later, Claire is living and working in New York City when a brief but fateful encounter brings her together with a man originally suspected of murdering her sister. This book is not your standard Thriller; the cast of characters is large and the plot complex, but the author pulls it off.

It’s also not a book to keep you up all night. Try three or four nights. The writing is brilliant in ways not often seen in the genre and I was forced to slow down and give myself over to the story. It’s one I will never forget.

One of my all-time favorites. I think it is about Haiti, or it is a fictional island “Bourneville” that is based on Haiti. The novel describes a place linked to its history of enslavement and the battle for freedom. She is a beautiful deep-thinking writer. She carefully shows a group of white ethnographers going to this island, and how their attempts to "help" led to tragedy. It illustrates the pitfalls with international aid organizations. How often they damage, instead of help. And the novel is timely to this day. 

I came to Toni Morrison a little late. This was in the 1980s, after she’d won the Pulitzer. I read Song of Solomon first, upon the recommendation of a friend who told me he couldn’t read the end of the novel without bursting into tears. Next, Beloved: I was so awed that I reread it five times in a row!

At that point, I realized that I needed to circle back and start with her first books. The Bluest Eye and Sula both stunned me.

Then came Tar Baby. I immediately understood it to be different from the others. The novel has significant, primary characters who are white. In the other early novels, white characters might be present, but they are few and very secondary.

Six people live in relative luxury on a Caribbean island. Yet, despite themselves, their racial assumptions inform how they view and treat one… show more.

This groundbreaking book takes the reader into the forgotten world of eighteenth- and nineteenth-century medicine, especially as it relates to the enslaved peoples of the New World (from the Southern United States to the wider Caribbean). One cannot help but hear the first examples of “race norming” or “adjusting” in Hogarth’s study of how white doctors saw pathology, treatment, and various diseases themselves as affecting different categories of people in different ways. Medicalizing Blackness allows us to see how doctors transformed the New World into an enormous laboratory that not only generated new knowledge, but created structures of surveillance and control that became part and parcel of medical literature and practice.