Here are 100 books that Palimpsest fans have personally recommended if you like
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I’ve been drawn to LGBT+ characters and themes long before I knew that was a thing that a person could be—and longer still before I realized that it was something that might apply to me. Science fiction and fantasy helped me to explore identities and ways of existing within the world that were fundamentally different from my own and that instilled a love of the genre that I’ll always treasure.
I like to think I’m pretty good at guessing where a book is going to go—this is not the case with Gideon the Ninth. Every time I thought I had a grip on what was going on and where we were going, it took a turn. Every time I thought I had an idea of how I felt about a character, new lore dropped, and I fell in love (or in hate, or in a complicated love/hate thing that I have yet to figure out).
By the time I finished, I was torn between picking up the second book in the series to learn what happened next or rereading the first just to see how different it would be once I had a better understanding of the book.
15+ pages of new, original content, including a glossary of terms, in-universe writings, and more!
A USA Today Best-Selling Novel!
"Unlike anything I've ever read. " --V.E. Schwab
"Lesbian necromancers explore a haunted gothic palace in space!" --Charles Stross
"Brilliantly original, messy and weird straight through." --NPR
The Emperor needs necromancers.
The Ninth Necromancer needs a swordswoman.
Gideon has a sword, some dirty magazines, and no more time for undead nonsense.
Tamsyn Muir's Gideon the Ninth, first in The Locked Tomb Trilogy, unveils a solar system of swordplay, cut-throat politics, and lesbian necromancers. Her characters leap off the page, as…
I’m a writer and musician with a background in mathematics, which is what originally led to my intrigue in cosmology. For writing speculative fiction, I’ve dug into a range of topics from quantum mechanics to cognitive theory, but spacetime had the opposite causality: my interest later spawned my writing. When I first learned about special relativity, many aspects seemed counterintuitive but were mathematically sound, leading me to obsessively read books, watch videos, and perform hours of calculations to get a feel for it. And what draws my adoration most to the cosmos is the quality it shares with dinosaurs—the more I learn, the more majestic it becomes.
I’m a big fan of genre-bending and trope manipulation, and I was completely blown away by this rare creation of a book. It’s a carefully crafted plot of time manipulation, blending science fiction, fantasy, espionage, and romance, told through letters between two rival agents in a style more akin to a war drama.
Those contrasting styles notably elevated the story for me, accenting the cybernetic future by experiencing the naturalistic one and enhancing the love story through the suspense of corporate espionage.
At no point did I feel as if either empire was the “good” or “bad” one, only that I wanted both of the protagonists to succeed, and that made my first read of this book nothing short of a page-turner.
WINNER OF The Hugo and Nebula Awards for Best Novella, the Reddit Stabby Award for Best Novella AND The British Science Fiction Association Award for Best Novella
SHORTLISTED FOR 2020 Theodore Sturgeon Memorial Award The Ray Bradbury Prize Kitschies Red Tentacle Award Kitschies Inky Tentacle Brave New Words Award
'A fireworks display from two very talented storytellers' Madeline Miller, author of Circe
Co-written by two award-winning writers, This Is How You Lose the Time War is an epic love story spanning time and space.
Among the ashes of a dying world, an agent of the Commandant finds a letter. It…
I have always been eager to read weird, speculative, sapphic stories, but they were difficult to find throughout my early life. As a teenager, I started to write them, creating what I hoped to see in the world, and I haven’t stopped since. I’m thrilled to see that this niche is becoming more common and celebrated, particularly in the more experimental short fiction space. As an adult, I’ve had many weird, speculative, sapphic short stories and novelettes published, including one that won the Best of the Net award and two that were shortlisted for Brave New Weird: The Best New Weird Horror.
I view this book as an equal mix of cosmic deep-sea horror, exploration of loneliness, and marital devotion.
I really appreciate that this book follows two flawed women across multiple periods of time, on land and in the deep sea, and across the full length of their relationship. The weight of one of them disappearing beneath the ocean for months profoundly affects both of them–mentally, emotionally, and physically–in different and weird ways, but underneath everything is an enduring love.
I particularly enjoyed the slow-moving body horror in this one, plus the escalating creep of being stuck at the bottom of the ocean for months and the overarching terror of losing the one you love.
Named as book to look out for in 2022 by Guardian, i-D, Autostraddle, Bustle, Good Housekeeping, Stylist and DAZED.
Miri thinks she has got her wife back, when Leah finally returns after a deep sea mission that ended in catastrophe. It soon becomes clear, though, that Leah may have come back wrong. Whatever happened in that vessel, whatever it was they were supposed to be studying before they were stranded on the ocean floor, Leah has carried part of it with her, onto dry land and into their home.
To have the woman she loves back should mean a return…
I have always been eager to read weird, speculative, sapphic stories, but they were difficult to find throughout my early life. As a teenager, I started to write them, creating what I hoped to see in the world, and I haven’t stopped since. I’m thrilled to see that this niche is becoming more common and celebrated, particularly in the more experimental short fiction space. As an adult, I’ve had many weird, speculative, sapphic short stories and novelettes published, including one that won the Best of the Net award and two that were shortlisted for Brave New Weird: The Best New Weird Horror.
I found myself surprisingly captivated by this present-day body horror mermaid transformation tale focused on a high school swim team.
This novel follows a gradual decline from an everyday reality towards an increasingly unhinged climax, and I appreciated how slowly this sneaks up on you. Even though the book makes no secret of where it’s ultimately going, I was still pleasantly surprised about how we got there and the weirdness of the ending.
The sapphic relationship between the protagonist and her best friend is a key throughline, with an interesting dichotomy between the best friend’s long-term adoration and the protagonist’s relative detachment and bitterness.
In the vein of The Pisces and The Vegetarian, Chlorine is a debut novel that blurs the line between a literary coming-of-age narrative and a dark unsettling horror tale, told from an adult perspective on the trials and tribulations of growing up in a society that puts pressure on young women and their bodies… a powerful, relevant novel of immigration, sapphic longing, and fierce, defiant becoming.
Ren Yu is a swimmer. Her daily life starts and ends with the pool. Her teammates are her only friends. Her coach is her guiding light. If she swims well enough, she will be…
I’m a British writer with a passion for the stories of history, both real and imagined. I have always been fascinated by tales and relics of the past, old ruins, ancient buildings, mythology, and the uncanny power of the natural world. All these things connect us to the ghosts of the past. So, I write historical fantasy novels based in the England I explored growing up, but brushed with the shadow of the supernatural, magic, witchcraft, and seductive illusion. I also write straight historical fiction under the name Samantha Grosser.
I’ve read this book twice, once as a paperback and more recently as an audiobook, which added a wonderful extra layer to this luscious novel.
Primarily a love story, the tale is told in beautiful prose that made my skin tingle with both appreciation and envy. Love, memory, the nature of books, the nature of self, characters that jump off the page, there is so much to appreciate in this deeply immersive story.
But for me, it was the characters’ sense that there is something unknown missing in themselves, something just out of reach, that resonated most strongly, a feeling that comes so close to my experiences of depression that it almost took my breath away. A book of wonder and magic that reached deep into my soul.
LOSE YOURSELF IN THE BREAKOUT SENSATION OF THE YEAR
SHORTLISTED FOR WATERSTONES BOOK OF THE YEAR 2019
'Brilliant' Joanna Cannon 'Spellbinding' Guardian 'Magic' Erin Kelly 'Immersive' Sunday Times 'Gorgeous' Stella Duffy 'Astounding' Anna Mazzola
Emmett Farmer is a binder's apprentice. His job is to hand-craft beautiful books and, within each, to capture something unique and extraordinary: a memory.
If you have something you want to forget, or a secret to hide, he can bind it - and you will never have to remember the pain it caused.
In a vault under his mentor's workshop, row upon row of books -…
I fell in love with quirky, funny, female protagonists early in my reading life, starting with Ramona Quimby and her unique way of seeing the world. As a kid, I always felt different, you know? I was sensitive, shy, and observant, and I delighted in finding characters in books who also bucked up against what I thought of as typical. As a writer, I love writing interesting, unconventional women, and I love using humor to elevate my characters’ voices. I think humor is one of the best ways to establish voice and also, paradoxically, to navigate tragedy. I hope to write many more quirky, funny female characters in future books.
Original and funny, Stop That Girl chronicles the coming-of-age of Ann Ransom, an offbeat heroine navigating her equally unconventional family life and upbringing. I loved discovering this character and equally loved the novel-in-stories structure of the book. Fast-paced and quirky, this book illuminated a manner of storytelling that I thought fit the coming-of-age genre really well.
From the start of Elizabeth McKenzie’s beguiling fiction debut, we are drawn into the offbeat worldview of sharp-eyed, intrepid Ann Ransom.Stop That Girl chronicles Ann’s colorful coming-of-age travails, from her childhood in a disjointed family through her tender adolescence and beyond. Along the way, she discovers the absurdities that lurk around every corner of a young woman’s life, by way of oafish neighbors, overzealous boyfriends, prurient vegetable salesmen, sour landlords, and an iconoclast grandmother, known even to her family as Dr. Frost. Keenly funny and highly original, Stop That Girl is a brilliant examination of the exigencies of love and…
I love getting lost in books because I get to experience more adventures than I could possibly fit into one lifetime. Books invite the exploration of limitless possibilities—for everyone. When a book can fire my imagination, make me feel a connection, or just make me think deeply—that’s magic, whether it was meant to be fiction or not. I want to write books that do that for others. For this list specifically, I wanted to pick books that encourage girls to embrace the notions that they are allowed to dream really big dreams, that the goals they set for themselves are worth pursuing, and that we all deserve room to be our authentic selves.
I know you’re not supposed to judge a book by its cover, but the cover is indeed what got me! I immediately wished someone had captured an image of me looking amazing and strong like the girl featured. I mean, how cool to have a picture that really reflects oneself, so unlike the stiff and awkwardly posed school pics that decorated my home growing up. Her stance and expression just spoke to me and I immediately loved that this book celebrated her strength and presence. And not just hers! Many, many girls of various ages and backgrounds are photographed doing something that makes them feel good or strong or real. This book is a catalog of photos and words that celebrate girls being their authentic selves. I want that for all the little girls, and all the little girls who have grown up too.
Inspired by the popular photo project of the same title that went viral in the spring of 2015, Strong Is the New Pretty is a photo-driven book comprised of 100 high-quality black-and-white and color images (with minimal text) of fierce and joyful girls--a celebration of what it means to be strong (whether athletic, bookish, brainy, brave, loyal, or courageous). The photographs champion the message that girls are perfect in their imperfection; beautiful in their chaotic, authentic lives; and empowered by their strength instead of their looks. They are messy. They are loud. Wild. Full of life. Adventurous. Silly. Funny. Strong.
Angela Burke Kunkel is an author, school librarian, and former English Language Arts teacher. She has experience working with all types of young readers, from the reluctant to the voracious, and has taught in both alternative and public schools, including a New Mexico middle school with a nationally-recognized dual education program. She is passionate about ensuring equitable book access for all children, and has published articles and participated as a panelist on these issues.
The Library Bus offers a glimpse into the importance of mobile libraries, showing how one bus run by a mother and daughter delivers books, school supplies, and lessons to other young girls in Afghanistan. Told of the course of one day, with the bus leaving Kabul in the very early morning and ending at bedtime, the story explains the restrictions women and girls faced under Taliban rule in a clear and age-appropriate way.
Author Bahram Rahman grew up in Afghanistan during years of civil war and the restrictive Taliban regime of 1996-2001. He wrote The Library Bus to tell new generations about the struggles of women who, like his own sister, were forbidden to learn.
It is still dark in Kabul, Afghanistan when the library bus rumbles out of the city. There are no bus seats-instead there are chairs and tables and shelves of books. And there are no passengers-instead there is Pari, who is nervously starting her first day as Mama's library helper. Pari stands tall to hand out notebooks and pencils…
There’s something truly magical about our ability to perceive the world through our senses. Our abilities to see, hear, smell, taste, and touch are like superpowers that we take for granted. Because of many amazing sensory experiences—like viewing the world from the top of a tower, feeling the pull of ocean waves at my feet, comparing flavors within chocolate, hearing wood thrushes in the forest—I find myself drawn to the beauty that our senses add to life. So, I’ve written two middle-grade novels (The Splintered Light and The Other Side of Luck)with an eye (and an ear) on sensory perception. I hope you enjoy these books!
Stolen jewels. A girl Robin Hood figure. Friendship. And an escape into the jungle with an elephant. Full of adventure and heart, The Girl Who Stole an Elephant provides a window into the lush setting of ancient Sri Lanka, and carried me along with its fast pace. Nizrana Farook’s descriptions are teeming with sensory details, and I thoroughly enjoyed them.
Inspired by the lush terrain of Sri Lanka, this fun tale of friendship, risk, and reward is just right for middle grade fans of fantasy and page-turning adventure.
Chaya, a nobleman's rebellious, outspoken, no-nonsense daughter, just can't resist the shiny temptations the king's palace has to offer.
But playing Robin Hood for an impoverished community doesn't come without risks, and when Chaya steals the queen's jewels from a bedside table—a messy getaway jeopardizes the life of a close friend. After an equally haphazard prison break, Chaya barely escapes...on the king's prized elephant!
With leeches and revolution lurking in the jungle,…
I guess it would be true to say I am one of the first generation of white, English-speaking South Africans who identify as African. I got that red dust in my veins at an early age, and it hit me hard. I have spent almost all my professional life as a travel journalist and writer of natural history books, all about South Africa and beyond. I have traveled the world, but I really only love and can live in this place. Also, it’s the only place I ever want to write about. So, as you can guess, I like to read about it too. And I hope you do as much.
The word “visceral” comes to mind when I attempt to distill what this book is about. A not-so-fictional auto-biography opens in the slum called Paradise, where Chipo, Bastard, Sbho, Stina, and “I” are headed to the–relatively–more affluent area of Budapest to steal fruit. These dirt-poor kids don’t know it, but they are victims of the far-off, murderous regime of President Robert Mugabe–but that always remains hidden in the background. They are brutalized and never know it or know why.
Courtesy of an invite from an Aunt in the United States, the protagonist eventually escapes Zimbabwe. But once there, while things get materially much better, in reality, it is no less bewildering and bereft of meaning: she and her friends spend their afternoons watching hard-core porn while eating popcorn and discussing inane stuff, like “what the hell are they doing?!” It’s funny in parts, but it also hurts in parts. The…
'To play the country-game, we have to choose a country. Everybody wants to be the USA and Britain and Canada and Australia and Switzerland and them. Nobody wants to be rags of countries like Congo, like Somalia, like Iraq, like Sudan, like Haiti and not even this one we live in - who wants to be a terrible place of hunger and things falling apart?'
Darling and her friends live in a shanty called Paradise, which…
