100 books like One Giant Leap

I’m an avid reader and writer of children’s literature, though I find it difficult to read anything that isn’t diverse these days. Being able to experience the world from the perspectives of other cultures is a true delight, and I learn something every time. After having read dozens of these diverse books, especially diverse fantasies, I find that nothing inspires my creative soul more. That’s why I’m able to speak on this topic for large conferences and schools, spreading this inspiration to others. And, as a published author of diverse children’s literature, I’ve done the same in my writing with praise from Kirkus, Booklist, Publisher’s Weekly, and many others.

I was a smart kid myself – I even have the report cards to prove it—and I always loved reading about other smart kids. As I got older, I realized that good grades and study habits are only part of the picture, because it’s emotional intelligence that helps us navigate the complicated parts of growing up. That’s why I wrote a book about a brilliant kid who learns to be part of a super-family, and that’s also why I love middle grade novels about clever kids who have to grow something other than their “book smarts” to figure out what they need to thrive. The books I’m recommending all get an A+ in that category.

I was a smart kid myself – I even have the report cards to prove it—and I always loved reading about other smart kids. As I got older, I realized that good grades and study habits are only part of the picture, because it’s emotional intelligence that helps us navigate the complicated parts of growing up. That’s why I wrote a book about a brilliant kid who learns to be part of a super-family, and that’s also why I love middle grade novels about clever kids who have to grow something other than their “book smarts” to figure out what they need to thrive. The books I’m recommending all get an A+ in that category.

While one-off stories are fantastic, I love that children's series lets readers return to trusted characters. Series allow children to see a wider arc of character development and decision-making—often imperfect and in transition—when they are trying to figure out how to identify and connect with the world themselves. That shared experience over time is why I only write series myself—to let kids evolve alongside their favorite characters.

When I was six, my father, a tall, bearded naval officer, read me Coleridge’s “Rime of the Ancient Mariner.” I thought it might be autobiography. Ever since, I've been fascinated by stories where fantasy and reality meet and blend. I studied English literature, taught Dead English Poets to undergraduates, became an editor/writer for hire. Along the way, I canoed, hiked the Rockies, and learned to sail a traditional Nova Scotian schooner. I have two sons, to whom I read stories night after night when they were much younger than they are now. Since retiring, I write fantasy adventure novels set aboard real sailing ships and stories about dragons who talk to exceptional people.

In my day job, I’m immersed either with technical equipment or managing people and I enjoy the duality of both challenges. It’s difficult to say which I like best, but because part of my job is people focused, I’ve enjoyed learning to understand the social and interpersonal dynamics between coworkers and clients alike. So books with strong character relationships and stories that are driven by their wants and desires, however right or wrong they may be, are a favorite of mine. The science fiction aspect comes with my love for technology, mainly in music and film and I find many parallels between those arts and writing books. 

I’ve been reading science fiction and fantasy, and specifically space opera, since I was seven and first discovered The Wonderful Flight to the Mushroom Planet. I read my way through every book in the school library and public library that dealt with aliens, space travel, starships, and especially adventure.

I grew up in a small Welsh town and I read to escape into other worlds. My love of myth and legend began when I came across a book of Greek myth in the library. I fell in love with the great voyages, the larger-than-life characters, the snake-haired monsters, and flying horses. I’ve been collecting legends ever since. I studied comparative literature at university, which included epic tales from all over the world and I was struck by how the same motifs come up again and again – quests, battles, magic. I love any story that takes you out of your everyday surroundings and into adventure.

In my day job I’m a professor in a hard science and, unsurprisingly, a lesbian. I love sapphic fiction, especially speculative sapphic fiction, but it can be hard to find as the books are seldom labeled as such. Because I write in this genre I’ve been able to ferret out a lot of them, and have made it a mini mission to read as many as possible. I’m particularly drawn to those that get science right (bad science to a science professor is like nails on a chalk board), and those that have at least a little bit of kissing.

As an avid explorer having thrice traveled around the world, living and working in over 40 countries, my inspirations as so originally science fiction have found grounding. I looked to level my imagination in the real world and filtered out the impossible from the unnecessary on a path to utopia. Sharing our ideas, exposing misgivings too, all contribute to a shared realization of human potential. This is much of the reason for who I am as a founder of business platforms I designed to achieve things that I envisage as helpful, necessary, and constructive contributions to our world. Those software endeavours underway in 2022, and a longtime coming still, are Horoscorpio and De Democracy.