Fans pick 100 books like Notes Made While Falling

First, because it’s incredibly funny. Geoff Dyer set out—he says—to write a sober, serious study of D. H. Lawrence, but life, travel arrangements, random people and his own inertia kept getting in the way. The story of his odyssey doesn’t just evoke all the things about writing that we’ve always suspected (that it’s hard; that it’s easy; that we often wonder why on earth we do it; that we never question that we want to do it). It also, by stealth, evokes and explains an amazing amount about Lawrence, and why he’s a writer that so many people love—or hate—so passionately. 

This was the book that had just sold to great acclaim when my own book was looking for a publisher. Like almost all of us, Stevens was desperate for peace, quiet and freedom from distractions so she could write her first novel. But she went further than most of us would dare: an uninhabited island off the Falklands. Yet on Bleaker Island every forward move she tried to make with the novel got tangled up in the impossibility of avoiding her self, her past, and how she got here. Writing does that—and it’s often also absurd, as Stevens knows too. I loved this book.

After eight successful books, Marie Chaix was abruptly dropped by her publisher. An editor-in-chief of another publisher picked her up, helped her dust herself down, became her writing support, friend and best reader, and published her next book. Three months later, he went to bed and never woke up. Shattered, Chaix decided that she couldn’t—wouldn’t—just didn’t write, not for thirteen years. In finally breaking her silence, Chaix draws a strange, delicate self-portrait of a writer paradoxically both stubborn and profoundly unconfident. I’m not Chaix, and I don’t always like autofiction, but as she weaves in and around the causes and consequences of her decision, her story seems to be about all writers.

Anyone who’s looking to establish a daily creative practice would be well advised to read this book and put the beautiful ideas inside into practice.

It’s packed with 12 weeks' worth of ideas for bringing out your artistic side. The ideas can help with any type of creative endeavour and are sure to encourage those creative juices to flow!

Wong's book is a gut-punching yet hilarious memoir about the Chinese immigrant experience and the searing impact of mental illness that left me with an overwhelming it-could-have-been-worse feeling. But seriously, the value in books like these is they make those in truly terrible situations know they aren't alone. That itself—that feeling of being seen—can keep one going. This book also reminded me of the importance of setting boundaries with family members--a lesson I could have used far earlier in my life. Yay for Wong, a beloved Canadian writer and writing instructor, for triumphing (like Lizzie) in the end! 

This is the oldest book on my list, and I worry that readers might dismiss Lethaby as some kind of dusty artifact from a bygone era. I stumbled on his work by accident when I was researching architectural ideas as they related to spiritual concepts.

I’d never heard of Lethaby, but once I started reading his work, I read it through in one (albeit long) sitting. Why? His imaginative grasp of the ancient minds that devised the earliest models of the heavens and who designed temples and homes to reflect those beliefs is a joyous and thrilling tour of the human spirit.

It’s a travesty to me that Lethaby isn’t a household name like William Morris.  

MacGregor’s book blew my mind when I first read it. This masterful history reveals the discovery of a secret treasure, one that eventually transformed the art world.

In the 19th and 20th centuries, mental asylums in Europe began experimenting with art therapy, allowing psychotic inmates access to drawing materials. Over seventeen chapters jam-packed with astounding images, MacGregor’s book tracks the evolution of what is now known as Outsider art and the profound effect it had (and continues to have) on avant-garde art.

I love MacGregor’s ability to marry the rigor of a scholar with a humane and sensitive commentary on the lives of these forgotten "schizophrenic masters.” This book inspired my own research into schizophrenic art and is my go-to source for inspiration on this theme. 

I found Rethinking Madness to be a highly original book. Clinical psychologist Paris Williams interviewed individuals who had been diagnosed with schizophrenia and other psychoses, and he integrated this research with prominent alternative explanations for madness. In contrast to the gloomy picture painted by establishment psychiatry, Williams describes how full recovery from schizophrenia and other related psychotic disorders is not only possible but is surprisingly common, and that many people who recover from these psychotic disorders do not merely return to their pre-psychotic condition, but often undergo a profound positive transformation with far more lasting benefits than harms.

Pat Cadigan is one of my favourite authors. Mindplayers is a short book, bizarre and strange but fascinating as per Cadigan’s style. The main setting here is the human mind. The protagonist is forced to become a Mindplayer, a sort of state-controlled psychologist who jacks into people’s minds in order to cure them. This book makes you wonder how vast the world inside your head is, and if your thoughts and memories really belong to you once a government takes control of them. There’s even Brain Police involved, what can be more dystopian than this?

This slender, 70-page memoir of a time in which both one woman and the world went mad is a beautifully-rendered portrait of psychosis. Written decades after the episode, Down Below describes the British-Mexican surrealist painter Leonora Carrington’s psychotic break in 1940, the circumstances of which were themselves aptly surreal. As a 19-year-old art student in London, she had fallen in love with the celebrated (and married) artist Max Ernst, and run scandalously away with him to a farmhouse in Provence. After Germany invaded France, the Jewish Ernst was arrested, leaving Carrington so intensely abandoned and shocked by unfolding history that she vomited repeatedly.

She began to unravel as she wandered her way out of France, eventually entering Madrid, which she perceived “as the world’s stomach, and that I had been chosen for the task of restoring this digestive organ to health. I believed that all anguish had accumulated in me… show more.