100 books like Music Education in Crisis

Known as ‘the man who invented the ‘80s’, Trevor Horn is considered one of the most innovative producers of modern pop.

He revolutionized production from his group The Buggles Video Killed the Radio Star to Band Aid’s Do they Know It’s Christmas?, to hits for Frankie Goes to Hollywood, ABC, Yes,  Rod Stewart, and Seal. I can tell you this book is the real deal because I worked with him on hits for The Pet Shop Boys, Grace Jones, Frankie, and ABC.

This book takes you inside his unique process, and reveals his production concept - at once mind-blowing and surprisingly down-to-earth.

The author is the thing here. Geoff Emerick was the sound engineer at Abbey Road Studios during the recording of the later Beatle albums – Sgt. Pepper, the White Album, and, yes, Abbey Road. Of course, every Beatle fan knows that George Martin was the Beatle’s producer but it was Emerick who set up the microphones and the tape loops. It was Emerick who captured Ringo’s drumming the best (pillow in the bass drum) and to a large degree, it was he who helped the Beatles shape their legendary sound.

I am a huge Iron Maiden fan, like a devoted acolyte fan. Over the years, I’ve seen them multiple times, bought a closet full of concert shirts, and collected their beers/Funko Pops/album deluxe versions. Bruce Dickinson is the band’s second vocalist, and here he gives us the tales of his early days in Samson before joining Steve Harris and the Maiden crew. We get stories of his childhood and family in typical autobiography fashion, but it takes off once he gets into the meat of his time with Iron Maiden.

The book is captivating because he reflects on leaving Maiden to follow a solo career. The struggles he dealt with personally and professionally paint a picture of a man who had it all but wanted to try something new. The book’s final portion deals with his return to Iron Maiden and how he went through cancer. Cancer could’ve ended his… show more.

Blind Justice, set in 1768, is the first of Bruce Alexander’s 11 Sir John Fielding mysteries. Its hero is the famous blind magistrate of London’s Bow Street Court; its narrator is thirteen-year-old Jeremy Proctor, whom Fielding’s wisdom has saved from an unjust accusation of theft. The pair investigate the death of Sir Richard Goodhope, who has been discovered shot in his library, locked from the inside. Sir John assumes suicide, but Jeremy’s observation of a detail that the magistrate could not see suggests murder. Proof of murder involves following Goodhope’s history through London’s streets, gambling houses, coffee houses, and great houses—to Drury Lane theater and Newgate—in a compelling portrait of eighteenth-century London.

This is a glorious bird-by-bird book, filled with photographs and lots of information and first-hand accounts, including folklore and history, with copious endnotes and references. It was first published in 2005 and reissued in 2020. The book is divided into different bird families, starting with the Diver family, the Grebe family, and the Albatross family, so it can be read systematically or by dipping in and out. Birds Britannica perhaps deserves the name ‘coffee-table book’ – being so heavy, it is almost impossible to read unless seated (with a coffee) at a table. 

This is a biography but it’s about a famous ship, the Mauretania, rather than a famous person. Through her illustrious career the Mauretania—affectionately called the ‘Maury’—carried passengers in speed and style across the Atlantic while holding the Blue Riband for more than 20 years. In service from 1907 to 1934, she spanned the era of the great luxurious liners.

Lots of textual material, which I like, although there’s enough photos to illustrate the various aspects of her life. If you like detail, this book has it. My only criticism is light coverage of her important role in the First World War. Read this in conjunction with the histories of her sister ship and running mate, the ill-fated Lusitania. They provided a rotating weekly service across the Atlantic for 8 years, and were equally luxurious, but their stories are far from identical.

This was Dickens’s personal favorite of all his books. It’s so good it makes me remember parts of my childhood–sensations, thoughts, feelings–I’d long forgotten. My wife and I read it to each other at bedtime, about five pages a night.

It’s pretty sophisticated prose, but I bet a kid as young as five could get into it in the same way they can enjoy someone reading Harry Potter books to them.

There’s something reassuring about how long the book is, too. You’ll want Dickens to keep telling you this story night after night.

This is such a fun book! The book-loving heroine is so upbeat and full of sunshine. Grace loves whimsy yet manages to keep her feet on the ground. I loved how she uses her experience with fiction to solve mysteries and escape harrowing situations. Lord Astley is haunted by past mistakes but his brooding nature can't stand against Grace's guileless enthusiasm. A marriage of convenience, a villain on the prowl, and a house with secret passageways. What's not to love? Riddled with laugh-out-loud moments, this book should not be missed at Christmas or any other time of year.

Imagine being in a tour group with the most annoying person in the world, Susan. Every tour group has that one person who talks non-stop about things that don’t matter. The difference here is that the tour guide Rowan Rover is an inept hitman who can’t seem to bump Susan off. An added element of fun is that the group is touring England’s most famous murder sites. When I was learning to write mysteries, I had two prominent influences, Sue Grafton and Sharyn McCrumb. Both taught me how to construct a solid mystery. Sue Grafton opened my eyes to the power of connection created by writing in first person. And Sharyn McCrumb showed me the importance of using humor even when talking about dark subjects like murder. 

As the daughter of a wartime internee, I was particularly affected by this novel. It is 1938, and socialite Phyllis Forrester is unaware that her family life is soon to be destroyed by circumstance. A privileged wife and mother, Phyllis is politically naïve. There are subtle hints of the darkness to come as she, along with her kin, becomes increasingly involved with Oswald Mosley’s political party. When war breaks out and Phyllis is interned, she endures her downfall and imprisonment with equanimity. The book carries a quiet, sad sense of regret as she tries and fails to pick up the post-war threads of her former life. There is no going back.