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I grew up in a small, rural community that is perhaps best defined by cold, grey, rainy days – perfect reading weather. I developed an interest in learning about different places and cultures through books. Then I started traveling and my interest turned into a passion, that transformed my educational journey. I completed a Masters and PhD in Anthropology and did my field research for my degree in Australia and Nepal. I still love to learn about new cultures, though the children have meant less traveling and more adventuring via books!
This book is a brilliant ethnography and one of the first books I read as a young anthropology student, The Spirit Catches You and You Fall Down by Anne Fadiman.
It is about a Hmong family, living in California, that has an epileptic child and their interactions at a children’s hospital. The book came back into my life when my second daughter started having seizures and we were admitted into the same children’s hospital where the book was researched.
One of the doctors knew I was an anthropologist and reminded me of the book. Despite the cultural difference between myself and the Hmong family, I could see myself in their fear, their hope, and their desire to make sense of having a very ill child.
I am an author, science journalist, and storyteller. I worked for the PBS science series NOVA for many years, producing documentaries, podcasts, digital video series, and interactive games on everything from asteroids to human origins to art restoration. But I am particularly fascinated by strange brains, which is why I wrote my first book, The Memory Thief. I am currently at work on a second book about a different neurological disorder.
Neuroscientist György Buzsáki believes that focusing on human mental constructs (imagination, attention, instinct) gets in the way of seeing things from the brain’s perspective. Rather than being a blank slate waiting for experiences to etch new pictures onto it, the brain comes equipped with a huge reserve of built-in patterns, each one created by connected groups of neurons. In his view, memory formation is a game of matching those patterns with meaningful experiences so that your brain can better predict the future and the consequences of your actions. I walked away from this book with my brain very much changed.
Gyoergy Buzsaki's The Brain from Inside Out examines why the outside-in framework for understanding brain function have become stagnate and points to new directions for understanding neural function. Building upon the success of Rhythms of the Brain, Professor Buzsaki presents the brain as a foretelling device that interacts with its environment through action and the examination of action's consequence. Instead of a brain that represents the world, consider that it is initially filled with nonsense patterns, all of which are gibberish until grounded by action-based interactions. By matching these nonsense "words" to the outcomes of action, they acquire meaning.
I am an author, science journalist, and storyteller. I worked for the PBS science series NOVA for many years, producing documentaries, podcasts, digital video series, and interactive games on everything from asteroids to human origins to art restoration. But I am particularly fascinated by strange brains, which is why I wrote my first book, The Memory Thief. I am currently at work on a second book about a different neurological disorder.
Lisa Genova’s book is an efficient, crystal-clear description of memory—what it’s for, how it’s made, and why forgetting is such an essential aspect of memory. She manages to explain tricky neuroscience in an accessible way without being overly simplistic. I only wish the book had come out before I started researching mine. It would have saved me a lot of time!
NEW YORK TIMES BESTSELLER • A fascinating exploration of the intricacies of how we remember, why we forget, and what we can do to protect our memories, from the Harvard-trained neuroscientist and bestselling author of Still Alice.
“Using her expertise as a neuroscientist and her gifts as a storyteller, Lisa Genova explains the nuances of human memory”—Steven Pinker, Johnstone Professor of Psychology, Harvard University, author of How the Mind Works
Have you ever felt a crushing wave of panic when you can't for the life of you remember the name of that actor in the movie you saw last week,…
I am an author, science journalist, and storyteller. I worked for the PBS science series NOVA for many years, producing documentaries, podcasts, digital video series, and interactive games on everything from asteroids to human origins to art restoration. But I am particularly fascinated by strange brains, which is why I wrote my first book, The Memory Thief. I am currently at work on a second book about a different neurological disorder.
What if addiction isn’t a chronic relapsing disease, as described by the National Institute on Drug Abuse? What if a better way to think about it is as a type of learning disorder? Neuroscientist and author Marc Lewis, himself a recovering addict, makes his compelling argument through the stories of five people suffering from substance use disorders. This insightful book left me believing that the attempt to fit addiction into rigid categories does a disservice to the complexity of this condition.
Through the vivid, true stories of five people who journeyed into and out of addiction, a renowned neuroscientist explains why the "disease model" of addiction is wrong and illuminates the path to recovery.The psychiatric establishment and rehab industry in the Western world have branded addiction a brain disease, based on evidence that brains change with drug use. But in The Biology of Desire , cognitive neuroscientist and former addict Marc Lewis makes a convincing case that addiction is not a disease, and shows why the disease model has become an obstacle to healing.Lewis reveals addiction as an unintended consequence of…
I have loved visiting country houses ever since I was a child. There is something unique about the combination of art, architecture, and people. Over my lifetime, I have been privileged to visit all sorts of houses and castles. I used to work at Christie’s and during that time I visited many country houses, some of which were completely private. It was a natural progression when I moved to Goodwood and became the curator of the art collection, enjoying the house as part of my daily life. The view from my office looks out through the columns of the portico, across the park, with the sea glinting in the distance. What could be better?
This book is a fascinating insight into the sisters of the 3rd Duke of Richmond and their lives played out among the country houses of England and Ireland. They were all brilliant letter writers, and although they were separated for long periods, kept up a constant correspondence. After reading it, I felt I knew the sisters personally, even though they had lived 250 years ago. It became an instant bestseller when it first came out over twenty years ago and was made into a film, with Julian Fellowes playing the 2nd Duke of Richmond.
The Lennox Sisters--great-granddaughters of a king, daughters of a cabinet minister, and wives of politicians and peers--lived lives of real public significance, but the private texture of their family-centered world mattered to them and they shared their experiences with each other in countless letters. From this hitherto unknown archive, Stella Tillyard has constructed a group biography of privileged eighteenth-century women who, she shows, have much to tell us about our own time.
Since childhood I have wanted to know why things look as they do. Every object expresses what was once an idea in someone’s mind. Looking from things to the people who made them and back again, we understand both better. This single question has led me through a lifetime of writing about material culture, architecture, applied art and craft. I have written books about Stonehenge, the Gothic Revival and antiquarianism in the Romantic age. I also hosted a podcast series, for the London Review of Books.
The 1960s saw Britain destroy more of its own built environment than all the bombing of the second world war. The car was king, the high rise and the shopping precinct transformed city centres. In many cases this is now seen as a disaster. Otto Saumarez Smith, one of the brightest of the rising generation of architectural writers, tells us how and why it happened, why it stopped and why he has come to love some of it.
Boom Cities is the first published history of the profound transformations of British city centres in the 1960s.
It has often been said that urban planners did more damage to Britain's cities than even the Luftwaffe had managed, and this study details the rise and fall of modernist urban planning, revealing its origins and the dissolution of the cross-party consensus, before the ideological smearing that has ever since characterized the high-rise towers, dizzying ring roads, and concrete precincts that were left behind.
The rebuilding of British city centres during the 1960s drastically affected the built form of urban Britain, including…
I spent 40 years as a soldier studying war. After graduation from Royal Military College, I joined the Armoured Corps. Throughout history, we have regaled each other with stories of war. From Greek myths to Norse sagas to modern movies, we cannot seem to get enough of war stories. And yet, we know that war is inherently a bad idea. It is evil. It is a form of collective madness. War is destructive and cruel, unworthy of our better selves. To paraphrase Abraham Lincoln, war breaks the bonds of our affection and does not speak to our better angels. I study it in order to better understand this madness.
John Masters grippingly tells of his life as a newly commissioned Subaltern in a Gurkha regiment, warts, and all. This book is especially valuable to new infantry platoon commanders, or anyone interested in the challenges of leading at the lowest levels. Masters is a consummate storyteller who takes the reader along with him in his personal journey of discovery as he learns about life, leadership, and the nature of war.
The first of John Master's evocative memoirs about life in the Gurkhas in India on the cusp of WWII
John Masters was a soldier before he became a bestselling novelist. He went to Sandhurst in 1933 at the age of eighteen and was commissioned into the 4th Gurkha Rifles in time to take part in some of the last campaigns on the turbulent north-west frontier of India.
John Masters joined a Gurhka regiment on receiving his commission, and his depiction of garrison life and campaigning on the North-West Frontier has never been surpassed. BUGLES AND A TIGER is a matchless…
I have loved visiting country houses ever since I was a child. There is something unique about the combination of art, architecture, and people. Over my lifetime, I have been privileged to visit all sorts of houses and castles. I used to work at Christie’s and during that time I visited many country houses, some of which were completely private. It was a natural progression when I moved to Goodwood and became the curator of the art collection, enjoying the house as part of my daily life. The view from my office looks out through the columns of the portico, across the park, with the sea glinting in the distance. What could be better?
The country house is a subject that has always fascinated me, but I’ve often struggled to define it accurately. Clive Aslet, former editor of Country Life magazine does a brilliant job of refining the topic into very readable, succinct, chapters filled with plenty of anecdotes and charming illustrations. As soon as I finished it, I wanted to read it all over again.
The fascinating story of the evolution of the country house in Britain, from its Roman precursors to the present
The Story of the Country House is an authoritative and vivid account of the British country house, exploring how they have evolved with the changing political and economic landscape. Clive Aslet reveals the captivating stories behind individual houses, their architects, and occupants, and paints a vivid picture of the wider context in which the country house in Britain flourished and subsequently fell into decline before enjoying a renaissance in the twenty-first century. The genesis, style, and purpose of architectural masterpieces such…
Being an immigrant from India, a culture that places family values above all else, I am drawn to books that explore family conflicts, secrets, and the triumph of love against all odds. When an author incorporates these themes into a mystery, the book becomes more than a simple formulaic whodunnit story that educates me about the complexities of our lives.
Threat of exposure of a scandalous affair takes Lynley and his sidekick Havers from London into the countryside, where they reveal how a hidden past and the mistaken identity of a father by his son, led to murder. I love it for the writing style – George's later books became too big for me – the characters she creates with such clarity and passion, who are put into situations that threaten their lives, reputation, and ideals.
As the editor of a popular left-wing tabloid, Dennis Luxford has made a career out of scandal. But this time the scoop involves his own daughter. To save the life of his child, Luxford must expose the girl's mother - Eve Bowen, now Under Secretary of State for the Home Office. And Eve refuses to involve the police, convinced that Charlotte's disappearance is just one more shabby tabloid ploy.
Only when events take an unbearable turn is New Scotland Yard brought in, in the guise of Inspector Thomas Lynley and his partner, Barbara Havers. And as their investigations move from…
I wanted to go to the sea ever since I can remember. In the hope of having the nonsense knocked out of me, my father sent me at the tender age of fourteen to the ‘Indefatigable’, a tough sea-training school. This only strengthened my resolve for a life at sea, and I joined the Royal Navy at 15. My family emigrated and I transferred to the Royal Australian Navy and saw service around the world. Although I no longer have an active involvement with the navy, I sail in my imagination through my sea-faring novels.
I’m greatly drawn to the caricaturists and satirists of the late eighteenth and early nineteenth century. In the days before the internet they were often vehicles for witty, sometimes very pointed, commentary on all aspects of society. This book, with prints from the National Maritime Museum, focuses on the Royal Navy during the later eighteenth and early nineteenth century.
Broadsides explores the political and cultural history of the Navy during the later eighteenth and early nineteenth centuries through contemporary caricature. This was a period of intense naval activity - encompassing the Seven Years War, the American War of Independence, the wars against revolutionary and Napoleonic France, and the War of 1812. Naval caricatures were utilised by the press to comment on events, simultaneously reminding the British public of the immediacy of war, whilst satirising the same Navy it was meant to be supporting. The thematic narrative explores topics from politics to invasion, whilst encompassing detailed analysis of the context…
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