Fans pick 100 books like Max Perkins

More than a century before Oprah, emancipated African Americans organized their own book clubs. They studied mainly the Western classics but also emerging black writers.

While Booker T. Washington emphasized vocational training, more militant black leaders demanded the right to read the same authors taught in elite white academies: One of their syllabuses included Milton, Spenser, Homer, Aeschylus, Longfellow, Dryden, Pope, Browning, Pindar and Sappho. Those poets, said one reader, inspired the "hope [that] the great American epic of the joys and sorrows of our blood and kindred, of those who have gone before us[,] would one day be written."

And that's exactly what happened. A young Ralph Ellison read everything in the segregated branch of the Oklahoma City library; Malcolm X was profoundly affected by Paradise Lost; and Toni Morrison minored in classics at Howard University.

Middlebrow was the deadliest insult Virginia Woolf and Dwight Macdonald could hurl at a book.

Until recently, that vast literary territory was ignored by scholars. Joan Rubin changed all that with a study that really deserves the overused label "groundbreaking." Middlebrow books, which dominated American culture between 1920 and 1960, strove to make challenging subjects accessible to a somewhat educated audience.

A legendary example was Will and Ariel Durant's 11-volume The Story of Civilization. Before literary criticism became a hermetic business of professors talking only to one another, every newspaper had a weekend book review section, where public critics like Irita Van Doren and Clifton Fadiman addressed general readers.

Censors can be astonishingly intelligent readers. For them, discernment and insight are essential job skills. Aleksandr Nikitenko (1804-77) hated and loved his work for the same reason: "Only the censor has the opportunity to read everything being written in our country." He adored Byron ("his poetry is like a storm playing an Aeolian harp") and scolded Russians for not appreciating Shakespeare. And he fully recognized the "downright absurdity and contradiction" of the system.

He tried to reason with Orthodox clerics who demanded the suppression of historical articles on the Reformation, which, they believed, might inspire a Russian Martin Luther. The minister of war insisted that an expose of army atrocities be recalled from Moscow bookstores: "This book is particularly dangerous because there's truth in every single line of it."

Nikitenko won some battles, heading off attempts to expurgate Pushkin and block John Stuart Mill's On Liberty. But the government created… show more.

Before it launched the modern environmental movement, Silent Spring (1962) had to run a formidable publication gantlet. Rachel Carson challenged the prevailing scientific consensus about pesticides, a subject most magazines wouldn't touch for fear of losing ads. The chemical industry threatened legal action and mounted a PR campaign against Carson. But she had several strong cards to play.

She was already a best-selling author. She was firmly backed by her editor, Paul Brooks of Houghton Mifflin, then an independent family firm with a tradition of publishing nature writers. The book was serialized in the New Yorker, and President Kennedy plugged it at a press conference. On CBS, Eric Sevareid gave Carson equal time with an industry spokesman, though some corporations pulled their commercials. As Brooks predicted, "A future social historian will be writing his Ph.D. thesis on the career of Silent Spring—just you wait!"

Priscilla Coit Murphy builds a gripping… show more.

Isabel Dalhousie is a moral philosopher by profession. She edits a journal on the subject. One of the most intriguing aspects of this series is that she’s always weighing the moral shoulds and shouldn’ts of her circumstances and her cases. What is her obligation to act? To speak? To pursue? Insatiably curious, her habit makes these books ripe with meaning. Set in a charming Edinburgh, between her bassoon-playing friend Jamie, her no-nonsense, Spiritualist housekeeper, Grace, and her slightly wild, deli-owning niece, Cat, Isabel has her hands and her mind full navigating what’s right, what’s wrong, and what’s in-between. Her constant self-scrutiny is part of what caused me to be as transparent as I am about the metaphysics in my own books.

This charming, deeply romantic tale about an editor whose big promotion is contingent on her helping a popular author overcome a terrible case of writer’s block reminded me of all the reasons I adore reading and writing love stories.

Working with this author leads Lanie to question her long-cherished beliefs about what she wants (and needs) in a romantic partner. She opens her heart to new ideas and experiences as well as to love, and her journey, both personally and professionally, culminates in such an epically swoon-inducing way that you will be hard-pressed not to shed happy tears (I did!).

Like the book’s heroine, Lauren Kate clearly reveres the written word, and this story is a beautifully composed valentine to all bibliophiles.

Despite the cheesy title, this is a revealing window on the world of postwar publishing. Seaver “discovered” Samuel Beckett as a graduate student in Paris after the war, and he eventually became an editor at Beckett’s American publisher, Grove, during its heyday under Barney Rosset.

A recent transplant from the South gets hired as a travel book editor and finds herself the sole human employee in a company run by a vampire. Her coworkers include zombies, incubi, and even a goddess. As part of her job, she must write a tourist guide to the city—for the undead.

To me, the most fun parts are the actual pages from the guide, interspersed with the narrative. 

I have a hard time understanding why this book didn’t do better than it did commercially because it was a well-executed technical endeavor. Even more, than the really well-done twist ending, the biggest thing I really liked about Alex Pavesi’s book was that the story was told through the eyes of an editor as she reads a series of short stories.

I experienced the stories in real-time with her, but at the end of each, she critiqued them, with the result being an ongoing series of, well, let’s call them easter eggs for me. Again and again, throughout the whole book, she kept pointing out details I’d missed in each story that had a deeper meaning. It’d be easy for this format to get old, but it never did, at least for me. Then, should we take these stories and piece them together as bricks in the wall for the… show more.

This is a book about being a celebrity’s biggest fan. In 16th Century France, eighteen-year-old Marie de Gournay reads the essays of the philosopher Montaigne, and is so overwhelmed that she faints. When she finally meets her idol, she stabs herself with a hairpin to prove her devotion. For two blissful months, she lives as his adopted daughter. When he dies four years later, de Gournay devotes herself to editing the writings he left behind, persisting even though she is despised both by the intellectuals of the time and by her own family. I know how it feels to be that intense, socially awkward, bookish girl and I found Marie’s story extremely moving.