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I started my career as a graduate student studying the Victorian period, a great age for autobiography. And although autobiography is no longer taught much in English departments, I guess I retain my passion for the genre. The greatest, of course, is Rousseau’s Confessions.
Even if you know nothing about dance, this (not short) memoir takes you inside one of the most imaginative collaborations of the twentieth-century avant-garde, and gives you the flavor of some of its extraordinary characters—not only Cage and Cunningham, but Robert Rauschenberg, Jasper Johns, Morton Feldman, and others.
Carolyn Brown, one of the most renowned dancers of the last half-century, lived at the center of New York's bold and vibrant artistic community, which included not only dancers and choreographers but composers and painters as well. Brown's memoir recounts her own remarkable twenty-year tenure with the Merce Cunningham Dance Company and provides a first-hand account of a pivotal period in twentieth-century art.
From the 1950s to the 1970s, Brown developed close relationships with musical director John Cage and set-designer Robert Rauschenberg and with Cunningham himself. Brown's memoir reveals the personal dynamics between the reserved and moody Cunningham and the…
William Ophuls served as a Foreign Service Officer in Washington, Abidjan, and Tokyo before receiving a PhD in political science from Yale University in 1973. His Ecology and the Politics of Scarcity published in 1977 laid bare the ecological, social, and political challenges confronting modern industrial civilization. It was honored by the Kammerer and Sprout awards. After teaching briefly at Northwestern University, he became an independent scholar and author. He has since published a number of works extending and deepening his original argument, most prominently Requiem for Modern Politics in 1997, Plato’s Revenge: Politics in the Age of Ecology in 2011, and Immoderate Greatness: Why Civilizations Fail in 2013.
A classic work of philosophical anthropology containing the record of one anthropologist’s search for what it means to be human. Part personal memoir, part vivid travelogue, part scientific milestone, part critique of civilization, and all tour de force, the work defies easy categorization. Another rich playground for the intellect.
A milestone in the study of culture from the father of structural anthropology
This watershed work records Claude Lévi-Strauss's search for "a human society reduced to its most basic expression." From the Amazon basin through the dense upland jungles of Brazil, Lévi-Strauss found the societies he was seeking among the Caduveo, Bororo, Nambikwara, and Tupi-Kawahib. More than merely recounting his time in their midst, Tristes Tropiques places the cultural practices of these peoples in a global context and extrapolates a fascinating theory of culture that has given the book an importance far beyond the fields of anthropology and continental philosophy.…
I started my career as a graduate student studying the Victorian period, a great age for autobiography. And although autobiography is no longer taught much in English departments, I guess I retain my passion for the genre. The greatest, of course, is Rousseau’s Confessions.
Mekas was a Lithuanian émigré who became an impresario of experimental cinema. He lived a long and eventful life, and this eccentric book is a fascinating account of it.
A Dance with Fred Astaire is an extraordinary collection of anecdotes and rare ephemera featuring a dizzying cast of cultural icons both underground and mainstream, both obscure and celebrated. Memories and diary entries, conversations and insights into his work sit alongside collages of beautifully reproduced postcards, newspaper cuttings, film negatives, lists, posters and photographs, envelopes and letters, book covers, telegrams, cartoons and doodles. Mekas has kept and archived the artifacts of his life as a cultural touchstone down to the minutiae, all of which is brought together here in the form of a unique and fascinating scrapbook of a life…
I started my career as a graduate student studying the Victorian period, a great age for autobiography. And although autobiography is no longer taught much in English departments, I guess I retain my passion for the genre. The greatest, of course, is Rousseau’s Confessions.
OK, Warhol probably did not write a single word of this book, and OK, you should believe nothing in it (or that Warhol ever said). But Pat Hackett channels Warhol’s voice and attitude uncannily, and the stories, however dubious the provenance, are funny and insightful about the art world of the nineteen sixties.
Anecdotal, funny, frank, POPism is Warhol's personal view of the Pop phenomenon in New York in the 1960s.
A cultural storm swept through the 1960s—Pop Art, Bob Dylan, psychedelia, underground movies—and at its center sat a bemused young artist with silver hair: Andy Warhol. Andy knew everybody (from the cultural commissioner of New York to drug-driven drag queens) and everybody knew Andy.
His studio, the Factory, was the place: where he created the large canvases of soup cans and Pop icons that defined Pop Art, where one could listen to the Velvet Underground and rub elbows with Edie Sedgwick and…
My mom always wanted to write mysteries, so I learned to read them from her. It’s the puzzle part of a mystery that pulls me. Cozies, world travelers, no matter, just not thrillers, no real menace. The mysteries, like every other book I read, need to be character-based, and the quirkier, the better. I prefer women sleuths as I write one. It doesn’t matter if they’re amateurs or professionals. Again, character. Who is this person becoming through her cases? How is she different, better, wiser, because of them? Who does she serve, help, heal? I do jigsaw puzzles for meditation. Got puzzle? Bring it. Except math.
Isabel Dalhousie is a moral philosopher by profession. She edits a journal on the subject. One of the most intriguing aspects of this series is that she’s always weighing the moral shoulds and shouldn’ts of her circumstances and her cases. What is her obligation to act? To speak? To pursue? Insatiably curious, her habit makes these books ripe with meaning. Set in a charming Edinburgh, between her bassoon-playing friend Jamie, her no-nonsense, Spiritualist housekeeper, Grace, and her slightly wild, deli-owning niece, Cat, Isabel has her hands and her mind full navigating what’s right, what’s wrong, and what’s in-between. Her constant self-scrutiny is part of what caused me to be as transparent as I am about the metaphysics in my own books.
Nothing captures the charm of Edinburgh like the bestselling Isabel Dalhousie series of novels featuring the insatiably curious philosopher and woman detective. Whether investigating a case or a problem of philosophy, the indefatigable Isabel Dalhousie, one of fiction’s most richly developed amateur detectives, is always ready to pursue the answers to all of life’s questions, large and small.
In this first installment, Isabel is attending a concert in the Usher Hall when she witnesses a man fall from the upper balcony. Isabel can’t help wondering whether it was the result of mischance or mischief. Against…
As an author, I run my own business and have a hand in all aspects of my product, from creation to promotion. My work is my passion, so I love to write (and read!) books about women who have that same dedication to their careers. I enjoy seeing these ladies strive for success and how they handle challenges along the way. And, of course, since RomComs are my genre, those challenges often involve a man because where else is a workaholic going to find her soulmate? The witty banter, sizzling sexual tension, snort-laugh moments, and surprising plot twists on the pages of all these books, including mine, are guaranteed to entertain you.
This charming, deeply romantic tale about an editor whose big promotion is contingent on her helping a popular author overcome a terrible case of writer’s block reminded me of all the reasons I adore reading and writing love stories.
Working with this author leads Lanie to question her long-cherished beliefs about what she wants (and needs) in a romantic partner. She opens her heart to new ideas and experiences as well as to love, and her journey, both personally and professionally, culminates in such an epically swoon-inducing way that you will be hard-pressed not to shed happy tears (I did!).
Like the book’s heroine, Lauren Kate clearly reveres the written word, and this story is a beautifully composed valentine to all bibliophiles.
From # 1 New York Times bestselling author Lauren Kate comes an enemies-to-lovers romance about an editor, her bestselling author, and one life-changing secret.
What she doesn't know about love could fill a book.
With a successful career as a romance editor, and an engagement to a man who checks off all ninety-nine boxes on her carefully curated list, Lanie's more than good. She's killing it. Then she’s given the opportunity of a lifetime: to work with world-renowned author and her biggest inspiration in love and life—the Noa Callaway. All Lanie has to do is cure Noa's writer's block and…
I've lived in Brooklyn for over 30 years now. I've always had a weakness for fun, snarky urban fantasy where the city is always a supporting character—and sometimes a major one. One day I decided to write a short story in the style of Simon R. Green's Nightside books, only instead of London, it'd feature New York City. And thus, the Conradverse was born. I tend to combine action, humor, real Brooklyn and NYC locations and history, and copious pop culture references when writing in this setting, and I seek out other books that do a great job at handling some or all of these elements.
A recent transplant from the South gets hired as a travel
book editor and finds herself the sole human employee in a company run by a
vampire. Her coworkers include zombies, incubi, and even a goddess. As part of
her job, she must write a tourist guide to the city—for the undead.
To me, the most fun parts are the actual pages from the
guide, interspersed with the narrative.
A travel writer takes a job with a shady publishing company in New York, only to find that she must write a guide to the city -- for the undead!
Because of the disaster that was her last job, Zoe is searching for a fresh start as a travel book editor in the tourist-centric New York City. After stumbling across a seemingly perfect position though, Zoe is blocked at every turn because of the one thing she can't take off her resume -- human.
Not to be put off by anything -- especially not her blood drinking boss or death…
I'm fascinated by stories about complicated friendships because they speak to our eternal need to be part of something. Everyone wants to have friends, especially when we’re young, but what if those friendships aren’t good for us? What happens when self-interest motivates our social choices? It seems there’s often a fragile boundary between love and hate. This volatile intensity becomes addictive. I'm a Canadian writer with a BA in English from the University of Ottawa. When writing fiction, I love exploring the toxic threads of jealousy, ambition, and obsession that both bind us together and tear us apart.
I adored Charlotte and Rose’s heartbreaking friendship.
First, Charlotte and Rose come of age in the late nineties, a perfect pair with an inseparable bond taking on New York City. As they grow up, it’s their individual problems and decisions that loosen the bolts holding them together. Some friendships shape us into who we are, so losing a friend brings grief and anger.
Charlotte and Rose are both rich, fully realized characters with goals that don’t always align. Bauer’s brilliant prose makes this a book I could read again and again.
'The instant feminist classic our generation has been waiting for' Ada Calhoun, author of Why We Can't Sleep
What happens when growing up means growing apart?
1997. New York.
Earnest, bookish Rose.
Brash, extrovert Charlotte.
When they moved to New York in the late nineties, coffee cost less than a dollar and you could still smoke in bars. You could stay up drinking all night, sat in vinyl booths patched up with duct tape.
Everyone has their own New York, and for Rose and Charlotte it was a place to feed their ambition, a place to dance and party and…
I’m an academic and non-fiction writer as well as a novelist. My favourite part of writing is the research phase, when you catch the scent of something fascinating, and hitherto unknown, and never know where it might lead you. As you’ve probably guessed from my recommendations, I have a soft spot for the quiet, unflashy, overlooked figures. Recently I’ve returned to the subject of overlooked women, although in non-fiction, in my book Letters to my Weird Sisters: On Autism and Feminism. For my next novel, I’m learning all about the bluestocking women of eighteenth-century Britain, and their attempt to create an ideal community. Perfect characters aren’t interesting to me – flawed ones are so much better.
This is a book about being a celebrity’s biggest fan. In 16th Century France, eighteen-year-old Marie de Gournay reads the essays of the philosopher Montaigne, and is so overwhelmed that she faints. When she finally meets her idol, she stabs herself with a hairpin to prove her devotion. For two blissful months, she lives as his adopted daughter. When he dies four years later, de Gournay devotes herself to editing the writings he left behind, persisting even though she is despised both by the intellectuals of the time and by her own family. I know how it feels to be that intense, socially awkward, bookish girl and I found Marie’s story extremely moving.
Marie de Gournay was eighteen when she read, and was overwhelmed by, the essays of the French philosopher Montaigne. She had to be revived with hellebore. When she finally met Montaigne, she stabbed herself with a hairpin until the blood ran in order to show her devotion. He made her his adopted daughter for the two months they knew each other. He died four years later, after which, though scorned by intellectuals, she became his editor. Jenny Diski engages with this passionate and confused relationship between 'father and daughter', old writer/young acolyte, possible lovers, using both their voices. Much of…
I have cerebral palsy, but the list of things that I absolutely can’t do is surprisingly short: I can climb a flight of steps or walk the length of a football field, for example, but those tasks are going to take a lot more time and energy for me than they would an able-bodied person. We all choose where to invest in life, but cerebral palsy makes that process much more deliberate, and I’ve been fascinated by it for a long time. I’m always on the hunt for stories that demonstrate that our choices shape our life, not our limitations, and I’m determined to choose joy.
I loved this book because it’s the only novel I’ve ever read during which I’ve said to myself, “I know these two are going to have a happy ending (the book is a romance, and the genre demands it), but I have absolutely no idea how they’re going to get there.”
I love Emily Henry’s prose, and the way it propels the story; I love the idea that the book is centered around the kind of woman who always gets left behind in Hallmark movies. And I love that the book is unapologetic when it asserts that the kind of life that brings you joy is not necessarily the life everyone else wants for themselves or for you.
An insightful, delightful, instant #1 New York Times bestseller from the author of Beach Read and People We Meet on Vacation.
Named a Most Anticipated Book of 2022 by Oprah Daily ∙ Today ∙ Parade ∙ Marie Claire ∙ Bustle ∙ PopSugar ∙ Katie Couric Media ∙ Book Bub ∙ SheReads ∙ Medium ∙ The Washington Post ∙ and more!
One summer. Two rivals. A plot twist they didn't see coming...
Nora Stephens' life is books—she’s read them all—and she is not that type of heroine. Not the plucky one, not the laidback dream…
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