I started my career as a graduate student studying the Victorian period, a great age for autobiography. And although autobiography is no longer taught much in English departments, I guess I retain my passion for the genre. The greatest, of course, is Rousseau’s Confessions.
By Louis Menand
In his follow-up to the Pulitzer Prize-winning The Metaphysical Club, Louis Menand offers a new intellectual and cultural history of the postwar years. The Cold War was not just a contest of power. It was also about ideas, in the broadest sense--economic and political, artistic and personal. In The Free World, the acclaimed Pulitzer Prize-winning scholar and critic Louis Menand tells the story of American culture in the pivotal years from the end of World War II to Vietnam and shows how changing economic, technological, and social forces put their mark on creations of the mind.
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By Carolyn Brown
Even if you know nothing about dance, this (not short) memoir takes you inside one of the most imaginative collaborations of the twentieth-century avant-garde, and gives you the flavor of some of its extraordinary characters—not only Cage and Cunningham, but Robert Rauschenberg, Jasper Johns, Morton Feldman, and others.
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By Claude Levi-Strauss, Doreen Weightman, John Weightman
OK, this is a classic. But it is not only a compelling story about the author’s experiences doing fieldwork in Brazil. It is also an introduction to structural anthropology (the field Lévi-Stauss created ), a great work of French prose (the Weightmans’ is the preferable translation), and a meditation on the future of the human race (not good).
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By Jonas Mekas
Mekas was a Lithuanian émigré who became an impresario of experimental cinema. He lived a long and eventful life, and this eccentric book is a fascinating account of it.
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By Richard Seaver
Despite the cheesy title, this is a revealing window on the world of postwar publishing. Seaver “discovered” Samuel Beckett as a graduate student in Paris after the war, and he eventually became an editor at Beckett’s American publisher, Grove, during its heyday under Barney Rosset.
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By Andy Warhol, Pat Hackett
OK, Warhol probably did not write a single word of this book, and OK, you should believe nothing in it (or that Warhol ever said). But Pat Hackett channels Warhol’s voice and attitude uncannily, and the stories, however dubious the provenance, are funny and insightful about the art world of the nineteen sixties.
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