Here are 100 books that POPism fans have personally recommended if you like
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I started my career as a graduate student studying the Victorian period, a great age for autobiography. And although autobiography is no longer taught much in English departments, I guess I retain my passion for the genre. The greatest, of course, is Rousseau’s Confessions.
Even if you know nothing about dance, this (not short) memoir takes you inside one of the most imaginative collaborations of the twentieth-century avant-garde, and gives you the flavor of some of its extraordinary characters—not only Cage and Cunningham, but Robert Rauschenberg, Jasper Johns, Morton Feldman, and others.
Carolyn Brown, one of the most renowned dancers of the last half-century, lived at the center of New York's bold and vibrant artistic community, which included not only dancers and choreographers but composers and painters as well. Brown's memoir recounts her own remarkable twenty-year tenure with the Merce Cunningham Dance Company and provides a first-hand account of a pivotal period in twentieth-century art.
From the 1950s to the 1970s, Brown developed close relationships with musical director John Cage and set-designer Robert Rauschenberg and with Cunningham himself. Brown's memoir reveals the personal dynamics between the reserved and moody Cunningham and the…
I’ve had the fortunate opportunity to write over 30 books and over 1000 articles. Not even my late beloved mother would have wanted to slog through all of them! Now, thanks to Teachers College Press, I have published my overview book. In addition to collecting the “essays” on Mind that I consider most important, I have also added autobiographical material and “legends,” which provide context for the wide spectrum of themes and pieces. The chance to reflect on a life of research has stimulated me to identify the works that had the greatest influence on my thinking and writing about the range and depth of human cognition.
This remarkable book, by one of the major anthropologists of the 20th century, intertwines two enterprises; it is both a fascinating account of his ethnographic work in Brazil in the 1930s and a penetrating reflection on what it’s like for a Parisian educated scholar to understand and convey what he later termed “the Savage Mind.”
Artfully written, this book exemplifies the best of social science and literary artistry—and serves as a model for all who want to write evocatively about their calling.
A milestone in the study of culture from the father of structural anthropology
This watershed work records Claude Lévi-Strauss's search for "a human society reduced to its most basic expression." From the Amazon basin through the dense upland jungles of Brazil, Lévi-Strauss found the societies he was seeking among the Caduveo, Bororo, Nambikwara, and Tupi-Kawahib. More than merely recounting his time in their midst, Tristes Tropiques places the cultural practices of these peoples in a global context and extrapolates a fascinating theory of culture that has given the book an importance far beyond the fields of anthropology and continental philosophy.…
I started my career as a graduate student studying the Victorian period, a great age for autobiography. And although autobiography is no longer taught much in English departments, I guess I retain my passion for the genre. The greatest, of course, is Rousseau’s Confessions.
Mekas was a Lithuanian émigré who became an impresario of experimental cinema. He lived a long and eventful life, and this eccentric book is a fascinating account of it.
A Dance with Fred Astaire is an extraordinary collection of anecdotes and rare ephemera featuring a dizzying cast of cultural icons both underground and mainstream, both obscure and celebrated. Memories and diary entries, conversations and insights into his work sit alongside collages of beautifully reproduced postcards, newspaper cuttings, film negatives, lists, posters and photographs, envelopes and letters, book covers, telegrams, cartoons and doodles. Mekas has kept and archived the artifacts of his life as a cultural touchstone down to the minutiae, all of which is brought together here in the form of a unique and fascinating scrapbook of a life…
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
I started my career as a graduate student studying the Victorian period, a great age for autobiography. And although autobiography is no longer taught much in English departments, I guess I retain my passion for the genre. The greatest, of course, is Rousseau’s Confessions.
Despite the cheesy title, this is a revealing window on the world of postwar publishing. Seaver “discovered” Samuel Beckett as a graduate student in Paris after the war, and he eventually became an editor at Beckett’s American publisher, Grove, during its heyday under Barney Rosset.
Richard Seaver came to Paris in 1950 seeking Hemingway's moveable feast. Paris had become a different city, traumatized by World War II, yet the red wine still flowed, the cafes bustled, and the Parisian women found American men exotic and heroic. There was an Irishman in Paris writing plays and novels unlike anything anyone had ever read - but hardly anyone was reading them. There were others, too, doing equivalently groundbreaking work for equivalently small audiences. So when his friends launched a literary magazine, "Merlin", Seaver knew this was his calling: to bring the work of the likes of Samuel…
I'm the writer and artist of the Johnny Hiro graphic novels. In those books, I use pop culture reference humor, but never simply as a joke. A reference can act as a hint to a world beyond the story the writer tells. I often dig slightly into an emotional resonance behind that reference—perhaps the (fictional) story of why it exists, or perhaps it even becomes an integral plot point. Popular media and culture often have a direct influence on our creative arts projects. And just sometimes, that art becomes an integral part of the popular culture itself.
I’ve read a handful of Warhol biographies and this is easily my favorite. It does a good job of breaking down his life experiences, his art and the philosophies behind The Factory, his purposeful creation of himself as an icon, and his adaptations to the American fine art and underground art landscapes that changed throughout his career. The book also has plenty of great party stories involving countless celeb friends. And to offset that all, peaks into his spending. The one bummer for me was that there weren’t enough pictures. But, well, I guess that’s what all my other Warhol books are for.
Pop: The Genius of Andy Warhol is a groundbreaking reassessment of the most influential and controversial American artist of the second half of the 20th century. Writers Tony Scherman and David Dalton disentangle the myths of the great pop artist from the man he truly was, and offer a vivid, entertaining, and provocative look at Warhol’s personal and artistic evolution. Drawing on brand new sources—including extensive new interviews and insight from those who knew him best—Pop offers the most dynamic, comprehensive portrait ever written of the man who changed the way we see the world.
I’m the Science Director of the Science Museum Group, based at the Science Museum in London, and visiting professor at the Dunn School, University of Oxford, and Department of Chemistry, University College London. Every time I write a book I swear that it will be my last and yet I'm now working on my ninth, after earlier forays into the physics of Christmas and the love life of Albert Einstein. Working with Peter Coveney of UCL, we're exploring ideas about computation and complexity we tackled in our two earlier books, along with the revolutionary implications of creating digital twins of people from the colossal amount of patient data now flowing from labs worldwide.
Big data can be beautiful and visualisations make for a wonderful coffee-table book. In Information is Beautiful, David McCandless turns dry-as-dust data into pop art to show the kind of world we live in, linking politics to life expectancy, women’s education to GDP growth, and more. Through colourful graphics, we get vivid and novel perspectives on current obsessions, from maps of cliches to the most fashionable colours. A testament to how the power of big data comes from being able to distill information to reveal hidden patterns and discern trends.
Every day, every hour, every minute we are bombarded by information - from television, from newspapers, from the internet, we're steeped in it, maybe even lost in it. We need a new way to relate to it, to discover the beauty and the fun of information for information's sake. No dry facts, theories or statistics. Instead, Information is Beautiful contains visually stunning displays of information that blend the facts with their connections, their context and their relationships - making information meaningful, entertaining and beautiful. This is information like you have…
When Jennifer Shea married Russel Redmond, they made a decision to spend their honeymoon at sea, sailing in Mexico. The voyage tested their new relationship, not just through rocky waters and unexpected weather, but in all the ways that living on a twenty-six-foot sailboat make one reconsider what's truly important.…
I have always been fascinated by science and everything mysterious. I love to read science fiction and mystery stories. I use art and literature to explore reality. Writing or painting allows me to link seemingly unrelated topics together to create my own explanations for why things are the way they appear to be. The biggest things in the universe are replicated on Earth right down to sub-atomic size. I call that life imitating stars. Life is an endless resource found everywhere in the universe, and it's not restricted to just light or heat to grow; it only needs energy.
This book was written in the late 60s, when everything was breaking loose from traditional values, including writing styles. Brunner did a very good job of anticipating how technology and changing social norms would change the world in the not-so-distant future.
It's all there: sexual freedom, legal drugs, religion, computers, crazy mass killers called muckers, corporate empires, a 7 billion population, global events, and the personalized internet.
I like the way the story was written, a new wave pop art style intermixed with traditional passages blaring out a series of seemingly unrelated events that are strung together by a group of unrelated characters who carry the complex story through to a surprising ending.
Now in a Tor Essentials edition, the Hugo Award-winning, uncannily prophetic Stand on Zanizbar is a science fiction novel unlike any before in that remains an insightful look at America’s downfall that allows us to see what has been, what is, and what is to come.
“There are certain things John Brunner achieved, which no one has done before or since.” ― Bruce Sterling
Genetic engineering is routine, corporations have usurped democracy, technology governs human relationship, and mass-marketed psychosomatic drugs keep billions docile. The systems of the United States are universal in reach and out of control. Every citizen is…
I’ve been an artist all my life. In childhood, I was always drawing and after graduating from university I became an illustrator doing hundreds of drawings for major newspapers and publishers in the United States for over 25 years. It was my mission, no matter what was going on in the world, to find some humor and lightness to share through my drawings. About 15 years ago, I also began to teach drawing to adults and was amazed to discover that everyone can draw. When I saw how people seemed to become happier and bolder making art I became passionate about sharing how we can grow our creativity by developing an art practice. It makes for a beautiful life and quite possibly a more beautiful world.
This is a purely visual book of portraits by David Hockney from the beginning of his career until he is nearly 80. It’s full of different styles of drawing and painting and, for that reason, is the kind of book that stimulates visual ideas and makes me want to go straight to the drawing board. In other words, it really gets us thinking in some new ways about how we interpret the world around us in drawing and painting. It’s a good reminder of the pleasures of looking and making.
This book, which accompanies the first major exhibition devoted to David Hockney's drawings inover 20 years,will explore Hockney as a draughtsman from the 1950s to now, with a focus on himself, his family and friends. From Ingres to the iPad -this book demonstrates the artist's ingenuity in portrait drawing with reference to both tradition and technology.
David Hockney is recognised as one of the master draughtsmen of our times and a champion of the medium. This book will feature Hockney's work from the 1950s to now and focus on his depictions of himself and a smaller group of sitters close…
I grew up reading short stories in the annual Reader’s Digest books my parents collected, so I’ve always liked the short form. Perhaps that is why I pursued it in college, wanting to know what made them work. So I took a lot of classes in college to do just that, to dissect stories to see what made them resonate with readers. And although I’ve been trying to push myself to write longer fiction, I’ll never be able to fully abandon the short fiction. I love a story you can read in a day and think about all night.
Besides the fact that Joe Hill is one of my favorite writers at the moment, this collection is 100% solid writing. Also, one of my favorite stories, “Pop Art,” is included in the book. To me, the sense of ambiguity, of using one otherworldly concept to stand for something so plain and simple, addressing current issues through your fiction are all present in that story.
Imogene is young, beautiful, kisses like a movie star, and knows everything about every film ever made. She's also dead, the legendary ghost of the Rosebud Theater. Arthur Roth is a lonely kid with a head full of big ideas and a gift for getting his ass kicked. It's hard to make friends when you're the only inflatable boy in town. Francis is unhappy, picked on; he doesn't have a life, a hope, a chance. Francis was human once, but that's behind him now. John Finney is in trouble. The kidnapper locked him in a basement, a place stained with…
At the age of forty-nine, Laurie Woodford rents out her house, packs her belongings into two suitcases, and leaves her life in upstate New York to relocate to Seoul, South Korea. What begins as an opportunity to teach college English in Asia evolves into a nomadic adventure.
I have spent an exciting half-century in the New York art world as a dealer and an author and while my passion is to encourage people to enjoy art for art’s sake (rather than money or prestige) my many close friendships with artists demonstrate how much their life informs their art. The authors of these five books bring the art as well as the artists to life.
Of the many biographies of Andy Warhol this early one remains the best, written by a man who worked and partied with the artist in the heyday of the artist’s glamorous world (and I make another brief cameo appearance). Everything about the enigmatic icon of contemporary art continues to inform our culture and I was deeply influenced not only by Warhol’s paintings but by my friendship with him from 1964 until his death in 1987. In books and movies he has been transformed into a cultural icon rather than the complicated amusing hard-working artist I knew. Bob Colacello wrote this book shortly after Warhol died and for me is the best portrait of the “real” Andy Warhol and the era he helped to define.
In the 1960s, Andy Warhol’s paintings redefined modern art. His films provoked heated controversy, and his Factory was a hangout for the avant-garde. In the 1970s, after Valerie Solanas’s attempt on his life, Warhol become more entrepreneurial, aligning himself with the rich and famous. Bob Colacello, the editor of Warhol’s Interview magazine, spent that decade by Andy’s side as employee, collaborator, wingman, and confidante.
In these pages, Colacello takes us there with Andy: into the Factory office, into Studio 54, into wild celebrity-studded parties, and into the early-morning phone calls where the mysterious artist was at his most honest and…
