Here are 12 books that David Hockney fans have personally recommended if you like
David Hockney.
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I’ve been an artist all my life. In childhood, I was always drawing and after graduating from university I became an illustrator doing hundreds of drawings for major newspapers and publishers in the United States for over 25 years. It was my mission, no matter what was going on in the world, to find some humor and lightness to share through my drawings. About 15 years ago, I also began to teach drawing to adults and was amazed to discover that everyone can draw. When I saw how people seemed to become happier and bolder making art I became passionate about sharing how we can grow our creativity by developing an art practice. It makes for a beautiful life and quite possibly a more beautiful world.
I adore David Hockney. He draws so beautifully, and in so many different ways, and is always inventive in his art-making. He makes me see more through his art and was a major inspiration for me when I was starting out as an editorial illustrator years ago. This book is a 2020 pandemic conversation between Hockney, now living in Normandy, and his good friend, the art critic Martin Gayford in the UK. It really speaks to the devotion that artists have to observing life and creating something beautiful from it. I love the joy Hockney brings to his work and see that as a powerful energy to create from.
'We have lost touch with nature, rather foolishly as we are a part of it, not outside it. This will in time be over and then what? What have we learned?... The only real things in life are food and love, in that order, just like [for] our little dog Ruby... and the source of art is love. I love life.'
DAVID HOCKNEY
Praise for Spring Cannot be Cancelled:
'This book is not so much a celebration of spring as a springboard for ideas about art, space, time and light. It is scholarly, thoughtful and provoking'…
I’ve been an artist all my life. In childhood, I was always drawing and after graduating from university I became an illustrator doing hundreds of drawings for major newspapers and publishers in the United States for over 25 years. It was my mission, no matter what was going on in the world, to find some humor and lightness to share through my drawings. About 15 years ago, I also began to teach drawing to adults and was amazed to discover that everyone can draw. When I saw how people seemed to become happier and bolder making art I became passionate about sharing how we can grow our creativity by developing an art practice. It makes for a beautiful life and quite possibly a more beautiful world.
Artist, designer, writer James Victore urges us to be ourselves without hesitation. Artists don’t fit in, we can’t. We’re observers and makers and require a certain distance from the mainstream to refine our vision and do our work. But we can be afraid to express ourselves fully and stand out from the crowd. This book dishes out confidence like candy. It’s a great place to replenish flagging spirits when they descend as they will from time to time. It’s energizing and makes you want to open your eyes and do what you can to further the unfolding of your truth and spirit. Written in short pithy chapters, you can dip in and out of it whenever you need a boost.
"James Victore is a dangerous man. His ideas on optimizing your creativity, doing wow work and building a life that inspires will devastate your limits. And show you how to win. Read this book fast." -Robin Sharma, #1 bestselling author of The Monk Who Sold His Ferrari
Begin before you're ready.
Renowned designer and professional hell-raiser James Victore wants to drag you off your couch and throw you headfirst into a life of bold creativity. He'll guide you through all the twists, trials, and triumphs of starting your creative career, from finding your voice to picking the right moment to…
I’ve been an artist all my life. In childhood, I was always drawing and after graduating from university I became an illustrator doing hundreds of drawings for major newspapers and publishers in the United States for over 25 years. It was my mission, no matter what was going on in the world, to find some humor and lightness to share through my drawings. About 15 years ago, I also began to teach drawing to adults and was amazed to discover that everyone can draw. When I saw how people seemed to become happier and bolder making art I became passionate about sharing how we can grow our creativity by developing an art practice. It makes for a beautiful life and quite possibly a more beautiful world.
Sonia Delaunay’s work with color and abstraction in the first part of the 20th century was groundbreaking as was her ability to also bring her art into the world of the applied arts of fashion, set design, mosaics, tapestries, and lithographs. The book has excellent essays about creative life in Paris at the time and over 250 illustrations. For women, it’s especially inspiring to learn how Delaunay managed to be a wife and mother as well as a respected and prolific artist. It’s also inspiring to see how she made a huge creative leap from representational art to her distinctive abstract art. From the perspective of creativity, I love how she was inventive in her art and then brought it into the world in inventive ways too.
Sonia Delaunay (1885 - 1979) is one of the most important female artists of the early twentieth century, whose contribution to the European avant-garde was fundamental. Russian-born, she moved to Paris in 1906 where she studied at the Academie de la Palette. Her early work was infl uenced by the bold Fauvist paintings of Matisse, Gauguin and Van Gogh among others. Shifting her interest to abstraction, she celebrated the modern world and urban life, exploring ideas of colour theory together with her husband Robert Delaunay. She also collaborated with artists and poets such as Guillaume Apollinaire and Blaise Cendrars with…
I’ve been an artist all my life. In childhood, I was always drawing and after graduating from university I became an illustrator doing hundreds of drawings for major newspapers and publishers in the United States for over 25 years. It was my mission, no matter what was going on in the world, to find some humor and lightness to share through my drawings. About 15 years ago, I also began to teach drawing to adults and was amazed to discover that everyone can draw. When I saw how people seemed to become happier and bolder making art I became passionate about sharing how we can grow our creativity by developing an art practice. It makes for a beautiful life and quite possibly a more beautiful world.
While Nick Cave is primarily a musician/songwriter, this book is a visual record of Cave’s creative journey filled with his early sketchbooks, photos, drawings, and typewritten song lyrics annotated by hand. Many of us artists work in sketchbooks where we can feel free to be messy and exploratory and pour our hearts onto the page. Some of us need words as well as images to explore the world around us, decipher our feelings and uncover our work. I love musing over Nick’s here—so messy and wild to begin and a little more ordered as he ages as one might expect. The book is filled with photos of different parts of his life, drawings and doodles, tight handwritten scripts and taped over typewritten lyrics gone yellow with age. It’s a compendium of a wonderful artist’s creative process. A real joy to sit down with and muse over.
Stranger Than Kindness is a journey in images and words into the creative world of musician, storyteller and cultural icon Nick Cave.
This highly collectable book invites the reader into the innermost core of the creative process and paves the way for an entirely new and intimate meeting with the artist, presenting Cave's life, work and inspiration and exploring his many real and imagined universes. It features full colour reproductions of original artwork, handwritten lyrics, photographs and collected personal artefacts along with commentary and meditations from Nick Cave, Janine Barrand and Darcey Steinke.
From the moment I could pick up a pencil, I’ve loved to draw. Since then, my art career has developed alongside my writing, and I’m now a professional illustrator. Despite this background, I still feel alienated from the “art world”. Contemporary art seems like a scam. Its pieces leave me cold, there’s rarely any skill to be appreciated, and their “meaning” is often obscure or trivial – at the end of the day, a pickled sheep is a pickled sheep, right? Pale Kings is a satire of all this, where a group of chancers set out to scam the scammers at their own game. But would anyone really buy a hole?
The shortest book on the list – I wish it were longer! – is the hardest hitting.
Julian Spalding, art critic, and former gallery and museum curator, is well qualified to critique contemporary art trends. But the “con” of the title also stands for “conceptual” (requiring only ideas and little skill or craft), and the “con” or scam that he believes much conceptual art to be.
Spalding has no problem with “modern” or progressive art that challenges the status quo – Picasso, Magritte, or David Hockney – but only the intellectual bankruptcy that the conceptual movement has ushered in.
His forthright take is controversial, but its feisty, informed, and well-argued critique suggests that the little boy pointing out the emperor’s lack of clothes may just have a point.
A concise dissection of the myths that created Con Art - above all the myth that art has to shock to be new. The multi-million dollar reputations of Duchamp, Warhol, Beuys. Hirst and Koons and many others are exploded. Their art is worthless as art because it isn't art.
I've taught Drawing in universities since 1985. Currently, I work at IADE-Universidade Europeia in Lisbon, Portugal. Long before that, at the age of five, I drew a volcano. A mountain exploding on the top as a delirious shiny crown and lava running from its flanks making a pattern of vibrant reddish-yellow. Proudly, I showed it to my mother. She exclaimed: What a beautiful pineapple! I only retained the word ‘beautiful’ and never stopped drawing. Trained as an architect, I discovered the virtue of drawing what we see, while experiencing the act of being there. I also became a compulsive reader, perhaps to experience the act of being elsewhere.
This book answers the excruciating question: Where are the antinomic antipodes of Los Angeles located? The British master of Pop Art, a long-time inhabitant of LA from 1964 to 2019, filled this sketchbook in his native England. There are no words in this book except for an apocryphal introduction and Hockney’s hand brushed “Yorkshire April 04”. If Henry Moore masters the ballpoint pen, David Hockney excels in watercolor. But the brush is not primarily used to fill in surfaces but to draw. The colorful water flows in fast gestures easy and attentive. “I could do this,” one thinks. Only if I had my own Yorkshire and my faraway LA. The book is also a prequel to Hockney’s most recent work, fully bucolic, produced in Normandy, France where, according to him, people know how to live. Hockney pretends to do everything unassumingly. Of course we know that this is not…
In recent years David Hockney has returned to England to paint the landscape of his childhood in East Yorkshire. Although his passionate interest in new technologies has led him to develop a virtuoso drawing technique on an iPad, he has also been accompanied outdoors by the traditional sketchbook, an invaluable tool as he works quickly to capture the changing light and fleeting effects of the weather. Executed in watercolour and ink, these panoramic scenes have the spatial complexity of finished paintings - the broad sweep of sky or road, the patchwork tapestry of land - yet convey the immediacy of…
As a child my heroes were designers and I thought designers could design across many disciplines, this was what I understood and aspired to. I'm fortunate to have been a designer, illustrator, and design teacher for many years. Passionate about the process I firmly believe if you can design in one area you can design in another. Understanding your material's potential is the key. As a tutor and author my job is to unwrap a student’s talent, support and encourage that unique view through skills building and advice to help them. I believe good design can solve many of the world’s problems and passing on that message is valuable.
A captivating biography of one of my favourite designers. This book charts the life and experience of Eileen Gray and most importantly her fierce desire to understand the process of design and explore the integrity and flexibility of the material and techniques she used.
From exquisite lacquer work as surface decoration or tubular steel, leather, and canvas for furniture, to the smooth, modernist concrete for her most famous build, E1027, Gray mastered her materials. In doing so she recognised that when designing space, engineering and theory were not enough, and that instinct and the ‘choreography of the space’ are essential to how we recognise and understand our built environment. A wonderful exploration of a designer’s life, particularly relevant for a student of design to read.
This is a biography of Eileen Gray (1878-1976), an Anglo-Irish architect and designer who spent her early life in Paris and opened showrooms in 1922 with a strong Art Deco emphasis. Written by a longstanding friend who draws on his exclusive access to Gray's personal archives, the book aims to re-create her life and architectural projects. Two houses she designed in the south of France are now considered architectural landmarks of the 20th century. In addition to more than 300 photographs, designs and architectural plans, this new edition provides a revised catalogue raisonne of Gray's furniture, architecture and drawings.
I started my career as a graduate student studying the Victorian period, a great age for autobiography. And although autobiography is no longer taught much in English departments, I guess I retain my passion for the genre. The greatest, of course, is Rousseau’s Confessions.
OK, Warhol probably did not write a single word of this book, and OK, you should believe nothing in it (or that Warhol ever said). But Pat Hackett channels Warhol’s voice and attitude uncannily, and the stories, however dubious the provenance, are funny and insightful about the art world of the nineteen sixties.
Anecdotal, funny, frank, POPism is Warhol's personal view of the Pop phenomenon in New York in the 1960s.
A cultural storm swept through the 1960s—Pop Art, Bob Dylan, psychedelia, underground movies—and at its center sat a bemused young artist with silver hair: Andy Warhol. Andy knew everybody (from the cultural commissioner of New York to drug-driven drag queens) and everybody knew Andy.
His studio, the Factory, was the place: where he created the large canvases of soup cans and Pop icons that defined Pop Art, where one could listen to the Velvet Underground and rub elbows with Edie Sedgwick and…
I’m the Science Director of the Science Museum Group, based at the Science Museum in London, and visiting professor at the Dunn School, University of Oxford, and Department of Chemistry, University College London. Every time I write a book I swear that it will be my last and yet I'm now working on my ninth, after earlier forays into the physics of Christmas and the love life of Albert Einstein. Working with Peter Coveney of UCL, we're exploring ideas about computation and complexity we tackled in our two earlier books, along with the revolutionary implications of creating digital twins of people from the colossal amount of patient data now flowing from labs worldwide.
Big data can be beautiful and visualisations make for a wonderful coffee-table book. In Information is Beautiful, David McCandless turns dry-as-dust data into pop art to show the kind of world we live in, linking politics to life expectancy, women’s education to GDP growth, and more. Through colourful graphics, we get vivid and novel perspectives on current obsessions, from maps of cliches to the most fashionable colours. A testament to how the power of big data comes from being able to distill information to reveal hidden patterns and discern trends.
Every day, every hour, every minute we are bombarded by information - from television, from newspapers, from the internet, we're steeped in it, maybe even lost in it. We need a new way to relate to it, to discover the beauty and the fun of information for information's sake. No dry facts, theories or statistics. Instead, Information is Beautiful contains visually stunning displays of information that blend the facts with their connections, their context and their relationships - making information meaningful, entertaining and beautiful. This is information like you have…
I'm the writer and artist of the Johnny Hiro graphic novels. In those books, I use pop culture reference humor, but never simply as a joke. A reference can act as a hint to a world beyond the story the writer tells. I often dig slightly into an emotional resonance behind that reference—perhaps the (fictional) story of why it exists, or perhaps it even becomes an integral plot point. Popular media and culture often have a direct influence on our creative arts projects. And just sometimes, that art becomes an integral part of the popular culture itself.
I’ve read a handful of Warhol biographies and this is easily my favorite. It does a good job of breaking down his life experiences, his art and the philosophies behind The Factory, his purposeful creation of himself as an icon, and his adaptations to the American fine art and underground art landscapes that changed throughout his career. The book also has plenty of great party stories involving countless celeb friends. And to offset that all, peaks into his spending. The one bummer for me was that there weren’t enough pictures. But, well, I guess that’s what all my other Warhol books are for.
Pop: The Genius of Andy Warhol is a groundbreaking reassessment of the most influential and controversial American artist of the second half of the 20th century. Writers Tony Scherman and David Dalton disentangle the myths of the great pop artist from the man he truly was, and offer a vivid, entertaining, and provocative look at Warhol’s personal and artistic evolution. Drawing on brand new sources—including extensive new interviews and insight from those who knew him best—Pop offers the most dynamic, comprehensive portrait ever written of the man who changed the way we see the world.
