100 books like Sonia Delaunay

I adore David Hockney. He draws so beautifully, and in so many different ways, and is always inventive in his art-making. He makes me see more through his art and was a major inspiration for me when I was starting out as an editorial illustrator years ago. This book is a 2020 pandemic conversation between Hockney, now living in Normandy, and his good friend, the art critic Martin Gayford in the UK. It really speaks to the devotion that artists have to observing life and creating something beautiful from it. I love the joy Hockney brings to his work and see that as a powerful energy to create from.

This is a purely visual book of portraits by David Hockney from the beginning of his career until he is nearly 80. It’s full of different styles of drawing and painting and, for that reason, is the kind of book that stimulates visual ideas and makes me want to go straight to the drawing board. In other words, it really gets us thinking in some new ways about how we interpret the world around us in drawing and painting. It’s a good reminder of the pleasures of looking and making.

Artist, designer, writer James Victore urges us to be ourselves without hesitation. Artists don’t fit in, we can’t. We’re observers and makers and require a certain distance from the mainstream to refine our vision and do our work. But we can be afraid to express ourselves fully and stand out from the crowd. This book dishes out confidence like candy. It’s a great place to replenish flagging spirits when they descend as they will from time to time. It’s energizing and makes you want to open your eyes and do what you can to further the unfolding of your truth and spirit. Written in short pithy chapters, you can dip in and out of it whenever you need a boost.

While Nick Cave is primarily a musician/songwriter, this book is a visual record of Cave’s creative journey filled with his early sketchbooks, photos, drawings, and typewritten song lyrics annotated by hand. Many of us artists work in sketchbooks where we can feel free to be messy and exploratory and pour our hearts onto the page. Some of us need words as well as images to explore the world around us, decipher our feelings and uncover our work. I love musing over Nick’s here—so messy and wild to begin and a little more ordered as he ages as one might expect. The book is filled with photos of different parts of his life, drawings and doodles, tight handwritten scripts and taped over typewritten lyrics gone yellow with age. It’s a compendium of a wonderful artist’s creative process. A real joy to sit down with and muse over.

I love the importance of objects that lies at the very centre of this book.

It is easy to write off the idea of fashion as superficial and unimportant but through the eyes of Mrs Harris and her ambitions to own a Dior dress from Paris, we can appreciate the beauty of a garment, the joy of its construction and the skill of its makers.

When cleaning lady Mrs. Harris sees a Dior dress hanging in the wardrobe of one of her clients, she dares to dream that she might one day own one. The quest takes her to Paris and to the atelier of Dior, with friendships emerging along the way.

How Parisians survived Nazi Occupation—to what extent they resisted or collaborated—has been debated for decades but Sebba looks through a new lens: What did Parisiennes, specifically, do during these years? She was just in time to interview some key women who, having survived concentration camps, went on to live defiantly long lives. Others wouldn’t speak, still traumatised by their experiences. But Sebba has plenty to work with, and the pace at which she pulls it all together propels this book’s sense of importance. One can’t help but feel relieved that these stories have now been told. Some of it is shameful, sure, but you ultimately remember the tales of until-now-unsung heroines, whose fierce love for their city, above even their own welfare, makes them well deserving of a place in Paris history.

Like so many, I’m addicted to this series. Often imitated, never surpassed, Simenon is perhaps the only mystery writer to be nominated for the Nobel Prize in Literature, and was considered by some contemporaries to be the greatest French novelist of his time. Don’t let that put you off. These are great mysteries with an indelible sense of time and place. If the Sherlock Holmes stories can transport me to Victorian London, I can as easily take an absorbing mid-20th century trip to the underside of Paris with Inspector Jules Maigret.

These police procedurals offer unforgettable characters and deep psychological insight. Maigret and the Bum is perhaps my favorite. The bum of the title is a vagrant who has been beaten nearly to death on the banks of the Seine. As Maigret investigates the crime, he finds that the victim was once a highly respected doctor, dedicated to helping the… show more.

If we want to understand medieval or modern Paris, we need to gain some familiarity with all of the stages along the way. Robb provides some episodic portraits of some of those stages, and the chapter on the eighteenth-century architect Charles-Axel Guillaumot is one of the most arresting discussions I’ve ever seen of how the actions of those living in one epoch can reverberate for generations to come. Guillaumot literally saved Paris from collapsing in on its medieval past by bracing up the swiss-cheese-like network of tunnels that had been left behind by its medieval quarry workers.

This is the diary of a 21-year-old Jewish woman living in Paris during the German Occupation. A student at the Sorbonne, we follow her as she writes a first-hand account of the ever-increasing hardships and terrors her and her family face. She writes candidly about her experiences, her thoughts and beliefs as she and her family go about their daily routines, while living in constant fear of being arrested. It is a touching, personal testimony about Paris during World War II. She was arrested on the one night her family decided to sleep in their own home. Tragically, she died only days before her camp was liberated by the British. Some poignant details in her diary stayed with me long after I finished reading, and I used some of them in my novel.

While Poirier’s book covers the same period as Sebba’s, the mood is completely different. Her focus is on artists, with a cast that reads as your ultimate dinner-party guest wishlist: Juliette Gréco, Simone de Beauvoir, James Baldwin, Miles Davis... Such creators couldn’t help but salvage something from their war experiences, create a new world on their own terms. Poirier knows that history is made of people. And Paris is a rich source, for it’s a city that has attracted a multitude of movers and shakers for centuries. Poirier shows how such creators can produce much more than art, or a movement—they can mould an entire period. Poirier also knows that this personal telling of history makes reading it more enjoyable; her plotting is on point, her sprinkle of gossipy anecdotes just-so.