Fans pick 100 books like That's Paris

Mia Kankimäki’s thoughtful travel memoir explores female adventurers of the past, from Karen Blixen of Out of Africa to Yayoi Kusama, an artist who voluntarily lived in a psychiatric hospital for decades. Kankimäki confronts her own personal demons while considering the challenges these mighty women faced as they journeyed into places unknown.

The Women I Think About at Night is part travel essay, part history lesson, and an all-around enjoyable narrative about female adventures who defied cultural norms to build the lives they wanted.

Continuing the saga that began in her first book, I Grew My Boobs in China, Savannah Grace moves into new territory with Backpacks and Bra Straps, which takes the reader to Russia, Kazakhstan, Kyrgyzstan, through Western China, and into Tibet. Grace gracefully weaves in interpersonal dynamics of traveling with family and the backpacking community while coming-of-age during travel in Asia.

Isabella Bird was one of the great female adventurers of the 19th century. She spent six months in the Sandwich Isles (now Hawaii) in 1873 and then traveled in the Rocky Mountains, at a time when Colorado was discussing statehood. Bird’s writing still inspires to this day.

Contemporary author Linda Ballou expands Bird’s unique story in Embrace of the Wild. Ballou deftly digs into Bird’s culture and experience as a women adventurer of those days, bringing Bird again to life for all her fans.

Florence Nightingale, Freya Start, Gertrude Bell, Karen Blixen, and many other well-known women share their travel adventures in this wildly audacious and inspiring collection of stories. From encountering a madman in the Amazon to surviving a shipwreck, these intrepid globe-trotters overcome many challenges in their dauntless explorations. This book will show you a different side of these famous women.

Tom Wood immediately swept to the top of my list of great thriller writers when I read this book. It’s the first in the Victor Assassin series and its adrenaline-fuelled excitement gripped me from the first sentence to the final full stop.

Victor is hired to kill a man in Paris and to take the memory stick he is carrying, but Victor’s paymasters aren’t all they seem, and Victor quickly finds himself at the wrong end of a gun barrel when a hit squad is sent to eliminate him.

But Victor won’t be taken out that easily. He shoots his way free of the ambush and fights to stay alive long enough to work out who’s behind what’s happening. The underlying plot is slowly revealed and leads to a great dramatic conclusion.

I bought an English version of this French novel about Paris while actually in that city as a starving backpacker, and have forever associated the wacky joyfulness of the book with the pleasures of that trip. Originally written in a high-energy, idiomatic, slangy, bawdy version of French that scandalized many conservative readers, the plot involves a young country girl named Zazie, obsessed with the Parisian subway system called the Metro, though she’s never seen it. Finally allowed to visit her uncle in the city, she is outraged to find the Metro closed, its workers on strike. She runs away, roaming the crowded city streets, her hilarious extended tantrum not only upsetting her befuddled uncle’s safe and settled lifestyle, but also spreading a generalized craziness throughout Paris. 

While Poirier’s book covers the same period as Sebba’s, the mood is completely different. Her focus is on artists, with a cast that reads as your ultimate dinner-party guest wishlist: Juliette Gréco, Simone de Beauvoir, James Baldwin, Miles Davis... Such creators couldn’t help but salvage something from their war experiences, create a new world on their own terms. Poirier knows that history is made of people. And Paris is a rich source, for it’s a city that has attracted a multitude of movers and shakers for centuries. Poirier shows how such creators can produce much more than art, or a movement—they can mould an entire period. Poirier also knows that this personal telling of history makes reading it more enjoyable; her plotting is on point, her sprinkle of gossipy anecdotes just-so.

Jeremy had a career as a crime reporter that had recently turned from exciting to dangerous. He flew to Paris with little money and nowhere to go. Serendipity led him to Shakespeare and Company, a bookstore along the Seine with a perfect view of Notre Dame. 

The owner, George, allowed authors to reside for free at the store, resulting in a continuous rotation of vagabonds searching for purpose, inspiration, or just a bed among the bookshelves. 

I loved meeting this cast of eccentric writers from around the world, finding camaraderie at this literary haven. It reminded me how quickly travelers can bond over a shared experience, and how sometimes a place can be the most interesting and vivid character of them all.

In the third novel of Zola’s twenty-volume series Les Rougon-Macquart, a man named Florent, accused of a crime he didn’t commit, escapes to Paris and becomes a fish inspector at the Les Halles market. Food and politics collide in the heart of the market, giving the reader some of the most vivid and delicious descriptions you’ll ever find on the page.

This guide to Paris is a one-of-a-kind, thoroughly personal—almost private—address book that takes in such fanciful themes as acupuncturists, beekeepers, Bouquinistes, cabarets, fancy dress, Esperanto, and rose gardens.

It provides a vision of Paris that is so idiosyncratic, so fully lived, so persuasive and contagious, so far from cliché, pandering, and pretention, that I discover the city anew each time I browse its beautiful, letterpress printed pages. I think I first met Ivan and Benoît, the founders of Astier de Villatte, when I interviewed them for the first edition of Makers Paris, and since then, they have become my compass for living a bold life of beauty, fun, and freedom.