I have always been fascinated by science and everything mysterious. I love to read science fiction and mystery stories. I use art and literature to explore reality. Writing or painting allows me to link seemingly unrelated topics together to create my own explanations for why things are the way they appear to be. The biggest things in the universe are replicated on Earth right down to sub-atomic size. I call that life imitating stars. Life is an endless resource found everywhere in the universe, and it's not restricted to just light or heat to grow; it only needs energy.
I liked this book because it's a collection of stories about unrelated people's exploits, real and imagined, as they work together to make their mark in a new frontier.
The stories portray amazing accounts of people ranging from the mundane to the supernatural. It's one of the last stories to describe Mars with a somewhat hospitable climate, and that doesn't matter.
The incredible storytelling of Ray Bradbury makes anything that his characters are doing always believable no matter where they are because he writes from the heart.
The Martian Chronicles, a seminal work in Ray Bradbury's career, whose extraordinary power and imagination remain undimmed by time's passage, is available from Simon & Schuster for the first time.
In The Martian Chronicles, Ray Bradbury, America’s preeminent storyteller, imagines a place of hope, dreams, and metaphor— of crystal pillars and fossil seas—where a fine dust settles on the great empty cities of a vanished, devastated civilization. Earthmen conquer Mars and then are conquered by it, lulled by dangerous lies of comfort and familiarity, and enchanted by the lingering glamour of an ancient, mysterious native race. In this classic work…
As we continue our journey into the future, things that people thought would change to our advantage have not turned out the way. I like P. K. Dick's stories because he was a master at understanding how the future would upend traditional lifestyles, jobs, and housing.
This book is about a man who makes highly creative weapons for the government designed to keep the country in power. The kicker is that none of the weapons actually work. On the other side, his counterpoint is doing the same thing, making ridiculous super weapons. When real aliens show up, they find themselves trying to work together to make something that works for real while still superstitiously battling each other under the guise of a white flag.
Scaldingly sarcastic yet enduringly empathetic, THE ZAP GUN is Dick's remarkable novel depicting the insanity of the arms race.
Lars Powderdry and Lilo Topchev are counterpart weapons fashion designers for a world divided into two factions - Wes-bloc and Peep-East. Since the Plowshare Protocols of 2002, their job has been to invent elaborate weapons that only seem massively lethal.
But when alien satellites hostile to both sides appear in the sky, the two are brought together in the dire hope that they can create a weapon to save the world, a task made all the more difficult by Lars falling…
This book was written in the late 60s, when everything was breaking loose from traditional values, including writing styles. Brunner did a very good job of anticipating how technology and changing social norms would change the world in the not-so-distant future.
It's all there: sexual freedom, legal drugs, religion, computers, crazy mass killers called muckers, corporate empires, a 7 billion population, global events, and the personalized internet.
I like the way the story was written, a new wave pop art style intermixed with traditional passages blaring out a series of seemingly unrelated events that are strung together by a group of unrelated characters who carry the complex story through to a surprising ending.
Now in a Tor Essentials edition, the Hugo Award-winning, uncannily prophetic Stand on Zanizbar is a science fiction novel unlike any before in that remains an insightful look at America’s downfall that allows us to see what has been, what is, and what is to come.
“There are certain things John Brunner achieved, which no one has done before or since.” ― Bruce Sterling
Genetic engineering is routine, corporations have usurped democracy, technology governs human relationship, and mass-marketed psychosomatic drugs keep billions docile. The systems of the United States are universal in reach and out of control. Every citizen is…
This is a fascinating story set in the future, written in a simple style that seems like it could be tomorrow.
On Neptune's moon, Triton, the government is there to help its citizens live their lives to the fullest. Exotic technology that seems perfectly ordinary. A place where social identity, security, and stability are created by the flip of a switch.
It is interesting to see how the author pictured artistic endeavors in a future where the audience and the art merge together. The main character, Bron Helstrom, rides a long roller coaster carnival ride as a man and a woman through a series of misadventures from Triton down to Earth and back up to Triton again.
Interplanetary war, capture and escape, diplomatic intrigues that topple worlds.
In a story as exciting as any science fiction adventure written, Samuel R. Delany's 1976 SF novel, originally published as Triton, takes us on a tour of a utopian society at war with . . . our own Earth! High wit in this future comedy of manners allows Delany to question gender roles and sexual expectations at a level that, 20 years after it was written, still make it a coruscating portrait of "the happily reasonable man," Bron Helstrom ― an immigrant to the embattled world of Triton, whose troubles…
This book, the only sequel Michael Crichton wrote, is an action-adventure story that stands fully upright on its own two feet. It's a philosophical, exciting adventure with multiple stories beautifully wound around a central core with harsh flashes of reality when the dinosaurs make their appearances.
I was very impressed with Sarah Harding's story, a practical, intelligent, feet-on-the-ground hero caught up in a world where science has created new, bigger-than-life creatures. She contends with violent dinosaurs and handles smart men who supposedly should know better as she battles her way to surviving another Jurassic World adventure.
'Gripping' Sunday Express 'Action-packed' New York Daily News 'Another monster hit by a giant of a writer' The Daily Express 'The Lost World moves at a spanking pace. . . recommended as first-rate entertainment' The Spectator _____________________
The bestselling sequel to Jurassic Park
Something has survived.
Six years have passed since the secret disaster at Jurassic Park. In the years since the extraordinary dream of science and imagination came to a crashing end, the island has been indefinitely closed to the public, its park dismantled, the dinosaurs themselves destroyed.
This book takes place on Earth in 2037. Nothing is as it appears to be. Asteroid mining spurred by gold fever provides materials that boost the power of technology without increasing energy use. Diets are proactive against disease. Medicated food can be made from recycled scraps in a fermentator supplemented by robotic medical care. Drinking a fluid made from insect blood with probiotics from Mars also gives long life.
Crazy industrialists, sightshifting detectives, humanoid test product aliens trying to escape Earth, spaceport employees, a student, and asteroid miners, all battling the corrupt President Of The Remaining Eastern States, as well as two medical center computer systems, in their quest for control of the world and the fabulous Elevator City.
Unlike the typical tales of a flawless fighting unit, this story follows Commander Kami Trenn and her ragtag squad of mixed-race space marines.
Dog Squad fights a mysterious adversary whose presence remains shrouded in secrecy. The fate of the universe hangs in the balance, but will they be able to make enough of a difference?
Can they hope to uncover the enemy’s plans for galactic dominance before the Alliance falls? Maybe. If they can stop fighting each other.
Across the void formed by two galactic spiral arms, vast forces face each other.
The tenuous Alliance, sixty civilizations united only by fear of invasion, prepare to resist the encroachment of their as-yet unseen enemy, known only as the Creeps.
The Void has become a battleground. Three thousand light years across, and populated by a scattering of ten thousand ‘dark’ worlds, it is the Alliance’s last chance to protect their way of life. Self-destructive, robotic drones pour across the Void in ever-increasing numbers, testing the Alliance fleets to breaking point.
