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I recall my younger self looking at the reading lists on Oxford University history courses, and asking, “Where are all the women?” I have always wanted to know what it was like to be there, in any century up to the present. How did families form and pass on their values, what did people wear and eat, when (and if) children learned to read, and what were people’s daily routines? Political, military, and economic history is important, but I have flourished in the social history trenches. I discovered women writers and historians have more acute antennae for the details I wanted, even when writing about wars and dynasties.
Yes, I know this is a novel, but Mantel’s historical research is impeccable and no one has done more to bring to light the shadowy, intrigue-filled court of Henry VIII. Mantel explores the intersection of political power and personal ambition as she traces the career of Thomas Cromwell, a rags-to-riches courtier.
I could almost taste the food, smell the decay, and touch the damp walls of the buildings. She took me deep into the consciousness of the unlikeable yet sympathetic and lonely main character, as he serves his monarch and defeats his enemies.
Winner of the Man Booker Prize
Shortlisted for the the Orange Prize
Shortlisted for the Costa Novel Award
`Dizzyingly, dazzlingly good'
Daily Mail
'Our most brilliant English writer'
Guardian
England, the 1520s. Henry VIII is on the throne, but has no heir. Cardinal Wolsey is his chief advisor, charged with securing the divorce the pope refuses to grant. Into this atmosphere of distrust and need comes Thomas Cromwell, first as Wolsey's clerk, and later his successor.
Cromwell is a wholly original man: the son of a brutal blacksmith, a political genius, a briber, a charmer, a bully, a man with…
I was born in England, live in America, and write history books about Germany. I’ve published eight books in all (and co-edited two others), and I’m proud that two of them won prizes. I review books, too, in publications like the Guardian and the London Review of Books. History is how I make my living, but it is also a calling and a passion. I can’t imagine doing anything else. I have always enjoyed reading literature and find I am reading even more avidly since the pandemic. There are so many German novels I love it was hard to choose just five. I hope you enjoy my choices.
Reading this book made me feel as if I was watching a great magician perform several impossible tricks.
It is both clever and funny, it teems with wonderful characters but never seems overstuffed, and it does what very few historical novels manage to do. We absolutely believe that the people are living their lives in the past (this really is Germany in the 1790s), but we also recognize them as our contemporaries.
I find it a magical book, lighter than air, a poignant, gorgeous love story that also satisfies the historian in me.
One of the ten books - novels, memoirs and one very unusual biography - that make up our Matchbook Classics' series, a stunningly redesigned collection of some of the best loved titles on our backlist.
The year is 1794 and Fritz, passionate, idealistic and brilliant, is seeking his father's permission to announce his engagement to his 'heart's heart', his 'true Philosophy': twelve-year-old Sophie. His astounded family and friends are amused and disturbed by his betrothal. What can he be thinking?
Tracing the dramatic early years of the young German who was to become the great romantic…
I’m an academic and non-fiction writer as well as a novelist. My favourite part of writing is the research phase, when you catch the scent of something fascinating, and hitherto unknown, and never know where it might lead you. As you’ve probably guessed from my recommendations, I have a soft spot for the quiet, unflashy, overlooked figures. Recently I’ve returned to the subject of overlooked women, although in non-fiction, in my book Letters to my Weird Sisters: On Autism and Feminism. For my next novel, I’m learning all about the bluestocking women of eighteenth-century Britain, and their attempt to create an ideal community. Perfect characters aren’t interesting to me – flawed ones are so much better.
The character at the centre of this book, the clownish and exuberant physician Merivel, is fictional, but his world revolves around the very real figure of Charles II. After Merivel cures one of the King’s favourite spaniels, Charles enlists him to marry his newest mistress – a ruse to draw his very jealous main mistress, Barbara Villiers, off the scent. Merivel receives a country estate in return and is sent to live there with his new wife, under strict instructions not to touch her. When he falls for her, he is kicked out of their home and seeks refuge with a student friend at the New Bedlam Hospital. He needs to get back into the King’s good books. Like its anti-hero, this novel is ebullient, funny, and strangely loveable.
Robert Merivel, son of a glove maker and an aspiring physician, finds his fortunes transformed when he is given a position at the court of King Charles II. Merivel slips easily into a life of luxury and idleness, enthusiastically enjoying the women and wine of the vibrant Restoration age. But when he's called on to serve the king in an unusual role, he transgresses the one law that he is forbidden to break and is brutally cast out from his newfound paradise. Thus begins Merivel's journey to self-knowledge, which will take him down into the lowest depths of seventeenth-century society.
I’m an academic and non-fiction writer as well as a novelist. My favourite part of writing is the research phase, when you catch the scent of something fascinating, and hitherto unknown, and never know where it might lead you. As you’ve probably guessed from my recommendations, I have a soft spot for the quiet, unflashy, overlooked figures. Recently I’ve returned to the subject of overlooked women, although in non-fiction, in my book Letters to my Weird Sisters: On Autism and Feminism. For my next novel, I’m learning all about the bluestocking women of eighteenth-century Britain, and their attempt to create an ideal community. Perfect characters aren’t interesting to me – flawed ones are so much better.
One of the great things historical novels can do is bring previously sidelined figures into the centre, and Galloway’s book is perhaps my favourite example of this. The title character is the nineteenth-century German pianist and composer, Clara Schumann, nee Wieck. We first meet her as a child prodigy, controlled by her overbearing father, and then come to know her as Clara Schumann, hardworking musician, mother, and wife to the increasingly erratic Robert Schumann. Galloway makes you feel as if you know what it’s like to live as a nineteenth-century woman, and a famous and gifted one at that.
As a historian of early modern France and a professor at Southern Methodist University, I have taken students to Paris on a study abroad program for more than twenty summers. Students were invariably intrigued by the relationship of Henry II, Catherine de Medici, and Diane de Poitiers. The young prince married Catherine de Medici at the age of fourteen but the thirty-six-year-old Diane de Poitiers became his mistress when he was sixteen and remained so for the rest of his life. The complexities of that relationship and the significance of both women led me to conclude that the history of the Renaissance could be told through the lives of the queens and mistresses.
From her arrival as a fourteen-year-old bride to her death as queen mother fifty-five years later, Catherine de Medici was praised as a devoted wife and mother and able ruler but also condemned as a foreigner, a poisoner, and murderer of Protestants. This rare collection of primary sources translated into English allows readers to become familiar with the sources of such positive and negative assessments of this controversial queen. The letters included here, selected from her many volumes of correspondence, reveal her concerns as a mother and as a political figure.
Excerpts from Venetian ambassadors' gossipy reports bring to light principal figures of the French court--their character, their motives, and political interests. Other sources in the collection extravagantly praise the character and actions of the queen. The several polemical sources included in the collection offer a sharp contrast. The vehement charges leveled against Catherine allow readers to recognize and understand…
Catherine de Medicis was portrayed in her day as foreign usurper, loving queen and queen mother, patron of the arts, and Machiavellian murderer of Protestants. Leah L. Chang and Katherine Kong assemble a diverse array of scathing polemic and lofty praise, diplomatic reports, and Catherine's own letters, which together show how one extraordinary woman's rule intersected with early modern conceptions of gender, maternity, and power.
Mihoko and Anne first met at the University of Miami, where Mihoko was a specialist in early modern England and Anne, in early modern Spain. Sharing their interests in gender studies, literature, and history, and combining their expertise, they team-taught a popular course on early modern women writers. Anne’s publications range from studies of women in Cervantes’ Don Quixote, female rogues, and religious women to early modern Habsburg queens. Mihoko has published on the figure of Helen of Troy in classical and Renaissance epic; and women and politics in early modern Europe, especially in the context of the many civil wars that upended the political and social order of the period.
Catherine de Medici has been reviled as an evil and power-hungry queen mother of three French kings, and as the architect of the St. Bartholomew’s Day’s Massacre—the most infamous episode in the decades-long French Wars of Religion. She was even slanderously accused of murdering another queen by sending her poisoned gloves, in keeping with her “Machiavellian” Italian extraction. Leonie Frieda’s biography corrects the “Black Legend” of Catherine and provides a vivid portrait of the complex woman who wielded unprecedented power as queen regent in France, where Salic Law prohibited women from exercising sovereignty in their own right, as did her contemporary Elizabeth I. She shows that from her husband Henri II’s unexpected death in a gruesome accident through the reigns of her sons, who unfortunately did not inherit their mother’s ability, Catherine displayed “intelligence, courage, and an indefatigable spirit” in exercising political power and acting as an exceptional patron of…
Catherine de Medici was half French, half Italian. Orphaned in infancy, she was the sole legitimate heiress to the Medici family fortune. Married at fourteen to the future Henri II of France, she was constantly humiliated by his influential mistress Diane de Poitiers. When her husband died as a result of a duelling accident in Paris - Leonie Frieda's magnificient, throat-grabbing opening chapter - Catherine was made queen regent during the short reign of her eldest son (married to Mary Queen of Scots and, like many of her children, he died young). When her second son became king she was…
When I lived in France as a youngster, museum portraits became friends. I could hear courtiers scheming in Versailles and gladiators clashing in coliseums. Naturally, decades later, when I learned Napoleon Bonaparte tried to write a novel of love and betrayal, I vowed to finish it for him. But to ghostwrite for Napoleon, I had to know him as personally as his great love Josephine did. I dove into research, translated his writing to capture his cadence, and became secretary of the Napoleonic Historical Society. Finally, on remote St. Helena Island in the ramshackle rooms where Napoleon died in exile, I found the intimate connection I demand from historical fiction.
May I suggest historical fiction fans of the English Tudors try the French royalty for a change? For me, Tudor intrigue pales in comparison to France’s 16th-century queen and regent, Catherine de Medici. This lush, biographical novel from C.W. Gortner follows Catherine from traumatic childhood to poignant death, revealing the necessity behind her ruthlessness. Since the era’s religious conflicts echo today’s cultural divides, the history feels surprisingly fresh. I can’t help thinking that this strong woman who stopped at nothing to protect France, her children, and her power would be more admired if she had been a man.
“The Confessions of Catherine de Medici is a dramatic, epic novel of an all-too-human woman whose strength and passion propelled her into the center of grand events. Meticulously-researched, this engrossing novel offers a fresh portrait of a queen who has too often been portrayed as a villain. Bravo Mr. Gortner!”—Sandra Gulland, author of The Josephine B Trilogy and Mistress of the Sun
The truth is, not one of us is innocent. We all have sins to confess. So reveals Catherine de Medici, the last legitimate descendant of her family’s illustrious line. Expelled from her native Florence, Catherine is betrothed to…
I’m an author, researcher, and historian writing about Tudor women. As a woman myself, I’m naturally interested in what life was like for those who came before me, and I’m very passionate about writing the lesser-known, forgotten women back into the historical narrative of the period. We all know about Henry VIII’s six wives, his sisters, and daughters, but there were other women at the Tudor court whose stories are no less fascinating.
In historiography, the focus is usually on men, so women are pushed to the sidelines.
In this book, Professor Lipscomb beautifully recreates women's daily life in the sixteenth-century French town of Nîmes. Reading their words retrieved from the archives allows these women's voices, left out of history books, to be heard again.
Most of the women who ever lived left no trace of their existence on the record of history. Sixteenth- and seventeenth-century women of the middling and lower levels of society left no letters or diaries in which they expressed what they felt or thought. Criminal courts and magistrates kept few records of their testimonies, and no ecclesiastical court records are known to survive for the French Roman Catholic Church between 1540 and 1667. For the most part, we cannot hear the voices of ordinary French women - but this study allows us to do so.
I grew up in Bordeaux, a city that became prominent during the eighteenth century. My hometown inspired my love of eighteenth-century French studies, which led me to the Sorbonne, then to Yale University where I earned a PhD. Today, I am an Associate Professor at The Ohio State University. I am the author of eight novels and monographs published in France and the US, including American Pandemonium, Posthumous America, and Sentinel Island. My work explores numerous genres to question a number of recurring themes: exile and the representation of otherness; nostalgia and the experience of bereavement; the social impact of new technologies; America’s history and its troubled present.
In this lively, elegant biography, Andrew Curran retraces the intellectual itinerary of a major eighteenth-century philosopher, Denis Diderot. Very few people ever lived and wrote with as much confidence in the power of posterity to recognize their greatness and the importance of their intellectual contribution after their death. Diderot, indeed, had to hide a significant proportion of his writings because they were just too controversial and ahead of their time. He believed that nothing was more inspirational than to work for the admiration of those who have yet to be born. Diderot and the Art of Thinking Freely is a marvelous introduction to the Enlightenment through the portrait of one of its major thinkers, and a great way to understand why people write books for those they will never meet.
A spirited biography of the prophetic and sympathetic philosopher who helped build the foundations of the modern world.
Denis Diderot is often associated with the decades-long battle to bring the world’s first comprehensive Encyclopédie into existence. But his most daring writing took place in the shadows. Thrown into prison for his atheism in 1749, Diderot decided to reserve his best books for posterity–for us, in fact. In the astonishing cache of unpublished writings left behind after his death, Diderot challenged virtually all of his century's accepted truths, from the sanctity of monarchy,…
I am a graduate in Philosophy with a Masters degree in Contemporary Culture so this theme is enormously interesting for me. My passion has been shifting from literature to contemporary society and culture in general. I love to find the connexions between the current state of affairs and the past. I honestly think that if we look at the lives and times of the great thinkers we can get hints about the state of contemporary society. Understanding what makes us behave and think the way we do it is my main motivation.
I'll be honest, when I received Benoit Peeters' book on Derrida I was a little worried.
A 600-page tome about one of the most notoriously difficult philosophers. Fortunately, Peeters does not write in a Derridean manner and makes the life journey of the most influential thinker of postmodernism accessible and even entertaining.
Peeters covers Derrida's formative years in Algeria, his academic career, and his development of deconstruction—a philosophical approach that challenged traditional notions of language, meaning, and text interpretation.
This biography of Jacques Derrida (1930-2004) tells the story of a Jewish boy from Algiers, excluded from school at the age of twelve, who went on to become the most widely translated French philosopher in the world - a vulnerable, tormented man who, throughout his life, continued to see himself as unwelcome in the French university system. We are plunged into the different worlds in which Derrida lived and worked: pre-independence Algeria, the microcosm of the Ecole Normale Superieure, the cluster of structuralist thinkers, and the turbulent events of 1968 and after. We meet the remarkable series of leading writers…
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