100 books like Restoration

Yes, I know this is a novel, but Mantel’s historical research is impeccable and no one has done more to bring to light the shadowy, intrigue-filled court of Henry VIII. Mantel explores the intersection of political power and personal ambition as she traces the career of Thomas Cromwell, a rags-to-riches courtier.

I could almost taste the food, smell the decay, and touch the damp walls of the buildings. She took me deep into the consciousness of the unlikeable yet sympathetic and lonely main character, as he serves his monarch and defeats his enemies.

The drama is gripping.

Reading this book made me feel as if I was watching a great magician perform several impossible tricks.

It is both clever and funny, it teems with wonderful characters but never seems overstuffed, and it does what very few historical novels manage to do. We absolutely believe that the people are living their lives in the past (this really is Germany in the 1790s), but we also recognize them as our contemporaries.

I find it a magical book, lighter than air, a poignant, gorgeous love story that also satisfies the historian in me.

One of the great things historical novels can do is bring previously sidelined figures into the centre, and Galloway’s book is perhaps my favourite example of this. The title character is the nineteenth-century German pianist and composer, Clara Schumann, nee Wieck. We first meet her as a child prodigy, controlled by her overbearing father, and then come to know her as Clara Schumann, hardworking musician, mother, and wife to the increasingly erratic Robert Schumann. Galloway makes you feel as if you know what it’s like to live as a nineteenth-century woman, and a famous and gifted one at that.

This is a book about being a celebrity’s biggest fan. In 16th Century France, eighteen-year-old Marie de Gournay reads the essays of the philosopher Montaigne, and is so overwhelmed that she faints. When she finally meets her idol, she stabs herself with a hairpin to prove her devotion. For two blissful months, she lives as his adopted daughter. When he dies four years later, de Gournay devotes herself to editing the writings he left behind, persisting even though she is despised both by the intellectuals of the time and by her own family. I know how it feels to be that intense, socially awkward, bookish girl and I found Marie’s story extremely moving.

Andrew Taylor is known for his great mysteries set in the 1600s, but the reason I’m picking this one above his others is the power of the opening and how it draws you into this world.

We’re introduced to a house where two girls are playing with what is effectively a voodoo doll, wishing harm on their master. When something inevitably happens to the master, these girls’ simple game with the doll becomes much more wicked. Who couldn’t be drawn in by such a premise?

Like Samson and Bishop, Taylor takes the reader on an investigation through a city from a different era, but it’s the people in Taylor’s book that make the stakes of this adventure so much higher.

For those who like biographies, this story of Oliver Cromwell (1599 – 1658) follows him from young man to gentleman farmer, reluctant politician, military leader, regicide, and Lord Protector of England. To me, Cromwell will always be the cold destroyer who led his most brutal and devastating army across Ireland after England’s civil war. But, there are many differing opinions. This interesting read presents all sides of the man, so you can be the judge. 

Nell Gwynn is another fascinating (female) historical figure who captures the imagination and has been the subject of much speculation and invention.

Bagwell has clearly researched her subject meticulously, and the novel is a perfect mix of historical detail and bawdy romp, which makes for a very readable, very entertaining novel. I first read it around a decade ago, and it was my favourite read of that year.

When we think of fashion, we tend to envisage attention-getting, usually very expensive clothing. And because many of those pieces have been carefully preserved, most historical works also focus on costly luxury apparel.

But as John Styles, one of today’s most imaginative historians, demonstrates in this gorgeous book, fashion is not just a matter of big-name designers who show in Milan, Paris, or New York. Having discovered a wealth of new sources—fabric swatches pinned onto orphan records are just one of them—Styles reconstructs the ways in which ordinary Britons created apparel styles during the first “Consumer Revolution.”

Back to pure history! At one point, I was the founder and publisher—the Head Goose—of Goosebottom Books. Of all the books we published, this title is my favorite. Gretchen Maurer, the author, did a great job of presenting a very complex and nuanced story in a way that makes it human and understandable to young readers, without side-stepping the facts. The book design and illustration are remarkable and evoke the rich Tudor aesthetic. But what I love most about this book is that it presents the antihero to my childhood hero, Elizabeth I of England, and raises the question: just how fair was history? One of these two sisters became known as Bloody Mary, the other as Good Queen Bess. Did they fully deserve those reputations?

This is a biography but it’s about a famous ship, the Mauretania, rather than a famous person. Through her illustrious career the Mauretania—affectionately called the ‘Maury’—carried passengers in speed and style across the Atlantic while holding the Blue Riband for more than 20 years. In service from 1907 to 1934, she spanned the era of the great luxurious liners.

Lots of textual material, which I like, although there’s enough photos to illustrate the various aspects of her life. If you like detail, this book has it. My only criticism is light coverage of her important role in the First World War. Read this in conjunction with the histories of her sister ship and running mate, the ill-fated Lusitania. They provided a rotating weekly service across the Atlantic for 8 years, and were equally luxurious, but their stories are far from identical.