52 books like What a Book Can Do

More than a century before Oprah, emancipated African Americans organized their own book clubs. They studied mainly the Western classics but also emerging black writers.

While Booker T. Washington emphasized vocational training, more militant black leaders demanded the right to read the same authors taught in elite white academies: One of their syllabuses included Milton, Spenser, Homer, Aeschylus, Longfellow, Dryden, Pope, Browning, Pindar and Sappho. Those poets, said one reader, inspired the "hope [that] the great American epic of the joys and sorrows of our blood and kindred, of those who have gone before us[,] would one day be written."

And that's exactly what happened. A young Ralph Ellison read everything in the segregated branch of the Oklahoma City library; Malcolm X was profoundly affected by Paradise Lost; and Toni Morrison minored in classics at Howard University.

Middlebrow was the deadliest insult Virginia Woolf and Dwight Macdonald could hurl at a book.

Until recently, that vast literary territory was ignored by scholars. Joan Rubin changed all that with a study that really deserves the overused label "groundbreaking." Middlebrow books, which dominated American culture between 1920 and 1960, strove to make challenging subjects accessible to a somewhat educated audience.

A legendary example was Will and Ariel Durant's 11-volume The Story of Civilization. Before literary criticism became a hermetic business of professors talking only to one another, every newspaper had a weekend book review section, where public critics like Irita Van Doren and Clifton Fadiman addressed general readers.

Censors can be astonishingly intelligent readers. For them, discernment and insight are essential job skills. Aleksandr Nikitenko (1804-77) hated and loved his work for the same reason: "Only the censor has the opportunity to read everything being written in our country." He adored Byron ("his poetry is like a storm playing an Aeolian harp") and scolded Russians for not appreciating Shakespeare. And he fully recognized the "downright absurdity and contradiction" of the system.

He tried to reason with Orthodox clerics who demanded the suppression of historical articles on the Reformation, which, they believed, might inspire a Russian Martin Luther. The minister of war insisted that an expose of army atrocities be recalled from Moscow bookstores: "This book is particularly dangerous because there's truth in every single line of it."

Nikitenko won some battles, heading off attempts to expurgate Pushkin and block John Stuart Mill's On Liberty. But the government created… show more.

Modern American literature is inconceivable without Maxwell Perkins. As an editor at Scribner's, he probably saved that dustily respectable firm by dragging it into the 20th century. He nursed F. Scott Fitzgerald and Ernest Hemingway and performed lifesaving surgery on the baggy manuscripts of Thomas Wolfe.

For all manner of authors, he had an unprejudiced eye for brilliance. He angled for Henry Roth's radical proletarian fiction and gave Winston Churchill the idea that eventually became A History of the English-Speaking Peoples. He advised Charles Scribner to grab Bruce Barton's The Man Nobody Knows, explaining that "it treats Christ as a supersalesman." (Scribner was scandalized, and another publisher made it a blockbuster.) He published the classy mysteries of S.S. Van Dine and capped his career with From Here to Eternity. And he gave every author unstinting time, attention, and labor.

Read this classic biography, and you'll understand why… show more.

Paul Levitz was a writer, editor, editor in chief, publisher, and president of DC Comics for decades. This oversized coffee table book is a treasure trove of his insights, memories, and analysis. It’s the definitive history of DC, which only he could write. And it’s full of fun colorful images, making it interesting to younger readers as well as a perfect gift to any pop culture or comics lover.

Papyrus is half history of the written word, half personal memoir. But it shines in its description of the early days of books, libraries, and organized information.

Vallejo talks about how Alexandria was a hotbed of innovation as the Ptolemy Greek rulers sought to burnish their image as Macedonian brutes by building the world’s greatest temple of knowledge- The Alexandria Library. Vallejo says that libraries are meant to “bridge the gaps in the archipelago of knowledge.”

Her description of Alexandria as a frontier town reminds me of the current crop of characters pioneering Web3.

An interesting and funny take on the zombie apocalypse.

The main character has a morbid sense of humor and a loyal dog and is trying to find his daughter no matter what it takes.

The story is fast-paced and will keep you wondering what will happen next, as well as discovering what the main character will do to survive the zombies and also get some food.

I enjoyed the balance of humor and action, which kept me reading until the last page.

Poisoning is a complicated business. Your character needs to know what poisons are available, along with their toxicity, method of administration, reaction time, symptoms, and treatment.

This book offers all that information and more in language that you don’t need a chemistry degree to understand. From classic poisons to common household substances, natural venoms to street drugs, and pesticides to medical compounds, this book offers detailed information on all facets of the art of chemical assassination.   

In my next pick, Romero draws on previously unexplored archives to tell stories of pesticides never told before, most notably how industrial waste was utilized to make chemicals that could kill all that got in agriculture’s way.

I love how he renders ironic the closed-looped systems so championed by environmentalists—or the use of warfare chemicals on fields that grow our foods. It is indeed strange that we use chemicals designed to kill the food that we eat to live.

While I knew that Rachel Carson was involved in starting the environmental movement with her revolutionary book Silent Spring, I had no idea that she was also a best-selling popular science author who wrote lyrical books about the ocean. It was fascinating to learn about her life and the challenges that she faced in while standing up to big chemical companies, whose profits were threatened by her writing.