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The Making of Middlebrow Culture.
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As an avid reader, I'm curious about where books come from and what they do. How does a story get to be a book? How does someone become an author? What is happening to us as we read? I worked in publishing, and eventually, I started teaching other people how to become editors and publishers. As a faculty member, I had time to study and write about book history. I joined the Society for the History of Authorship, Reading, and Publishing when it was formed and became its president. The conferences helped me to learn about the history of books throughout the world and from pre-print times to the present.
I always like to start learning about a subject with an overview, and this book brings together experts on topics ranging from technology to censorship, marketing, copyright, and book clubs in the period starting with World War II. I turn to this volume, again and again, to refresh my knowledge and enjoy excellent writing by the top scholars in book history. Earlier volumes in the series cover the topic from colonial times.
This is the only comprehensive, interpretive survey of the history of the book in the United States since 1945.The fifth volume of ""A History of the Book in America"" addresses the economic, social, and cultural shifts affecting print culture from World War II to the present. During this period factors such as the expansion of government, the growth of higher education, the climate of the Cold War, globalization, and the development of multimedia and digital technologies influenced the patterns of consolidation and diversification established earlier.The thirty-three contributors to the volume explore the evolution of the publishing industry and the business…
As an avid reader, I'm curious about where books come from and what they do. How does a story get to be a book? How does someone become an author? What is happening to us as we read? I worked in publishing, and eventually, I started teaching other people how to become editors and publishers. As a faculty member, I had time to study and write about book history. I joined the Society for the History of Authorship, Reading, and Publishing when it was formed and became its president. The conferences helped me to learn about the history of books throughout the world and from pre-print times to the present.
As a voracious reader, I’ve often wondered about why exactly reading is so pleasurable—so essential—and whether others feel the same way about books as I do. Leah Price writes about books and reading clearly and entertainingly, busting myths about a “golden age” of books as well as the much-feared “death of the book.” I learned a lot from this book and enjoyed every minute.
Around 2000, people began to believe that books were on verge of extinction. Their obsolescence, in turn, was expected to doom the habits of mind that longform print had once prompted: the capacity to follow a demanding idea from start to finish, to look beyond the day's news, or even just to be alone. The "death of the book" is an anxiety that has spawned a thousand jeremiads about the dumbing down of American culture, the ever-shorter attention spans of our children, the collapse of civilized discourse.
All of these anxieties rely on the idea of a golden age, when…
Books—broadly defined as any kind of written or printed document—are the primary means by which civilizations are constructed, memories are preserved, ideas are communicated, wealth is distributed, and power is exercised. To understand any human society, you must read its books. And as Winston Churchill said, “Books last forever.” The physical structures of civilizations eventually crumble into ruins, but the books they leave behind are immortal.
More than a century before Oprah, emancipated African Americans organized their own book clubs. They studied mainly the Western classics but also emerging black writers.
While Booker T. Washington emphasized vocational training, more militant black leaders demanded the right to read the same authors taught in elite white academies: One of their syllabuses included Milton, Spenser, Homer, Aeschylus, Longfellow, Dryden, Pope, Browning, Pindar and Sappho. Those poets, said one reader, inspired the "hope [that] the great American epic of the joys and sorrows of our blood and kindred, of those who have gone before us[,] would one day be written."
And that's exactly what happened. A young Ralph Ellison read everything in the segregated branch of the Oklahoma City library; Malcolm X was profoundly affected by Paradise Lost; and Toni Morrison minored in classics at Howard University.
Over the past decade the popularity of black writers including E. Lynn Harris and Terry McMillan has been hailed as an indication that an active African American reading public has come into being. Yet this is not a new trend; there is a vibrant history of African American literacy, literary associations, and book clubs. Forgotten Readers reveals that neglected past, looking at the reading practices of free blacks in the antebellum north and among African Americans following the Civil War. It places the black upper and middle classes within American literary history, illustrating how they used reading and literary conversation…
As an avid reader, I'm curious about where books come from and what they do. How does a story get to be a book? How does someone become an author? What is happening to us as we read? I worked in publishing, and eventually, I started teaching other people how to become editors and publishers. As a faculty member, I had time to study and write about book history. I joined the Society for the History of Authorship, Reading, and Publishing when it was formed and became its president. The conferences helped me to learn about the history of books throughout the world and from pre-print times to the present.
As a writer and teacher, I’ve always classified plagiarism as a high crime and misdemeanor. It’s the academic equivalent of treason. Thomas Mallon covers well-known and unknown instances, word thieves punished and not. The book is highly entertaining but deadly serious about the harm done by plagiarists and by those who do not take their crimes seriously.
"The definitive book on the subject" of plagiarism (The New York Times) is updated with a new afterword about the Internet.
What is plagiarism, and why is it such a big deal? Since when is originality considered an indispensable attribute of authorship? Stolen Words is a deft and well-informed history of the sin every writer fears from every angle. Award-winning author Thomas Mallon begins in the seventeenth century and pushes forward toward scandals in publishing, academia, and Hollywood, exploring the motivations, consequences, and emotional reverberations of an intriguing and distressingly widespread practice. In this now-classic study, Mallon proves himself to…
Books—broadly defined as any kind of written or printed document—are the primary means by which civilizations are constructed, memories are preserved, ideas are communicated, wealth is distributed, and power is exercised. To understand any human society, you must read its books. And as Winston Churchill said, “Books last forever.” The physical structures of civilizations eventually crumble into ruins, but the books they leave behind are immortal.
Censors can be astonishingly intelligent readers. For them, discernment and insight are essential job skills. Aleksandr Nikitenko (1804-77) hated and loved his work for the same reason: "Only the censor has the opportunity to read everything being written in our country." He adored Byron ("his poetry is like a storm playing an Aeolian harp") and scolded Russians for not appreciating Shakespeare. And he fully recognized the "downright absurdity and contradiction" of the system.
He tried to reason with Orthodox clerics who demanded the suppression of historical articles on the Reformation, which, they believed, might inspire a Russian Martin Luther. The minister of war insisted that an expose of army atrocities be recalled from Moscow bookstores: "This book is particularly dangerous because there's truth in every single line of it."
Nikitenko won some battles, heading off attempts to expurgate Pushkin and block John Stuart Mill's On Liberty. But the government created…
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Books—broadly defined as any kind of written or printed document—are the primary means by which civilizations are constructed, memories are preserved, ideas are communicated, wealth is distributed, and power is exercised. To understand any human society, you must read its books. And as Winston Churchill said, “Books last forever.” The physical structures of civilizations eventually crumble into ruins, but the books they leave behind are immortal.
Before it launched the modern environmental movement, Silent Spring (1962) had to run a formidable publication gantlet. Rachel Carson challenged the prevailing scientific consensus about pesticides, a subject most magazines wouldn't touch for fear of losing ads. The chemical industry threatened legal action and mounted a PR campaign against Carson. But she had several strong cards to play.
She was already a best-selling author. She was firmly backed by her editor, Paul Brooks of Houghton Mifflin, then an independent family firm with a tradition of publishing nature writers. The book was serialized in the New Yorker, and President Kennedy plugged it at a press conference. On CBS, Eric Sevareid gave Carson equal time with an industry spokesman, though some corporations pulled their commercials. As Brooks predicted, "A future social historian will be writing his Ph.D. thesis on the career of Silent Spring—just you wait!"
In 1962 the publication of Rachel Carson's Silent Spring sparked widespread public debate on the issue of pesticide abuse and environmental degradation. The discussion permeated the entire print and electronic media system of mid-twentieth-century America. Although Carson's text was serialized in the New Yorker, it made a significant difference that it was also published as a book. With clarity and precision, Priscilla Coit Murphy explores the importance of the book form for the author, her editors and publishers, her detractors, the media, and the public at large. Murphy reviews the publishing history of the Houghton Mifflin edition and the prior…
Books—broadly defined as any kind of written or printed document—are the primary means by which civilizations are constructed, memories are preserved, ideas are communicated, wealth is distributed, and power is exercised. To understand any human society, you must read its books. And as Winston Churchill said, “Books last forever.” The physical structures of civilizations eventually crumble into ruins, but the books they leave behind are immortal.
Modern American literature is inconceivable without Maxwell Perkins. As an editor at Scribner's, he probably saved that dustily respectable firm by dragging it into the 20th century. He nursed F. Scott Fitzgerald and Ernest Hemingway and performed lifesaving surgery on the baggy manuscripts of Thomas Wolfe.
For all manner of authors, he had an unprejudiced eye for brilliance. He angled for Henry Roth's radical proletarian fiction and gave Winston Churchill the idea that eventually became A History of the English-Speaking Peoples. He advised Charles Scribner to grab Bruce Barton's The Man Nobody Knows, explaining that "it treats Christ as a supersalesman." (Scribner was scandalized, and another publisher made it a blockbuster.) He published the classy mysteries of S.S. Van Dine and capped his career with From Here to Eternity. And he gave every author unstinting time, attention, and labor.
Read this classic biography, and you'll understand why…
The National Book Award winner from Pulitzer Prize-winning author A. Scott Berg is now celebrating its 40th anniversary.
The talents he nurtured were known worldwide: F. Scott Fitzgerald, Ernest Hemingway, Thomas Wolfe, and numerous others. But Maxwell Perkins remained a mystery, a backstage presence who served these authors not only as editor but also as critic, career manager, moneylender, psychoanalyst, father-confessor, and friend.
This outstanding biography, a winner of the National Book Award, is the first to explore the fascinating life of this genius editor extraordinare-in both the professional and personal domains. It tells not only of Perkins's stormy marriage,…
I’m the founder of the Inner Mammal Institute and author of many books on the mammalian neurochemistry we’ve inherited. I started this research because the psychology I’d been taught wasn’t working for my students or my children. It wasn’t even working for the children of psychology professors! I knew we were missing something big. I started studying animals, and suddenly everything made sense. We have the same neurochemicals controlled by the same limbic system as other mammals, which is why the social behavior of animals is eerily familiar. Here are five books that shaped my insight into the mammal brain in all of us. But I must mention the wildlife videos of David Attenborough as well. They made a huge contribution to my understanding of animal impulses, which is why my first book is dedicated to him. Attenborough was not just a talking head; he was the prime mover in the drive to record animal behavior in the wild.
Animals are picky about who they mate with. Biologists have explained a wide array of mating strategies, and this book is an “intimate” look at one of them: territoriality. This book gets down and dirty, as it were, to see how animals fight for turf and how it promotes their genes. It’s a great read - not a stuffy textbook - and it’s part of a series of 4 so you may want to keep going as I did.
Another older book that opened my eyes is The Human Side of Animals by Vance Packard. Together, these books showed me that it’s not just apes and monkeys that compete for status; it’s a staple feature of social animals. And if you want a real textbook on the subject, the best of them, after 50 years, is still E.O.Wilson.
A territory is an area of space which an animal guards as its exclusive possession and which it will defend against all members of its kind. In this revolutionary book Robert Ardrey takes a concept familiar to every biologist, brings together for the first time a fair sampling of all scientific observations of this form of behavior, and demonstrates that man obeys the same laws as does many other animal species. With African Genesis Mr Ardrey stirred up enough storm to last an author, one would think, for a lifetime. In The Territorial Imperative, however, he explores more deeply and…
I am a retired professor, was raised in a refugee camp, one of a family of 9 living in one tent. studied in Palestine, Egypt, Germany, and America, have Ph.D. in economics; scholarships financed my education journey. I lived a life no human has lived or can live, because some of the times I lived had come and gone and cannot come back again. I taught at 11 universities on 4 continents, published 60 books in Arabic and English: books on economics, politics, culture, history, conflict resolution, philosophy, racism, novels, and poetry. True intellectuals cannot stay in one area because issues that shape mankind's history and man’s destiny are interconnected.
A History of Knowledge is a treasure that invites everyone to explore and enjoy. It recounts the history of human progress from primitive times to the 21st century. Van Doren covers the history of ideas, inventions, civilizations, ideologies, and issues of justice, war, and slavery. Almost no famous thinker, emperor, philosopher, inventor, or artist is not mentioned, and his contribution examined.These are two of my favorite quotations; “Our fathers started the revolution, and we are still living it. We could not stop it even if we wanted to.” “The rich are never rich enough... to have enough is simply to be content with what you have. When wanting comes first, you can never have enough. If contentment is placed first, it does not matter how much you have.”
A one-voume reference to the history of ideas that is a compendium of everything that humankind has thought, invented, created, considered, and perfected from the beginning of civilization into the twenty-first century. Massive in its scope, and yet totally accessible, A HISTORY OF KNOWLEDGE covers not only all the great theories and discoveries of the human race, but also explores the social conditions, political climates, and individual men and women of genius that brought ideas to fruition throughout history.
"Crystal clear and concise...Explains how humankind got to know what it knows."
Clifton Fadiman
Selected by the Book-of-the-Month Club and the…
I am a black female writer who instinctively understood that in becoming an African American writer of stories (and essays), I would need to write from a long tradition of African American culture and history, as well as to learn everything I could from the amazing list of African American female writers who came before me. I embraced that notion, and as I began to place my own words on the page, I paid close attention to how those women writers had carefully chosen their own. These are the five books by African American women writers who have inspired me and helped me become the best writer I can be.
I may have admired Kincaid as a person even before I read her novel about a young woman who must find her way in life after her mother dies during childbirth. I admired Kincaid’s determined journey to become a writer: she left home as a teenager, worked, found a job as a staff writer for The New Yorker, then began writing stories and novels, even changing her name in the process.
Reading Autobiography—one of several of her books about the mother/daughter relationship—gave me a meaningful connection between the story being told and the language/syntax being used to tell that story. Kincaid’s amazing sense of honesty is only eclipsed by her lyrically perfect prose. I knew that if I found myself writing in that same beautiful style, I, too, might be able to tell my own stories as they should be told.
From the recipient of the 2010 Clifton Fadiman Medal, an unforgettable novel of one woman's courageous coming-of-age
Jamaica Kincaid's The Autobiography of My Mother is a story of love, fear, loss, and the forging of character, an account of one woman's inexorable evolution, evoked in startling and magical poetry.
Powerful, disturbing, stirring, Jamaica Kincaid's novel is the deeply charged story of a woman's life on the island of Dominica. Xuela Claudette Richardson, the daughter of a Carib mother and a half-Scottish, half-African father, loses her mother to death the moment she is born and must find her way on her…
