Here are 100 books that A History of the Book in America fans have personally recommended if you like
A History of the Book in America.
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As an avid reader, I'm curious about where books come from and what they do. How does a story get to be a book? How does someone become an author? What is happening to us as we read? I worked in publishing, and eventually, I started teaching other people how to become editors and publishers. As a faculty member, I had time to study and write about book history. I joined the Society for the History of Authorship, Reading, and Publishing when it was formed and became its president. The conferences helped me to learn about the history of books throughout the world and from pre-print times to the present.
As a voracious reader, I’ve often wondered about why exactly reading is so pleasurable—so essential—and whether others feel the same way about books as I do. Leah Price writes about books and reading clearly and entertainingly, busting myths about a “golden age” of books as well as the much-feared “death of the book.” I learned a lot from this book and enjoyed every minute.
Around 2000, people began to believe that books were on verge of extinction. Their obsolescence, in turn, was expected to doom the habits of mind that longform print had once prompted: the capacity to follow a demanding idea from start to finish, to look beyond the day's news, or even just to be alone. The "death of the book" is an anxiety that has spawned a thousand jeremiads about the dumbing down of American culture, the ever-shorter attention spans of our children, the collapse of civilized discourse.
All of these anxieties rely on the idea of a golden age, when…
Books—broadly defined as any kind of written or printed document—are the primary means by which civilizations are constructed, memories are preserved, ideas are communicated, wealth is distributed, and power is exercised. To understand any human society, you must read its books. And as Winston Churchill said, “Books last forever.” The physical structures of civilizations eventually crumble into ruins, but the books they leave behind are immortal.
More than a century before Oprah, emancipated African Americans organized their own book clubs. They studied mainly the Western classics but also emerging black writers.
While Booker T. Washington emphasized vocational training, more militant black leaders demanded the right to read the same authors taught in elite white academies: One of their syllabuses included Milton, Spenser, Homer, Aeschylus, Longfellow, Dryden, Pope, Browning, Pindar and Sappho. Those poets, said one reader, inspired the "hope [that] the great American epic of the joys and sorrows of our blood and kindred, of those who have gone before us[,] would one day be written."
And that's exactly what happened. A young Ralph Ellison read everything in the segregated branch of the Oklahoma City library; Malcolm X was profoundly affected by Paradise Lost; and Toni Morrison minored in classics at Howard University.
Over the past decade the popularity of black writers including E. Lynn Harris and Terry McMillan has been hailed as an indication that an active African American reading public has come into being. Yet this is not a new trend; there is a vibrant history of African American literacy, literary associations, and book clubs. Forgotten Readers reveals that neglected past, looking at the reading practices of free blacks in the antebellum north and among African Americans following the Civil War. It places the black upper and middle classes within American literary history, illustrating how they used reading and literary conversation…
Books—broadly defined as any kind of written or printed document—are the primary means by which civilizations are constructed, memories are preserved, ideas are communicated, wealth is distributed, and power is exercised. To understand any human society, you must read its books. And as Winston Churchill said, “Books last forever.” The physical structures of civilizations eventually crumble into ruins, but the books they leave behind are immortal.
Middlebrow was the deadliest insult Virginia Woolf and Dwight Macdonald could hurl at a book.
Until recently, that vast literary territory was ignored by scholars. Joan Rubin changed all that with a study that really deserves the overused label "groundbreaking." Middlebrow books, which dominated American culture between 1920 and 1960, strove to make challenging subjects accessible to a somewhat educated audience.
A legendary example was Will and Ariel Durant's 11-volume The Story of Civilization. Before literary criticism became a hermetic business of professors talking only to one another, every newspaper had a weekend book review section, where public critics like Irita Van Doren and Clifton Fadiman addressed general readers.
The proliferation of book clubs, reading groups, "outline" volumes, and new forms of book reviewing in the first half of the twentieth century influenced the tastes and pastimes of millions of Americans. Joan Rubin here provides the first comprehensive analysis of this phenomenon, the rise of American middlebrow culture, and the values encompassed by it. Rubin centers her discussion on five important expressions of the middlebrow: the founding of the Book-of-the-Month Club; the beginnings of "great books" programs; the creation of the New York Herald Tribune's book-review section; the popularity of such works as Will Durant's The Story of Philosophy;…
As an avid reader, I'm curious about where books come from and what they do. How does a story get to be a book? How does someone become an author? What is happening to us as we read? I worked in publishing, and eventually, I started teaching other people how to become editors and publishers. As a faculty member, I had time to study and write about book history. I joined the Society for the History of Authorship, Reading, and Publishing when it was formed and became its president. The conferences helped me to learn about the history of books throughout the world and from pre-print times to the present.
As a writer and teacher, I’ve always classified plagiarism as a high crime and misdemeanor. It’s the academic equivalent of treason. Thomas Mallon covers well-known and unknown instances, word thieves punished and not. The book is highly entertaining but deadly serious about the harm done by plagiarists and by those who do not take their crimes seriously.
"The definitive book on the subject" of plagiarism (The New York Times) is updated with a new afterword about the Internet.
What is plagiarism, and why is it such a big deal? Since when is originality considered an indispensable attribute of authorship? Stolen Words is a deft and well-informed history of the sin every writer fears from every angle. Award-winning author Thomas Mallon begins in the seventeenth century and pushes forward toward scandals in publishing, academia, and Hollywood, exploring the motivations, consequences, and emotional reverberations of an intriguing and distressingly widespread practice. In this now-classic study, Mallon proves himself to…
I teach historical martial arts for a living. 25 years ago, one of my students asked me to write a training manual about medieval Italian longswords, so I did… it took me four years and changed everything. Teaching in person is my favourite thing, but writing books about my art is a close second. I’m always on the lookout for ways to write better and faster and sell more books. Being an effective writer means I make enough money from my books that I can spend my time researching, writing, training, and teaching historical martial arts and have plenty of time to spend with my wife and kids.
I hated marketing, and I was scared it would turn me into a shrill and shallow person. But I realised I needed to learn to sell my work if I was ever going to make a decent amount of money with it—enough to justify the time I was spending on writing, editing, and publishing.
This book gave me the basic tools I needed to get over my internal resistance and start helping my readers better by letting them know about books they actually wanted.
Do you want to sell more books and reach more readers? Do you want to discover how to build an author career for the long-term as well as spike your book sales right now?
If you don’t know much about marketing, don’t worry. We all start with nothing.
I’m Joanna Penn and back in 2008, I had no book sales, no audience, no website, no social media, no podcast, no email list. No nothing.
Now I’m a New York Times and USA Today bestselling author of thrillers and non-fiction. My books have sold over 600,000 copies in 162 countries, and…
I vividly recall learning about public libraries as a kid: if I signed up for a library card I could take ANY of these books home to read?! From the first, I loved books as physical objects on library shelves—savoring their covers and carefully reading their spines as clues to the stories within. I ended up as a professor of literature who does not just study the words, or texts, of novels (my specialty), but how stories are made into books and circulate in the culture. Everything from graphic design to price can influence our interpretation of a story, even before we read the first word...
I love the grit and heroism of this story about the history of the humble Armed Services Editions. My own university holds one of the largest collections of these small wartime reprints that were sized to fit into the pocket of a GI’s uniform.
So, I initially reached for this book out of duty but then relished it for its compelling historical facts and vividly bookish humanity.
NEW YORK TIMES BESTSELLER. While the Nazis were burning hundreds of millions of books across Europe, America printed and shipped 140 million books to its troops. The "heartwarming" story of how an army of librarians and publishers lifted spirits and built a new democratic audience of readers is as inspiring today as it was then (New York Times).
When America entered World War II in 1941, we faced an enemy that had banned and burned 100 million books. Outraged librarians launched a campaign to send free books to American troops and gathered 20 million hardcover donations.
I started reading and listening to memoirs in preparation for writing my own, and they inspired me to be honest and vulnerable about my story in ways that helped me overcome sexual shame. I lived a fascinating lifestyle as a sugar daddy for a few years, but talking about it was scary as hell. Reading other men who admitted their fears and failings gave me the courage to be radically honest and lay it all out there. Writing the book was cathartic in ways decades of therapy failed!
As the founder of Rolling Stone magazine, Jann recounts decades of being at the forefront of musical, film, and political history.
But it’s his personal admissions of his arrogance and, most importantly, decades of being in the closet as a gay man that make reading or listening to this absolutely fascinating.
In this New York Times bestseller, Rolling Stone founder, co-editor, and publisher Jann Wenner offers a "touchingly honest" and "wonderfully deep" memoir from the beating heart of classic rock and roll (Bruce Springsteen).
Jann Wenner has been called by his peers “the greatest editor of his generation.”
His deeply personal memoir vividly describes and brings you inside the music, the politics, and the lifestyle of a generation, an epoch of cultural change that swept America and beyond. The age of rock and roll in an era of consequence, what will be considered one of the great watersheds in modern history.…
In 2008, as an author who had a message that I was desperate to get out into the world, I had a decision to make… to continue to pitch my non-fiction book for new moms to traditional publishers or to create a publishing company and publish it myself. I chose to create a publishing company and publish it myself. I loved the publishing and book marketing process so much that I started to help other authors to market their books.
Any writer who wants to sell their book needs some book industry information details. This book is a compendium of writing, publishing, book marketing, and publicist resources.
The book is separated into sections that include all the information you would need to reach out to publishers, literary agencies, publishing trade organizations, and book industry folks for hire–their names, addresses, websites, and the types of books they publish. The price is crazy reasonable, and the time it will save is invaluable.
For the new author, the list of literary agents is perfect to start a list of who to send your first query letters for possible representation. The book industry resource guide is a fabulous way to find the specific help that you may need on your marketing and publishing journey. There are editors, book cover designers, interior book graphic designers, and publicists listed for hire as well. I used this…
The most trusted guide to getting published, fully revised and updated
Want to get published and paid for your writing? Let Writer's Market, 100th edition guide you through the process. It's the ultimate reference with thousands of publishing opportunities for writers, listings for book publishers, consumer and trade magazines, contests and awards, and literary agents—as well as new playwriting and screenwriting sections, along with contact and submission information.
Beyond the listings, you'll find articles devoted to the business and promotion of writing. Discover 20 literary agents actively seeking writers and their writing, how to develop an author brand, and overlooked…
I’m fascinated by what people make of political events at home and abroad. The rapid expansion of public opinion in later eighteenth-century Britain, in tandem with the explosion of the press—newspapers, books, sermons, plays, poetry, novels, magazines, and cartoons—makes it a wonderful period to explore. People in the past were no less complex and sophisticated than we are; they simply lived in different circumstances, opportunities, and constraints, with different assumptions and priorities. My British Visions of America, 1775–1820 (2013) also deals with the British trying to understand foreign affairs, while The Wodrow-Kenrick Correspondence, 1750–1810, eds Fitzpatrick, Macleod and Page is full of events at home and abroad.
This is a fantastic recent book that offers a walk-off-the-page sense of its large cast of characters—Mary Wollstonecraft, William Godwin, Thomas Paine, William Cowper, William Blake, Benjamin Franklin, William Wordsworth, Samuel Taylor Coleridge, and many others.
They were all regular guests at the dinner table of the London publisher, and bookseller Joseph Johnson, where he sat back and listened to his talented collection of authors talk about the issues of the day.
It’s both a great way into the world of publishing and selling books and a wonderful introduction to lots of famous writers of the period from a fresh new angle.
A fascinating portrait of a radical age through the writers associated with a London publisher and bookseller-from William Wordsworth and Mary Wollstonecraft to Benjamin Franklin
Once a week, in late eighteenth-century London, writers of contrasting politics and personalities gathered around a dining table. The veal and boiled vegetables may have been unappetising but the company was convivial and the conversation brilliant and unpredictable. The host was Joseph Johnson, publisher and bookseller: a man at the heart of literary life. In this book, Daisy Hay paints a remarkable portrait of a revolutionary age through the connected stories of the men and…
We have backgrounds in writing, activism, and being messed up, so making The Sad Bastard Cookbook together made sense. Our inspiration was partly realizing that most of the recipes purporting to be “good for mental health” require a laundry list of unusual ingredients and a drawer full of spoons, and partly meeting someone who didn't know about cooking eggs in instant ramen. So we crowdsourced recipes from our community, added our naturally witty, radically progressive commentary, and roped in Marten Norr as illustrator. The ebook's free—we know that dealing with poverty, overwork, mental health issues, physical disability, and exhaustion is hard enough without scraping up money for your emotional-support cookbook.
I (Rachel) first encountered this tiny book at a 2002 anarchist ‘zine fair as a twentysomething punk and has been recommending it to everyone I meet ever since.
While the age of social media has given us new tools for communicating our ideas about politics, culture, and identity with friends and strangers alike, what if the power goes down, or your platform is taken over by an unhinged billionaire and collapses?
There’s nothing more DIY, cheap, or practical than a ‘zine for getting your voice heard, and Wrekk’s book tells you how to make one. It’s also updated regularly, so even as technology and distribution channels change, over two decades after its initial publication, it remains as relevant as ever.
Since 2002, Stolen Sharpie Revolution: a DIY Resource for Zines and Zine Culture has been the go-to guide for all things zine related. This little red book is stuffed with information about zines. Things you may know, stuff you don't know and even stuff you didn't know you didn't know! Stolen Sharpie Revolution contains a cornucopia of information about zines and zine culture for everyone from the zine newbie to the experienced zinester to the academic researcher.
