Here are 100 books that When Books Went to War fans have personally recommended if you like
When Books Went to War.
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I am a retired university professor who taught creative writing at the Faculty of Philology, University of Belgrade, and a not-yet-retired author, although I have on several occasions solemnly stated that I have written my last prose book. I believe these two qualities make me competent to create a list of 5 books that I have reread the most often.
I don't think there is an author who hasn't at least once wished that he was the one who wrote a book by another author. Ever since I first read Umberto Eco's masterpiece, I wished I had written it. That wish only intensified whenever I reread it—and I did it many times. It is a perfect novel by all standards. It is a superb literary work based on storytelling virtuosity and a colossal erudition.
The detective narrative drive is a background of the main theme—how the Renaissance was borne. No other novel in the history of literature has managed to depict a long-gone century in such an impeccably authentic way. Among many authors who influenced my writing, Umberto Eco is certainly the most prominent.
The year is 1327. Franciscans in a wealthy Italian abbey are suspected of heresy, and Brother William of Baskerville arrives to investigate. When his delicate mission is suddenly overshadowed by seven bizarre deaths, Brother William turns detective.
William collects evidence, deciphers secret symbols and coded manuscripts, and digs into the eerie labyrinth of the abbey where extraordinary things are happening under the cover of night. A spectacular popular and critical success, The Name of the Rose is not only a narrative of a murder investigation but an astonishing chronicle of the Middle Ages.
I vividly recall learning about public libraries as a kid: if I signed up for a library card I could take ANY of these books home to read?! From the first, I loved books as physical objects on library shelves—savoring their covers and carefully reading their spines as clues to the stories within. I ended up as a professor of literature who does not just study the words, or texts, of novels (my specialty), but how stories are made into books and circulate in the culture. Everything from graphic design to price can influence our interpretation of a story, even before we read the first word...
I love this utterly unexpected book for its deadpan humor, animated prose, and strange and wondrous facts about the horror-filled history of libraries and the humans who run these book depositories. That CIA-trained librarians, a mere few decades ago, guillotined newspapers and books in the worship of microfilm is an incredibly painful truth in today’s digital age.
Baker’s outrage is palpable, and yet he made me laugh out loud on almost every nerdy page. I’m jealous of his way of speaking. I put this one on syllabi whenever I can.
The ostensible purpose of a library is to preserve the printed word. But for fifty years our country’s libraries–including the Library of Congress–have been doing just the opposite, destroying hundreds of thousands of historic newspapers and replacing them with microfilm copies that are difficult to read, lack all the color and quality of the original paper and illustrations, and deteriorate with age.
With meticulous detective work and Baker’s well-known explanatory power, Double Fold reveals a secret history of microfilm lobbyists, former CIA agents, and warehouses where priceless archives are destroyed with a machine called a guillotine. Baker argues passionately for…
I vividly recall learning about public libraries as a kid: if I signed up for a library card I could take ANY of these books home to read?! From the first, I loved books as physical objects on library shelves—savoring their covers and carefully reading their spines as clues to the stories within. I ended up as a professor of literature who does not just study the words, or texts, of novels (my specialty), but how stories are made into books and circulate in the culture. Everything from graphic design to price can influence our interpretation of a story, even before we read the first word...
This book simply changed the way I do business as a historian and a reader. I love the groundbreaking use of diaries, census records, worker’s memoirs, and library registers to sketch a detailed picture of real books read by real people—not just the official academic record of fine editions with countless mentions of that nameless creature, the “nineteenth-century reader.”
It inspired me to pursue the stories behind the names and comments scratched into abandoned books that find their way onto eBay and the dusty shelves of second-hand bookstores.
Now in its second edition, this landmark book provides an intellectual history of the British working classes from the preindustrial era to the twentieth century. Drawing on workers' memoirs, social surveys, library registers, and more, Jonathan Rose discovers which books people read, how they educated themselves, and what they knew. A new preface uncovers the author's journey into labor history, and its rewarding link to intellectual history.
I vividly recall learning about public libraries as a kid: if I signed up for a library card I could take ANY of these books home to read?! From the first, I loved books as physical objects on library shelves—savoring their covers and carefully reading their spines as clues to the stories within. I ended up as a professor of literature who does not just study the words, or texts, of novels (my specialty), but how stories are made into books and circulate in the culture. Everything from graphic design to price can influence our interpretation of a story, even before we read the first word...
I love how every little detail of every surviving copy of the famous Gutenberg Bible (a binding, illuminations, a bit of marginalia, etc.) is investigated for clues to its monastic first owners, the book’s travels, and repairs. The chapters read like episodes of CSI.
Yes, my university owns a Gutenberg copy, so this started as another duty read but ended in true love. A big expensive book about the first big expensive book better be good, right? Well, this one is better than good—it is a tour of the force of book sleuthing. I fetishize the illustrations and how this book, cleverly, is roughly the size of a Gutenberg volume.
The Gutenberg Bible is widely recognized as Europe's first printed book, a book that forever changed the world. However, despite its initial impact, fame was fleeting: for the better part of three centuries the Bible was virtually forgotten; only after two centuries of tenacious and contentious scholarship did it attain its iconic status as a monument of human invention. Editio princeps: A History of the Gutenberg Bible is the first book to tell the whole story of Europe's first printed edition, describing its creation at Mainz circa 1455, its impact on fifteenth-century life and religion, its fall into oblivion during…
I am an author, poet, and visual artist. These interests converge in my approach to literature. I think that visual and psychological descriptions of environments and circumstances are essential to enlivening the narrative and setting its tone. Often in modern literature this is diluted in favor of straightforward accounts. I believe that a story is never told with any complete objectivity but has a psychological context that must be highlighted. In addition, vivid visual descriptions greatly assist the reader in inhabiting the world of the story as seen from the characters’ points of view.
In the forests of France near the Belgian border during World War II, a French soldier is stationed in a bunker with his squad members.
They are ordered not to leave their posts and to be on the lookout for German tanks. Nothing happens for months except a long, snowy winter. The protagonist experiences a sense of liberation in this rural isolation that he relishes. His environment appears timeless, forever suspended in a gray, benevolent limbo filled with snow, mist, and conifers. He wishes his post would never end.
I love this book because it describes an introvert’s ideal environment: ensconcement, privacy, silence, freedom from larger society, and nature. It contains some of the most unique descriptions of splendid aloneness in the woods I have ever read.
In the Ardennes Forest on the Begian border the French guns point north-east, awaiting the German onslaught. One reinforced concrete blockhouse in the heart of the forest is manned, this winter of 1939/40, by Lieutenant Grange with three men, who live in a chalet built over it. cut off from the rest of the world, their senses heightened to capture the sounds and smells of the forest, the men create their own security as autumn turns to winter. Later, though, when winter turns to spring, when the sap rises and the panzer divisions attack, Lieutenant Grange meets the fate he…
I’ve always been fascinated by history, by the way that the past informs the present, how it makes us who we are. And I’ve found myself drawn, as a reader and as a writer, towards those stories that incorporate some element of magic into the past. I’ve written two magical historical novels. And my third book, which I hope to be finished with soon, is a fabulist tale set in the future, which I like to say is history that hasn’t happened yet.
As someone writing a post-apocalyptic retelling of the biblical Book of Esther, I was immediately drawn to this counterfactual history set amidst an isolated Eastern European nation of Turkic warrior Jews. Called the “Jewish Game of Thrones” the book goes deep into a magical alternative universe that will have you hungering for a sequel.
What if an empire of Jewish warriors that really existed in the Middle Ages had never fallen—and was the only thing standing between Hitler and his conquest of Russia?
Eastern Europe, August 1942. The Khazar kaganate, an isolated nation of Turkic warrior Jews, lies between the Pontus Euxinus (the Black Sea) and the Khazar Sea (the Caspian). It also happens to lie between a belligerent nation to the west that the Khazars call Germania—and a city the rest of the world calls Stalingrad.
After years of Jewish refugees streaming across the border from Europa, fleeing the war, Germania launches its…
Like the widows in The Widows’ Wine Club, I’m getting on. Unlike them, I’ve been a writer for forty years, often hunched over a keyboard, ignoring people. Amazingly, though, I managed to have a happy marriage and make some great friends. Phew! Because I’ve needed friends, especially since my husband died. Looking back, I’m interested to see that I didn’t instantly take to some of my closest buddies. Circumstances threw us together, and we got to know and like and love each other. I explore this in my book.
Again, this has everything I like in a book, characters I care about, a great page-turning plot, a fight for what’s right, and a beautiful romantic thread.
By amazing coincidence, it’s also about inspiring librarians, two very different women who join forces to bring books to people who need them. Clara Button, recently widowed and under pressure to be respectable, is very different from racy unmarried Ruby Munroe, but the two form a strong bond grounded in mutual respect.
Based on historical fact, it tells the story of the underground library, built in the disused Bethnal Green tube station in 1944 when the Blitz was wreaking havoc in wartime London. Feel-good fiction at its best. Brill!
Clara Button is no ordinary librarian. While the world remains at war, in East London Clara has created the country's only underground library, built over the tracks in the disused Bethnal Green tube station. Down here a secret community thrives: with thousands of bunk beds, a nursery, a cafe and a theatre offering shelter, solace and escape from the bombs that fall above.
Along with her glamorous best friend and library assistant Ruby Munroe, Clara ensures the library is the beating heart of life underground. But as the war drags on,…
After writing the Dilemma, I was struck by how many readers’ feedback posed this question, What would I have done?In the process of writing the book, whilst I created the story around this one particular big fat problem, I little realised how it would resonate with so many, and also have such divided – and deeply personal responses. I’ve since become increasingly fascinated by the many ‘sliding door’ moments we experience in our lives requiring split-second decisions which may (in retrospect) have been ill-considered but by then it’s too late to ‘wind back time.’ All we can do is learn to live with consequences, however damaging they may be.
Another novel set in WW2, this dark story delves into how far a man will go to secure his survival – and the guilt (and unhappiness) he must subsequently live with as a result of his arrogance in believing his money and status gives him certain privileges. Wealthy lawyer Chavel is a prisoner in occupied France. His Nazi gaolers decree three men are to be executed, at the prisoners’ discretion. The men draw lots and when Chavel’s name is drawn he offers his fortune to anyone who will take his place. A dying man agrees. What unravels after war’s end, and Chavel is released, offers him a chance for redemption for his cowardice.
From the author of the classics Brighton Rock and The Power and the Glory, a morally complex tale about a man at the mercy of deadly forces while being held in a German prison camp during World War II. Featuring an introduction by the author and two other story ideas from his archives.
When Jean-Louis Chauvel, a French lawyer incarcerated in a German prison camp, is informed by his captors that three prisoners must die, he devises a plan for survival. Offering everything he owns to a fellow prisoner if he will take Chauvel’s place, he manages to escape the…
After teaching high school English for thirty-one years, I retired and began my second career in writing. I have published five novels and one collection of poetry. When I met Jane Tucker in 1974, she became a good friend, fellow church member, and my dental hygienist. I had no idea she had worked as a welder on Liberty Ships during World War II when she was only sixteen years old. After I learned this in 2012, I began my journey into learning all about the Rosies during World War II and writing my fourth novel Becoming Jestina. Jane’s story is an amazing one, and I still talk to her regularly.
No list of books about women’s work during World War II would be complete without Penny Coleman’s book. If you just want an overall picture of how eighteen million women, many of whom had never before held a job, entered the workforce in 1942-45 to help the US fight World War II, then this is the book for you! The book is illustrated with black and white photographs. It is an ALA Best Book for Young Adults.
Illustrated with black-and-white photographs. When America's men went off to war in 1942, millions of women were recruited, through posters and other propaganda, to work at non-traditional jobs. In defense plants, factories, offices, and everywhere else workers were needed, they were--for the first time--well paid and financially independent. But eventually the war ended, and the government and industries that had once persuaded them to work for the war effort now instructed them to return home and take care of their husbands and children. Based on interviews and original research by noted historian Penny Colman, Rosie the Riveter shows young readers…
I became very interested in this topic when I moved to Italy and met and married Andrea Meloni. I had never been particularly interested in wars and battles but, when he began to tell me about his very personal experience growing up in Mussolini’s Fascist Italy, I was captivated and felt that his unique story was important. I, therefore, encouraged him to write his memoirs. My book is based on them, and so it is more his book than mine. However, I did extensive research to set his story in a coherent historical context.
Steinbeck wrote this novel about a country occupied by the Nazis during World War II.
Although the name of this country is never mentioned, it was generally acknowledged that it was Norway. The focus is on one particular town and shows what life is like when you are not free and live in constant fear.
This book found its way to Europe and was translated into European languages and widely distributed clandestinely. It served to encourage occupied countries to rebel against their oppressor.
Occupied by enemy troops, a small, peaceable town comes face-to-face with evil imposed from the outside—and betrayal born within the close-knit community
A Penguin Classic
In this masterful tale set in Norway during World War II, Steinbeck explores the effects of invasion on both the conquered and the conquerors. As he delves into the emotions of the German commander and the Norwegian traitor, and depicts the spirited patriotism of the Norwegian underground, Steinbeck uncovers profound, often unsettling truths about war—and about human nature.
Nobel Prize winner JohnSteinbeck’s self-described “celebration of the durability of democracy” had an extraordinary impact as Allied…
