Here are 100 books that Stolen Words - The Classic Book on Plagiarism fans have personally recommended if you like
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As an avid reader, I'm curious about where books come from and what they do. How does a story get to be a book? How does someone become an author? What is happening to us as we read? I worked in publishing, and eventually, I started teaching other people how to become editors and publishers. As a faculty member, I had time to study and write about book history. I joined the Society for the History of Authorship, Reading, and Publishing when it was formed and became its president. The conferences helped me to learn about the history of books throughout the world and from pre-print times to the present.
I always like to start learning about a subject with an overview, and this book brings together experts on topics ranging from technology to censorship, marketing, copyright, and book clubs in the period starting with World War II. I turn to this volume, again and again, to refresh my knowledge and enjoy excellent writing by the top scholars in book history. Earlier volumes in the series cover the topic from colonial times.
This is the only comprehensive, interpretive survey of the history of the book in the United States since 1945.The fifth volume of ""A History of the Book in America"" addresses the economic, social, and cultural shifts affecting print culture from World War II to the present. During this period factors such as the expansion of government, the growth of higher education, the climate of the Cold War, globalization, and the development of multimedia and digital technologies influenced the patterns of consolidation and diversification established earlier.The thirty-three contributors to the volume explore the evolution of the publishing industry and the business…
As an avid reader, I'm curious about where books come from and what they do. How does a story get to be a book? How does someone become an author? What is happening to us as we read? I worked in publishing, and eventually, I started teaching other people how to become editors and publishers. As a faculty member, I had time to study and write about book history. I joined the Society for the History of Authorship, Reading, and Publishing when it was formed and became its president. The conferences helped me to learn about the history of books throughout the world and from pre-print times to the present.
As a voracious reader, I’ve often wondered about why exactly reading is so pleasurable—so essential—and whether others feel the same way about books as I do. Leah Price writes about books and reading clearly and entertainingly, busting myths about a “golden age” of books as well as the much-feared “death of the book.” I learned a lot from this book and enjoyed every minute.
Around 2000, people began to believe that books were on verge of extinction. Their obsolescence, in turn, was expected to doom the habits of mind that longform print had once prompted: the capacity to follow a demanding idea from start to finish, to look beyond the day's news, or even just to be alone. The "death of the book" is an anxiety that has spawned a thousand jeremiads about the dumbing down of American culture, the ever-shorter attention spans of our children, the collapse of civilized discourse.
All of these anxieties rely on the idea of a golden age, when…
Good question. Why would a white guy be passionate about nineteenth-century African American community building and activism? It’s a long story, but the short version is that by the time I reached graduate school, I could no longer avoid the realization that I had been dramatically miseducated about American history, and that the key to American history—one important key, anyway—is African American history. You can’t understand what it means to be an American if you don’t know this history, and you can’t understand our own very troubled times, or how to respond to these times, how to turn frustration into action, unless you know this history. So I developed my expertise over the years.
If you think that literary societies have nothing to do with African American community activism, then this book will make you think again. African Americans were excluded from schools, libraries, and most of the usual publishing outlets—but they still developed a vibrant culture that produced newspapers, pamphlets, and books, and they developed libraries and literary societies committed to reading these and other productions. McHenry expertly guides us through this relatively unknown but central culture of reading, tracing the rise of African American literary societies, the work of the Black Press, and the vital connection between reading, writing, and social reform efforts. These efforts were supported by broader African American organizational efforts, the creation of churches and mutual aid societies that provided refuge for readers and forums for writers, and McHenry explores the social and intellectual networks that developed from these efforts, as African Americans read their way to new visions…
Over the past decade the popularity of black writers including E. Lynn Harris and Terry McMillan has been hailed as an indication that an active African American reading public has come into being. Yet this is not a new trend; there is a vibrant history of African American literacy, literary associations, and book clubs. Forgotten Readers reveals that neglected past, looking at the reading practices of free blacks in the antebellum north and among African Americans following the Civil War. It places the black upper and middle classes within American literary history, illustrating how they used reading and literary conversation…
As an avid reader, I'm curious about where books come from and what they do. How does a story get to be a book? How does someone become an author? What is happening to us as we read? I worked in publishing, and eventually, I started teaching other people how to become editors and publishers. As a faculty member, I had time to study and write about book history. I joined the Society for the History of Authorship, Reading, and Publishing when it was formed and became its president. The conferences helped me to learn about the history of books throughout the world and from pre-print times to the present.
I’ve always been convinced that—regardless of educational level—people want to learn, to understand a wide range of subjects, and to join the conversation about literature and the arts. Joan Shelley Rubin looks at the people and institutions created to guide those aspiring to expand their minds in the mid-twentieth century: the Book-of-the-Month Club, “Great Books” series, radio book programs, and literary magazines. In the process, she takes on the issue of high-brow versus low-brow and her own subject: what comes in between.
The proliferation of book clubs, reading groups, "outline" volumes, and new forms of book reviewing in the first half of the twentieth century influenced the tastes and pastimes of millions of Americans. Joan Rubin here provides the first comprehensive analysis of this phenomenon, the rise of American middlebrow culture, and the values encompassed by it. Rubin centers her discussion on five important expressions of the middlebrow: the founding of the Book-of-the-Month Club; the beginnings of "great books" programs; the creation of the New York Herald Tribune's book-review section; the popularity of such works as Will Durant's The Story of Philosophy;…
As both a playwright and novelist, I tend to gravitate to complex characters with an internal struggle. Graphic Nature, my second novel, touches upon a particular character, Edmond de Capitoir, who while considering himself a well-meaning member of society, has kept himself at arm’s length from life in many ways – not the least of which is due to his commitment to his profession as an executioner in 1913 France. Much of the work I've recommended touches upon these similar protagonists who are somehow emotionally closed off and perhaps have developed a certain guilt about their actions by what they experience through the course of these stories – even a need for love.
Chance is an illiterate gardener with childlike social limitations who, nevertheless, through being forced to move from the residence he has known for much of his adult life, is let out into the world and, thus, stumbles into the life of a respected political advisor (Rand).
As a result of this association, his scant vocabulary and phrasing eventually becomes mistaken for wisdom – and soon he becomes somewhat of a media phenomenon, despite his mental limitations rendering him incapable of any real awareness of being so. A truly inspiring idea, depicting in a unique and humorous way how celebrity can so often be created by happenstance, and what the results of it can be.
The hero of this astonishing novel is called Chance - he may be the man of tomorrow. Flung into the real world when his rich benefactor dies, Chance is helped on his life journey by Elizabeth Eve, the young, beautiful, resourceful wife of a dying Wall Street mogul. Accidentally launched into a world of sex, money, power - and national television - he becomes a media superstar, a household name, the man of the hour - and, who knows, perhaps the next President of the United States of America.
I’m a music historian who loves to read novels. Most of my childhood was spent either playing the piano or devouring whatever books I could get my hands on. Now, I try to share my love of music and good writing with my students at Boston University. When not at school, you can usually find me exploring the trails of New England with my dog.
Whether trying to finish an email or a book, I feel Dorothy Parker’s words deeply: “I hate writing,” she is purported to have said, but “I love having written.”
In this book, protagonist Jacob Finch Bonner does Parker one better. Stuck after his well-received first novel, he takes someone else’s story and passes it off as his own. Korelitz unravels the dire consequences, though with fizzy, suspenseful glee rather than scared-straight preachiness.
Bonner may not be, as he tells himself, “a great writer,” but Korelitz certainly is. It made me want to try to write again: hate, love, and all other feelings welcome.
** NEW YORK TIMES BESTSELLER! ** The Tonight Show Summer Reads Winner ** A New York Times Notable Book of 2021 **
"Insanely readable." ―Stephen King
Hailed as "breathtakingly suspenseful," Jean Hanff Korelitz’s The Plot is a propulsive read about a story too good not to steal, and the writer who steals it.
Jacob Finch Bonner was once a promising young novelist with a respectably published first book. Today, he’s teaching in a third-rate MFA program and struggling to maintain what’s left of his self-respect; he hasn’t written―let alone published―anything decent in years. When Evan Parker, his most arrogant student,…
My introduction to mystery writing was a competition for a first crime novel. I was lucky enough to win with Wobble to Death, about a Victorian long-distance race. When I went to collect the prize, I was startled to be asked if I was already at work on the next one. The publishers Macmillan had started a crime list and were looking for a career writer. I knew practically nothing about the genre and had to give myself a crash course. How I needed the support of books like these! After five years, I had the confidence to give up the day job and have made my living from mystery writing for almost fifty years.
No one can deny that Patricia Highsmith knew how to create suspense. Alfred Hitchcock saw that Strangers on a Train was the ideal spine-tingler for a great movie. Other directors have found the Ripley series perfect nail-biting stories to work with. Highsmith takes us through the process of building suspense from the germ of an idea through the plotting, the drafts, and the revisions, using examples from her own work, short stories, and novels. I’m not surprised this book has stayed in print for over fifty years. I still dip into it and get inspired.
Named by The Times as the all-time number one crime writer, Patricia Highsmith was an author who broke new ground and defied genre cliches with novels such as The Talented Mr Ripley and Strangers on a Train. In the classic creative writing guide Plotting and Writing Suspense Fiction, Highsmith reveals her secrets for producing world-class crime and thrillers, from imaginative tips for generating ideas to useful ways of turning them into stunning stories.
Tom Santopietro is the author of eight books, including the New York Times Editor’s ChoiceConsidering Doris Day, The Importance of Being Barbra, Sinatra in Hollywood, Why To Kill a Mockingbird Matters, and The Godfather Effect. A frequent media commentator and interviewer, he lectures on classic films and over the past thirty years has managed more than two dozen Broadway shows.
McClintick makes the Hollywood boardroom scandal that began with David Begelman’s forgery of Cliff Robertson’s name on a $10,000 check, into a compulsively readable account of power run amok amongst Hollywood-Wall Street executives. An expose of theft, cover-up, and blackmail, it is also a beautifully written, incisive portrait of men and women seduced by the glamor and power of Hollywood fame.
When the head of Columbia Pictures, David Begelman, got caught forging Cliff Robertson's name on a $10,000 check, it seemed, at first, like a simple case of embezzlement. It wasn't. The incident was the tip of the iceberg, the first hint of a scandal that shook Hollywood and rattled Wall Street. Soon powerful studio executives were engulfed in controversy; careers derailed; reputations died; and a ruthless, take-no-prisoners corporate power struggle for the world-famous Hollywood dream factory began.
First published in 1982, this now classic story of greed and lies in Tinseltown appears here with a stunning final chapter on Begelman's…
I have been writing about Russia for the past 20 years for all the UK national newspapers, The Spectator and contributed to several TV documentaries. I am fascinated by Russia which is a unique country and has been a major influence on the world for the past 100 years. Based on new documents, my book Londongrad - From Russia with Cash revealed how Russian Oligarchs made their wealth, moved it out of Russia,hid their fortunes and then parked and spent it in London. My new book - Agents of Influence - provides an insight into how the KGB influenced the West based on new archives.
Many people have wondered why so many upper-class Englishmen brought up in the heart and highest echelons of the British Establishment betrayed their country.
This book provides the answers and examines how their treachery influenced British foreign policy and cultural and political institutions until the end of the Cold War. It also reads extremely well and is full of colourful asides and anecdotes.
What pushed Blunt, Burgess, Cairncross, Maclean and Philby into Soviet hands?
With access to recently released papers and other neglected documents, this sharp analysis of the intelligence world examines how and why these men and others betrayed their country and what this cost Britain and its allies.
Enemies Within is a new history of the influence of Moscow on Britain told through the stories of those who chose to spy for the Soviet Union. It also challenges entrenched assumptions about abused trust, corruption and Establishment cover-ups that began with the Cambridge Five and the disappearance of Guy Burgess and Donald…
My books are about American constitutional history, especially the parts or people that are typically overlooked. In these polarized times, there is both wisdom and comfort that can be found in looking at our past. One lesson from looking back is that there was no “golden age” in which Americans all got along. Democracy is sometimes messy, sometimes violent, and almost always involves fierce disagreements. Judged at a distance, there is great drama and great satisfaction in looking at how prior generations addressed their problems. I hope you enjoy the books on my list!
Professor Larson is America’s leading expert on treason and wrote this book for non-lawyers. He starts with treason in England, discusses the views of the Founding Fathers, and then goes through many entertaining treason cases or examples. Some involve familiar historical names like Benedict Arnold, Aaron Burr, and Jefferson Davis. Others involve notorious celebrities such as Tokyo Rose and Jane Fonda. A fun book on a serious subject.
A concise, accessible, and engaging guide to the crime of treason, written by the nation's foremost expert on the subject
Treason-the only crime specifically defined in the United States Constitution-is routinely described by judges as more heinous than murder. Today, the term is regularly tossed around by politicians and pundits on both sides of the aisle. But, as accusations of treason flood the news cycle, it is not always clear what the crime truly is, or when it should be prosecuted.
Carlton F. W. Larson, a scholar of constitutional law and legal history, takes us on a journey to understand…
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