Here are 81 books that Stolen Words - The Classic Book on Plagiarism fans have personally recommended if you like
Stolen Words - The Classic Book on Plagiarism.
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As an avid reader, I'm curious about where books come from and what they do. How does a story get to be a book? How does someone become an author? What is happening to us as we read? I worked in publishing, and eventually, I started teaching other people how to become editors and publishers. As a faculty member, I had time to study and write about book history. I joined the Society for the History of Authorship, Reading, and Publishing when it was formed and became its president. The conferences helped me to learn about the history of books throughout the world and from pre-print times to the present.
I always like to start learning about a subject with an overview, and this book brings together experts on topics ranging from technology to censorship, marketing, copyright, and book clubs in the period starting with World War II. I turn to this volume, again and again, to refresh my knowledge and enjoy excellent writing by the top scholars in book history. Earlier volumes in the series cover the topic from colonial times.
This is the only comprehensive, interpretive survey of the history of the book in the United States since 1945.The fifth volume of ""A History of the Book in America"" addresses the economic, social, and cultural shifts affecting print culture from World War II to the present. During this period factors such as the expansion of government, the growth of higher education, the climate of the Cold War, globalization, and the development of multimedia and digital technologies influenced the patterns of consolidation and diversification established earlier.The thirty-three contributors to the volume explore the evolution of the publishing industry and the business…
As an avid reader, I'm curious about where books come from and what they do. How does a story get to be a book? How does someone become an author? What is happening to us as we read? I worked in publishing, and eventually, I started teaching other people how to become editors and publishers. As a faculty member, I had time to study and write about book history. I joined the Society for the History of Authorship, Reading, and Publishing when it was formed and became its president. The conferences helped me to learn about the history of books throughout the world and from pre-print times to the present.
As a voracious reader, I’ve often wondered about why exactly reading is so pleasurable—so essential—and whether others feel the same way about books as I do. Leah Price writes about books and reading clearly and entertainingly, busting myths about a “golden age” of books as well as the much-feared “death of the book.” I learned a lot from this book and enjoyed every minute.
Around 2000, people began to believe that books were on verge of extinction. Their obsolescence, in turn, was expected to doom the habits of mind that longform print had once prompted: the capacity to follow a demanding idea from start to finish, to look beyond the day's news, or even just to be alone. The "death of the book" is an anxiety that has spawned a thousand jeremiads about the dumbing down of American culture, the ever-shorter attention spans of our children, the collapse of civilized discourse.
All of these anxieties rely on the idea of a golden age, when…
Books—broadly defined as any kind of written or printed document—are the primary means by which civilizations are constructed, memories are preserved, ideas are communicated, wealth is distributed, and power is exercised. To understand any human society, you must read its books. And as Winston Churchill said, “Books last forever.” The physical structures of civilizations eventually crumble into ruins, but the books they leave behind are immortal.
More than a century before Oprah, emancipated African Americans organized their own book clubs. They studied mainly the Western classics but also emerging black writers.
While Booker T. Washington emphasized vocational training, more militant black leaders demanded the right to read the same authors taught in elite white academies: One of their syllabuses included Milton, Spenser, Homer, Aeschylus, Longfellow, Dryden, Pope, Browning, Pindar and Sappho. Those poets, said one reader, inspired the "hope [that] the great American epic of the joys and sorrows of our blood and kindred, of those who have gone before us[,] would one day be written."
And that's exactly what happened. A young Ralph Ellison read everything in the segregated branch of the Oklahoma City library; Malcolm X was profoundly affected by Paradise Lost; and Toni Morrison minored in classics at Howard University.
Over the past decade the popularity of black writers including E. Lynn Harris and Terry McMillan has been hailed as an indication that an active African American reading public has come into being. Yet this is not a new trend; there is a vibrant history of African American literacy, literary associations, and book clubs. Forgotten Readers reveals that neglected past, looking at the reading practices of free blacks in the antebellum north and among African Americans following the Civil War. It places the black upper and middle classes within American literary history, illustrating how they used reading and literary conversation…
Books—broadly defined as any kind of written or printed document—are the primary means by which civilizations are constructed, memories are preserved, ideas are communicated, wealth is distributed, and power is exercised. To understand any human society, you must read its books. And as Winston Churchill said, “Books last forever.” The physical structures of civilizations eventually crumble into ruins, but the books they leave behind are immortal.
Middlebrow was the deadliest insult Virginia Woolf and Dwight Macdonald could hurl at a book.
Until recently, that vast literary territory was ignored by scholars. Joan Rubin changed all that with a study that really deserves the overused label "groundbreaking." Middlebrow books, which dominated American culture between 1920 and 1960, strove to make challenging subjects accessible to a somewhat educated audience.
A legendary example was Will and Ariel Durant's 11-volume The Story of Civilization. Before literary criticism became a hermetic business of professors talking only to one another, every newspaper had a weekend book review section, where public critics like Irita Van Doren and Clifton Fadiman addressed general readers.
The proliferation of book clubs, reading groups, "outline" volumes, and new forms of book reviewing in the first half of the twentieth century influenced the tastes and pastimes of millions of Americans. Joan Rubin here provides the first comprehensive analysis of this phenomenon, the rise of American middlebrow culture, and the values encompassed by it. Rubin centers her discussion on five important expressions of the middlebrow: the founding of the Book-of-the-Month Club; the beginnings of "great books" programs; the creation of the New York Herald Tribune's book-review section; the popularity of such works as Will Durant's The Story of Philosophy;…
I’m a music historian who loves to read novels. Most of my childhood was spent either playing the piano or devouring whatever books I could get my hands on. Now, I try to share my love of music and good writing with my students at Boston University. When not at school, you can usually find me exploring the trails of New England with my dog.
Whether trying to finish an email or a book, I feel Dorothy Parker’s words deeply: “I hate writing,” she is purported to have said, but “I love having written.”
In this book, protagonist Jacob Finch Bonner does Parker one better. Stuck after his well-received first novel, he takes someone else’s story and passes it off as his own. Korelitz unravels the dire consequences, though with fizzy, suspenseful glee rather than scared-straight preachiness.
Bonner may not be, as he tells himself, “a great writer,” but Korelitz certainly is. It made me want to try to write again: hate, love, and all other feelings welcome.
** NEW YORK TIMES BESTSELLER! ** The Tonight Show Summer Reads Winner ** A New York Times Notable Book of 2021 **
"Insanely readable." ―Stephen King
Hailed as "breathtakingly suspenseful," Jean Hanff Korelitz’s The Plot is a propulsive read about a story too good not to steal, and the writer who steals it.
Jacob Finch Bonner was once a promising young novelist with a respectably published first book. Today, he’s teaching in a third-rate MFA program and struggling to maintain what’s left of his self-respect; he hasn’t written―let alone published―anything decent in years. When Evan Parker, his most arrogant student,…
As both a playwright and novelist, I tend to gravitate to complex characters with an internal struggle. Graphic Nature, my second novel, touches upon a particular character, Edmond de Capitoir, who while considering himself a well-meaning member of society, has kept himself at arm’s length from life in many ways – not the least of which is due to his commitment to his profession as an executioner in 1913 France. Much of the work I've recommended touches upon these similar protagonists who are somehow emotionally closed off and perhaps have developed a certain guilt about their actions by what they experience through the course of these stories – even a need for love.
Chance is an illiterate gardener with childlike social limitations who, nevertheless, through being forced to move from the residence he has known for much of his adult life, is let out into the world and, thus, stumbles into the life of a respected political advisor (Rand).
As a result of this association, his scant vocabulary and phrasing eventually becomes mistaken for wisdom – and soon he becomes somewhat of a media phenomenon, despite his mental limitations rendering him incapable of any real awareness of being so. A truly inspiring idea, depicting in a unique and humorous way how celebrity can so often be created by happenstance, and what the results of it can be.
The hero of this astonishing novel is called Chance - he may be the man of tomorrow. Flung into the real world when his rich benefactor dies, Chance is helped on his life journey by Elizabeth Eve, the young, beautiful, resourceful wife of a dying Wall Street mogul. Accidentally launched into a world of sex, money, power - and national television - he becomes a media superstar, a household name, the man of the hour - and, who knows, perhaps the next President of the United States of America.
My introduction to mystery writing was a competition for a first crime novel. I was lucky enough to win with Wobble to Death, about a Victorian long-distance race. When I went to collect the prize, I was startled to be asked if I was already at work on the next one. The publishers Macmillan had started a crime list and were looking for a career writer. I knew practically nothing about the genre and had to give myself a crash course. How I needed the support of books like these! After five years, I had the confidence to give up the day job and have made my living from mystery writing for almost fifty years.
No one can deny that Patricia Highsmith knew how to create suspense. Alfred Hitchcock saw that Strangers on a Train was the ideal spine-tingler for a great movie. Other directors have found the Ripley series perfect nail-biting stories to work with. Highsmith takes us through the process of building suspense from the germ of an idea through the plotting, the drafts, and the revisions, using examples from her own work, short stories, and novels. I’m not surprised this book has stayed in print for over fifty years. I still dip into it and get inspired.
Named by The Times as the all-time number one crime writer, Patricia Highsmith was an author who broke new ground and defied genre cliches with novels such as The Talented Mr Ripley and Strangers on a Train. In the classic creative writing guide Plotting and Writing Suspense Fiction, Highsmith reveals her secrets for producing world-class crime and thrillers, from imaginative tips for generating ideas to useful ways of turning them into stunning stories.
My books are about American constitutional history, especially the parts or people that are typically overlooked. In these polarized times, there is both wisdom and comfort that can be found in looking at our past. One lesson from looking back is that there was no “golden age” in which Americans all got along. Democracy is sometimes messy, sometimes violent, and almost always involves fierce disagreements. Judged at a distance, there is great drama and great satisfaction in looking at how prior generations addressed their problems. I hope you enjoy the books on my list!
Professor Larson is America’s leading expert on treason and wrote this book for non-lawyers. He starts with treason in England, discusses the views of the Founding Fathers, and then goes through many entertaining treason cases or examples. Some involve familiar historical names like Benedict Arnold, Aaron Burr, and Jefferson Davis. Others involve notorious celebrities such as Tokyo Rose and Jane Fonda. A fun book on a serious subject.
A concise, accessible, and engaging guide to the crime of treason, written by the nation's foremost expert on the subject
Treason-the only crime specifically defined in the United States Constitution-is routinely described by judges as more heinous than murder. Today, the term is regularly tossed around by politicians and pundits on both sides of the aisle. But, as accusations of treason flood the news cycle, it is not always clear what the crime truly is, or when it should be prosecuted.
Carlton F. W. Larson, a scholar of constitutional law and legal history, takes us on a journey to understand…
I’ve been fascinated by thrillers since I was first allowed to read them. My childhood bookcase was full of Hammond Innes, Alistair MacLean, and every Nevil Shute novel. Later, these were joined by many others, not least John Le Carré. Banking gave me an insight into the murky world of money, bringing with it real-life stories as compelling as those I love reading about. My obsession with the genre is not only with elegant, complex plots but also with what motivates the characters to take the extraordinary risks they do in such challenging environments. The five thrillers I’ve chosen are my absolute favorites. I hope you enjoy them.
I absolutely love the portrayal of a deeply flawed character thrown into the murky world of espionage. For me, Magnus Pym epitomizes the double standards of British and American society, desperate to protect themselves during the Cold War while revealing the inner conflict between self, family, and country.
I also love how the tension builds and builds as Pym, the double agent, rises through the Secret Service and risks everything.
"The best English novel since the war." -- Philip Roth
Over the course of his seemingly irreproachable life, Magnus Pym has been all things to all people: a devoted family man, a trusted colleague, a loyal friend-and the perfect spy. But in the wake of his estranged father's death, Magnus vanishes, and the British Secret Service is up in arms. Is it grief, or is the reason for his disappearance more sinister? And who is the mysterious man with the sad moustache who also seems to be looking for Magnus?
I have been writing about Russia for the past 20 years for all the UK national newspapers, The Spectator and contributed to several TV documentaries. I am fascinated by Russia which is a unique country and has been a major influence on the world for the past 100 years. Based on new documents, my book Londongrad - From Russia with Cash revealed how Russian Oligarchs made their wealth, moved it out of Russia,hid their fortunes and then parked and spent it in London. My new book - Agents of Influence - provides an insight into how the KGB influenced the West based on new archives.
Many people have wondered why so many upper-class Englishmen brought up in the heart and highest echelons of the British Establishment betrayed their country.
This book provides the answers and examines how their treachery influenced British foreign policy and cultural and political institutions until the end of the Cold War. It also reads extremely well and is full of colourful asides and anecdotes.
What pushed Blunt, Burgess, Cairncross, Maclean and Philby into Soviet hands?
With access to recently released papers and other neglected documents, this sharp analysis of the intelligence world examines how and why these men and others betrayed their country and what this cost Britain and its allies.
Enemies Within is a new history of the influence of Moscow on Britain told through the stories of those who chose to spy for the Soviet Union. It also challenges entrenched assumptions about abused trust, corruption and Establishment cover-ups that began with the Cambridge Five and the disappearance of Guy Burgess and Donald…
