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As an avid reader, I'm curious about where books come from and what they do. How does a story get to be a book? How does someone become an author? What is happening to us as we read? I worked in publishing, and eventually, I started teaching other people how to become editors and publishers. As a faculty member, I had time to study and write about book history. I joined the Society for the History of Authorship, Reading, and Publishing when it was formed and became its president. The conferences helped me to learn about the history of books throughout the world and from pre-print times to the present.
I always like to start learning about a subject with an overview, and this book brings together experts on topics ranging from technology to censorship, marketing, copyright, and book clubs in the period starting with World War II. I turn to this volume, again and again, to refresh my knowledge and enjoy excellent writing by the top scholars in book history. Earlier volumes in the series cover the topic from colonial times.
This is the only comprehensive, interpretive survey of the history of the book in the United States since 1945.The fifth volume of ""A History of the Book in America"" addresses the economic, social, and cultural shifts affecting print culture from World War II to the present. During this period factors such as the expansion of government, the growth of higher education, the climate of the Cold War, globalization, and the development of multimedia and digital technologies influenced the patterns of consolidation and diversification established earlier.The thirty-three contributors to the volume explore the evolution of the publishing industry and the business…
As an avid reader, I'm curious about where books come from and what they do. How does a story get to be a book? How does someone become an author? What is happening to us as we read? I worked in publishing, and eventually, I started teaching other people how to become editors and publishers. As a faculty member, I had time to study and write about book history. I joined the Society for the History of Authorship, Reading, and Publishing when it was formed and became its president. The conferences helped me to learn about the history of books throughout the world and from pre-print times to the present.
As a voracious reader, I’ve often wondered about why exactly reading is so pleasurable—so essential—and whether others feel the same way about books as I do. Leah Price writes about books and reading clearly and entertainingly, busting myths about a “golden age” of books as well as the much-feared “death of the book.” I learned a lot from this book and enjoyed every minute.
Around 2000, people began to believe that books were on verge of extinction. Their obsolescence, in turn, was expected to doom the habits of mind that longform print had once prompted: the capacity to follow a demanding idea from start to finish, to look beyond the day's news, or even just to be alone. The "death of the book" is an anxiety that has spawned a thousand jeremiads about the dumbing down of American culture, the ever-shorter attention spans of our children, the collapse of civilized discourse.
All of these anxieties rely on the idea of a golden age, when…
Books—broadly defined as any kind of written or printed document—are the primary means by which civilizations are constructed, memories are preserved, ideas are communicated, wealth is distributed, and power is exercised. To understand any human society, you must read its books. And as Winston Churchill said, “Books last forever.” The physical structures of civilizations eventually crumble into ruins, but the books they leave behind are immortal.
Middlebrow was the deadliest insult Virginia Woolf and Dwight Macdonald could hurl at a book.
Until recently, that vast literary territory was ignored by scholars. Joan Rubin changed all that with a study that really deserves the overused label "groundbreaking." Middlebrow books, which dominated American culture between 1920 and 1960, strove to make challenging subjects accessible to a somewhat educated audience.
A legendary example was Will and Ariel Durant's 11-volume The Story of Civilization. Before literary criticism became a hermetic business of professors talking only to one another, every newspaper had a weekend book review section, where public critics like Irita Van Doren and Clifton Fadiman addressed general readers.
The proliferation of book clubs, reading groups, "outline" volumes, and new forms of book reviewing in the first half of the twentieth century influenced the tastes and pastimes of millions of Americans. Joan Rubin here provides the first comprehensive analysis of this phenomenon, the rise of American middlebrow culture, and the values encompassed by it. Rubin centers her discussion on five important expressions of the middlebrow: the founding of the Book-of-the-Month Club; the beginnings of "great books" programs; the creation of the New York Herald Tribune's book-review section; the popularity of such works as Will Durant's The Story of Philosophy;…
As an avid reader, I'm curious about where books come from and what they do. How does a story get to be a book? How does someone become an author? What is happening to us as we read? I worked in publishing, and eventually, I started teaching other people how to become editors and publishers. As a faculty member, I had time to study and write about book history. I joined the Society for the History of Authorship, Reading, and Publishing when it was formed and became its president. The conferences helped me to learn about the history of books throughout the world and from pre-print times to the present.
As a writer and teacher, I’ve always classified plagiarism as a high crime and misdemeanor. It’s the academic equivalent of treason. Thomas Mallon covers well-known and unknown instances, word thieves punished and not. The book is highly entertaining but deadly serious about the harm done by plagiarists and by those who do not take their crimes seriously.
"The definitive book on the subject" of plagiarism (The New York Times) is updated with a new afterword about the Internet.
What is plagiarism, and why is it such a big deal? Since when is originality considered an indispensable attribute of authorship? Stolen Words is a deft and well-informed history of the sin every writer fears from every angle. Award-winning author Thomas Mallon begins in the seventeenth century and pushes forward toward scandals in publishing, academia, and Hollywood, exploring the motivations, consequences, and emotional reverberations of an intriguing and distressingly widespread practice. In this now-classic study, Mallon proves himself to…
Good question. Why would a white guy be passionate about nineteenth-century African American community building and activism? It’s a long story, but the short version is that by the time I reached graduate school, I could no longer avoid the realization that I had been dramatically miseducated about American history, and that the key to American history—one important key, anyway—is African American history. You can’t understand what it means to be an American if you don’t know this history, and you can’t understand our own very troubled times, or how to respond to these times, how to turn frustration into action, unless you know this history. So I developed my expertise over the years.
The story of how this book came to be is almost as interesting as the story it tells. Emerging from a class discussion at the University of Delaware, the Colored Conventions Project developed into an award-winning international digital initiative involving community partners representing a broad range of churches, schools, and other organizations. These collaborative efforts led to an historic conference that led, in turn, to this book, in which various contributors address different aspects of the Colored Conventions Movement, a series of state and national gatherings that took place throughout the nineteenth century to work towards strengthened communities and social reform. These conventions both represented and encouraged the larger community-development project that took place nationally, and it’s a revelation to discover this great foundation of African American activism, a collaborative effort being continued today by the ambitious project this book represents.
This volume of essays is the first to focus on the Colored Conventions movement, the nineteenth century's longest campaign for Black civil rights. Well before the founding of the NAACP and other twentieth-century pillars of the civil rights movement, tens of thousands of Black leaders organized state and national conventions across North America. Over seven decades, they advocated for social justice and against slavery, protesting state-sanctioned and mob violence while demanding voting, legal, labor, and educational rights. While Black-led activism in this era is often overshadowed by the attention paid to the abolition movement, this collection centers Black activist networks,…
Good question. Why would a white guy be passionate about nineteenth-century African American community building and activism? It’s a long story, but the short version is that by the time I reached graduate school, I could no longer avoid the realization that I had been dramatically miseducated about American history, and that the key to American history—one important key, anyway—is African American history. You can’t understand what it means to be an American if you don’t know this history, and you can’t understand our own very troubled times, or how to respond to these times, how to turn frustration into action, unless you know this history. So I developed my expertise over the years.
This is a fascinating book that deals with one of the central dilemmas in American history—that a nation committed to high ideals of life, liberty, and the pursuit of happiness in a republic made up of people from several lands could also be a nation committed to racial oppression and the denial of fundamental rights. It considers citizenship not as noun but as verb—a dynamic process, not just a legal affiliation. Spires gets at the complexity of American life, explaining approaches to citizenship that required savvy improvisation, community formation, and determined commitment to ideals that were violated by the dominant culture at every turn. Spires explores the tensions, the disagreements over directions and methods, that were part of this collective effort, and the concepts of citizenship that emerged from those productive debates. Among a great many other things, readers will learn a lot about African American intellectual life, writing, and…
In the years between the American Revolution and the U.S. Civil War, as legal and cultural understandings of citizenship became more racially restrictive, black writers articulated an expansive, practice-based theory of citizenship. Grounded in political participation, mutual aid, critique and revolution, and the myriad daily interactions between people living in the same spaces, citizenship, they argued, is not defined by who one is but, rather, by what one does.
In The Practice of Citizenship, Derrick R. Spires examines the parallel development of early black print culture and legal and cultural understandings of U.S. citizenship, beginning in 1787, with the framing…
Good question. Why would a white guy be passionate about nineteenth-century African American community building and activism? It’s a long story, but the short version is that by the time I reached graduate school, I could no longer avoid the realization that I had been dramatically miseducated about American history, and that the key to American history—one important key, anyway—is African American history. You can’t understand what it means to be an American if you don’t know this history, and you can’t understand our own very troubled times, or how to respond to these times, how to turn frustration into action, unless you know this history. So I developed my expertise over the years.
Like Spires, Kantrowitz is interested in the ways in which nineteenth-century African Americans made the case for being recognized as citizens. We tend to focus on stories of freedom, as if that’s what those who escaped from slavery encountered when they reached the North—but in fact they arrived to only relative freedom, and they faced an ongoing struggle for something “more than freedom.” This is the story Kantrowitz tells, focusing mainly on Black activists in Boston. The story begins with community-building efforts—establishing churches, literary societies, newspapers, and the other organizations needed to sustain a flourishing, educated, and economically-secure society. Kantrowitz introduces readers to a number of African American leaders who deserve to be much better known, heroes of American history. His core argument, though, like that of Spires, has to do with defining what the word citizenship actually means, extending it beyond basic inclusion to a determined and deeply ethical…
A major new account of the Northern movement to establish African Americans as full citizens before, during, and after the Civil War
In More Than Freedom, award-winning historian Stephen Kantrowitz offers a bold rethinking of the Civil War era. Kantrowitz show how the fight to abolish slavery was always part of a much broader campaign by African Americans to claim full citizenship and to remake the white republic into a place where they could belong. More Than Freedom chronicles this epic struggle through the lives of black and white abolitionists in and around Boston, including Frederick Douglass, Senator Charles Sumner,…
Good question. Why would a white guy be passionate about nineteenth-century African American community building and activism? It’s a long story, but the short version is that by the time I reached graduate school, I could no longer avoid the realization that I had been dramatically miseducated about American history, and that the key to American history—one important key, anyway—is African American history. You can’t understand what it means to be an American if you don’t know this history, and you can’t understand our own very troubled times, or how to respond to these times, how to turn frustration into action, unless you know this history. So I developed my expertise over the years.
If you’re interested in nineteenth-century African American activism, then you should read something by someone directly involved in that work. William Still, based in Philadelphia, was involved in a great many social-reform efforts, but he is known today primarily for his work with the Underground Railroad—an institution that was itself a blend of fact and fiction, history and legend. In this book, Still tells the story of a number of individuals who successfully escaped from enslavement, some of them with organized assistance, and others who managed on their own before reaching the networks available to them once they reached Philadelphia and Still’s network of committed antislavery workers.
Since the book is comprised primarily of these many individual stories, and with no discernible organizing principle, this can be a challenging book to read from the first page to the last. But that won’t stop you, and you might find yourself replicating…
Excerpt from The Underground Rail Road: A Record of Facts, Authentic Narratives, Letters, &C., Narrating the Hardships, Hair-Breadth Escapes and Death Struggles of the Slaves in Their Efforts for Freedom, as Related by Themselves and Others, or Witnessed by the Author
Resolved, That the Pennsylvania anti-slavery Society request him to compile and publish his personal reminiscences and experiences relating to the Underground Rail Road.
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This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct…
Books—broadly defined as any kind of written or printed document—are the primary means by which civilizations are constructed, memories are preserved, ideas are communicated, wealth is distributed, and power is exercised. To understand any human society, you must read its books. And as Winston Churchill said, “Books last forever.” The physical structures of civilizations eventually crumble into ruins, but the books they leave behind are immortal.
Censors can be astonishingly intelligent readers. For them, discernment and insight are essential job skills. Aleksandr Nikitenko (1804-77) hated and loved his work for the same reason: "Only the censor has the opportunity to read everything being written in our country." He adored Byron ("his poetry is like a storm playing an Aeolian harp") and scolded Russians for not appreciating Shakespeare. And he fully recognized the "downright absurdity and contradiction" of the system.
He tried to reason with Orthodox clerics who demanded the suppression of historical articles on the Reformation, which, they believed, might inspire a Russian Martin Luther. The minister of war insisted that an expose of army atrocities be recalled from Moscow bookstores: "This book is particularly dangerous because there's truth in every single line of it."
Nikitenko won some battles, heading off attempts to expurgate Pushkin and block John Stuart Mill's On Liberty. But the government created…
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Books—broadly defined as any kind of written or printed document—are the primary means by which civilizations are constructed, memories are preserved, ideas are communicated, wealth is distributed, and power is exercised. To understand any human society, you must read its books. And as Winston Churchill said, “Books last forever.” The physical structures of civilizations eventually crumble into ruins, but the books they leave behind are immortal.
Before it launched the modern environmental movement, Silent Spring (1962) had to run a formidable publication gantlet. Rachel Carson challenged the prevailing scientific consensus about pesticides, a subject most magazines wouldn't touch for fear of losing ads. The chemical industry threatened legal action and mounted a PR campaign against Carson. But she had several strong cards to play.
She was already a best-selling author. She was firmly backed by her editor, Paul Brooks of Houghton Mifflin, then an independent family firm with a tradition of publishing nature writers. The book was serialized in the New Yorker, and President Kennedy plugged it at a press conference. On CBS, Eric Sevareid gave Carson equal time with an industry spokesman, though some corporations pulled their commercials. As Brooks predicted, "A future social historian will be writing his Ph.D. thesis on the career of Silent Spring—just you wait!"
In 1962 the publication of Rachel Carson's Silent Spring sparked widespread public debate on the issue of pesticide abuse and environmental degradation. The discussion permeated the entire print and electronic media system of mid-twentieth-century America. Although Carson's text was serialized in the New Yorker, it made a significant difference that it was also published as a book. With clarity and precision, Priscilla Coit Murphy explores the importance of the book form for the author, her editors and publishers, her detractors, the media, and the public at large. Murphy reviews the publishing history of the Houghton Mifflin edition and the prior…
