100 books like Martin Rattler

Elizabeth Flann is a history and literature major who worked for over twenty years in the publishing industry in England and Australia before moving into teaching literature, scriptwriting and editing to postgraduate students at Deakin University, Melbourne. She is a co-author of The Australian Editing Handbook and was awarded a PhD in 2001 for her thesis entitled Celluloid Dreaming: Cultural Myths and Landscape in Australian Film. Now retired, she is able to give full rein to her true love—writing fiction. Her first novel, Beware of Dogs, was awarded the Harper Collins Banjo Prize for a Fiction Manuscript. She now lives in a peaceful rural setting in Victoria, Australia, close to extended family and nature.

I am a recovered (not “recovering”) addict and writer. These days I write historical fiction because I enjoy an escape from present-day reality, and research is fun. But I started writing as a way to make sense of my chaotic world and in hopes of healing myself. Something was broken inside me, and I didn’t know how to fix it. So I wrote about the shadowy realms of my life and kept on writing until somehow I was able to let go of the past and create a different life, one which would not land me upside down in a ditch with my neck broken and my tires spinning. 

Elizabeth Flann is a history and literature major who worked for over twenty years in the publishing industry in England and Australia before moving into teaching literature, scriptwriting and editing to postgraduate students at Deakin University, Melbourne. She is a co-author of The Australian Editing Handbook and was awarded a PhD in 2001 for her thesis entitled Celluloid Dreaming: Cultural Myths and Landscape in Australian Film. Now retired, she is able to give full rein to her true love—writing fiction. Her first novel, Beware of Dogs, was awarded the Harper Collins Banjo Prize for a Fiction Manuscript. She now lives in a peaceful rural setting in Victoria, Australia, close to extended family and nature.

Elizabeth Flann is a history and literature major who worked for over twenty years in the publishing industry in England and Australia before moving into teaching literature, scriptwriting and editing to postgraduate students at Deakin University, Melbourne. She is a co-author of The Australian Editing Handbook and was awarded a PhD in 2001 for her thesis entitled Celluloid Dreaming: Cultural Myths and Landscape in Australian Film. Now retired, she is able to give full rein to her true love—writing fiction. Her first novel, Beware of Dogs, was awarded the Harper Collins Banjo Prize for a Fiction Manuscript. She now lives in a peaceful rural setting in Victoria, Australia, close to extended family and nature.

I wouldn't call myself a cosmic horror expert, but I've read quite a few of the expected authors--Dunsany, Machen, Lovecraft, Blackwood, Howard, etc--and I've written novels and short fiction in the genre and have been asked to panel and talk about it for years at professional events. How can a fictional narrative contain villains so powerful that human beings have no way to understand, let alone resist them? I like exploring that impossibility in my own writing, and I feel compelled to subvert its historical legacy of colonialism and racism where I can. It is not a genre that needs reclaiming but rewriting, and it is rife with possibilities. 

Paul Spickard wrote the first edition of Almost All Aliens. He invited Francisco Beltrán and Laura Hooton, who worked under Dr. Spickard at UC Santa Barbara, to co-author the second edition after working as research assistants and providing suggestions for the second edition. We are all historians of race, ethnicity, immigration, colonialism, and identity, and in our other works and teaching we each think about these topics in different ways. We did the same for this list—this is a list of five books that talk about topics that are important to Almost All Aliens and approaches that have been influential in how we think about the topic.  

I am a scholar of global politics, and I am drawn to psychoanalysis because it studies the unseen in politics, or rather, those things that are often in plain sight but remain unacknowledged. For example, why is it that, especially in this information economy, we are well aware of the inequality and environmental destruction that our current capitalist system is based on, but we still continue to invest in it (through shopping, taking out loans, using credit cards, etc.)? Psychoanalysis says that it's because we are unconsciously seduced by capitalism—we love shopping despite knowing about the socioeconomic and environmental dangers of doing it. I’m fascinated by that process of disavowal.

I am a Somali scholar in the field of Somali Studies and African Studies, specialising in anthropology, history, and the politics of Somali society and state(s). I am recognised as an authority and expert on the historical and contemporary Somali conflicts in the Diaspora and back home. I am a Research Fellow at the Conflict Research Programme at the London School of Economics and Political Science, where I am tasked to study the political economy of Mogadishu. I am also a visiting professor at the African Leadership Centre, King’s College London, where I deliver lectures about the genesis of the Cold War in the Horn of Africa and the Civil War in Somalia. 

I love reading and writing and I have always loved science fiction and myths and legends. I read my first fantasy when I was around 23, Stephen Donaldson’s Lord Foul’s Bane. I know some people hate that series, but to me, the world he created was so real, so full of interesting things. At that time, I had not read Lord of the Rings so I didn’t realise how closely the world building was to Tolkien. I need to bond with my characters and feel their journey, cry at the end if it is sad, and think about them well after I have finished the story.

I’ve spent most of my career teaching and writing about French history. In the 1990s, it became belatedly clear to me and other French historians that France shouldn’t be understood purely as a European nation-state. It was an empire whose imperial ambitions encompassed North America, the Caribbean, Africa, Indochina, and India. By the twentieth century, and especially after 1945, large numbers of people from those colonial places had emigrated to mainland France, claiming to belong to that country and asserting the right to live there. Their presence produced a great deal of political strife, which I wanted to study by looking at France’s colonial past.