Here are 100 books that Travels in the Congo fans have personally recommended if you like
Travels in the Congo.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
In a family of readers, my older sister was fascinated by the American Revolution, so I became a reader under that influence, gulping down biographies for kids. I trained as an academic historian but never really wanted to write academic history. Instead, I wanted to bottle that what-if-felt-like magic that I'd felt when I read those books as a kid. I became a journalist but still felt the pull of the past. So I wound up in that in-between slice of journalists who try to write history for readers like me, more interested in people than in complex arguments about historical cause and effect.
This book gave me a world I'd barely known about, a villain who personified evil and a cast of characters from the famous (but murderous) explorer Henry Morton Stanley to uncelebrated people of conscience who fought Leopold's monstrous scheme.
So it's a fabulous story, but along the way, it also taught me a great deal about the history of Africa, a continent about which we Americans know so little.
Winner of the Duff Cooper Prize, King Leopold's Ghost is the true and haunting account of Leopold's brutal regime and its lasting effect on a ruined nation. With an introduction by award-winning novelist Barbara Kingsolver.
In the late nineteenth century, when the great powers in Europe were tearing Africa apart and seizing ownership of land for themselves, King Leopold of Belgium took hold of the vast and mostly unexplored territory surrounding the Congo River. In his devastatingly barbarous colonization of this area, Leopold stole its rubber and ivory, pummelled its people and set up a ruthless regime that would reduceâŠ
I was a wild card in the industry heavy town where I was born and raised, destined to burn out my days early in a factory or steel mill. But I worked my way through college, survived several close calls in Vietnam and bull headed my way into a series of jobs that pushed me toward Hollywood assignments as a writer, producer and director.
I liked this hundred-year-old novel because it explores some darker doubts and concerns I have always had about âthe hidden heart of mankind unrestrained.â Whatâs more, the theme of Heart Of Darkness is reflected in the movie Apocalypse Now, with stark modern-day observations on the wounds the violence of war can inflict on the hearts and minds of humans.
Although Polish by birth, Joseph Conrad (1857â1924) is regarded as one of the greatest writers in English, and Heart of Darkness, first published in 1902, is considered by many his "most famous, finest, and most enigmatic story." â Encyclopaedia Britannica. The tale concerns the journey of the narrator (Marlow) up the Congo River on behalf of a Belgian trading company. Far upriver, he encounters the mysterious Kurtz, an ivory trader who exercises an almost godlike sway over the inhabitants of the region. Both repelled and fascinated by the man, Marlow is brought face to face with the corruption and despairâŠ
Iâve spent most of my career teaching and writing about French history. In the 1990s, it became belatedly clear to me and other French historians that France shouldnât be understood purely as a European nation-state. It was an empire whose imperial ambitions encompassed North America, the Caribbean, Africa, Indochina, and India. By the twentieth century, and especially after 1945, large numbers of people from those colonial places had emigrated to mainland France, claiming to belong to that country and asserting the right to live there. Their presence produced a great deal of political strife, which I wanted to study by looking at Franceâs colonial past.
The Congo-Ocean railroad stretches across the Republic of Congo from Brazzaville to the Atlantic port of Pointe-Noir. It was completed in 1934, when Equatorial Africa was a French colony, and it stands as one of the deadliest construction projects in history. Colonial workers were subjects of an ostensibly democratic nation whose motto read "Liberty, Equality, Fraternity," but liberal ideals were savaged by a cruelly indifferent administrative state.
African workers were forcibly conscripted and separated from their families, and subjected to hellish conditions as they hacked their way through dense tropical foliage-a "forest of no joy"; excavated by hand thousands ofâŠ
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctorâand only womanâon a remote Everest climb in Tibet.
Iâve spent most of my career teaching and writing about French history. In the 1990s, it became belatedly clear to me and other French historians that France shouldnât be understood purely as a European nation-state. It was an empire whose imperial ambitions encompassed North America, the Caribbean, Africa, Indochina, and India. By the twentieth century, and especially after 1945, large numbers of people from those colonial places had emigrated to mainland France, claiming to belong to that country and asserting the right to live there. Their presence produced a great deal of political strife, which I wanted to study by looking at Franceâs colonial past.
In this superb, prize-winning book, Cooper shows that despite Franceâs often gruesome treatment of its African colonies, its postwar leaders tried to make amends. After taking power in 1958, Charles de Gaulle gave each of Franceâs African territories three choices: 1) full departmental status within the French Republic (Ă la Martinique and Guadeloupe); 2) internal autonomy and democratic self-government in a newly dubbed French Community modeled on the British Commonwealth; 3) complete independence with a cutoff of all financial assistance. Every territory voted for option 2, except Guinea, which chose independence. Although the Community option ultimately fell apart, Cooper shows nonetheless that there was nothing inevitable about the devolution of Franceâs African empire into a series of independent nation-states.
As the French public debates its present diversity and its colonial past, few remember that between 1946 and 1960 the inhabitants of French colonies possessed the rights of French citizens. Moreover, they did not have to conform to the French civil code that regulated marriage and inheritance. One could, in principle, be a citizen and different too. Citizenship between Empire and Nation examines momentous changes in notions of citizenship, sovereignty, nation, state, and empire in a time of acute uncertainty about the future of a world that had earlier been divided into colonial empires. Frederick Cooper explains how African politicalâŠ
I am a Somali scholar in the field of Somali Studies and African Studies, specialising in anthropology, history, and the politics of Somali society and state(s). I am recognised as an authority and expert on the historical and contemporary Somali conflicts in the Diaspora and back home. I am a Research Fellow at the Conflict Research Programme at the London School of Economics and Political Science, where I am tasked to study the political economy of Mogadishu. I am also a visiting professor at the African Leadership Centre, Kingâs College London, where I deliver lectures about the genesis of the Cold War in the Horn of Africa and the Civil War in Somalia.
Whenever I see suddenly this remarkable book on my bookshelves, I wonder how the author, writing in later years of his life, was able of combining his practical experience in Africa with his theoretical engagement of Africa. The author narrates sympathetically how African political elites who embraced Western alien institutions and state ideals failed to reconsider the reconfiguration of the nation-state on their continent.
Basil Davidson on the nation-state in Africa and its huge disappointments, its relationship to the colonial years and the parallels with events in Eastern Europe.
I have been to, and loved, North, Central, and especially East Africa for over fifty years. Only six times have I been to Africa on holiday; more often, perhaps twenty or more times, as a television producer. Working in Africa gains a perspective of reality that the glories of vacation do not. Each has its place, each its pitfalls like stalled plane rides with emergency landings in the bush or attacks by wildlife. But, in the end, the magic of the âotherness,â what an old friend called âprimitavaâ captures oneâs soul and changes your life.
As an interpreter of African languages, Bruno Salvador is much in demand. He makes it a principle to remain neutral - no matter what he hears. But when he is summoned on a secret job for British Intelligence, he is told he will have to get his hands dirty. His mission is to help bring democracy to the Congo - democracy that will be delivered at the end of a gun barrel.
The Mission Song is an excoriating depiction of a corrupt world where loyalty can be bought and war is simply an opportunity to settle oldâŠ
I first travelled to Zimbabwe in 1984, eager both to âbuild scientific socialismâ but also to answer two big questions. How can people proclaim rage at certain injustices yet at the same time perpetuate them against certain other people? And, could I learn to be a better (more empathetic) man than my upbringing inclined me towards? Years of teaching in the rural areas, and then becoming a father taught me âyesâ to the second question but for the first, I needed to continue to pursue that knowledge with colleagues, students, mentors, friends and family. Today, my big question is, how can we push together to get these monsters of capitalism, patriarchy, homophobia, racism, and ecocide off our backs?
The canon of anti-colonial, anti-racism writing from and about Africa includes many authors whose passion and insights are sometimes muddied by turgid or masculinist prose. For me, Rodney stands out â and stands the test of time â by the way he so masterfully weaves history into a compelling narrative that utterly demolishes the lies and conceits about supposed Western benevolence toward the continent. Scales fell from my eyes the first time (of many) I read this book. And yes, Rodney is almost as androcentric in his language, sources, and arguments as was the norm in those days. But his acknowledgment of the dignity of African women is implicit, and his discussion of the regressive elements of the colonial economy and education for African women and girls presaged a field of scholarly enquiry and activism that still intrigues me.
The classic work of political, economic, and historical analysis, powerfully introduced by Angela Davis In his short life, the Guyanese intellectual Walter Rodney emerged as one of the leading thinkers and activists of the anticolonial revolution, leading movements in North America, South America, the African continent, and the Caribbean. In each locale, Rodney found himself a lightning rod for working class Black Power. His deportation catalyzed 20th century Jamaica's most significant rebellion, the 1968 Rodney riots, and his scholarship trained a generation how to think politics at an international scale. In 1980, shortly after founding of the Working People's AllianceâŠ
I write about unusual places, unusual people, and unusual stories. Places, people, and stories that are rough, different, authentic, often forgotten, full of troubled history and a magical present.
The âother Naipaulâ, the younger brother who died too young to compete with VS, managed to leave behind some extraordinary examples of his talent. North of South discovers what 'liberation', 'revolution,' and 'socialism' meant to the ordinary people of Africa and it is the book of a contrarian who, brutally honest to the point of being dismissive, travels across a continent on a brink of change, but instead of adopting the easy line of praising it explains why he is not impressed. If you like irony that verges into sarcasm, you canât miss it.
In the 1970s Shiva Naipaul travelled to Africa, visiting Kenya, Tanzania and Zambia for several months. Through his experiences, the places he visited and his various encounters, he aimed to discover what 'liberation', 'revolution' and 'socialism' meant to the ordinary people. His journey of discovery is brilliantly documented in this intimate, comic and controversial portrayal of a continent on the brink of change.
I am a Somali scholar in the field of Somali Studies and African Studies, specialising in anthropology, history, and the politics of Somali society and state(s). I am recognised as an authority and expert on the historical and contemporary Somali conflicts in the Diaspora and back home. I am a Research Fellow at the Conflict Research Programme at the London School of Economics and Political Science, where I am tasked to study the political economy of Mogadishu. I am also a visiting professor at the African Leadership Centre, Kingâs College London, where I deliver lectures about the genesis of the Cold War in the Horn of Africa and the Civil War in Somalia.
This extraordinary book forces anyone who attempts at studying African politics during the post-colonial period (âon the postcolonyâ in Achile Mbembeâs term) as well as in the late Cold War to (re)consider the role of Africans in the shaping of post-colonial Africa. The author uses various examples to nuance the dilemma of the African state-building process. The notion of âthe politics of the bellyâ derived from a Cameroonian saying, not a Bayartâs creation, as many in the West would think of it.
The State in Africa is one of the important and compelling texts of comparative politics and historical sociology of the last twenty years. Bayart rejects the assumption of African 'otherness' based on stereotyped images of famine, corruption and civil war. Instead he invites the reader to see that African politics is like politics anywhere else in the world, not an exotic aberration. Africans themselves speak of a 'politics of the belly' - an expression that refers not only to the necessities of survival but also to a complex array of cultural representations, notably those of the 'invisible' world of sorcery.âŠ
When two brothers discover a 300-year-old sausage-curing cabin on the side of a Slovenian mountain, it's love at first sight. But 300-year-old cabins come with 300 problems.
Dormice & Moonshine is the true story of an Englishman seduced by Slovenia. In the wake of a breakup, he seeks temporary refugeâŠ
I am a South African historian of Russian origin, who has studied and taught African history since the late 1960s. For us, the Russians, Africa was then an alluring terra incognita of wild nature, adventure, human suffering, struggles, and tenacity. I have studied how Africa became what it is for 50 years and lived in it for 30. I have learnt a lot about it, but for me it is still a land of human suffering, struggles and tenacity, wild nature, and adventure, and it is still alluring.
Jeffrey Herbst also looks at the past and present of the African continent, and ecology and demography also come into his story. But his main subject is the specific nature of power and state in SubâSaharan Africa and the inter-relations between the two. He traces this defining aspect of Africaâs reality through several centuries and presents it within the global context by drawing in experiences of self-organisation of power and state in other continents and regions. Continuity is for him the key to understanding the precolonial, colonial, and postcolonial past and even the future of the continent.
Theories of international relations, assumed to be universally applicable, have failed to explain the creation of states in Africa. There, the interaction of power and space is dramatically different from what occurred in Europe. In States and Power in Africa, Jeffrey Herbst places the African state-building process in a truly comparative perspective. Herbst's bold contention--that the conditions now facing African state-builders existed long before European penetration of the continent--is sure to provoke controversy, for it runs counter to the prevailing assumption that colonialism changed everything. This revised edition includes a new preface in which the author links the enormous changesâŠ