Here are 100 books that Machines of Another Era fans have personally recommended if you like
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I have always had a fondness for the quirky heroine because I find her so relatable! As a child, I was overly sensitive and obsessed with animals. I liked to read and draw, but was dreadful at organized sports, and for the most part I didn't feel as if I fit in with the expected social norms of my peers. The quirky heroines in books and literature comforted me, and showed me that first, I wasn't alone, and second, that I could find love and acceptance in a world with which I often felt out-of-step.
One of the wonderful things about Young Adult books is that many authors understand the longing that young female readers have for heroines with real personality who overcome the challenges of their times or particular situations. Such stories move to the pinnacle of my “oh-my-gosh-I-loved-this!” list when they include a romance and by the end, the heroine is acknowledged as an equal to her partner. While L.M. Montgomery is known best for her unforgettable Anne of Green Gables (who could have been on this list), my particular favorite quirky heroine of hers is Valancy Stirling in The Blue Castle.
The romance in this book is just as unconventional as Valancy herself, there’s a marriage of convenience, a beautiful setting for introverts, an island cabin and cats. What’s not to love?
From L.M. Montgomery, author of Anne of Green Gables, comes another beloved classic and an unforgettable story of courage and romance.
Valancy Stirling is 29 and has never been in love. She's spent her entire life on a quiet little street in an ugly little house and never dared to contradict her domineering mother and her unforgiving aunt. But one day she receives a shocking, life-altering letter―and decides then and there that everything needs to change. For the first time in her life, she does exactly what she wants to and says exactly what she feels.
William J. Buxton is Distinguished Professor Emeritus of Communication Studies and Senior Fellow, Centre for Sensory Studies, at Concordia University Montreal, Qc, Canada. He is also professeur associé au Département d’information et de communication de l’Université Laval, Québec City, Québec, Canada. He has edited and co-edited five books related to the life and works of the Canadian political economist and media theorist, Harold Adams Innis.
This book dovetails with those of Kitnick as well as Sharma and Singh. While framed by a broader concern with the emergence of the Toronto School of Communication, it gives particular attention to how McLuhan’s notions about “information art,” came to influence artistic practice through initiatives such as “N.E. Thing and Company” (NETCO), Robert Smithson’s West Coast work and “General Idea.” Echoing some of the issues raised by the Sharma/Singh collection, he examines these ventures through the lens of power and gender. It is impeccably edited and handsomely illustrated, in line with the high production standards of McGill-Queen’s University Press.
Through a series of focused and interconnected case studies, Out of School explores the long history of information art associated with the Toronto School of Communication. It highlights the perspectives of artists inspired by the speculations of Marshall McLuhan and colleagues as well as the philosophical underpinnings of the Toronto School's ideas about information.
Using pre-Internet media such as telex and the telecopier, the artists explored in this book materialized visionary concepts of information without the aid of computers. Harbingers of contemporary digital culture, Bertram Brooker, N.E. Thing Co., Robert Smithson, Wyndham Lewis, General Idea, and other artists approached information…
I’m an English nonfiction writer who is, I suppose, best-known for Members Only, my biography of the London strip club owner, theatre impresario, property magnate, and porn baron Paul Raymond, which was adapted into a big-budget movie called The Look of Love. Like many of my books, Members Only strayed into true crime, a genre that has, for all sorts of reasons, been attractive to me as a writer. Probably the most important of those is that it provides the opportunity to tell inherently dramatic stories and to convey a vivid picture of the past, thanks to the wealth of documentation associated with major crimes.
Now that’s a question that can be answered in a few sentences. Here’s goes…
This is among the finest examples of the true-crime genre. It’s an enthralling, pacey, and ingeniously structured account of the murders committed on both sides of the Atlantic by Dr. Neill Cream, a Scottish-born Canadian whose medical career served as camouflage for his psychopathic misogyny.
Macabre though the subject matter is, Jobb never wallows in that side of things, preferring to use the story as a vehicle for his vivid and insightful portrait of late nineteenth-century society.
The Case of the Murderous Dr. Cream takes readers to the late nineteenth century as Scotland Yard follows the trail of a cold-blooded serial killer who was as brazen as the notorious Jack the Ripper and who would finally be brought to justice by detectives employing a new science called forensics.
"When a doctor does go wrong, he is the first of criminals," Sherlock Holmes observed during one of his most baffling investigations. "He has nerve and he has knowledge." In the span of fifteen years, Dr. Thomas Neill Cream poisoned at least ten women in the United States, Britain,…
Embark on a riveting journey into Washington State’s untamed Olympic Peninsula, where the threads of folklore legends and historical icons are woven into a complex ecological tapestry.
Follow the enigmatic Petr as he fearlessly employs his pirate radio transmitter to broadcast the forgotten and untamed voices that echo through the…
I wasn’t a fan of reading when I was young. I was a lazy reader. Subjects and genres were always chosen for me during education, until I hunted for my own. I used to write a lot more than reading in early high school. I wrote a horror journal, submitted to my English teacher every week. He told me that my writing was good but advised me that reading the genre could help develop my ideas. Funny, a young teenager couldn’t work that out? So, off I went to the local bookstore and bought my first horror novel. I devoured it within a week. I've been a reader and writer of horror ever since.
A book I’d wanted to read for a long time, but it wasn’t until later in life I was able to get it. When I was just on the early stages of my writing career, my now longtime friend, Marty, said he had a spare copy of Cabal laying around and offered to send it to me. Marty was my writing mentor at the time as he’d been writing horror for many years previous, and his work is inspiring. So, knowing I was getting a book in the mail from my mentor, to whom I hadn’t met in person yet, was very exciting. The book itself was a tired secondhand copy (which I was told it was) yet this gave it more special meaning. Even the cover was a little torn and it was a pocket edition. So, I sat back with this little book, which I still have as…
A fabulous journey through the mind of the master of dark imaginative fiction, Clive Barker.
The nightmare had begun....
Boone knew that there was no place on this earth for him now; no happiness here, not even with Lori. He would let Hell claim him, let Death take him there.
But Death itself seemed to shrink from Boone. No wonder, if he had indeed been the monster who had shattered, violated and shredded so many others' lives.
And Decker had shown him the proof - the hellish photographs where the last victims were forever stilled, splayed in the last obscene…
I was born and raised as both an anglophone Canadian and a diaspora Jew. After living in Montreal, Jerusalem, and New York for a total of about 15 years, I returned to my hometown of Toronto and took up the position of the J. Richard Shiff Chair for the Study of Canadian Jewry at York University, where I work as a professor of history. I teach undergraduate students, graduate students, fellow academics, community leaders, and the wide public about all sorts of dimensions of this very religiously diverse, culturally diverse, socio-economically diverse, and politically diverse community of 400,000+ souls, with its 260+-year-old history.
I love this book’s sprawling effort to answer all sorts of basic questions about the living, vibrant Jews of Canada.
The book was so solid and sold so well when it originally came out with a trade publisher it was re-issued. It uses good social science and approachable theories.
I found it highly informative, intuitive, and curiosity-provoking. What’s more, it’s really funny. If you’re a Canadian Jew, you’ll learn something about yourself or some part of the Jewish world of which you’re a part of. And if you’re not both Canadian and Jewish, you’ll get a very good grounding in understanding the world’s fourth-largest Jewish community.
Liberal democratic societies with diverse populations generally offer minorities two usually contradictory objectives: the first is equal integration and participation; the second is an opportunity, within limits, to retain their culture. Yet Canadian Jews are successfully integrated into all domains of Canadian life, while at the same time they also seem able to retain their distinct identities by blending traditional religious values and rituals with contemporary cultural options. Like Everyone Else but Different illustrates how Canadian Jews have created a space within Canada's multicultural environment that paradoxically overcomes the potential dangers of assimilation and diversity. At the same time, this…
Philosophical novels challenge rather than appease. They subvert. They obscure. As a former acquisitions editor at major publishing houses, I am confounded by the scarcity of chances taken on books that don’t fit the status quo or, are "difficult." I am most interested in how books—even when they meander and cavort—lead to surprising and unsettling revelations. Or how they don’t lead to revelations at all but keep the reader guessing as to when some semblance of grace will be achieved. I don’t wish to sound pessimistic; if anything, I wish to be realistic. Philosophical novels are reflections of life, which is often confusing, contradictory, and, yes, difficult. With a touch of grace for good measure.
When one reads Bernhard, one never reads anything else the same again. In fact, every story feels false by comparison. Maybe it’s because The Loser is written in one unbroken paragraph or because it repeats a line ad nauseum or because the story, in any other writer’s hands, would feel mawkish.
But this novel about a triangular intellectual relationship between piano virtuoso Glenn Gould and his two students is anything but. It’s funny, heartbreaking, and confusing. The way life is.
Thomas Bernhard was one of the most original writers of the twentieth century. His formal innovation ranks with Beckett and Kafka, his outrageously cantankerous voice recalls Dostoevsky, but his gift for lacerating, lyrical, provocative prose is incomparably his own.One of Bernhard's most acclaimed novels, The Loser centers on a fictional relationship between piano virtuoso Glenn Gould and two of his fellow students who feel compelled to renounce their musical ambitions in the face of Gould's incomparable genius. One commits suicide, while the other-- the obsessive, witty, and self-mocking narrator-- has retreated into obscurity. Written as a monologue in one remarkable…
The Road from Belhaven is set in 1880s Scotland. Growing up in the care of her grandparents on Belhaven Farm, Lizzie Craig discovers as a small girl that she can see the future. But she soon realises that she must keep her gift a secret. While she can sometimes glimpse…
I first became interested in the history of the British Empire as an undergraduate. Understanding this history helped me relate my parents’ experiences growing up in a postcolonial nation with the history of the United States, where I grew up. As an academic historian, my research and teaching emphasize connections—between disparate places, between the past and present, and between our personal experiences and those of people born in distant times and places. My first children’s book allowed me to translate my scholarly work for a young audience. I hope this list of books that inspire my approach to history encourages your own investigations of imperialism and its pasts!
George Manuel was once asked by a white coworker, “Does Indians have feelings?” Refusing dehumanization, Manuel reveals the ongoing colonial relations between First Nations and the Canadian settler state. He charts his political journey from Secwepemcúl̓ecw to the National Indian Brotherhood to the World Council of Indigenous Peoples.
Manuel argues that the victories of the anti-colonial independence movements of the twentieth century did not end colonial domination of Indigenous Peoples—what he calls the Fourth World. The Fourth World is not a destination but the right to travel on your own road in your own way.
With a new insightful introduction, foreword, and afterword, the book's latest edition shows how Manuel’s analysis of colonialism and vision for solidarity continue to be relevant to contemporary struggles for decolonization.
A foundational work of radical anticolonialism, back in print
Originally published in 1974, The Fourth World is a critical work of Indigenous political activism that has long been out of print. George Manuel, a leader in the North American Indian movement at that time, with coauthor journalist Michael Posluns, presents a rich historical document that traces the struggle for Indigenous survival as a nation, a culture, and a reality. The authors shed light on alternatives for coexistence that would take place in the Fourth World-an alternative to the new world, the old world, and the Third World. Manuel was the…
I think about the positive identity development of Native youth all the time and not just because I am an educator and author. I love my Ojibwe language and culture, but I want to turn Native fiction on its head. We have so many stories about trauma and tragedy with characters who lament the culture that they were always denied. I want to show how vibrant and alive our culture still is. I want gripping stories where none of the Native characters are drug addicts, rapists, abused, or abusing others. I want to demonstrate the magnificence of our elders, the humor of our people, and the power of forgiveness and reconciliation.
I loved this book because it grapples with some of the really tough topics that our people have to face.
The characters were relatable and dynamic. I think America and Canada need a wake-up call and an effort to reconcile with their historical treatment of Native people, especially with regard to residential boarding schools. People can only handle calls to justice when they relate to those who were treated unjustly.
In spite of the heavy topics, this book does that really well.
Named a "Best Novel of the Decade" by Literary Hub
Saul Indian Horse is a child when his family retreats into the woods. Among the lakes and the cedars, they attempt to reconnect with half-forgotten traditions and hide from the authorities who have been kidnapping Ojibway youth. But when winter approaches, Saul loses everything: his brother, his parents, his beloved grandmother—and then his home itself.
Alone in the world and placed in a horrific boarding school, Saul is surrounded by violence and cruelty. At the urging of a priest, he finds a tentative salvation in hockey. Rising at dawn to…
As a longtime outdoors editor of a Mississippi newspaper, I actually got paid to paddle local rivers. Over the decades, I expanded my territory to adjacent states, the South, the continent, and other countries. I parlayed my experiences into several books on rivers. As a paddler and writer, I naturally love to read about adventures on the water–not only classics like Mark Twain's Life on the Mississippi River and Paul Theroux's Happy Isles of Oceania but also the many less-known but highly praiseworthy books like those listed here.
Bill Mason was a legend in the world of paddling. He was old-school: red and black plaid wool shirt, wood-and-canvas canoe, canvas lean-to-style tent. His sojourns in the North Woods inspired me in my own explorations of the Deep South. When he paddled Lake Superior, I thought of Louisiana's Atchafalaya Swamp. When he canoed the Hood River, I thought of Mississippi's Pascagoula.
This book combines in-depth advice on wilderness travel with accounts of some of Bill's own journeys. He was also an artist and filmmaker. His documentary, Waterwalker, is a must-see classic for anyone who loves adventure on the water.
More than a how-to camping and paddling guide, Song of the Paddle is a philosophical guide to outdoor living. Written by the acclaimed paddler and outdoorsman, Bill Mason, the book leads readers on a journey of exploration and discovery.
Mason writes from an intensely subjective viewpoint and the advice is practical and sound. He emphasizes the difference in perception between camping (rough) and outdoor living (comfort). Each page is packed with hard-won tips and tricks for enjoying the great outdoors. No detail is ignored -- from keeping campfire smoke out of your eyes…
As a kid, I didn’t identify with the gender I was assigned at birth. Even without the language to describe who I really was, I was always on the lookout for stories about other people who felt like I did—for stories, in other words, like the ones on this list. But I never found them. As the books below beautifully illustrate, the spectrum of transgender experience, and our childhoods in particular, are so rich and diverse. My hope is for these and other books like Cactus Country to encourage more trans and queer people to tell their stories so that kids like us can find characters that represent them.
Elliot Page’s book is an engaging, worthwhile celebrity memoir. As a longtime fan of Page’s film performances and a trans person myself, I was so inspired by his public coming out and transition.
In his book, Page took me behind the scenes for an exclusive look at the unglamourous sides of Hollywood stardom—especially the ways the industry has historically been harmful to trans actors, many of whom, like Page, were encouraged to stay in the closet. I also appreciated that Page, as a celebrity, wrote the book himself without the help of ghostwriters.
Full of intimate stories, from chasing down secret love affairs to battling body image and struggling with familial strife, Pageboy is a love letter to the power of being seen. With this evocative and lyrical debut, Elliot Page captures the universal human experience of searching for ourselves and our place in this complicated world.
'Can I kiss you?' It was two months before the world premiere of Juno, and Elliot Page was in his first ever queer bar. The hot summer air hung heavy around him as he looked at her. And then it happened. In front of everyone. The…
