100 books like Lucy

I was repeatedly impressed by H.G. Wells’ book, constantly reminding myself that it was written in the 19th century before relativity and the concept of spacetime, even before the game Red Dead Redemption 2 took place.

Conceptually, I found the ideas remarkably ahead of their time and enjoyed seeing the different eras of sci-fi that would follow represented to varying degrees, especially the Golden Age and New Wave. I went through a period of going through all of the fundamental science fiction I’d never read, and this was by far the most meaningful.

I frequently drive between L.A. and the bay, and the time I listened to it on my way home was the fastest the trip ever felt.

Understanding human nature – nice and nasty – demands that we dig into the past, and this brings us at once to evolution. What are we and why are we? The powerful conceptual tool that we use for explanations is Charles Darwin’s theory of evolution through natural selection. The Descent of Man is about human evolution. At times it reads very much like something out of the nineteenth century – Charles Darwin’s discussion of women makes your hair stand on end (and, if it doesn’t, it should). But the central doctrine of evolution through natural selection brought on by the struggle for existence is right there and once you grasp that, you have grasped the key to unlocking the main issues.

The new science of DNA reveals a lot about how we think about identity.

Humans are a migratory species and our stories are complicated. Ancient DNA don't always match people's stories about their ancestors. Rather than being in a place for thousands of years, sometimes we replaced those who were there before or only the males of the group.

Sometimes we completely replaced the group that was there before but the original group's culture persisted or even replaced the invading culture. The book complicates our understanding of indigeneity and belonging.

From anthropology and archeology, Douglas Fry and his co-contributors tell us that our ancestors were hunter-gatherers, in small bands, on a five-million-year camping trip around the globe. We had to have adaptations for harmonious communal living. Wary of strangers, we would realize that wanting to fight them was stupid. Man the “killer ape” is fiction. Then, 10,000 years ago, came agriculture, with a population explosion producing abundant goods that others would covet. The consequence was war and prejudice and other vile beliefs and behaviors. Ex-Quaker as I am, I have written a book, Why We Hate: The Roots of Human Conflict, appearing in Spring 2021, arguing that, by making the appropriate cultural moves, we can again attain our natural state of cooperation and peaceful living.

This short book is without doubt the best introduction to African travel (and in my opinion one of the greatest travel books ever written).

Ranging across the whole continent, Kapuscinski’s evocative writing, although not always sticking religiously to factual details, captures the essence—and the magic—of the place like nobody else can. The book, along with his other great works on Africa Another Day of Life and The Emperor, was a major influence on both why I wanted to get to know Africa and how I write about it. 

All of Kapuscinski’s books are gems. He traveled Africa and other parts of the developing world as a Soviet journalist. The Emperor describes the rule and decline of the Ethiopian Emperor, Haile Selassie. The dry day-to-dry accounts of the emperor’s benign neglect for his people is chilling. Haile Selassie knew to keep those around him happy and not to worry about the people: “A man starved all his life will never rebel…. No one raised his voice or hand there. But just let the subject start to eat his fill and then try to take the bowl away, and immediately he rises in rebellion. The usefulness of hunger is that a hungry man thinks only of bread.”.

Some would claim Coetzee’s Boyhood is an autobiographical novel, and others would insist it is a fictionalized memoir. In any case, it is a powerful depiction of a child’s experience of being raised in the harsh, racist culture of Afrikaners in apartheid South Africa. Maybe because the author decided to tell the story from the 3rd person perspective—as if standing outside of himself—the bleakness of his home and community presses home twice as hard. One senses, behind the cruelty and callousness, the buried ugliness of entrenched bigotry. I lived in a kinder missionary community, learning to admire the people I encountered in Ethiopia, Kenya, and Sudan, but over time I had to recognize subtler prejudices that went with that evangelistic expatriate culture. Boyhood spoke to me in a necessary, truth-telling way that was not comfortable but very important.

Having grown up in Africa I found Mark’s Cairo to Cape Town cycling world record captivating from start to finish. Completing the ride in 41 days (which is faster than many people drive it) was a feat of unimaginable endurance.

The Sunbird was Wilber Smith’s first book. It was one of the first books on Wild African Adventure that I read and has kindled in me a lifelong passion for Africa, African animals, and the love of wildlife. It was a reason that I became a veterinarian and that I wanted to work with African Wildlife. It is a mix of contemporary and historic African Fiction. It is memorable because it is a wonderful story that I would want to share around the fire in a camp somewhere in the heart of the African bush. I would want Wilbur Smith to tell me the story as we sit around the fire. It evokes all that is magical and wonderful about Africa, the continent I love and live on. The book taught me that the story is paramount. Not the skill of the author as a literary giant. I want to… show more.

I’m usually underwhelmed by massively popular series books, which tend to “phone it in,” but this entry in the long-running Magic School Bus series impressed me. It kicks off with a student who wants to fill out his “family tree” and gets more than he bargained for, with a speedy dash through all the major stages of evolution as well as visits to a string of early human ancestors. The fantasy story frame will appeal to many children, while others will gravitate toward the jam-packed facts. There’s plenty of everything in this one for children aged 6 to 9.