Here are 100 books that Love Untold fans have personally recommended if you like
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I have been writing about motherhood, family, love, loss, and finding yourself for over fifteen years. I have been a journalist, wife, mother-of-three-boys (yes, that’s one word), aerobics teacher, puppy wrestler, and novelist. Being a novelist is by far the hardest job but it’s the most rewarding. (OK, boys, no – motherhood is – really.) I enjoy reading stories about family, love, and relationships in all their guises, good, bad, and messy, just like life – and I’m keen to write stories that readers will remember too. My latest book is about two sisters who, after a car crash, are affected differently, yet both are on a journey for the truth.
If there was ever a book that inspired me to write, it’s this!
Pearson captures the push-pull of motherhood and trying to have a career and the fragile relationship with Kate Reddy and her husband so well.
This book ‘talked’ to me as a mother and journalist and was one of the most ‘real’ books I’d ever read about family dynamics and having young children.
Kate Reddy is a fund manager and a mother of two who is trying to survive in a man’s world. Only she’s a woman! Loved it.
Meet Kate Reddy, fund manager and mother of two. Always time-poor, Kate counts seconds like other women count calories. Factor in a manipulative nanny, an Australian boss who looks at Kate's breasts as if they're on special offer, a long-suffering husband, her quietly aghast in-laws, two needy children and an email lover, and you have a woman juggling so many balls that some day something's going to hit the ground.
In an uproariously funny and achingly sad novel, Allison Pearson brilliantly dramatises the dilemma of working motherhood at the…
As a writer, I’m fascinated by relationships, what makes them work and what might make them fail. And I’ve always been gripped by the power of two people who try to love each other, no matter how different they may be or what obstacles they face. I honestly believe that two people in love are far more than the sum of their parts and can create something magical that wouldn’t have been there without them. So, yes, I’m a romantic at heart but, even in these cynical times, I don’t think that’s a bad thing. I hope you love the books on this list as much as I do.
I love this book as it’s about a marriage in crisis and it shows the complete power that those we love most can hold over us.
I also loved the fascinating insight into the world of tennis as both main characters are tennis coaches – and I’ve always enjoyed Wimbledon! I thought the family dynamics and the push-and-pull of who to trust and why was utterly gripping.
I also loved how the way other people see the marriage is so completely different to how Stan and Joy, the husband and wife, see it. There are different versions of truth and, somehow, the one that carries the most love is the most important of all.
From Liane Moriarty, the #1 New York Times bestselling author of Big Little Lies and Nine Perfect Strangers, comes Apples Never Fall, a novel that looks at marriage, siblings, and how the people we love the most can hurt us the deepest.
The Delaney family love one another dearly―it’s just that sometimes they want to murder each other . . .
If your mother was missing, would you tell the police? Even if the most obvious suspect was your father?
This is the dilemma facing the four grown Delaney siblings.
I’m a feel-good romance author from Scotland, published with the HarperCollins imprint One More Chapter.
I trained as a journalist and studied Communication and Media, but I always wanted to write romance novels. When I’m not doing that, I write verses and captions for greeting card companies.
I’m also a huge music fan, which gave me the idea for my first published novel with One More Chapter, A Secret Scottish Escape.
I am a huge fan of JoJo Moyes, and this book was so beautifully crafted, I could see it running through my head like a movie.
Ed Nicholls is the personification of the saying, “Not all superheroes wear capes.” Despite his own troubles, he makes sure he’s there for others when they need him. He has a dry wit, too. He’s adorable!
One single mom. One chaotic family. One quirky stranger. One irresistible love story from the #1 New York Times bestselling author of The Giver of Stars
Suppose your life sucks. A lot. Your husband has done a vanishing act, your teenage stepson is being bullied, and your math whiz daughter has a once-in-a-lifetime opportunity that you can't afford to pay for. That's Jess's life in a nutshell-until an unexpected knight in shining armor offers to rescue them. Only Jess's knight turns out to be Geeky Ed, the obnoxious tech millionaire whose vacation home she happens to clean. But Ed has…
I have been writing about motherhood, family, love, loss, and finding yourself for over fifteen years. I have been a journalist, wife, mother-of-three-boys (yes, that’s one word), aerobics teacher, puppy wrestler, and novelist. Being a novelist is by far the hardest job but it’s the most rewarding. (OK, boys, no – motherhood is – really.) I enjoy reading stories about family, love, and relationships in all their guises, good, bad, and messy, just like life – and I’m keen to write stories that readers will remember too. My latest book is about two sisters who, after a car crash, are affected differently, yet both are on a journey for the truth.
A more measured read than the above two authors, but I loved it just the same and it tackles family dysfunction with humour and grace.
Vicky is a curate’s wife but she’s not as keen on finding God as her partner. She’s also a mother of three who has to deal with her brother coming to stay with his teenage son.
Written in diary style, you connect with Vicky’s struggles – sometimes they seem a bit far-fetched but you warm to the main character and have a few chuckles along the way.
Sophie Duffy is a real find. Sharp as a tack. Laurie Graham
By turns deeply moving and funny, the narrative zips along in an appealing and spirited voice. Kate Long
... that was the point at which I should've put my foot down. Stamped it hard. Stopped the past repeating itself. But what did I do? I did what Mum used to do in times of crisis. I left the room and went to put the kettle on.'
Vicky is a reluctant curate's wife, struggling to come to terms with her own bereavement and her husband's new-found faith. Then, one…
I teach literature, Labor Studies, and writing at San Diego City College and have written three San Diego-based novels: Drift, Flash, and Last Days in Ocean Beach, along with Under the Perfect Sun: The San Diego Tourists Never See, a radical history of San Diego that I co-wrote with Mike Davis and Kelly Mayhew. Both as a writer and as a daily wanderer on the streets of San Diego, I have a passion for the psychogeography of the city space and a deep curiosity for and love of the people I encounter there.
Jim Thompson’s novel is arguably San Diego’s greatest classic noir work.
While not a crime novel, it captures wartime San Diego through the glass darkly, and I was moved and unsettled by Thompson’s unsparing forays into the alienation of those who were the most exploited in the city.
San Diego in the years before World War II. James Dillon is barely scraping by working a menial job in manufacturing, trying to raise a family and support his elderly mother and sister Frankie at the same time. He drinks too hard -- just like his father and nearly everyone in his extended family. With so many people crammed into one home, sometimes there's so much fighting he can barely stand it. But if James can survive the chaos of everyday life long enough, maybe -- just maybe -- there's a chance it'll all get better.
I’ve been fascinated by absurdist comedy and ideas for as long as I can remember. At sixteen, I wrote my first book, Mr A, which followed a man who would turn into a superhero after taking LSD and his talking dog. As an adult, I continue to revel in these types of stories. I brought this passion to my chart-topping debut non-fiction book, where I interviewed several people who believe McDonald’s has interdimensional properties. Now, I hold no bars in fiction writing, having authored a ‘genius of a book’ that follows a talking pencil.
Many of us writers are subject to the terrible cliché of substance abuse, none so much as Charles Bukowski. Having dabbled in the debauched myself, Ham on Rye sadly reflects what life could be like if the idiocy of adolescence continues into adulthood. This book is hilarious, vulgar, shocking, and oddly insightful. Not only is this my favourite Bukowski book, but it’s the book that introduced me to his work and changed my writing forever.
'He brought everyone down to earth, even the angels' LEONARD COHEN
Charles Bukowski is one of the greatest authors of the twentieth century. The autobiographical Ham on Rye is widely considered his finest novel. A classic of American literature, it offers powerful insight into his youth through the prism of his alter-ego Henry Chinaski, who grew up to be the legendary Hank Chinaski of Post Office and Factotum.
I have always liked antiheroes and characters that are in some way doomed. To me, there’s something romantic about them. And over time I have come to replace the fictional protagonists of noir and horror with antiheroes from real life. With miserable authors who wrote about their own lives, where instead of gangsters or monsters, they waged battle against themselves, against their own demons and despair. Books like these have kept me company during some of the darkest periods of my life, and their unflinching honesty has inspired me to become a writer. Perhaps they can do the same for you.
The novel’s protagonist is initially successful. Then something or other drives him towards drink, and soon he cannot get enough. His downward spiral is quick. He abandons his morals and starts associating with shady characters, lying, and stealing.
The book’s author, a successful writer in his time, was also a troubled man suffering from morphine addiction and alcoholism. The latter is intimately portrayed in this largely autobiographical novel, which was written in a nazi insane asylum and published posthumously.
Yet despite all the trouble that the novel’s self-destructive protagonist inflicts upon himself, I cannot help but feel sorry for him. He is clearly driven on by some demon he can neither resist nor understand. And some of us, including me, have felt the same.
One of the great German writers of the 20th century draws from his own life to present a “brave, fearless, and honest” tale of one man’s dark descent into depression and alcoholism (The Sunday Times, London)
This astonishing, autobiographical tour de force was written by Hans Fallada in an encrypted notebook while he was incarcerated in a Nazi insane asylum. Discovered after his death, it tells the tale—often fierce, often poignant, often extremely funny—of a small businessman losing control as he fights valiantly to blot out an increasingly oppressive society.
In a brilliant translation by Charlotte and A.L. Lloyd, it…
Corey Mesler has been published in numerous anthologies and journals including Poetry, Gargoyle, Five Points, Good Poems American Places, and New Stories from the South. He has published over 25 books of fiction and poetry.His newest novel, The Diminishment of Charlie Cain, is from Livingston Press. He also wrote the screenplay for We Go On, which won The Memphis Film Prize in 2017. With his wife he runs Burke’s Book Store (est. 1875) in Memphis. I have a fondness for novels written by writers who are primarily poets. These five books are my favorites in that contracted genre.
This book is more autobiographical, based on his struggle with alcoholism. Berryman had already written a book of poems,The Dream Songs(my favorite book of poems), which practically reads like a novel. It’s full of wit and playfulness and jerry-rigged syntax. Recovery is also witty but not quite as playful. It’s darker, of course. Perhaps one’s perception of it is colored by the knowledge that Berryman had committed suicide in 1972, a year before its release. So, it’s a melancholy book, yet its difficulties are human and common and, here, well-wrought by a poet’s grace.
I’m a fiction and humor writer whose imagination was initially sparked by superheroes and comic books. The idea of an otherwise average person who could turn themselves into a superbeing was transformative and powerful. As a teenager, these early heroes faded, and I became fascinated by The Twilight Zone’s compact and poignant storytelling that contained moral messages. This eventually led me to the fiction of Stephen King where the idea of average people encountering the supernatural and overcoming obstacles was a recurring theme. In my own work, I have tried to carry forward the idea that our everyday lives are more absurd, complex, and magical than they appear.
A master class on “less is more,” the stories in this collection are set in everyday, locations: a suburban front yard, an airport lounge, a kitchen, and are populated by working-class people in the midst of one or more traumas such as alcoholism, divorce, or financial trouble.
Though Carver doesn’t employ fantasy, the tight, accessible writing lures you in and immerses you in a comic-tragic world that is uniquely his own. This collection taught me the power of economical prose and that writing about the kinds of people you encounter at the supermarket can be just as transportive and resonant as stories that involve characters who live in exotic places, or universes.
This powerful collection of stories, set in the mid-West among the lonely men and women who drink, fish and play cards to ease the passing of time, was the first by Raymond Carver to be published in the UK. With its spare, colloquial narration and razor-sharp sense of how people really communicate, the collection was to become one of the most influential literary works of the 1980s.
I’m a professor at Northland College (WI) and an American environmental historian with specialties in wine, food, and horticulture. I mostly write on alcohol, garden history, botany, and orchids. The history of alcohol is wild, fraught, and charged with power—I’ll never tire of learning about it.
Rorabaugh argues convincingly that alcohol of several types—but mostly rum and whisky—were part and parcel of, and at times even drove, early national American culture. Solo and group binges increased from 1790 to 1820 as the population tried to adapt to anxious and uncertain changes in their lives. Drinking became aligned with liberty—taverns were the “seedbeds of the revolution” and the “nurseries of freedom.” And although boozing came to be an early element in what was defined as the American character, the temperance movement was not far off.
Recreating America's first fifty intemperate years, when, from 1790 to 1840, Americans drank more alcoholic beverages per capita than at any other time in history, Rorabaugh examines some of the reasons why Americans drank so much
