Here are 100 books that Lonesome Land fans have personally recommended if you like
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Growing up in Alberta, Canada, I spent many summer days at the Calgary Stampede, where I became familiar with the idea of the Wild West. We would don our cowboy hats and trek to the fairgrounds to watch bucking horses and chuckwagon races. Thus began my obsession with popular westerns. I wrote my Ph.D. dissertation on the subject, and I still teach courses and write books about various aspects of the popular West. As a bit of an outsider myself, I especially love Westerns by folks on the margins, without a lot of power. Their takes on the West are always quirky and surprising. I hope you agree!
This is a Rubik’s cube of a Western. It feels so familiar in terms of its Western iconography and stock characters and motifs, but McCarthy twists the familiar tropes of the popular Western into bizarre and inscrutable patterns.
It’s a book I want to figure out but can’t quite, and that’s why I have re-read it several times. With each read, I’m confronted with a new puzzle just when I thought I had cracked its code.
Llewelyn Moss, hunting antelope near the Rio Grande, instead finds men shot dead, a load of heroin, and more than $2 million in cash. Packing the money out, he knows, will change everything. But only after two more men are murdered does a victim's burning car lead Sheriff Bell to the carnage out in the desert, and he soon realizes that Moss and his young wife are in desperate need of protection. One party in the failed transaction hires an ex-Special Forces officer to defend his interests against a mesmerizing freelancer, while on either side are men accustomed to spectacular…
Growing up in Alberta, Canada, I spent many summer days at the Calgary Stampede, where I became familiar with the idea of the Wild West. We would don our cowboy hats and trek to the fairgrounds to watch bucking horses and chuckwagon races. Thus began my obsession with popular westerns. I wrote my Ph.D. dissertation on the subject, and I still teach courses and write books about various aspects of the popular West. As a bit of an outsider myself, I especially love Westerns by folks on the margins, without a lot of power. Their takes on the West are always quirky and surprising. I hope you agree!
I love reading books by authors from the margins like Nat Love, who started life enslaved and later adopted a persona as a black cowboy outlaw.
His autobiography surprised me by combining elements of slave narratives, popular Westerns, and travel narratives. The result is a kind of crazy quilt of different personalities that Nat takes on as he moves from slave to cowboy to railroad porter.
I come from a working-class background, so I admire how authors like Nat have to be resourceful and reinvent themselves to survive and tell their own stories in a world where they have little power.
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Growing up in Alberta, Canada, I spent many summer days at the Calgary Stampede, where I became familiar with the idea of the Wild West. We would don our cowboy hats and trek to the fairgrounds to watch bucking horses and chuckwagon races. Thus began my obsession with popular westerns. I wrote my Ph.D. dissertation on the subject, and I still teach courses and write books about various aspects of the popular West. As a bit of an outsider myself, I especially love Westerns by folks on the margins, without a lot of power. Their takes on the West are always quirky and surprising. I hope you agree!
Zitkala Sa describes her book as “a curiously colored seashell, which is only for those ears that are bent with compassion to hear it.” Images like this stopped me in my tracks. It perfectly captured my experience reading this powerful memoir of Zitkala Sa’s experience as a child on the Yankton Dakota reservation, a student at the Carlisle School for Indians, and later life as an activist.
It isn’t always an easy read, but like holding a colorful seashell to my ear, reading Zitkala Sa’s memoir feels like reaching across a vast distance of time and space to connect with someone whose experience differed from mine. Books like this have become so important to me in these times of division.
A wigwam of weather-stained canvas stood at the base of some irregularly ascending hills. A footpath wound its way gently down the sloping land till it reached the broad river bottom; creeping through the long swamp grasses that bent over it on either side, it came out on the edge of the Missouri. Here, morning, noon, and evening, my mother came to draw water from the muddy stream for our household use. Always, when my mother started for the river, I stopped my play to run along with her. She was only of medium height. Often she was sad and…
Growing up in Alberta, Canada, I spent many summer days at the Calgary Stampede, where I became familiar with the idea of the Wild West. We would don our cowboy hats and trek to the fairgrounds to watch bucking horses and chuckwagon races. Thus began my obsession with popular westerns. I wrote my Ph.D. dissertation on the subject, and I still teach courses and write books about various aspects of the popular West. As a bit of an outsider myself, I especially love Westerns by folks on the margins, without a lot of power. Their takes on the West are always quirky and surprising. I hope you agree!
I never thought of the Old West the same again after reading this book, which shows how the myth of the Old West was made by powerful men who created the West in their own image.
I used to think of Western vigilantism as part and parcel of the “Wild West,” necessary to keep the piece in the absence of “civilization.” Little did I know that the ones behind Western vigilante violence were powerful men using terrorist tactics to preserve their control over the land and its resources.
Bold’s meticulous research is as undeniable as it is thought-provoking and utterly absorbing.
The Frontier Club is Christine Bold's name for the network of eastern aristocrats who created the western as we now most commonly know it. At the turn of the twentieth century, they yoked this most popular formula to their own elite causes-from big-game hunting to conservation, immigration restriction to Jim Crow segregation-and aligned themselves with cattle kings and "quality" publishers. This book tells the story of that cultural sleight-of-hand. It delves into institutional archives and personal papers to excavate the hidden social, political, and financial interests in the making of the modern western. It re-reads frontier club fiction in relation…
I’ve always read Sci-Fi and Fantasy. It’s my comfort place and haven’t we all needed that in the roaring '20s? It took a long while to clock that the books that stuck with me longest were all in that odd space where fantasy and sci-fi collide, (like Helliconia or Fire Upon the Deep or Dune) When I started writing, the ideas just poured out of me but after I realised I’d written a book like those I loved to read.
This book is straight-up Fantasy, so it’s notable in my list because I read so little trad fantasy these days. But don’t be fooled, this book is not what you expect. Every trope of fantasy gets turned on its head, kicked over, rearranged, and then the characters just straight up do something other than what you expected. There are no hunky but boring heroes. There are no damsels in distress. Even the Gods in this world are… well that would be spoilers. Super well told gripping fantasy trilogy that you won’t regret picking up. Except you won’t be able to put it down.
Ancient Relics. Vengeful Gods. Shipwrecks. Strange Creatures. Secret Libraries and Kingdoms At Odds.
Sheltered and groomed for a future as a noble’s wife, Princess Eya envies the limitless opportunities men have—until they leave to defend their country and never return.
This damsel won’t sit around waiting for a knight in shining armor. Instead, she rescues herself by sailing away from the only life she’s ever known. When her escape plan shipwrecks on enemy shores, she must hide her identity and temper her impulses. This proves difficult as she discovers new powers she cannot control and winds up hopping from one…
As the author of more than 50 works of warm, witty historical romance, I love seeking out stories that will make me smile. I’m a firm believer in happy endings, in the books I write, and the books I read. I’m also a bit obsessed with history, having driven a carriage four-in-hand, learned to fence, and sailed on a tall ship, all in the name of research.
Kit Morgan describes the town of Clear Creek, the setting for her Prairie Brides series, as the wackiest town in the West. But it’s her inspired pairing of hunky, honorable British cowboys (yes, you read that right) and the independent, clever women who humble them that makes this book and its sequels so worth the read.
A Sweet, Western Romance Novella.His Prairie Princess (Prairie Brides, Book One) is the first in a new series about the town of Clear Creek, Oregon. One of the wackiest little towns in the old west! Enjoy this introduction to the townspeople of Clear Creek and come sit a spell!Also Available! Her Prairie Knight (Prairie Brides, Book Two) His Prairie Duchess (Prairie Brides, Book Three)When Sadie Jones, the daughter of cattle baron Horatio Jones, set out on her own in search of her dying birth mother, she got more than she bargained for. She never dreamed the stage would be robbed…
I am an illustrator and author and fantasy stories are some of my favorites. I love getting lost in a book. It might be a cliche, but the ability of a book to take you to a place you’ve never been, or might not even exist, is an amazing power. These are the types of stories I love to create and these books have been a great influence on my own work.
Another book of beautiful drawings (noticing a theme?), the dynamic lifework pulls you into a parallel dimension along with the characters. The protagonist crosses dangerous lines to find his partner and you are along for the ride in a new world. Also, check out Malassange’s work with Studio La Cachette, the animation studio he co-founded – it’s great!
Nills and Anaelle were looking forward to the first night in their rustic cabin in the woods. But the couple's idyllic vacation is suddenly thrown into turmoil when a strange flash of light bursts from the fireplace. A portal appears and out of it spill dragon-like creatures that are armed to the teeth. They grab Anaelle and flee back through the portal, leaving a distraught Nills with a sudden decision: stay behind or leap through after her?
He leaps. And that's when things get really weird.
In Kairos, French graphic novelist Ulysse Malassage turns the typical damsel-in-distress narrative on its…
I don’t write about well-behaved women. I prefer rebels and outcasts, women who, by choice or circumstance, live outside of social norms. 19th-century American history is full of such women—if you know where to look. Hint: not in most public-school textbooks. They’re found, instead, in archives and libraries, in old newspapers and journals, in family letters and autobiographies. The characters in my most recent novel, Reliance, Illinois, were inspired by badass 19th-century women, such as Victoria Woodhull, Mary Livermore, and Olympia Brown. Each of the novels in the list below were inspired by or based on audacious women. I hope you enjoy them as much as I have!
The forthright honesty and the audacity of Nora Simms, narrator of Erika Mailman’s Woman of Ill Fame, is stunning and nearly as compelling as the murder mystery at the center of the novel. Set in San Francisco during the Gold Rush, the novel takes us into the city’s bordellos, which, like the rest of the state, have been infected by aget rich quick at any costethos. The cost for many of Nora’s colleagues is high. Women of ill-fame are being killed, one by one, and only Nora is capable and willing to wade through layers of deception to discover the identity of the killer and to save her own life.
Nora is not your typical damsel in distress and that might be why I love this book so much. She’s not a “good” woman, by society's standards, but she is one of the most surprising…
Looking for a better life, prostitute Nora Simms arrives in Gold Rush San Francisco with a plan for success: to strike it rich by trading on her good looks. But when a string of murders claims several of her fellow women of ill fame, Nora grows uneasy with how closely linked all of the victims are to her. She must distinguish friend from foe in a race to discover the identity of the killer.
"I LOVED Woman of Ill Fame! Nora Simms is hilarious, heartbreaking, tough, perceptive...and one of the most engaging characters I've ever met between the pages of…
I hate saying goodbye. Picking up a book and being introduced to an entire group of people—family, friends, teammates—and knowing you get to continue to watch these relationships bloom over a course of books is part of the reason I pick up a book in the first place. I want to see these characters pop in twenty books down the road. I absolutely love cameos of old characters! Because of this, I write in a singular world as well. My Prescotts may be the base of the world at the moment, but it’s also their friends at O’Gallaghers and their teammates with the Enforcers hockey team that keep the world growing—and it’s not ending anytime soon.
Stoker is the queen of military/former-military “families.” You pick up a book and instantly fall in love with that team of men. Shielding Sierra is her latest (as of January 2022) and it happens to be at the end of a series. Stoker writes in a single universe, so while we know this team, we also see previous teams she’s written, and the family unit that they all build with one another really shines in Sierra, when one of their own purposely becomes a POW in order to save the heroine.
As a civilian contractor, Sierra Clarkson thought she’d found the perfect way to serve her country, short of joining the military…until she was kidnapped from a base in Afghanistan. Turns out terrorists don’t care if you’re a soldier or not; everyone bleeds the same. Even worse, no one knows she’s been taken. Her missing belongings point to desertion—which means no one is looking for her, either
But someone is.
Fred “Grover” Groves never forgot the redheaded spitfire working the chow line on a base in the Afghani desert. He’d felt an instant attraction to the petite woman, a connection deep…
I love happy endings and happily-ever-afters. I love reading and writing books that make people happy, give them hope, and bring romance into their lives. Shakespeare’s plays inspired me to explore the ways a writer can convey strong emotions with the written word. One of the first romances I ever read was Pride and Prejudice, and it changed my life. It made me laugh, but it also taught me to believe in the power of love and the power of storytelling. I have written thirty-two romance novels. I like to spread the love!
I have never read a Julie Garwood book I didn’t adore, but I think this is my favorite. Ransomis a quintessential historical romance with a muscular hero and a damsel in distress, which is why you definitely need to read it. It will convert you to the romance genre.Ransom contains themes that might be considered old-fashioned in today’s throwaway world, but they still hold profound meaning for me: honor, brotherhood, loyalty, faithfulness, and sacrifice. Who doesn’t love a hero who is willing to give his life for the woman he loves?
As a child, Gillian lost her sister and saw her father killed by Baron Alford, a man driven by greed, determined to obtain a jewelled box belonging to King John. Years later, while searching for her sister, Gillian enlists the aid of Scottish Lairds Ramsey Sinclair and Brodick Buchanan, as well as a new friend, Brigid Kirk Connel. The four unite to face the terrifying and powerful baron who has stolen Gillian's home. But in the process of regaining her heritage, will Gillian lose her heart?
