Here are 100 books that American Indian Stories fans have personally recommended if you like
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Growing up in Alberta, Canada, I spent many summer days at the Calgary Stampede, where I became familiar with the idea of the Wild West. We would don our cowboy hats and trek to the fairgrounds to watch bucking horses and chuckwagon races. Thus began my obsession with popular westerns. I wrote my Ph.D. dissertation on the subject, and I still teach courses and write books about various aspects of the popular West. As a bit of an outsider myself, I especially love Westerns by folks on the margins, without a lot of power. Their takes on the West are always quirky and surprising. I hope you agree!
This is a Rubik’s cube of a Western. It feels so familiar in terms of its Western iconography and stock characters and motifs, but McCarthy twists the familiar tropes of the popular Western into bizarre and inscrutable patterns.
It’s a book I want to figure out but can’t quite, and that’s why I have re-read it several times. With each read, I’m confronted with a new puzzle just when I thought I had cracked its code.
Llewelyn Moss, hunting antelope near the Rio Grande, instead finds men shot dead, a load of heroin, and more than $2 million in cash. Packing the money out, he knows, will change everything. But only after two more men are murdered does a victim's burning car lead Sheriff Bell to the carnage out in the desert, and he soon realizes that Moss and his young wife are in desperate need of protection. One party in the failed transaction hires an ex-Special Forces officer to defend his interests against a mesmerizing freelancer, while on either side are men accustomed to spectacular…
Growing up in Alberta, Canada, I spent many summer days at the Calgary Stampede, where I became familiar with the idea of the Wild West. We would don our cowboy hats and trek to the fairgrounds to watch bucking horses and chuckwagon races. Thus began my obsession with popular westerns. I wrote my Ph.D. dissertation on the subject, and I still teach courses and write books about various aspects of the popular West. As a bit of an outsider myself, I especially love Westerns by folks on the margins, without a lot of power. Their takes on the West are always quirky and surprising. I hope you agree!
This book breaks every rule I was ever taught about popular Westerns. Sure, it has a handsome cowboy and a damsel in distress, but he doesn’t get the bad guy, and she doesn’t want or need him to rescue her.
I was all the more amazed that it was written more than 100 years ago yet takes on modern topics like marital breakdown, alcoholism, and divorce.
Its story of a Western marriage gone bad really resonated with me because I grew up in similar circumstances, and Bower’s characterization hit very close to home.
B.M. Bower was an American writer of Western novels and short stories who wrote over 55 novels. Several of her stories were subsequently adapted and made into movies.
Growing up in Alberta, Canada, I spent many summer days at the Calgary Stampede, where I became familiar with the idea of the Wild West. We would don our cowboy hats and trek to the fairgrounds to watch bucking horses and chuckwagon races. Thus began my obsession with popular westerns. I wrote my Ph.D. dissertation on the subject, and I still teach courses and write books about various aspects of the popular West. As a bit of an outsider myself, I especially love Westerns by folks on the margins, without a lot of power. Their takes on the West are always quirky and surprising. I hope you agree!
I love reading books by authors from the margins like Nat Love, who started life enslaved and later adopted a persona as a black cowboy outlaw.
His autobiography surprised me by combining elements of slave narratives, popular Westerns, and travel narratives. The result is a kind of crazy quilt of different personalities that Nat takes on as he moves from slave to cowboy to railroad porter.
I come from a working-class background, so I admire how authors like Nat have to be resourceful and reinvent themselves to survive and tell their own stories in a world where they have little power.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.
This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank…
Growing up in Alberta, Canada, I spent many summer days at the Calgary Stampede, where I became familiar with the idea of the Wild West. We would don our cowboy hats and trek to the fairgrounds to watch bucking horses and chuckwagon races. Thus began my obsession with popular westerns. I wrote my Ph.D. dissertation on the subject, and I still teach courses and write books about various aspects of the popular West. As a bit of an outsider myself, I especially love Westerns by folks on the margins, without a lot of power. Their takes on the West are always quirky and surprising. I hope you agree!
I never thought of the Old West the same again after reading this book, which shows how the myth of the Old West was made by powerful men who created the West in their own image.
I used to think of Western vigilantism as part and parcel of the “Wild West,” necessary to keep the piece in the absence of “civilization.” Little did I know that the ones behind Western vigilante violence were powerful men using terrorist tactics to preserve their control over the land and its resources.
Bold’s meticulous research is as undeniable as it is thought-provoking and utterly absorbing.
The Frontier Club is Christine Bold's name for the network of eastern aristocrats who created the western as we now most commonly know it. At the turn of the twentieth century, they yoked this most popular formula to their own elite causes-from big-game hunting to conservation, immigration restriction to Jim Crow segregation-and aligned themselves with cattle kings and "quality" publishers. This book tells the story of that cultural sleight-of-hand. It delves into institutional archives and personal papers to excavate the hidden social, political, and financial interests in the making of the modern western. It re-reads frontier club fiction in relation…
I am a retired Foreign Service Officer with the U. S. Department of State and, more to the point for the purpose of the topic at hand, the author or editor of eighteen books on the Indian Wars and the Civil War. Among them is the bestselling, multiple award-winning The Earth is Weeping: The Indian Wars for the American West.
The Lance and the Shield is a model biography of a native leader; in this case, one of the most storied figures in American Indian history. Utley immerses the reader in Lakota (Sioux) culture and evokes all the pathos of the enigmatic Sitting Bull’s struggle to preserve the Plains Indian way of life. Utley is the dean of Western Historians, and all his books are well worth reading.
Chronicles the life of the famous warrior, Sitting Bull, correcting many common misconceptions about the legendary native American. By the author of The Last Days of the Sioux. 35,000 first printing. $35,000 ad/promo. History Bk Club Main. BOMC. QPB.
I was attending graduate school in Mankato, Minnesota when I first discovered that 38 Dakota men were hanged there on December 26, 1862. I was shocked to find out that the largest simultaneous mass execution in United States history happened right where I lived and I knew nothing about it. Since then, I’ve dedicated myself to learning, understanding, and sharing the history of the U.S. – Dakota War of 1862. Over the years, I’ve discovered not just the history, but the legacy of that history for us today. Someday, I hope we all come to understand, and eventually break down, that legacy.
Gary Clayton Anderson is one of the foremost authorities on the complex and complicated history of the U.S. – Dakota War. In his latest book, Massacre in Minnesota, Anderson relies on his knowledge of the conflict and his skill as a historian to create an objective, thorough look at Minnesota’s watershed historical event. Anderson, who’s been writing about the U.S. – Dakota War and its participants since the 1980s, guides readers through the events with expert explanations and a multitude of perspectives. He also shows growth and maturity by revising his language and viewpoint to fit the understanding of contemporary scholarship. Massacre in Minnesota is an easy-to-follow, comprehensive look at a tragedy we’re still trying so hard to understand.
In August 1862 the worst massacre in U.S. history unfolded on the Minnesota prairie, launching what has come to be known as the Dakota War, the most violent ethnic conflict ever to roil the nation. When it was over, between six and seven hundred white settlers had been murdered in their homes, and thirty to forty thousand had fled the frontier of Minnesota. But the devastation was not all on one side. More than five hundred Indians, many of them women and children, perished in the aftermath of the conflict; and thirty-eight Dakota warriors were executed on one gallows, the…
Having edited 5 newspapers in North London a few years ago, I found that my love of reading–especially historical novels–expanded to writing once my business was sold to a well-known newspaper publishing company. All history fascinates me, as is obvious from my recommendations, and even though these could be listed as fiction, they all have a great deal of fact within them. I delved into historical reading as a very young girl and progressed from the Georgette Heyer novels to my current more in-depth novelists, so my range has been quite vast and varied over the years. I truly wish I had more time to read.
I cannot remember how this book came into my possession. I have always been interested in various ethnic origins, and once I began reading this remarkable book, it was difficult to put down. It follows a small Sioux tribe from 1750 to 1834 when the tribe resisted the influence of the white man.
The book's name translates to "Clear the Way," and it certainly was true to its meaning, as it took all my powers of concentration to "clear the way" and understand the depths that the author Ruth Beebe Hill must have gone to in her research to make this book acceptable to interested readers.
It gives an in-depth understanding of the culture of these proud but violent people and, sadly, how some finally succumbed to the influences that they had so long fought against.
Partially based on fact, this multi-generational saga follows the lives of two Indian families, members of the Mahto band of the Teton Sioux, before the arrival of the white man
I am a journalist, the author of 10 works of popular history, and, latterly, a playwright. For nearly 25 years, I have earned a living on the strength of my own writing. I have written one full-length play that was produced at an outdoor summer theatre in July 2023, and I have written three short plays for the Port Hope, Ontario Arts Festival. I now live in Peterborough, Ontario, about 90 miles northeast of Toronto, but have had a lifelong interest in the history of western North America by dint of having grown up in southeastern Saskatchewan and having worked as a journalist in Alberta in the early 1980s.
I loved this book enough to read it twice. In fact, felt compelled to read it twice because of Connell’s amazing portrayal of Custer and dozens of other figures, both American and Native American, both well-known and obscure.
The battle of the Little Bighorn lasted only a few hours but had an amazing impact, and Connell tells the story with remarkable originality.
On a scorching June Sunday in 1876, thousands of Indian warriors - Lakota Sioux, Cheyenne and Arapaho - converged on a grassy ridge above the valley of Montana's Little Bighorn River. On the ridge five companies of United States cavalry - 262 soldiers, comprising officers and troopers - fought desperately but hopelessly. When the guns fell silent, no soldier - including their commanding officer, Lt Col. George Armstrong Custer - had survived. Custer's Last Stand is among the most enduring events in American history - 130 years after the fact, books continue to be written and people continue to argue…
Growing up as a mixed kid (Mexican, African, Indigenous, and Eastern European) in a homogenous rural town, I relied on stories to offer a peek into different cultures. My love for storytelling strengthened during my studies at UCLA, leading to a career as an actress and author. In my debut children’s book, food is at the center of my mixed character’s journey because of its inviting, universal nature. I truly believe stories centered on food are a lovely way to introduce children to diverse cultures. I hope you enjoy my picks and feel inspired to share a meal with someone new.
I wish Fry Bread was around when I was growing up! This book is absolutely touching and spoke to me in such a personal way.
Having Native American ancestry, but not knowing a lot about my family’s history has left me feeling disconnected from that part of my heritage. However, this story is such an immersive way to learn and connect with modern Indigenous culture while also learning American history that is not widely shared.
Through the story and author’s note, I really appreciate how the book honors the significance of the pillowy bread in such a simple yet engaging way.
Fry bread is food. It is warm and delicious, piled high on a plate.
Fry bread is time. It brings families together for meals and new memories.
Fry bread is nation. It might look or taste different, but it is still shared by many, from coast to coast and beyond.
Fry bread is us. It is a celebration of old and new, traditional and modern, similarity and difference.
Fry Bread is a story told in lively and powerful verse by Seminole Nation member Kevin Noble Maillard, with vibrant art from Pura Belpre Award winner Juana Martinez-Neal.
William Heath has a Ph.D. in American Studies at Case Western Reserve University. He has taught American history and literature as well as creative writing at Kenyon, Transylvania, Vassar, the University of Seville, and Mount Saint Mary’s University, retiring as a professor emeritus. He has published two poetry books, The Walking Man and Steel Valley Elegy; two chapbooks, Night Moves in Ohio and Leaving Seville; three novels: The Children Bob Moses Led (winner of the Hackney Award), Devil Dancer, andBlacksnake’s Path;a work of history, William Wells and the Struggle for the Old Northwest(winner of two Spur Awards); and a collection of interviews, Conversations with Robert Stone.
What Calloway does for Washington, Wallace does for Jefferson. Even more than Washington, Jefferson talked one game and played another. He could be splendidly eloquent on how much he wanted the Indian nations to become Americans, yet that could only happen, in Jefferson’s mind, if they surrendered their identity as Indians. If anything, the situation was even worse than Wallace suggests, as I point out in detail in my book on William Wells. While there is much to admire about Jefferson, his Indian policy shows how idealism can serve as a front for blatant exploitation and near genocide.
In Thomas Jefferson's time, white Americans were bedeviled by a moral dilemma unyielding to reason and sentiment: what to do about the presence of black slaves and free Indians. That Jefferson himself was caught between his own soaring rhetoric and private behavior toward blacks has long been known. But the tortured duality of his attitude toward Indians is only now being unearthed.
In this landmark history, Anthony Wallace takes us on a tour of discovery to unexplored regions of Jefferson's mind. There, the bookish Enlightenment scholar--collector of Indian vocabularies, excavator of ancient burial mounds, chronicler of the eloquence of America's…
