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Growing up in Alberta, Canada, I spent many summer days at the Calgary Stampede, where I became familiar with the idea of the Wild West. We would don our cowboy hats and trek to the fairgrounds to watch bucking horses and chuckwagon races. Thus began my obsession with popular westerns. I wrote my Ph.D. dissertation on the subject, and I still teach courses and write books about various aspects of the popular West. As a bit of an outsider myself, I especially love Westerns by folks on the margins, without a lot of power. Their takes on the West are always quirky and surprising. I hope you agree!
This is a Rubik’s cube of a Western. It feels so familiar in terms of its Western iconography and stock characters and motifs, but McCarthy twists the familiar tropes of the popular Western into bizarre and inscrutable patterns.
It’s a book I want to figure out but can’t quite, and that’s why I have re-read it several times. With each read, I’m confronted with a new puzzle just when I thought I had cracked its code.
Llewelyn Moss, hunting antelope near the Rio Grande, instead finds men shot dead, a load of heroin, and more than $2 million in cash. Packing the money out, he knows, will change everything. But only after two more men are murdered does a victim's burning car lead Sheriff Bell to the carnage out in the desert, and he soon realizes that Moss and his young wife are in desperate need of protection. One party in the failed transaction hires an ex-Special Forces officer to defend his interests against a mesmerizing freelancer, while on either side are men accustomed to spectacular…
Growing up in Alberta, Canada, I spent many summer days at the Calgary Stampede, where I became familiar with the idea of the Wild West. We would don our cowboy hats and trek to the fairgrounds to watch bucking horses and chuckwagon races. Thus began my obsession with popular westerns. I wrote my Ph.D. dissertation on the subject, and I still teach courses and write books about various aspects of the popular West. As a bit of an outsider myself, I especially love Westerns by folks on the margins, without a lot of power. Their takes on the West are always quirky and surprising. I hope you agree!
This book breaks every rule I was ever taught about popular Westerns. Sure, it has a handsome cowboy and a damsel in distress, but he doesn’t get the bad guy, and she doesn’t want or need him to rescue her.
I was all the more amazed that it was written more than 100 years ago yet takes on modern topics like marital breakdown, alcoholism, and divorce.
Its story of a Western marriage gone bad really resonated with me because I grew up in similar circumstances, and Bower’s characterization hit very close to home.
B.M. Bower was an American writer of Western novels and short stories who wrote over 55 novels. Several of her stories were subsequently adapted and made into movies.
Growing up in Alberta, Canada, I spent many summer days at the Calgary Stampede, where I became familiar with the idea of the Wild West. We would don our cowboy hats and trek to the fairgrounds to watch bucking horses and chuckwagon races. Thus began my obsession with popular westerns. I wrote my Ph.D. dissertation on the subject, and I still teach courses and write books about various aspects of the popular West. As a bit of an outsider myself, I especially love Westerns by folks on the margins, without a lot of power. Their takes on the West are always quirky and surprising. I hope you agree!
Zitkala Sa describes her book as “a curiously colored seashell, which is only for those ears that are bent with compassion to hear it.” Images like this stopped me in my tracks. It perfectly captured my experience reading this powerful memoir of Zitkala Sa’s experience as a child on the Yankton Dakota reservation, a student at the Carlisle School for Indians, and later life as an activist.
It isn’t always an easy read, but like holding a colorful seashell to my ear, reading Zitkala Sa’s memoir feels like reaching across a vast distance of time and space to connect with someone whose experience differed from mine. Books like this have become so important to me in these times of division.
A wigwam of weather-stained canvas stood at the base of some irregularly ascending hills. A footpath wound its way gently down the sloping land till it reached the broad river bottom; creeping through the long swamp grasses that bent over it on either side, it came out on the edge of the Missouri. Here, morning, noon, and evening, my mother came to draw water from the muddy stream for our household use. Always, when my mother started for the river, I stopped my play to run along with her. She was only of medium height. Often she was sad and…
Growing up in Alberta, Canada, I spent many summer days at the Calgary Stampede, where I became familiar with the idea of the Wild West. We would don our cowboy hats and trek to the fairgrounds to watch bucking horses and chuckwagon races. Thus began my obsession with popular westerns. I wrote my Ph.D. dissertation on the subject, and I still teach courses and write books about various aspects of the popular West. As a bit of an outsider myself, I especially love Westerns by folks on the margins, without a lot of power. Their takes on the West are always quirky and surprising. I hope you agree!
I never thought of the Old West the same again after reading this book, which shows how the myth of the Old West was made by powerful men who created the West in their own image.
I used to think of Western vigilantism as part and parcel of the “Wild West,” necessary to keep the piece in the absence of “civilization.” Little did I know that the ones behind Western vigilante violence were powerful men using terrorist tactics to preserve their control over the land and its resources.
Bold’s meticulous research is as undeniable as it is thought-provoking and utterly absorbing.
The Frontier Club is Christine Bold's name for the network of eastern aristocrats who created the western as we now most commonly know it. At the turn of the twentieth century, they yoked this most popular formula to their own elite causes-from big-game hunting to conservation, immigration restriction to Jim Crow segregation-and aligned themselves with cattle kings and "quality" publishers. This book tells the story of that cultural sleight-of-hand. It delves into institutional archives and personal papers to excavate the hidden social, political, and financial interests in the making of the modern western. It re-reads frontier club fiction in relation…
As an experienced teacher I was fascinated by how writing personal stories helped to develop confidence as well as oral and written self-expression at different levels of complexity in children across the primary school age range. This encouraged me to embark on a MA in creative writing where I wrote an extended autobiographical piece that focused on how the relationship between my father and myself affected my childhood. I continued this research into my doctoral studies in Irish autobiography. I explored the history of Irish autobiography, memory, and identity formation. This research provided the context to write my own childhood memoir I Am Patrick.
Edna O’Brien’s 2012 autobiography Country Girl is a blunt, gripping, lyrical and non-self-pitying depiction of her early life in the west of Ireland. It exposes the stultifying conformity imposed by the Catholic Church, family and community which I experienced myself. She rebelled as she sought freedom and self-expression from a domineering mother and drunken father. Edna’s escape to Dublin, London and New York as well as her exile from Ireland reflects an individual addicted to drugs and alcohol who seeks acknowledgement, liberty and success through many failed relationships. Edna’s autobiography resonates with many of my own experiences of the 1960’s. Country Girl demonstrates how one Irish female writer broke the cultural silence so that others would not feel alone. Her writing was an inspiration to me for my own memoir.
The BBC Radio 4 dramatisation of Edna O'Brien's The Country Girls trilogy begins in August 2019.
I thought of life's many bounties, to have known the extremities of joy and sorrow, love, crossed love and unrequited love, success and failure, fame and slaughter ...
Born in Ireland in 1930 and driven into exile after publication of her controversial first novel, The Country Girls, Edna O'Brien is now hailed as one of the most majestic writers of her era - and Country Girl is her fabulous memoir.
Born in rural Ireland, O'Brien weaves the tale of her life from convent school…
As an independent traveller, and throughout a career supporting international nature conservation, I’ve been fortunate to see many far-flung places of the world. Over the years, technology (eg. smartphones, internet, social media) has radically changed the way we travel, and indeed our expectations. Nowadays we want instant access, instant answers, instant results; we hate waiting for anything. However, long-haul travel still demands us to wait... in airport lounges, at train stations, bus stops, and onboard our transport while we endure long hours before reaching our destination. While some aspects have changed, patience, humour, and a good book still remain the best companions for any long journey.
Bryson’s various travelogues give you such colourful views of the places he visits and, if you’re journeying to Australia, Down Underis a must-read. Expertly combining sharp observations, unusual factual snippets, and incisive wit, the pictures he paints will inspire you to travel and see it for yourself... or alternatively, persuade you to avoid it at all cost. Whichever the result, you will be amply entertained.
Every time Bill Bryson walks out the door memorable travel literature threatens to break out. His previous excursion up, down, and over the Appalachian Trail (well, most of it) resulted in the sublime national bestseller A Walk in the Woods. Now he has traveled across the world and all the way Down Under to Australia, a shockingly under-discovered country with the friendliest inhabitants, the hottest, driest weather, and the most peculiar and lethal wildlife to be found on the planet. In a Sunburned Country is his report on what he found there--a deliciously funny, fact-filled, and adventurous performance by a…
Lori Benton is an award-winning, multi-published author of historical novels set during the 18th century North America. Her literary passion is bringing little known historical events to life through the eyes of those who lived it, particularly those set along the Appalachian frontier, where European and Native American cultural and world views collided. Virginia Governor Lord Dunmore’s campaign against the Shawnee nation on the eve of the Revolutionary war, culminating in the Battle of Point Pleasant, is a fascinating, complex, and poignant example of the armies and individuals that planned, fought, and resisted the campaign.
A comprehensive examination of the Ohio Valley native nations during the decades leading up to Dunmore’s War. Though the covering of the actual campaign makes up a small portion of this book, any researcher desiring a balanced view of the conflict for land in the Ohio couldn’t ask for a better resource than A Country Between.
The Ohio Country in the eighteenth century was a zone of international strife, and the Delawares, Shawnees, Iroquois, and other natives who had taken refuge there were caught between the territorial ambitions of the French and British. A Country Between is unique in assuming the perspective of the Indians who struggled to maintain their autonomy in a geographical tinderbox.
My books are non-fiction. However, the best stories are always how a character really changes. These books brought permanent change to me. One important value I see evaporating in this world is the ability to ask honest questions and the courage to willingly follow the evidence. I try to give readers a fresh and inspiring look at things like never before. Similarly, with every book recommendation, each author brought me a new perspective and added unexpected formats for learning. My advice is if you want to specialize in something, pursue diversified learning to maintain solid footing instead of specializing yourself into some specialized niche. Never lose your curiosity.
I have stereo-typed Christian influence throughout history as mostly religious and for changing people’s eternal destiny.
My attitude has always been respectful but these historical accounts raised my eyebrows not only about how much one man can lift a nation without being a political leader, but it also made me reconsider what the Bible itself was commanding for “disciple the nations”.
It covers multiple men and multiple countries: India, China, Ireland, South Korea, Switzerland, and more. Uplifting to me, except the part about how much more they did than I ever will. Still incredibly inspiring.
No country is too hard, too poor, too filled with crime, too divided by war, or too spiritually dark to be changed. God has given us basic principles that are keys to every problem we face in the twenty-first century. The answers lie between the covers of one book the Bible.
In The Book That Transforms Nations, missionary statesman Loren Cunningham demonstrates how, together, we can use the Bible, under the direction of the Holy Spirit, to change the whole world. In more than fifty years of continual travel, Loren's ministry has taken him to some of the world's poorest…
I have hiked mountains in North Korea, slept outside in the Sahara Desert, ridden elephants in Thailand, dogsledded across the Arctic Circle, ridden camels through the Gobi Desert, floated in the Dead Sea, run with the bulls in Spain, hang glided over New Zealand, explored the Cu Chi tunnels in Vietnam, visited Buddhist temples in South Korea, and caught a glimpse of Nessie while on a boat ride around Loch Ness. I’ve spent most of my career working with the military. I also accepted a presidential appointment at the White House and served as an undercover officer for the Central Intelligence Agency.
I appreciate an author who can educate and entertain at the same time. Few of us will probably ever cross the Australian Outback, so this is a chance to read about it instead. Despite having traveled to thirty-plus countries, I’ve only ever been to the airport in Australia en route to New Zealand.
Bryson makes me laugh out loud while I learn about the history of Australia and about all of the things it harbors that can kill you.
Every time Bill Bryson walks out the door, memorable travel literature threatens to break out. This time in Australia.
His previous excursion along the Appalachian Trail resulted in the sublime national bestseller A Walk in the Woods. In A Sunburned Country is his report on what he found in an entirely different place: Australia, the country that doubles as a continent, and a place with the friendliest inhabitants, the hottest, driest weather, and the most peculiar and lethal wildlife to be found on the planet. The result is a deliciously funny, fact-filled, and adventurous performance by a writer who combines…
In life and writing I’m torn between a desire for solitude and for connection with people. As a young woman I lived in a cottage miles from friends, working from home while my husband was at work, bringing up our first child. No email, no texting, few visitors. It was idyllic, and I was desperately lonely; that’s when I began to write. We moved, I found friends. But still I dream of solitude. Could I handle it now? It’s surely why I found myself writing a novel about a young woman who finds herself suddenly alone in the wild, with no friends – doesn’t everyone write about the things they fear?
Neil Ansell is such an honest writer. I came to this book because I loved his other writing about nature and followed him back through time to the five years he spent living alone up a Welsh mountain, seeing no one for weeks on end, exploring and working in the woods and hills around him.
It’s a rich and deep description of place, but more than that, it’s a gradual unfurling of Ansell’s sense of self. In a later book, he writes of that time of prolonged solitude, ‘You slough off the skin of self, all self-awareness, and are left with pure sensation. Nothing has a name; it is only itself.’
Ansell is a slow-burning writer who I trust completely to take me, however slowly, to a new understanding.
Deep Country is Neil Ansell's account of five years spent alone in a hillside cottage in Wales.
'I lived alone in this cottage for five years, summer and winter, with no transport, no phone. This is the story of those five years, where I lived and how I lived. It is the story of what it means to live in a place so remote that you may not see another soul for weeks on end. And it is the story of the hidden places that I came to call my own, and the wild creatures that became my society.'
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