Here are 100 books that Latinos, Inc. fans have personally recommended if you like
Latinos, Inc..
Shepherd is a community of 11,000+ authors and super readers sharing their favorite books with the world.
Shepherd is reader supported. When you buy books, we may earn an affiliate commission.
I was living one of the darkest periods of my life when a friend took me to a Louise Bourgeois show. I wandered among her pieces feeling numb. Then I entered a large room filled with Passage Dangereux from 1997. A most depressing art piece that put me into contact with the restrictions in a family, the limitations we set for each other, and the unhappiness everywhere. When I left the room, I felt a lift in my spirits. I’m a writer to try to put more precise words to what goes on inside ourselves when we are alone and when we fall in love and enter into a relationship with another person.
A man I was working with recommended this book to me, when he heard about my novel, while it was in the making. I got hold of this book and already after the first chapter I understood why. Janice Radway investigates how Harlequin novels have such a large audience. In essence it is because romance novels always end well, as opposed to life, that keeps being complicated. It taught me that I’m a very romantic person. This was something I had never regarded as a positive trait so of course I failed to see just how important romance was and is to me. By identifying with millions of women who read these romance novels, I gained a respect that I still feel is lacking in our culture: A respect for our emotions and the big role they play in our sense of satisfaction with life.
Originally published in 1984, Reading the Romance challenges popular (and often demeaning) myths about why romantic fiction, one of publishing's most lucrative categories, captivates millions of women readers. Among those who have disparaged romance reading are feminists, literary critics, and theorists of mass culture. They claim that romances enforce the woman reader's dependence on men and acceptance of the repressive ideology purveyed by popular culture. Radway questions such claims, arguing that critical attention ""must shift from the text itself, taken in isolation, to the complex social event of reading."" She examines that event, from the complicated business of publishing and…
As a university professor, I often teach popular women’s writing, and I realized that I needed to teach Latinx popular fiction as well. Women’s popular writing in the United States reflects but also shapes the way women see themselves in a global neoliberal world. After I had written an article on class and Chicanx and Latinx fiction, I also realized that class and race are key to thinking about how Latinas/Chicanas both create and follow market trends in an effort to “better” themselves in addition to showing how various Latinas/Chicanas see each other in terms of race, ethnicity, and gender.
This is the book that started the Chica Lit subgenre (about thirty-something Latinas negotiating their lives, romances, and careers). I have many problems with it, but I like her humor and much of her making fun of stereotypes of Latinas is spot on. It also shows us the breadth of Latina lives, from the white, privileged Latina to the Afro-Latina struggling along. It’s the lynchpin of my book, since this is where it all started, for me and for the subgenre. It’s important to understand the messages popular Latinx literature gives us about gender and about Latinidad.
Alisa Valdés-Rodríguez's vibrant, can't-put-it-down novel of six friends--each one an unforgettable Latina woman in her late '20s--and the complications and triumphs in their lives
Inseparable since their days at Boston University almost ten years before, six friends form the Dirty Girls Social Club, a mutual support and (mostly) admiration society that no matter what happens to each of them (and a lot does), meets regularly to dish, dine and compare notes on the bumpy course of life and love.
Las sucias are:
--Lauren, the resident "caliente" columnist for the local paper, which advertises her work with the line "her casa…
As a university professor, I often teach popular women’s writing, and I realized that I needed to teach Latinx popular fiction as well. Women’s popular writing in the United States reflects but also shapes the way women see themselves in a global neoliberal world. After I had written an article on class and Chicanx and Latinx fiction, I also realized that class and race are key to thinking about how Latinas/Chicanas both create and follow market trends in an effort to “better” themselves in addition to showing how various Latinas/Chicanas see each other in terms of race, ethnicity, and gender.
I also write about this book in my work. I again have problems with it, but it gives a kind of slice-of-life snapshot of Cuban life at that moment (around 2005), and especially about jineteras, or “jockeys,” women who supplement their income by going out with wealthy foreigners. Doing research on that book gave me a look at Cuba that was invaluable. And it is sometimes funny. It serves as a kind of coda to my book in that it reproduces many of the rhetorical moves of other chica lit but in a completely different setting.
Based on the wildly popular, semi-autobiographical "Havana Honey" series published by Salon.com, Dirty Blonde and Half-Cuban is a gritty portrait of one woman's determination to infiltrate modern Cuba and find the father she has never known.
While on her search, privileged American Alysia Briggs ends up broke and alone in Havana. She's then forced to adopt the life of the jineteras -- educated Cuban women who supplement a desperate income by accommodating sex tourists.
With an eye for detail and a razor wit, Lisa Wixon relates Alysia's journey and creates a love song to Cuba, a heartfelt tribute to a…
As a university professor, I often teach popular women’s writing, and I realized that I needed to teach Latinx popular fiction as well. Women’s popular writing in the United States reflects but also shapes the way women see themselves in a global neoliberal world. After I had written an article on class and Chicanx and Latinx fiction, I also realized that class and race are key to thinking about how Latinas/Chicanas both create and follow market trends in an effort to “better” themselves in addition to showing how various Latinas/Chicanas see each other in terms of race, ethnicity, and gender.
Vallejo painstakingly lays out the way some Mexican Americans, usually the poorest of the minorities, struggle to make it into a specifically American middle class. She details how these Latinas/Latinos carefully shape themselves, and in turn are shaped by corporate and state interests, into an ethnicity that is for the most part deracinated and stripped of their more obvious “ethnic” attributes (as a small example, most drop the accent marks in their names). For my book, a look at the middle-class Latinx is a look at the desires and strivings of Latina writers and characters of Chica Lit.
Too frequently, the media and politicians cast Mexican immigrants as a threat to American society. Given America's increasing ethnic diversity and the large size of the Mexican-origin population, an investigation of how Mexican immigrants and their descendants achieve upward mobility and enter the middle class is long overdue. Barrios to Burbs offers a new understanding of the Mexican American experience.
Vallejo explores the challenges that accompany rapid social mobility and examines a new indicator of incorporation, a familial obligation to "give back" in social and financial support. She investigates the salience of middle-class Mexican Americans' ethnic identification and details how…
As a part of Teatro SEA, promoting and strengthening the cultural identity of young latiné audiences is the main focus of our mission and everyone who works there. We have been around since 1985 as SEA (Society of the Educational Arts, Inc.) and are the premiere Bilingual Arts-in-Education Organization and Latino Children’s Theatre in the United States. We create and produce a combination of educational theater, in-school multidisciplinary arts instruction programs, art & cultural festivals/ events, online educational programming, and Theater Books, all intended to raise self-esteem, strengthen cultural identity, and provide educational advancement for our community of latiné children and youth.
It can be hard growing up to see yourself in politicians, celebrities, and role models in books and media when you’re latiné. This book lays out role model after role model, all Latino and all inspirational.
I wish this book was around when I was growing up. To have a resource of inspirational Latinos at my fingertips would have really helped me to see that I come from a community of trailblazers. This is a book that works to create the next generation of Latino leaders.
Fearless Trailblazers,11 Latinos who made U.S. History,Pioneros Audaces, 11 Latinos que hicieron historia en Los Estados Unidos, is a bilingual book that highlights 11 Latinos who excelled in their professional careers and made U.S. history by accomplishing something that hadn't been done before in their respective fields which include science, sports, the arts and politics. By presenting the true biographical stories of these outstanding Latinos in rhyming verses, young readers will easily follow their journey to success. Each persons biographical story is written in both Spanish and English to encourage and promote bilingual literacy. Some of the men highlighted include…
I am a half-Mexican author who grew up in a tiny Alabama town, where I spent my summers playing with sticks in the woods and exploring such distinguished careers as Forest Bandit, Wayward Orphan, and Woodland Fairy Princess. After college, I ran away to New Zealand for seven months and only pretended to be a character from Lord of the Rings on special occasions. Nowadays, I live and work in South Carolina with my clingy (and, unfortunately, non-magical) cat.
This dark fantasy, about a powerful teenage witch who must travel to the eerie land of Los Lagos to rescue her family, is fast-paced and profoundly moving.
The magic, which is inspired by Mexican Brujería, is a beautiful tribute to a rich cultural history. There is a queer love triangle for any romance lover, but it doesn’t overshadow the exciting adventure and self-discovery at the heart of the story.
The first book in the Latinx-infused Queer fantasy series from highly acclaimed author Zoraida Cordova that follows three sisters-and teen witches-as they develop their powers and battle magic through epic questing in the realms beyond. Alex is a bruja and the most powerful witch in her family. But she's hated magic ever since it made her father disappear into thin air. So while most girls celebrate their Quinceanera, Alex prepares for her Deathday-the most important day in a bruja's life and her only opportunity to rid herself of magic. But the curse she performs during the ceremony backfires, and her…
It’s often said that it takes a village to raise a child. I grew up in an intergenerational family in India. Grandparents, aunts, and uncles provided that extended community. Grandparents can pass down traditions, ensuring the preservation of culture. Stories that speak to the reality of multi-generational households can normalize and celebrate the presence of elders. The number of Americans living in multigenerational households is about four times larger than it was in the 1970s, yet the educational potential and the joy of these relationships are often ignored in literature.
I loved that the heroine of this story, Martina, is a quiet, imaginative little girl. In contrast, she has loud, rambunctious Tias. So, she slips away at a party and finds a quiet place to imagine. This rollicking picture book reimagines the familiar Caribbean folktale, la Cucaracha Martina. The illustrations are bold and lively, and they are also available in Spanish.
A quiet girl overwhelmed by her rambunctious family finds a magical land of solitude only to discover what truly makes a home a home in this lively and magical bilingual picture book that reimagines the beloved Caribbean folktale “La Cucaracha Martina.”
Martina does not like parties. Parties are full of tías with their flashy fashions and boom-and-bellow laughter that’s too much for quiet Martina. At least with all that noise, no one notices when she slips away. She finds herself in a magical place: a warm, familiar island where she can finally play in peace and quiet. Martina is home…
I’m a 5x award-winning personal finance educator and money expert who specializes in helping Latinas reach financial freedom through entrepreneurship and investing. I have been fascinated by personal finance since 2016 when I realized that I hadn’t learned anything important about money after discovering personal finance podcasts. I’m a firm believer that financial literacy is the gateway to freedom, so my work involves educating women of color on how to use money to exercise their power.
This captivating and empowering book takes you on a journey through the experiences of first-generation Latinas. Author Gigi Gonzalez creates an intimate and validating reading experience.
The inclusion of thoughtful questions prompts you to self-reflect, and she provides actionable steps toward financial wellness, emphasizing that your financial journey does not require making six figures. This is a must-read for all first-generation kids who are looking to feel more confident in the world of money!
Cultura and Cash is a practical and jargon-free money guide to help you tackle your finances as a First Gen Latina. In this valuable book, The First Gen Mentor, Giovanna “Gigi” González, uncovers cultural and systemic barriers First Gen face in their financial journey and provides actionable solutions on how to overcome them. Through storytelling and real-life examples, she’ll go into depth and explain best practices for creating a solid financial foundation through emergency funds, credit building, budgeting, debt payoff, and investing.
This book will improve your money mindset and give you the…
I’m an author and illustrator from Buenos Aires, Argentina. As a Latin American, I think it's important to have books with stories about our realities and culture that feature Latino people as the protagonists. I hope you enjoy my recommendations!
If you are like me, you enjoy stories about grandparents. This book is about a granddaughter's relationship with her grandmother, and the embarrassment she feels about the yellow handkerchief her grandmother uses.
I love everything Cynthia Alonso illustrates, and this book is no exception. The illustrations are playful and colorful, depicting the bond between these two characters in a beautiful way. I also like that the text includes some Spanish words.
In the end, the character realizes that her grandmother's yellow handkerchief makes her unique, and the legacy is passed on, a beautiful takeaway.
A child confronts conflicting feelings of embarrassment and love for her Mexican abuela in this moving, personal story from Newbery- and Pura Belpre Award-winning author Donna Barba HigueraMy abuela wears an old yellow handkerchief that her grandmother gave to her.I don't like the yellow handkerchief.When a young girl feels ashamed of her family for being "different" and subconsciously blames her abuela, she gradually grows to not only accept but also love the yellow handkerchief that represents a language and culture that once brought embarrassment.Inspired by the personal experiences of award-winning author Donna Barba Higuera and expressively illustrated by Cynthia Alonso,…
I’m an author and illustrator from Buenos Aires, Argentina. As a Latin American, I think it's important to have books with stories about our realities and culture that feature Latino people as the protagonists. I hope you enjoy my recommendations!
A story in which the author celebrates her place of origin, her family, and her culture. It's about magic, and how it can take different forms, like when people's hands touch the earth or when houses turn into homes.
I love that the book feels so personal. The illustrations are beautiful.
1
author picked
Magic
as one of their favorite books, and they share
why you should read it.
This book is for kids age
4,
5,
6, and
7.
What is this book about?
In her debut as author and illustrator, Mirelle Ortega shares her own story of growing up on her family's pineapple farm in Mexico, where she learned the true meaning of magicI learned that magic isn't good or bad, it just is. Sometimes it gives, sometimes it takes. Sometimes life blossoms, sometimes it wilts.Growing up on a pineapple farm in Mexico, a girl discovers the true meaning of the word magic in this truly magical picture book about change and transformation of all kinds-what we can't control, such as natural disasters and loss, and what we can. Magic can transform dirt…
