Here are 75 books that The Dirty Girls Social Club fans have personally recommended if you like
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I was living one of the darkest periods of my life when a friend took me to a Louise Bourgeois show. I wandered among her pieces feeling numb. Then I entered a large room filled with Passage Dangereux from 1997. A most depressing art piece that put me into contact with the restrictions in a family, the limitations we set for each other, and the unhappiness everywhere. When I left the room, I felt a lift in my spirits. I’m a writer to try to put more precise words to what goes on inside ourselves when we are alone and when we fall in love and enter into a relationship with another person.
A man I was working with recommended this book to me, when he heard about my novel, while it was in the making. I got hold of this book and already after the first chapter I understood why. Janice Radway investigates how Harlequin novels have such a large audience. In essence it is because romance novels always end well, as opposed to life, that keeps being complicated. It taught me that I’m a very romantic person. This was something I had never regarded as a positive trait so of course I failed to see just how important romance was and is to me. By identifying with millions of women who read these romance novels, I gained a respect that I still feel is lacking in our culture: A respect for our emotions and the big role they play in our sense of satisfaction with life.
Originally published in 1984, Reading the Romance challenges popular (and often demeaning) myths about why romantic fiction, one of publishing's most lucrative categories, captivates millions of women readers. Among those who have disparaged romance reading are feminists, literary critics, and theorists of mass culture. They claim that romances enforce the woman reader's dependence on men and acceptance of the repressive ideology purveyed by popular culture. Radway questions such claims, arguing that critical attention ""must shift from the text itself, taken in isolation, to the complex social event of reading."" She examines that event, from the complicated business of publishing and…
As a university professor, I often teach popular women’s writing, and I realized that I needed to teach Latinx popular fiction as well. Women’s popular writing in the United States reflects but also shapes the way women see themselves in a global neoliberal world. After I had written an article on class and Chicanx and Latinx fiction, I also realized that class and race are key to thinking about how Latinas/Chicanas both create and follow market trends in an effort to “better” themselves in addition to showing how various Latinas/Chicanas see each other in terms of race, ethnicity, and gender.
I also write about this book in my work. I again have problems with it, but it gives a kind of slice-of-life snapshot of Cuban life at that moment (around 2005), and especially about jineteras, or “jockeys,” women who supplement their income by going out with wealthy foreigners. Doing research on that book gave me a look at Cuba that was invaluable. And it is sometimes funny. It serves as a kind of coda to my book in that it reproduces many of the rhetorical moves of other chica lit but in a completely different setting.
Based on the wildly popular, semi-autobiographical "Havana Honey" series published by Salon.com, Dirty Blonde and Half-Cuban is a gritty portrait of one woman's determination to infiltrate modern Cuba and find the father she has never known.
While on her search, privileged American Alysia Briggs ends up broke and alone in Havana. She's then forced to adopt the life of the jineteras -- educated Cuban women who supplement a desperate income by accommodating sex tourists.
With an eye for detail and a razor wit, Lisa Wixon relates Alysia's journey and creates a love song to Cuba, a heartfelt tribute to a…
As a university professor, I often teach popular women’s writing, and I realized that I needed to teach Latinx popular fiction as well. Women’s popular writing in the United States reflects but also shapes the way women see themselves in a global neoliberal world. After I had written an article on class and Chicanx and Latinx fiction, I also realized that class and race are key to thinking about how Latinas/Chicanas both create and follow market trends in an effort to “better” themselves in addition to showing how various Latinas/Chicanas see each other in terms of race, ethnicity, and gender.
As her title indicates, this book delves into the ways Latino/as are described, shaped, and marketed both to the United States and to themselves. Dávila, a social anthropologist, brilliantly exposes not just the workings of the neoliberal state on this process, but how marketing and demographic research by corporate interests shape the ways Latinas/os are commercialized not just with things like food but even with cities interested in “cleaning up” Latinx neighborhoods. My book looks at the way Latinx fiction does something of the same thing, including shaping the way Latinx poverty is seen as “inevitable” by these different players.
Both Hollywood and corporate America are taking note of the marketing power of the growing Latino population in the United States. And as salsa takes over both the dance floor and the condiment shelf, the influence of Latin culture is gaining momentum in American society as a whole. Yet the increasing visibility of Latinos in mainstream culture has not been accompanied by a similar level of economic parity or political enfranchisement. In this important, original, and entertaining book, Arlene Davila provides a critical examination of the Hispanic marketing industry and of its role in the making and marketing of U.S.…
As a university professor, I often teach popular women’s writing, and I realized that I needed to teach Latinx popular fiction as well. Women’s popular writing in the United States reflects but also shapes the way women see themselves in a global neoliberal world. After I had written an article on class and Chicanx and Latinx fiction, I also realized that class and race are key to thinking about how Latinas/Chicanas both create and follow market trends in an effort to “better” themselves in addition to showing how various Latinas/Chicanas see each other in terms of race, ethnicity, and gender.
Vallejo painstakingly lays out the way some Mexican Americans, usually the poorest of the minorities, struggle to make it into a specifically American middle class. She details how these Latinas/Latinos carefully shape themselves, and in turn are shaped by corporate and state interests, into an ethnicity that is for the most part deracinated and stripped of their more obvious “ethnic” attributes (as a small example, most drop the accent marks in their names). For my book, a look at the middle-class Latinx is a look at the desires and strivings of Latina writers and characters of Chica Lit.
Too frequently, the media and politicians cast Mexican immigrants as a threat to American society. Given America's increasing ethnic diversity and the large size of the Mexican-origin population, an investigation of how Mexican immigrants and their descendants achieve upward mobility and enter the middle class is long overdue. Barrios to Burbs offers a new understanding of the Mexican American experience.
Vallejo explores the challenges that accompany rapid social mobility and examines a new indicator of incorporation, a familial obligation to "give back" in social and financial support. She investigates the salience of middle-class Mexican Americans' ethnic identification and details how…
As a suspense and thriller author in my own right since 2015, I have also read very many books that are much like the ones that I write. I am most comfortable here and I, too, like to write books with these crazy, think-outside-the-box types of twists when it comes to plotting. Honing my craft, as I am in the middle of five different book projects right now for future release, I am hoping to make a name for myself and become as memorable to my readers as my favorite authors are to me.
I am a longtime fan of Tess and her Rizzoli and Isles books, the firsts by her that I read some years ago. But I also really liked some of her standalone novels and The Bone Garden checked all my boxes for captivating, thriller, page-turning, edge-of-your-seat reading. To date, this remains of my very favorite books and I have re-read it a few times as a result.
Unknown bones, untold secrets, and unsolved crimes from the distant past cast ominous shadows on the present in the dazzling new thriller from New York Times bestselling author Tess Gerritsen.
Present day: Julia Hamill has made a horrifying discovery on the grounds of her new home in rural Massachusetts: a skull buried in the rocky soil–human, female, and, according to the trained eye of Boston medical examiner Maura Isles, scarred with the unmistakable marks of murder. But whoever this nameless woman was, and whatever befell her, is knowledge lost to another time.
Growing up in New England, I discovered a passion for the historical landmarks around me. My grandmother’s home in Andover, MA, had a plaque on the front door, declaring Lafayette made a speech from its front steps. In my grandmother’s journal, I discovered the story of the Lovells: Master John Lovell, Loyalist, of the Boston Latin School, and his son James Lovell, teacher at the school and patriot. Imagining the conflicts that must have brewed between them, I knew I had to write The Remarkable Cause: A Novel of James Lovell and the Crucible of the Revolution.An English and history teacher, I wove historical background into study of literature.
Set in Boston at the beginning of the Revolutionary War,Johnny Tremain tells of a young silver-smith apprentice whose pride leads to disaster. His hand is crippled and he can no longer pursue his dream. His courage and desire to improve his life make him memorable; I still recall Johnny’s passion years after reading the novel. Eventually Johnny’s hand is healed by a surgeon and he joins the patriots.
Johnny Tremain presents a brave character living in challenging and divisive times.Johnny Tremain brings to life conflicts with British rule and the determination of those on both sides of the struggle.
This thrilling Newbery Medal-winning novel about the Revolutionary War is a classic of children's historical fiction.
Fourteen-year-old Johnny Tremain, an apprentice silversmith with a bright future ahead of him, injures his hand in a tragic accident, forcing him to look for other work. In his new job as a horse-boy, riding for the patriotic newspaper The Boston Observer and as a messenger for the Sons of Liberty, he encounters John Hancock, Samuel Adams, and Dr. Joseph Warren.
Soon Johnny is involved in the pivotal events of the American Revolution, from the Boston Tea Party to the first shots fired at…
I grew up in California when cameras had flashcubes, skateboards had clay wheels, and kids longed for a lime-green Schwinn Stingray. Sailing, surfing, beach parties, and rock music were staples of my youth. Over time, we lost the Beatles but found the Allman Brothers, Zeppelin, and The Who. Disco had not yet destroyed us. I ditched the skateboard but kept sailing. Later, I became a criminal defense attorney. My profession inspires me to write realistic mystery/thriller novels. My sailing provides the setting. My goal is to give readers a solid, entertaining tale while bringing them to warm waters and island cultures and putting a little sand between their toes.
Spenser is a hard-nosed private detective living and working in Boston. When his girlfriend Susan runs off to California with another man, Spenser feels betrayed but understands. She has her freedom. Then his best friend, Hawk, is falsely arrested and jailed in the new man’s town. This sets off a firestorm of murder and violence as Spenser first frees Hawk and then they both attempt to free Susan from an abusive, if consensual, relationship. And then the CIA gets involved.A Catskill Eagle is the twelfth of forty Spenser novels written by Parker.
Susan's letter came from California: Hand was in jail, and she was on the run. Twenty-four hours later, Hawk is free, because Spenser has sprung him loose—for a brutal cross-country journey back to the East Coast. Now the two men are on a violent ride to find the woman Spenser loves, the man who took her, and the shocking reason so many people had to die. . . .
I found my first arrowhead at age seven and have been hooked on history ever since. My Bone Rattler series—Freedom’s Ghost is the seventh installment—builds on many years of research and field trips, supplemented by intense investigation of specific aspects leading up to and during the writing of each novel. The volatile 18th century was one of the most important periods in all of history, and I immerse myself in it when writing these books—by, among other things, reading newspapers of the day, which are often stacked on my desk.
I deeply enjoyed Archer’s book for its intimate depiction of Boston’s life under British occupation from 1768 until mid-1770.
It was a city under siege in many respects, with four thousand troops in a community of only sixteen thousand souls. The city’s streets –mostly paved with oyster shell—come to life with details on tavern fare, street life, troop encampment, epidemics, the violent celebrations of the annual Pope’s Day, popular song parodies, and the three hundred women who initiated a boycott of foreign tea.
Here too you can meet early patriot leaders like James Otis, who was rendered “insane” by a blow to the skull by a furious tax collector and wandered, raving, for years, until he was struck down by a lightning bolt. Archer’s book pulls you into the torment and the glory of life in a powder keg destined to explode.
In the dramatic few years when colonial Americans were galvanized to resist British rule, perhaps nothing did more to foment anti-British sentiment than the armed occupation of Boston. As If an Enemy's Country is Richard Archer's gripping narrative of those critical months between October 1, 1768 and the winter of 1770 when Boston was an occupied town. Bringing colonial Boston to life, Archer deftly moves between the governor's mansion and cobblestoned back-alleys as he traces the origins of the colonists' conflict with Britain. He reveals the maneuvering of colonial political leaders such as Governor Francis Bernard, Lieutenant Governor Thomas Hutchinson,…
I am a writer of biographical historical fiction, with some of my novels set in medieval and Tudor England, others set in nineteenth-century America. In researching my books, I try to immerse myself in my characters’ world, and that means reading primary sources, such as newspapers, periodicals, letters, diaries, and memoirs. I especially like to read my characters’ own words. Fortunately, the nineteenth-century feminists featured in this list left a lot of words behind them!
Before I stumbled across this book, I had never heard of Caroline Healey Dall, a prickly but vulnerable and fiercely intelligent Bostonian who knew almost everyone in the various reform movements that swept across the United States in the mid-nineteenth century.
On one day, Dall is recording the details of a pregnancy that went horribly wrong; on another, passing along salacious gossip about a lady who propositioned Bronson Alcott (father of Louisa May). All the while, she champions the cause of women’s rights while clashing with some of the many strong personalities in the movement.
This Journal is my safety valve-and it is well, that I can thus rid myself of my superfluous steam . . . I trust posterity will remember this, should it ever be gratified by a glimpse at these pages.
In the nineteenth century, Boston was well known as a center for intellectual ferment. Amidst the popular lecturing of Ralph Waldo Emerson and the discussion groups led by Margaret Fuller sat a remarkable young woman, Caroline Healey Dall (1822-1912): Transcendentalist, early feminist, writer, reformer, and-perhaps most importantly-active diarist.
Dall kept a diary for seventy-five years.She captured in it all the fascinating…
I’ve loved murder mysteries since I first discovered the genre. As a child, I loved watching Morse, Miss Marple,and other detectives as they got to the bottom of whodunit. I was hooked. It wasn’t long before I started to read books starring these detectives. I really love the way that female amateur detectives often have far more ideas of what’s going on and why things have happened than the men who populate the books. What woman can’t resist reading about another woman who just gets to the bottom of it all? I know I can’t, but these books are some of the very best in the genre.
I fell in love with this book almost instantly when I first read it over ten years ago. It contains many of my favorite things about murder mysteries. I really enjoy books that have a strong sense of place or time, which this one does.
I also love people who almost reluctantly start investigating a murder but can’t help but try to get to the bottom of it. This story has the added bonus of a love interest, which I also really enjoy. I’ve read and reread this book so many times I’ve lost count now.
“What a thoroughly charming book! A beautiful combination of entertaining characters, minute historical research, and a powerful evocation of time and place.” —NYT bestselling author Barbara Hambly
Boston, 1868: The dawn of the Gilded Age, an era of burgeoning commerce and invention, of unimaginable new fortunes and lavish excess—for some. Born into poverty, young Nell Sweeney scratches by on her wits and little else until fortune blesses her with a position as nursery governess to the fabulously wealthy Hewitts. But she soon learns that ugly secrets lurk beneath the surface of their gold-plated world.
