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Barrios to Burbs.
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I was living one of the darkest periods of my life when a friend took me to a Louise Bourgeois show. I wandered among her pieces feeling numb. Then I entered a large room filled with Passage Dangereux from 1997. A most depressing art piece that put me into contact with the restrictions in a family, the limitations we set for each other, and the unhappiness everywhere. When I left the room, I felt a lift in my spirits. I’m a writer to try to put more precise words to what goes on inside ourselves when we are alone and when we fall in love and enter into a relationship with another person.
A man I was working with recommended this book to me, when he heard about my novel, while it was in the making. I got hold of this book and already after the first chapter I understood why. Janice Radway investigates how Harlequin novels have such a large audience. In essence it is because romance novels always end well, as opposed to life, that keeps being complicated. It taught me that I’m a very romantic person. This was something I had never regarded as a positive trait so of course I failed to see just how important romance was and is to me. By identifying with millions of women who read these romance novels, I gained a respect that I still feel is lacking in our culture: A respect for our emotions and the big role they play in our sense of satisfaction with life.
Originally published in 1984, Reading the Romance challenges popular (and often demeaning) myths about why romantic fiction, one of publishing's most lucrative categories, captivates millions of women readers. Among those who have disparaged romance reading are feminists, literary critics, and theorists of mass culture. They claim that romances enforce the woman reader's dependence on men and acceptance of the repressive ideology purveyed by popular culture. Radway questions such claims, arguing that critical attention ""must shift from the text itself, taken in isolation, to the complex social event of reading."" She examines that event, from the complicated business of publishing and…
As a university professor, I often teach popular women’s writing, and I realized that I needed to teach Latinx popular fiction as well. Women’s popular writing in the United States reflects but also shapes the way women see themselves in a global neoliberal world. After I had written an article on class and Chicanx and Latinx fiction, I also realized that class and race are key to thinking about how Latinas/Chicanas both create and follow market trends in an effort to “better” themselves in addition to showing how various Latinas/Chicanas see each other in terms of race, ethnicity, and gender.
This is the book that started the Chica Lit subgenre (about thirty-something Latinas negotiating their lives, romances, and careers). I have many problems with it, but I like her humor and much of her making fun of stereotypes of Latinas is spot on. It also shows us the breadth of Latina lives, from the white, privileged Latina to the Afro-Latina struggling along. It’s the lynchpin of my book, since this is where it all started, for me and for the subgenre. It’s important to understand the messages popular Latinx literature gives us about gender and about Latinidad.
Alisa Valdés-Rodríguez's vibrant, can't-put-it-down novel of six friends--each one an unforgettable Latina woman in her late '20s--and the complications and triumphs in their lives
Inseparable since their days at Boston University almost ten years before, six friends form the Dirty Girls Social Club, a mutual support and (mostly) admiration society that no matter what happens to each of them (and a lot does), meets regularly to dish, dine and compare notes on the bumpy course of life and love.
Las sucias are:
--Lauren, the resident "caliente" columnist for the local paper, which advertises her work with the line "her casa…
As a university professor, I often teach popular women’s writing, and I realized that I needed to teach Latinx popular fiction as well. Women’s popular writing in the United States reflects but also shapes the way women see themselves in a global neoliberal world. After I had written an article on class and Chicanx and Latinx fiction, I also realized that class and race are key to thinking about how Latinas/Chicanas both create and follow market trends in an effort to “better” themselves in addition to showing how various Latinas/Chicanas see each other in terms of race, ethnicity, and gender.
I also write about this book in my work. I again have problems with it, but it gives a kind of slice-of-life snapshot of Cuban life at that moment (around 2005), and especially about jineteras, or “jockeys,” women who supplement their income by going out with wealthy foreigners. Doing research on that book gave me a look at Cuba that was invaluable. And it is sometimes funny. It serves as a kind of coda to my book in that it reproduces many of the rhetorical moves of other chica lit but in a completely different setting.
Based on the wildly popular, semi-autobiographical "Havana Honey" series published by Salon.com, Dirty Blonde and Half-Cuban is a gritty portrait of one woman's determination to infiltrate modern Cuba and find the father she has never known.
While on her search, privileged American Alysia Briggs ends up broke and alone in Havana. She's then forced to adopt the life of the jineteras -- educated Cuban women who supplement a desperate income by accommodating sex tourists.
With an eye for detail and a razor wit, Lisa Wixon relates Alysia's journey and creates a love song to Cuba, a heartfelt tribute to a…
As a university professor, I often teach popular women’s writing, and I realized that I needed to teach Latinx popular fiction as well. Women’s popular writing in the United States reflects but also shapes the way women see themselves in a global neoliberal world. After I had written an article on class and Chicanx and Latinx fiction, I also realized that class and race are key to thinking about how Latinas/Chicanas both create and follow market trends in an effort to “better” themselves in addition to showing how various Latinas/Chicanas see each other in terms of race, ethnicity, and gender.
As her title indicates, this book delves into the ways Latino/as are described, shaped, and marketed both to the United States and to themselves. Dávila, a social anthropologist, brilliantly exposes not just the workings of the neoliberal state on this process, but how marketing and demographic research by corporate interests shape the ways Latinas/os are commercialized not just with things like food but even with cities interested in “cleaning up” Latinx neighborhoods. My book looks at the way Latinx fiction does something of the same thing, including shaping the way Latinx poverty is seen as “inevitable” by these different players.
Both Hollywood and corporate America are taking note of the marketing power of the growing Latino population in the United States. And as salsa takes over both the dance floor and the condiment shelf, the influence of Latin culture is gaining momentum in American society as a whole. Yet the increasing visibility of Latinos in mainstream culture has not been accompanied by a similar level of economic parity or political enfranchisement. In this important, original, and entertaining book, Arlene Davila provides a critical examination of the Hispanic marketing industry and of its role in the making and marketing of U.S.…
My areas of expertise are museum management and arts administration. More specifically, I study structures of arts organizations and how they are connected or disconnected to their communities and larger societies using the systems theory and concept of mutual causality. In the process, I point out where the systems (i.e., museums) become stagnant and find a leverage point to address that stagnation by bringing in new input and different ways of thinking about the culture and structure of the organization. In most of my research, I try to find blindspots of following or doing “what was just there (i.e., status quo)” instead of evaluating what it did and how it can be improved.
This book illustrates how difficult it is to break out of one’s social structure and status because of the stubbornness and injustice reflected in our larger, societal structure that is reproduced from generation to generation. This book is successful in that MacLeod demonstrates how social inequity and immobility based on race and poverty play out in real people’s lives over a lifetime and how difficult it is to break out of the “status quo” that keeps people disadvantaged and out of reach for opportunities for social mobility.
This classic text addresses one of the most important issues in modern social theory and policy: how social inequality is reproduced from one generation to the next. With the original 1987 publication of Ain't No Makin' It, Jay MacLeod brought us to the Clarendon Heights housing project where we met the 'Brothers' and the 'Hallway Hangers'. Their story of poverty, race, and defeatism moved readers and challenged ethnic stereotypes. MacLeod's return eight years later, and the resulting 1995 revision, revealed little improvement in the lives of these men as they struggled in the labor market and crime-ridden underground economy. The…
My idyllic childhood while following my father, a US Air Force JAG officer, around the country and around the world did not prepare me to understand and recognize an abusive relationship. I had never seen or experienced abuse until I married. After twenty years of emotional abuse, which eventually led to domestic violence, I was able to leave it behind. It is only with therapy that I came to understand the early warning signs, why I had ignored them and why I stayed so long. While preparing to write A Sparrow Falls, I read many personal accounts of domestic violence and child abuse and conducted an interview with a survivor of child sexual abuse.
Here is another book I added to my TBR list while researching my book—and another that sat there for years. But the similarities don’t end there. This is a coming-of-age story about clannish poor whites in the rural south. In both books the protagonist is a child growing up in a dysfunctional family. Again, I found a YouTube interview in which the author spoke of the love he has for his grandparents who were unconventional in their behavior.
It is my view that children from dysfunctional families often think their lives are normal.
THE INTERNATIONAL BESTSELLER
Coming November 2020 as a major motion picture from Netflix starring Amy Adams and Glenn Close
'The political book of the year' Sunday Times
'A frank, unsentimental, harrowing memoir ... A superb book' New York Post
'I bought this to try to better understand Trump's appeal ... but the memoir is so much more than that. A gripping, unputdownable page-turner' India Knight, Evening Standard
J. D. Vance grew up in the hills of Kentucky. His family and friends were the people most of the world calls rednecks, hillbillies or white trash.
I have an unusual personal history. I majored in math in college and aspired to a life as a scientist. However, the civil rights movement and other events of the 1960s and 1970s inspired me to switch and earn a doctorate in sociology. (Which considers itself a science.) My first faculty position, at Yale beginning in 1972, involved a joint appointment in the Sociology Department and the Institution for Social and Policy Studies, which focused on public policy. During the remainder of my career I have worked and published together with economists and sought to do research that uses the perspectives of both fields.
This book, by three sociologists, examines the life chances of children from low-income families living in public housing in Baltimore.
It builds on prior research by both economists and sociologists, and has both a quantitative and an intense qualitative aspect from in-depth interviews. The authors seem to have discovered a mechanism that can help these children succeed. It is to have an “identity project” that gives meaning and goals to their lives.
Recent research on inequality and poverty has shown that those born into low-income families, especially African Americans, still have difficulty entering the middle class, in part because of the disadvantages they experience living in more dangerous neighborhoods, going to inferior public schools, and persistent racial inequality. Coming of Age in the Other America shows that despite overwhelming odds, some disadvantaged urban youth do achieve upward mobility. Drawing from ten years of fieldwork with parents and children who resided in Baltimore public housing, sociologists Stefanie DeLuca, Susan Clampet-Lundquist, and Kathryn Edin highlight the remarkable resiliency of some of the youth who…
I’m a sociologist who studies American family life. About 20 years ago, I began to see signs of the weakening of family life (such as more single-parent families) among high-school educated Americans. These are the people we often call the “working class.” It seemed likely that this weakening reflected the decline of factory jobs as globalization and automation have proceeded. So I decided to learn as much as I could about the rise and decline of working-class families. The books I am recommending help us to understand what happened in the past and what’s happening now.
Fast-forward to the 2010s, and political scientist Robert Putnam returns to Port Clinton, Ohio, where he had graduated from high school in 1959. He finds a sharp contrast between the kids who are growing up in middle-class homes with college-educated parents who are doing well and the kids who are growing up in working-class families who aren’t doing nearly as well. The working-class parents no longer have access to the well-paying industrial jobs of a generation earlier, and their children don’t have the advantages that come with steadily-employed, decently-paid parents. Putnam also probes the academic literature on the split between the situations of children in working-class versus middle-class families.
A New York Times bestseller and "a passionate, urgent" (The New Yorker) examination of the growing inequality gap from the bestselling author of Bowling Alone: why fewer Americans today have the opportunity for upward mobility. Central to the very idea of America is the principle that we are a nation of opportunity. But over the last quarter century we have seen a disturbing "opportunity gap" emerge. We Americans have always believed that those who have talent and try hard will succeed, but this central tenet of the American Dream seems no longer true or at the least, much less true…
I became an economist because I realized that economics was a powerful tool that would help society solve vexing problems. While economics has limits, it has so much to offer in terms of better policy design for tackling everything from climate change to economic inequality. My life’s work has been devoted to both economic research and helping others understand the insights of economics. I spent many years in academia teaching economics and writing papers, and I authored Open in an attempt to make the complexities of international economics more transparent. I’ve also had the chance to work firsthand on some of these issues in the early part of the Biden Administration at the US Treasury.
Ed Kleinbard was a treasured colleague, a brilliant commentator, and a giant in the field of tax policy. In his final year of life, perhaps fittingly, Kleinbard devoted himself to a book on the roleof luck in economic outcomes, which opens with a quote from Stendhal. “Waiting for God toreveal himself, I believe that his prime minister, Chance, governs this sad world just as well.”The book argues that luck, and particularly existential luck (to whom and in what circumstancesyou are born), are paramount in determining economic outcomes. Within that context, Kleinbardmakes a strong case for the role of public insurance in areas like health care, education, andchildcare; he also emphasizes the importance of a progressive income tax system.
The American dream of equal opportunity is in peril. America's economic inequality is shocking, poverty threatens to become a heritable condition, and our healthcare system is crumbling despite ever increasing costs.
In this thought-provoking book, Edward D. Kleinbard demonstrates how the failure to acknowledge the force of brute luck in our material lives exacerbates these crises - leading to warped policy choices that impede genuine equality of opportunity for many Americans. What's Luck Got to Do with It? combines insights from economics, philosophy, and social psychology to argue for government's proper role in addressing the inequity of brute luck. Kleinbard…
I grew up in the 1950s next door to Long Island’s iconic Levittown. All my aunts and uncles lived in similar modest suburbs, and I assumed everyone else did, too. Maybe that explains why America’s sharp economic U-turn in the 1970s so rubbed me the wrong way. We had become, in the mid-20th century, the first major nation where most people—after paying their monthly bills—had money left over. Today we rate as the world’s most unequal major nation. Our richest 0.1 percent hold as much wealth as our bottom 90 percent. I’ve been working with the Institute for Public Studies, as co-editor of Inequality.org, to change all that.
The British epidemiologists Richard Wilkinson and Kate Pickett have an American doctor friend who has a fascinating exercise for his first-year medical school students.
This doctor asks his students to write a speech detailing why the USA has the world’s best health. The students eagerly set about collecting all the relevant data and quickly find themselves absolutely shocked. Among major developed nations, the USA turns out to have the worsthealth.
Americans also turn out to be up to ten times more likely than people in other developed nations to get murdered or become drug addicts. What’s going on here? Inequality!
The more wealth concentrates at a society’s summit, Wilkinson and Pickett vividly show in this 2009 classic, the worse that society performs on the yardsticks that define basic health and decency.
Groundbreaking analysis showing that greater economic equality-not greater wealth-is the mark of the most successful societies, and offering new ways to achieve it.
"Get your hands on this book."-Bill Moyers
This groundbreaking book, based on thirty years' research, demonstrates that more unequal societies are bad for almost everyone within them-the well-off and the poor. The remarkable data the book lays out and the measures it uses are like a spirit level which we can hold up to compare different societies. The differences revealed, even between rich market democracies, are striking. Almost every modern social and environmental problem-ill health, lack of…
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