Here are 62 books that Last One at the Party fans have personally recommended if you like
Last One at the Party.
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I love writing historical fiction. I enjoy the research and creating long-lost worlds filled with little-known historical accuracies that intrigue my readers. It is no surprise then that I enjoy reading about the future - the other side of the coin. I always find it interesting to see how writers create a post-apocalyptic society. What was the catastrophic event? (TCE) What caused it and how do the different characters react to adversity when their old world is taken away from them? Inevitably they have to survive in the new system but will they have learned their lesson or will they return to their old ways?
A generation or so after The Calamitous Event (TCE), our hero’s dog is stolen by an unexpected visitor to their remote home in the Outer Hebrides. This book is my definition of a cracking good read. It has adventure, surprises, and insights into the human condition that led to TCE in the first place. Above all, it features a boy and his overwhelming mission - to get his dog back. If, like me, you love dogs you are going to love this book.
'You'll remember A Boy and His Dog at the End of the World long after you finish reading' Peng Shepherd, author of The Book Of M
'Fletcher's suspenseful, atmospheric tale imagines a near future in which our world is in ruins . . . an adventure saga punctured by a gut-punch twist' Entertainment Weekly
'Truly engrossing . . . brings hope and humanity to a cold and scary world' Keith Stuart, author of A Boy Made of Blocks
'I promise you're going to love it' Louisa Morgan, author of A Secret History…
I love writing historical fiction. I enjoy the research and creating long-lost worlds filled with little-known historical accuracies that intrigue my readers. It is no surprise then that I enjoy reading about the future - the other side of the coin. I always find it interesting to see how writers create a post-apocalyptic society. What was the catastrophic event? (TCE) What caused it and how do the different characters react to adversity when their old world is taken away from them? Inevitably they have to survive in the new system but will they have learned their lesson or will they return to their old ways?
I cannot get this book out of my head. Published nearly twenty years ago, I’d never heard of it before so was delighted to find it was as good as it is. It’s the story of a young girl trapped in a cage with thirty nine other women. Male guards patrol the cage but never engage with their prisoners who have forgotten why they are there. Our heroine has no memory of her mother and the reader never finds out why, whether a TCE occurred or even if they are on earth. One day an alarm goes off just as a guard is opening their cage and the women escape – but to what? Often a frustrating read without satisfactory answers, the reader is still drawn into the protagonist’s world.
Ursula K. LeGuin meets The Road in a post-apocalyptic modern classic of female friendship and intimacy.
Deep underground, thirty-nine women live imprisoned in a cage. Watched over by guards, the women have no memory of how they got there, no notion of time, and only a vague recollection of their lives before.
As the burn of electric light merges day into night and numberless years pass, a young girl—the fortieth prisoner—sits alone and outcast in the corner. Soon she will show herself to be the key to the others' escape and survival in the strange world that awaits them above…
When I’m writing, my brain’s ability to jump instantly to the worst-case scenario is a huge plus. But in life, that’s just called “anxiety,” something I’ve always struggled with. Works of fiction that do what my brain does naturally — assume the worst — and still find some hope, humor, or redemption there have always been weirdly reassuring to me. And what’s more “worst-case scenario” than post-apocalyptic and dystopian fiction? Here are five books where, in the wake of disaster or the grip of tyranny, people still manage to have dreams, dignity, or even just a laugh.
In Zone One, the frantic oh-*expletive* bloodbath phase of a zombie apocalypse has clicked over into something like a new normal. In lower Manhattan, our hero “Mark Spitz” mops up straggler zombies seemingly stuck in mindless loops from their past lives and reflects on the transformed yet familiar landscape. Zone One made me realize how specific streets are encoded in my own memories, and made me want to be more present in my own life, to move through the world less like a zombie.
In this brilliantly original take on the post-apocalyptic horror novel, American novelist Colson Whitehead shakes up the zombie genre with genius results.
A pandemic has devastated the planet, sorting humanity into two types: the uninfected and the infected, the living and the living dead. Now the plague is receding, and Americans are busy rebuilding civilisation under orders from the provisional government based in Buffalo. Their top mission: the resettlement of Manhattan. Armed forces have successfully reclaimed the island south of Canal Street - aka 'Zone One' - eliminating the most dangerous plague victims, but pockets of infected squatters remain. Teams…
I love writing historical fiction. I enjoy the research and creating long-lost worlds filled with little-known historical accuracies that intrigue my readers. It is no surprise then that I enjoy reading about the future - the other side of the coin. I always find it interesting to see how writers create a post-apocalyptic society. What was the catastrophic event? (TCE) What caused it and how do the different characters react to adversity when their old world is taken away from them? Inevitably they have to survive in the new system but will they have learned their lesson or will they return to their old ways?
What happens when you take the meritocracy to extremes and you can only access the best of food and housing etc when your Q is the highest? Dalcher creates an interesting future world, damning of social engineering and genetic manipulation, and reminds us that it was less than a hundred years ago that certain war-hungry fellas (and a few women) salivated over thoughts of a perfect Aryan race. A great page-turner but with a few ‘Deus ex Machina' plot twists with which I’m still struggling. Nevertheless a very worthy read.
**CHRISTINA DALCHER'S GRIPPING NEW THRILLER FEMLANDIA IS AVAILABLE TO PRE-ORDER NOW!**
'Terrifyingly plausible' Louise Candlish
'Devastating and brilliant' Woman & Home
'Thought-provoking' Alice Feeney
'Shocking . . . A powerful tale' Cosmopolitan
'Timely' Kia Abdullah
IN THIS WORLD, PERFECTION IS EVERYTHING.
It begins as a way to make things fairer. An education system that will benefit everyone. It's all in the name of progress.
This is what Elena Fairchild believes. As a teacher in one of the government's elite schools for children with high 'Q' scores, she witnesses the advantages first-hand.
But when Elena's own daughter scores lower than expected,…
As the author of more than 50 works of warm, witty historical romance, I love seeking out stories that will make me smile. I’m a firm believer in happy endings, in the books I write, and the books I read. I’m also a bit obsessed with history, having driven a carriage four-in-hand, learned to fence, and sailed on a tall ship, all in the name of research.
There’s nothing like the antics of a pet to bring a lady and a gentleman together. A beloved dog with the improbable name of Honeysuckle does just that in this charming novel. A letter that ended up at the Dead Letter Office leads Honey’s pretty owner to a small town in Iowa to find the man who writes words she can’t forget. You’ll find yourself remembering them too.
For three years, Penny Ercanbeck has been opening other people's mail. Dead ends are a reality for clerks at the Dead Letter Office. Still she dreams of something more--a bit of intrigue, a taste of romance, or at least a touch less loneliness. When a letter from a brokenhearted man to his one true love falls into her hands, Penny seizes this chance to do something heroic. It becomes her mission to place this lost letter into the hands of its intended recipient.
Thomas left his former life with no intention of ending up in Azure Springs, Iowa. He certainly…
I’ve always been fascinated by the role of women in war: men may be on the front lines, but women deal with its impact and often struggle to have equal standing. I was inspired by stories told by my mother who was a nurse in World War II and participated in surgery under gunfire and helped liberate a POW camp in Germany. Yet, no one wanted to hear from her because she was “just a nurse.” Fast forward to Vietnam where women were still being marginalized. I wrote The Fourteenth of September to even the playing field by telling a story that was largely based upon my own experience in college during l969-1970.
The book that proves your mother was right about what would happen “if:”
A story of a teenage runaway in l970 who gets herself into “trouble,” that offers a visceral kaleidoscope of the adventures of the era—the good and the bad—and makes you feel like you personally went through it all. It echoes through today with its theme of choice that is taken away from young men fleeing the draft, and from young women without governance over their own bodies.
Honorable Mention -- Chicago Writers Association Book of the Year 2022 for indie fiction.
A luminous novel about freedom, persistence, and the power of compassion.
In 1970, a girl's life is not her own. Katya Warshawsky runs away from home rather than settle for the narrow life her parents demand of her. She revels in Chicago's counterculture, plunging into anti-war protests, communal living, and new liberties. But even in this free-wheeling world, she confronts bewildering obstacles. Still, she won't relinquish her dream of becoming an artist or her belief in a better world, and turns to Robert Lewis, hoping the…
Creativity is a practical, problem-solving, risk-taking endeavor, something we all do, whether we claim it or not. After working for many years with groups of graduate business students, artists, writers, business professionals, women in recovery, men in prison, with those just discovering their creative ability—and with myself and my own creative journey, I realize the question isn’t “Am I creative?” The question is “Am I using it?” or “Am I continuing to grow?” Nothing is more exciting than watching others as they realize just how creative they are.
Many of us are a bit afraid of stepping out and trying something new. That applies especially with creative work. “I’m just not that good,” we tell ourselves—or voices from our past tell us. Brenda Ueland was a long-time Chicago creative writing instructor, and her little book is strong encouragement (and a bit of a kick in the pants) about risk-taking and learning about our super-powers in the process.
Originally published in 1938, this classic by Brenda Ueland is considered by many to be one of the best books ever written on how to be a writer. Part a lesson on writing and part a philosophy on life, Ueland believed that anyone could be a writer and everyone had something important to say. Heavily influenced by the ideas of William Blake, Ueland outlines 12 points to keep in mind while writing and encourages writers to find their true, authentic selves and write from there. Born in Minneapolis in 1891 to a progressive household, Ueland’s father was a lawyer and…
I came to Indigenous history through the experience as a settler growing up at the edge of a reservation. I also love cities as “texts,” and the ways in which urban places never fully erase what came before. These two interests led me to urban Indigenous studies. Urban and Indigenous histories are often treated as though they are mutually exclusive, when in fact they are deeply entangled with each other: for example, the majority of Indigenous people in the United States live in urban areas. These works capture the rich history of migration, political organizing, and cultural production that has taken place in Indigenous cities.
This collection of short stories draws from Van Alst’s experience as a Native American growing up in Chicago, where racism and gang violence were everyday realities. Gripping and uncompromising, the stories walk a line between the traumas of Indigenous life in America and the possibilities of resilience and resistance.
Growing up in a gang in the city can be dark. Growing up Native American in a gang in Chicago is a whole different story. This book takes a trip through that unexplored part of Indian Country, an intense journey that is full of surprises, shining a light on the interior lives of people whose intellectual and emotional concerns are often overlooked. This dark, compelling, occasionally inappropriate, and often hilarious linked story collection introduces a character who defies all stereotypes about urban life and Indians. He will be in readers' heads for a long time to come.
I was born in Chicago and grew up in the suburbs. After a career at the University of Illinois, 150 miles downstate, I moved back to my hometown to recapture the urban vibe that I love. A historian, I love the stories that architecture tells me and wandering the streets of the city never stales. Having romance in my life is important and writing about how relationships can develop in the city is part of that. Everywhere I go in Chicago, I think of how my characters might interact with each other and the setting. Romance can be found in grand restaurants and in odd corners and Chicago has it all.
Much like Walter Mitty, Maggie Blake has a rich fantasy life that breaks the tedium of being a housewife with twins. After seven years of marriage to the seemingly stolid Preston, Maggie misses the excitement of her career as an investigative reporter. When a terrorist plot threatens Chicago, Preston and his team move in to stop it. But he is also trying to protect his identity as the Motorcycle Maverick, a masked Zorro-like figure Maggie dreams about.
Chicago and its environs, especially a suburb that is reminiscent of Lake Forest, add to the texture of the story. The idea of romantic suspense that involves a married couple is unusual and extremely well done. Marilyn is always an inspiration to me as a writer and this book is no exception.
THE SECRET LIFE OF MAGGIE BLAKE is a contemporary romantic suspense, light action & adventure tale by New York Times & USA Today bestselling author Marilyn Brant! This story is for fans of humorous husband/wife spy films such as "True Lies," readers who love slow-build romantic suspense, admirers of heroes in disguise like Zorro & The Scarlet Pimpernel, and anyone who's ever found themselves having "Walter Mitty"-like fantasies in the middle of the day...
In an affluent Chicago suburb, Maggie Santori Blake, a clever stay-at-home mom with vivid daydreams of a more exciting life, is caught up in a dangerous…
Jocelyn Green is the bestselling and award-winning author of eighteen books as of 2021. Her historical fiction has been acclaimed by Publishers Weekly, Booklist, Library Journal, and the Historical Novel Society.
Originally published in 1892 as a guidebook for visitors to the 1893 World's Fair in Chicago, this book has been reprinted with an introduction and endnotes from modern historians, but the bulk of the content is exactly what visitors read more than 100 years ago. The book is full of descriptions about Chicago itself as well as the highlights of the Fair.
Showcasing the first Ferris wheel, dazzling and unprecedented electrification, and exhibits from around the world, the World's Columbian Exposition of 1893 was Chicago's chance to demonstrate that it had risen from the ashes of the Great Fire and was about to take its place as one of the world's great cities. Millions would flock to the fair, and many of them were looking for a good time before and after their visits to the Midway and the White City. But what was the bedazzled visitor to do in Chicago?
Chicago by Day and Night: The Pleasure Seeker's Guide to the…
