Here are 62 books that Last One at the Party fans have personally recommended if you like
Last One at the Party.
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I love writing historical fiction. I enjoy the research and creating long-lost worlds filled with little-known historical accuracies that intrigue my readers. It is no surprise then that I enjoy reading about the future - the other side of the coin. I always find it interesting to see how writers create a post-apocalyptic society. What was the catastrophic event? (TCE) What caused it and how do the different characters react to adversity when their old world is taken away from them? Inevitably they have to survive in the new system but will they have learned their lesson or will they return to their old ways?
A generation or so after The Calamitous Event (TCE), our hero’s dog is stolen by an unexpected visitor to their remote home in the Outer Hebrides. This book is my definition of a cracking good read. It has adventure, surprises, and insights into the human condition that led to TCE in the first place. Above all, it features a boy and his overwhelming mission - to get his dog back. If, like me, you love dogs you are going to love this book.
'You'll remember A Boy and His Dog at the End of the World long after you finish reading' Peng Shepherd, author of The Book Of M
'Fletcher's suspenseful, atmospheric tale imagines a near future in which our world is in ruins . . . an adventure saga punctured by a gut-punch twist' Entertainment Weekly
'Truly engrossing . . . brings hope and humanity to a cold and scary world' Keith Stuart, author of A Boy Made of Blocks
'I promise you're going to love it' Louisa Morgan, author of A Secret History…
I love writing historical fiction. I enjoy the research and creating long-lost worlds filled with little-known historical accuracies that intrigue my readers. It is no surprise then that I enjoy reading about the future - the other side of the coin. I always find it interesting to see how writers create a post-apocalyptic society. What was the catastrophic event? (TCE) What caused it and how do the different characters react to adversity when their old world is taken away from them? Inevitably they have to survive in the new system but will they have learned their lesson or will they return to their old ways?
I cannot get this book out of my head. Published nearly twenty years ago, I’d never heard of it before so was delighted to find it was as good as it is. It’s the story of a young girl trapped in a cage with thirty nine other women. Male guards patrol the cage but never engage with their prisoners who have forgotten why they are there. Our heroine has no memory of her mother and the reader never finds out why, whether a TCE occurred or even if they are on earth. One day an alarm goes off just as a guard is opening their cage and the women escape – but to what? Often a frustrating read without satisfactory answers, the reader is still drawn into the protagonist’s world.
Ursula K. LeGuin meets The Road in a post-apocalyptic modern classic of female friendship and intimacy.
Deep underground, thirty-nine women live imprisoned in a cage. Watched over by guards, the women have no memory of how they got there, no notion of time, and only a vague recollection of their lives before.
As the burn of electric light merges day into night and numberless years pass, a young girl—the fortieth prisoner—sits alone and outcast in the corner. Soon she will show herself to be the key to the others' escape and survival in the strange world that awaits them above…
When I’m writing, my brain’s ability to jump instantly to the worst-case scenario is a huge plus. But in life, that’s just called “anxiety,” something I’ve always struggled with. Works of fiction that do what my brain does naturally — assume the worst — and still find some hope, humor, or redemption there have always been weirdly reassuring to me. And what’s more “worst-case scenario” than post-apocalyptic and dystopian fiction? Here are five books where, in the wake of disaster or the grip of tyranny, people still manage to have dreams, dignity, or even just a laugh.
In Zone One, the frantic oh-*expletive* bloodbath phase of a zombie apocalypse has clicked over into something like a new normal. In lower Manhattan, our hero “Mark Spitz” mops up straggler zombies seemingly stuck in mindless loops from their past lives and reflects on the transformed yet familiar landscape. Zone One made me realize how specific streets are encoded in my own memories, and made me want to be more present in my own life, to move through the world less like a zombie.
In this brilliantly original take on the post-apocalyptic horror novel, American novelist Colson Whitehead shakes up the zombie genre with genius results.
A pandemic has devastated the planet, sorting humanity into two types: the uninfected and the infected, the living and the living dead. Now the plague is receding, and Americans are busy rebuilding civilisation under orders from the provisional government based in Buffalo. Their top mission: the resettlement of Manhattan. Armed forces have successfully reclaimed the island south of Canal Street - aka 'Zone One' - eliminating the most dangerous plague victims, but pockets of infected squatters remain. Teams…
I love writing historical fiction. I enjoy the research and creating long-lost worlds filled with little-known historical accuracies that intrigue my readers. It is no surprise then that I enjoy reading about the future - the other side of the coin. I always find it interesting to see how writers create a post-apocalyptic society. What was the catastrophic event? (TCE) What caused it and how do the different characters react to adversity when their old world is taken away from them? Inevitably they have to survive in the new system but will they have learned their lesson or will they return to their old ways?
What happens when you take the meritocracy to extremes and you can only access the best of food and housing etc when your Q is the highest? Dalcher creates an interesting future world, damning of social engineering and genetic manipulation, and reminds us that it was less than a hundred years ago that certain war-hungry fellas (and a few women) salivated over thoughts of a perfect Aryan race. A great page-turner but with a few ‘Deus ex Machina' plot twists with which I’m still struggling. Nevertheless a very worthy read.
**CHRISTINA DALCHER'S GRIPPING NEW THRILLER FEMLANDIA IS AVAILABLE TO PRE-ORDER NOW!**
'Terrifyingly plausible' Louise Candlish
'Devastating and brilliant' Woman & Home
'Thought-provoking' Alice Feeney
'Shocking . . . A powerful tale' Cosmopolitan
'Timely' Kia Abdullah
IN THIS WORLD, PERFECTION IS EVERYTHING.
It begins as a way to make things fairer. An education system that will benefit everyone. It's all in the name of progress.
This is what Elena Fairchild believes. As a teacher in one of the government's elite schools for children with high 'Q' scores, she witnesses the advantages first-hand.
But when Elena's own daughter scores lower than expected,…
As the author of more than 50 works of warm, witty historical romance, I love seeking out stories that will make me smile. I’m a firm believer in happy endings, in the books I write, and the books I read. I’m also a bit obsessed with history, having driven a carriage four-in-hand, learned to fence, and sailed on a tall ship, all in the name of research.
There’s nothing like the antics of a pet to bring a lady and a gentleman together. A beloved dog with the improbable name of Honeysuckle does just that in this charming novel. A letter that ended up at the Dead Letter Office leads Honey’s pretty owner to a small town in Iowa to find the man who writes words she can’t forget. You’ll find yourself remembering them too.
For three years, Penny Ercanbeck has been opening other people's mail. Dead ends are a reality for clerks at the Dead Letter Office. Still she dreams of something more--a bit of intrigue, a taste of romance, or at least a touch less loneliness. When a letter from a brokenhearted man to his one true love falls into her hands, Penny seizes this chance to do something heroic. It becomes her mission to place this lost letter into the hands of its intended recipient.
Thomas left his former life with no intention of ending up in Azure Springs, Iowa. He certainly…
I’ve been writing for a long time and reading even longer. I enjoy intelligent books that are well written—not overwritten or over punctuated—and as we all do both of those, I mean that it’s been well edited. And I understand the struggle which is why four of my five choices are from indie authors like myself.
I loved this book. This is the tenth book I’ve read this month and I haven’t had a bad one yet, so either I’m really good at picking, or the standard of writing out there is improving all the time. I would give this book 9.5 out of 10. I couldn’t wait to get my day finished so that I could settle and read in the evenings. Can’t praise this highly enough.
The plot was riveting, the pace built well, the characterisation is up there, and his description is powerful and draws you right into the visuals and meaning of the story. What really captured me with this book was the child’s voice. It was so damned subtly done. If anything, the boy is written in an understated way—but before it ever got sinister, you just knew with that creepy little kid’s voice that it was going to. The ‘out…
I’ve always been fascinated by the role of women in war: men may be on the front lines, but women deal with its impact and often struggle to have equal standing. I was inspired by stories told by my mother who was a nurse in World War II and participated in surgery under gunfire and helped liberate a POW camp in Germany. Yet, no one wanted to hear from her because she was “just a nurse.” Fast forward to Vietnam where women were still being marginalized. I wrote The Fourteenth of September to even the playing field by telling a story that was largely based upon my own experience in college during l969-1970.
The book that proves your mother was right about what would happen “if:”
A story of a teenage runaway in l970 who gets herself into “trouble,” that offers a visceral kaleidoscope of the adventures of the era—the good and the bad—and makes you feel like you personally went through it all. It echoes through today with its theme of choice that is taken away from young men fleeing the draft, and from young women without governance over their own bodies.
Honorable Mention -- Chicago Writers Association Book of the Year 2022 for indie fiction.
A luminous novel about freedom, persistence, and the power of compassion.
In 1970, a girl's life is not her own. Katya Warshawsky runs away from home rather than settle for the narrow life her parents demand of her. She revels in Chicago's counterculture, plunging into anti-war protests, communal living, and new liberties. But even in this free-wheeling world, she confronts bewildering obstacles. Still, she won't relinquish her dream of becoming an artist or her belief in a better world, and turns to Robert Lewis, hoping the…
Creativity is a practical, problem-solving, risk-taking endeavor, something we all do, whether we claim it or not. After working for many years with groups of graduate business students, artists, writers, business professionals, women in recovery, men in prison, with those just discovering their creative ability—and with myself and my own creative journey, I realize the question isn’t “Am I creative?” The question is “Am I using it?” or “Am I continuing to grow?” Nothing is more exciting than watching others as they realize just how creative they are.
Many of us are a bit afraid of stepping out and trying something new. That applies especially with creative work. “I’m just not that good,” we tell ourselves—or voices from our past tell us. Brenda Ueland was a long-time Chicago creative writing instructor, and her little book is strong encouragement (and a bit of a kick in the pants) about risk-taking and learning about our super-powers in the process.
Originally published in 1938, this classic by Brenda Ueland is considered by many to be one of the best books ever written on how to be a writer. Part a lesson on writing and part a philosophy on life, Ueland believed that anyone could be a writer and everyone had something important to say. Heavily influenced by the ideas of William Blake, Ueland outlines 12 points to keep in mind while writing and encourages writers to find their true, authentic selves and write from there. Born in Minneapolis in 1891 to a progressive household, Ueland’s father was a lawyer and…
I was born in Macon, Georgia, in 1942. My father was a druggist and my mother a housewife until his illness put her to work as a newspaper reporter and eventually as a school teacher. After spending four years in the U.S. Air Force I earned a B.A. and a M.A. in English. After teaching English for thirty-one years, I retired in 2006. My wife and I live in Savannah and have two daughters, five grandchildren, and a black Lab. Among the many novels that I taught during my years as an English professor, the five on my list were invariably the ones to which my students most actively responded.
First published in 1900, Theodore Dreiser’s Sister Carrie chronicles the rise of a poor girl, Carrie Meeber, and the contrasting, complementary decline and fall of the older, well-to-do man who is obsessed with her, George Hurstwood, whose steady, emasculating ruin is the most poignant narrative sequence, bar none, that I’ve ever read.
"Sister Carrie" by Theodore Dreiser. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
I’ve always been drawn to family stories, from King Lear to Anna Karenina. The ties that bind us to family—however strained or frayed those ties might be—contain within their fibers the entire spectrum of human emotion. For a writer, this is fertile territory. I could contemplate endlessly the rivalry that exists between a pair of siblings, or the expectations a child has for their parent. Family dynamics are often kept private, which makes encountering them on the page even more thrilling. To be let in on the life of another, granted permission to bear witness to their secrets and innermost longings, is the rare gift that literature brings us.
Here we see Jonathan Franzen, the master of the family novel, at it again. Like all of Franzen’s books, this one is both hilarious and poignant. Though it tips the scale at nearly 600 pages, I blew through it in a day or two, amazed by Franzen’s plot-making abilities and his keen insights into the human condition.
Bonus points for The Corrections and Freedom, either of which could easily have made this list, too.
Jonathan Franzen’s gift for wedding depth and vividness of character with breadth of social vision has never been more dazzlingly evident than in Crossroads.
It’s December 23, 1971, and heavy weather is forecast for Chicago. Russ Hildebrandt, the associate pastor of a liberal suburban church, is on the brink of breaking free of a marriage he finds joyless—unless his wife, Marion, who has her own secret life, beats him to it. Their eldest child, Clem, is coming home from college on fire with moral absolutism, having taken an action that will shatter his father. Clem’s sister, Becky, long the social…
