Here are 62 books that Last One at the Party fans have personally recommended if you like
Last One at the Party.
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I love writing historical fiction. I enjoy the research and creating long-lost worlds filled with little-known historical accuracies that intrigue my readers. It is no surprise then that I enjoy reading about the future - the other side of the coin. I always find it interesting to see how writers create a post-apocalyptic society. What was the catastrophic event? (TCE) What caused it and how do the different characters react to adversity when their old world is taken away from them? Inevitably they have to survive in the new system but will they have learned their lesson or will they return to their old ways?
A generation or so after The Calamitous Event (TCE), our hero’s dog is stolen by an unexpected visitor to their remote home in the Outer Hebrides. This book is my definition of a cracking good read. It has adventure, surprises, and insights into the human condition that led to TCE in the first place. Above all, it features a boy and his overwhelming mission - to get his dog back. If, like me, you love dogs you are going to love this book.
'You'll remember A Boy and His Dog at the End of the World long after you finish reading' Peng Shepherd, author of The Book Of M
'Fletcher's suspenseful, atmospheric tale imagines a near future in which our world is in ruins . . . an adventure saga punctured by a gut-punch twist' Entertainment Weekly
'Truly engrossing . . . brings hope and humanity to a cold and scary world' Keith Stuart, author of A Boy Made of Blocks
'I promise you're going to love it' Louisa Morgan, author of A Secret History…
I love writing historical fiction. I enjoy the research and creating long-lost worlds filled with little-known historical accuracies that intrigue my readers. It is no surprise then that I enjoy reading about the future - the other side of the coin. I always find it interesting to see how writers create a post-apocalyptic society. What was the catastrophic event? (TCE) What caused it and how do the different characters react to adversity when their old world is taken away from them? Inevitably they have to survive in the new system but will they have learned their lesson or will they return to their old ways?
I cannot get this book out of my head. Published nearly twenty years ago, I’d never heard of it before so was delighted to find it was as good as it is. It’s the story of a young girl trapped in a cage with thirty nine other women. Male guards patrol the cage but never engage with their prisoners who have forgotten why they are there. Our heroine has no memory of her mother and the reader never finds out why, whether a TCE occurred or even if they are on earth. One day an alarm goes off just as a guard is opening their cage and the women escape – but to what? Often a frustrating read without satisfactory answers, the reader is still drawn into the protagonist’s world.
Ursula K. LeGuin meets The Road in a post-apocalyptic modern classic of female friendship and intimacy.
Deep underground, thirty-nine women live imprisoned in a cage. Watched over by guards, the women have no memory of how they got there, no notion of time, and only a vague recollection of their lives before.
As the burn of electric light merges day into night and numberless years pass, a young girl—the fortieth prisoner—sits alone and outcast in the corner. Soon she will show herself to be the key to the others' escape and survival in the strange world that awaits them above…
When I’m writing, my brain’s ability to jump instantly to the worst-case scenario is a huge plus. But in life, that’s just called “anxiety,” something I’ve always struggled with. Works of fiction that do what my brain does naturally — assume the worst — and still find some hope, humor, or redemption there have always been weirdly reassuring to me. And what’s more “worst-case scenario” than post-apocalyptic and dystopian fiction? Here are five books where, in the wake of disaster or the grip of tyranny, people still manage to have dreams, dignity, or even just a laugh.
In Zone One, the frantic oh-*expletive* bloodbath phase of a zombie apocalypse has clicked over into something like a new normal. In lower Manhattan, our hero “Mark Spitz” mops up straggler zombies seemingly stuck in mindless loops from their past lives and reflects on the transformed yet familiar landscape. Zone One made me realize how specific streets are encoded in my own memories, and made me want to be more present in my own life, to move through the world less like a zombie.
In this brilliantly original take on the post-apocalyptic horror novel, American novelist Colson Whitehead shakes up the zombie genre with genius results.
A pandemic has devastated the planet, sorting humanity into two types: the uninfected and the infected, the living and the living dead. Now the plague is receding, and Americans are busy rebuilding civilisation under orders from the provisional government based in Buffalo. Their top mission: the resettlement of Manhattan. Armed forces have successfully reclaimed the island south of Canal Street - aka 'Zone One' - eliminating the most dangerous plague victims, but pockets of infected squatters remain. Teams…
I love writing historical fiction. I enjoy the research and creating long-lost worlds filled with little-known historical accuracies that intrigue my readers. It is no surprise then that I enjoy reading about the future - the other side of the coin. I always find it interesting to see how writers create a post-apocalyptic society. What was the catastrophic event? (TCE) What caused it and how do the different characters react to adversity when their old world is taken away from them? Inevitably they have to survive in the new system but will they have learned their lesson or will they return to their old ways?
What happens when you take the meritocracy to extremes and you can only access the best of food and housing etc when your Q is the highest? Dalcher creates an interesting future world, damning of social engineering and genetic manipulation, and reminds us that it was less than a hundred years ago that certain war-hungry fellas (and a few women) salivated over thoughts of a perfect Aryan race. A great page-turner but with a few ‘Deus ex Machina' plot twists with which I’m still struggling. Nevertheless a very worthy read.
**CHRISTINA DALCHER'S GRIPPING NEW THRILLER FEMLANDIA IS AVAILABLE TO PRE-ORDER NOW!**
'Terrifyingly plausible' Louise Candlish
'Devastating and brilliant' Woman & Home
'Thought-provoking' Alice Feeney
'Shocking . . . A powerful tale' Cosmopolitan
'Timely' Kia Abdullah
IN THIS WORLD, PERFECTION IS EVERYTHING.
It begins as a way to make things fairer. An education system that will benefit everyone. It's all in the name of progress.
This is what Elena Fairchild believes. As a teacher in one of the government's elite schools for children with high 'Q' scores, she witnesses the advantages first-hand.
But when Elena's own daughter scores lower than expected,…
As the author of more than 50 works of warm, witty historical romance, I love seeking out stories that will make me smile. I’m a firm believer in happy endings, in the books I write, and the books I read. I’m also a bit obsessed with history, having driven a carriage four-in-hand, learned to fence, and sailed on a tall ship, all in the name of research.
There’s nothing like the antics of a pet to bring a lady and a gentleman together. A beloved dog with the improbable name of Honeysuckle does just that in this charming novel. A letter that ended up at the Dead Letter Office leads Honey’s pretty owner to a small town in Iowa to find the man who writes words she can’t forget. You’ll find yourself remembering them too.
For three years, Penny Ercanbeck has been opening other people's mail. Dead ends are a reality for clerks at the Dead Letter Office. Still she dreams of something more--a bit of intrigue, a taste of romance, or at least a touch less loneliness. When a letter from a brokenhearted man to his one true love falls into her hands, Penny seizes this chance to do something heroic. It becomes her mission to place this lost letter into the hands of its intended recipient.
Thomas left his former life with no intention of ending up in Azure Springs, Iowa. He certainly…
Creativity is a practical, problem-solving, risk-taking endeavor, something we all do, whether we claim it or not. After working for many years with groups of graduate business students, artists, writers, business professionals, women in recovery, men in prison, with those just discovering their creative ability—and with myself and my own creative journey, I realize the question isn’t “Am I creative?” The question is “Am I using it?” or “Am I continuing to grow?” Nothing is more exciting than watching others as they realize just how creative they are.
Many of us are a bit afraid of stepping out and trying something new. That applies especially with creative work. “I’m just not that good,” we tell ourselves—or voices from our past tell us. Brenda Ueland was a long-time Chicago creative writing instructor, and her little book is strong encouragement (and a bit of a kick in the pants) about risk-taking and learning about our super-powers in the process.
Originally published in 1938, this classic by Brenda Ueland is considered by many to be one of the best books ever written on how to be a writer. Part a lesson on writing and part a philosophy on life, Ueland believed that anyone could be a writer and everyone had something important to say. Heavily influenced by the ideas of William Blake, Ueland outlines 12 points to keep in mind while writing and encourages writers to find their true, authentic selves and write from there. Born in Minneapolis in 1891 to a progressive household, Ueland’s father was a lawyer and…
I’ve been researching the Leopold-Loeb case for around a decade, ever since a documentary sparked my interest back in high school. That sent me on a quest for knowledge: devouring all the books I could find on the subject, before turning to archival collections to look at the primary source material. Flash forward to today and I’ve read thousands of newspaper stories, hundreds of scholarly articles and books on the subject and travelled around the country searching in over 50 archives, trying to understand this case as much as I possibly can. Here’s a list of books I found particularly helpful or inspiring on my journey.
There have been many, many fictional adaptations of the Leopold-Loeb story, and it seems to be tricky to get the details and the people portrayed accurately, while still telling a tight and intriguing story. This play achieves that the best that I’ve seen.
Told in a non-linear fashion, it explores a nuanced relationship between Leopold and Loeb and what led them to the murder, as well as the arguments of the lawyers and the vitriol of the press. Exploring themes of prejudice, love, and mob hysteria, the audience gets to see many angles of the case and feel the vast effect it had on the city, without losing the more nuanced explorations of the characters and their struggles.
I was born in Macon, Georgia, in 1942. My father was a druggist and my mother a housewife until his illness put her to work as a newspaper reporter and eventually as a school teacher. After spending four years in the U.S. Air Force I earned a B.A. and a M.A. in English. After teaching English for thirty-one years, I retired in 2006. My wife and I live in Savannah and have two daughters, five grandchildren, and a black Lab. Among the many novels that I taught during my years as an English professor, the five on my list were invariably the ones to which my students most actively responded.
First published in 1900, Theodore Dreiser’s Sister Carrie chronicles the rise of a poor girl, Carrie Meeber, and the contrasting, complementary decline and fall of the older, well-to-do man who is obsessed with her, George Hurstwood, whose steady, emasculating ruin is the most poignant narrative sequence, bar none, that I’ve ever read.
"Sister Carrie" by Theodore Dreiser. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
Ever since I can remember, I’ve been fascinated with life and death. As a child, my own life was fairly mundane and even joyful. However, I went through loss like most. We lost two dogs when I was maybe seven or nine. Then my beagle Suzy, who we had the longest, was struck by a car on a rainy day. A few years later, my grandfather passed from cancer. Watching my mother grieve stuck with me. It shaped me—how I cared about life, how I longed to understand it. Once I decided to write stories for children, I knew it could be a safe place to explore my hidden feelings.
This is a warm hug book. The kind that sneaks up on you when you’re reading words. Langston is a lovable main character. His story is rich with family, tradition, loss, and poetry. He is eleven when his mother dies, and his dad decides they must leave Alabama. So many changes for this boy as he is bullied and deals with segregation in 1940s Chicago. But he discovers the library that welcomes all. Such a sweet story and perfect for younger middle grade readers.
A Coretta Scott King Author Honor Book Winner of the Scott O'Dell Award for Historical Fiction
When eleven-year-old Langston's father moves them from their home in Alabama to Chicago's Bronzeville district, it feels like he's giving up everything he loves.
It's 1946. Langston's mother has just died, and now they're leaving the rest of his family and friends. He misses everything--Grandma's Sunday suppers, the red dirt roads, and the magnolia trees his mother loved.
In the city, they live in a small apartment surrounded by noise and chaos. It doesn't feel like a new start, or a better life. At…
I love noir fiction and the hard-boiled detective novels that often best exemplify the genre. Both Dashiel Hammet’s Sam Spade and Raymond Chander’s Marlowe are two men who will sacrifice everything for the truth, no matter the cost. There is a stark beauty in that. Fantasy, the genre of myth, carries the deepest, most poignant truths. These are the hard truths that can break a hero’s heart, as in Gilgamesh, or give you the bittersweet ending of The Lord of the Rings. Blending them produces some of my favorite stories, stories I love to read as the fog rolls in, listening to the music of heartbreaking jazz.
Mixing elves and eldridge powers into the gang warfare of prohibition Chicago, this book is a fast-paced wild ride into the dark and seedy lives of those who use violence to hold on to power.
The key to a good noir story is that it forces the protagonist to confront something they’d rather not know and to survive, they must find a way to live with that dark truth. This is a journey too many of us face, and Ford writes just such a brilliant journey for his protagonist, Doc.
Once I started reading this, it gripped me like cold iron until I was done.
When Danny Holman leaves the cornfields of Iowa for the bright lights of Chicago, he expects his life to change. He just can't guess how much and how fast. A violent incident on the road brings Danny the favor of a man known only as Mr. Patrise, who gives Danny a job, a home, and a new identity.
The City is a different world from the one Danny--now called Doc--knew, and literally so. Long-vanished powers have returned, and more is going on in the streets than nightlife and street warfare. Power is gathering: a power rooted in terror, madness, and…
