Fans pick 100 books like Landscape with Invisible Hand

This book, again by JRR Tolkien, was published in 1977, actually four years after its author’s death. It deals with Middle Earth long before The Hobbit and The Lord of the Rings, both set in the Third Age.

It concerns a foe, Melkor, who is infinitely more powerful than Sauron, the adversary in the later books. Tolkien himself summarises it better than anyone: "The Silmarillion is the history of the War of the Exiled Elves against the Enemy. Several tales of victory and tragedy are caught up in it; but it ends with catastrophe, and the passing of the Ancient World, the world of the long First Age." Tolkien’s son Christopher had to finish something that was not fully complete.

For some, it might be an effort to keep up with the intricate cultural and in-depth world building than anything we see in the Third Age, yet again the… show more.

This classic middle grade fantasy tale is what first taught me an appreciation of figurative language and lyricism in writing. It revolves around a young courtesan tasked to provide a definitive definition of delicious to resolve a court dispute. He asks many people throughout the land, which yields answers such as “a cold leg of chicken eaten in an orchard early in the morning in April when you have a friend to share it” or “a drink of cool water when you’re very, very thirsty.” At an early age, those descriptions made clear to me the power of making comparisons that evoke memory and mood. It also heavily influences my food and drink reviews to this day!

I studied the literature of the Harlem Renaissance in college, and the rhythmic power and cadence of so many great works of that time still influence me: the deep bass throughline of Claude McKay’s Banjo; the fiery, relentless push of truth in James Baldwin’s essays and novels. Zora Neale Hurston imbued her allegories and anthropological studies of the era with literary devices that made them smooth to read and easy to slide under your skin. Just the repetition of mountain in Moses, Man of the Mountain, is enough to reveal the power of the simplest literary devices. And her expert use of alliteration makes this a beautiful, boisterous, and emboldening read.

In this short story collection, SFWA Grand Master Nalo Hopkinson gives us heaps of imagery to roll around in with delight and horror. Calling a snowflake “six-clawed” or relating a tree’s memory of how it “felt to unfurl your leaves to the bright taste of the sun” all add to the mood-heavy stories of a teenager overcome by her desires after swallowing a cherry pit, children who must survive their parents’ frightening transformations, and more. Through all the tales, humanity shines through, our rough edges and our beautiful scars. And the characters themselves play with language to pass the time.

This book is a lot like The Craft only queerer and so much cooler. The story features an eclectic group of teenagers who come together, despite their differences, to form a badass coven to perform even more badass magic, be that casting curses on annoying dudebros or love spells for the lesbian main character, all while trying to evade a vicious group of witch hunters determined to steal the coven’s magic. If you loved films like the aforementioned Craft or even Lost Boys, then you’ll enjoy this book that subverts the mean-girls trope while giving readers a story that is as horror-tinged as it is dark humor-filled.

This is a big sprawling story. Do you love books like that or hate them? I love them because they feel like giant puzzles: you kind of lose yourself in them and enjoy the constant twists and turns. DeLillo is a postmodern master so you can trust that he has it all under control. In this book, Billy, a teen mathematician prodigy, wins the Nobel Prize in Mathematics and is spirited away to help decipher a mysterious message from aliens. It’s been compared to Alice in Wonderland for its down-the-rabbit-hole and through-the-looking-glass aspects of plot twists and characters. What makes this satire accessible, however, is the comedy. Billy is us, the readers, and he takes us on a philosophical journey while being surrounded by the strangest of characters.

It’s always great to get a reminder to be true to yourself when you don’t fit in easily.

This dystopian YA novel has good worldbuilding and a rich lexicon of new words that gives it that idiosyncratic futuristic feeling. The protagonist is a barely fifteen-year-old girl “bender”—someone who doesn’t feel comfortable in their assigned gender and doesn’t hide that. She has been sent to a camp that will determine her future, making sure she doesn’t end up in the “Blight”, a huge concentration camp for society’s undesirables.

But for a good outcome, she must conform, and her fellow campers and new experiences make that confusing and difficult. The ending is fairly open, but she has clearly learned to be true to herself and reject arbitrarily assigned labels.

This author is the queen of modern family storytelling. When a scandalous photo is snapped of an underage girl at a party Nina’s son attended and then shared publicly, it sets off a powder keg in her affluent community. It was interesting seeing the way money could corrupt a family and a mother who fought against that instinct to do what was right. Nina is divided between loyalty to her husband and son and standing up for a girl who was assaulted. When the truth comes out, it is a life-changing moment that changes everything. 

This book is an awesome locked-room thriller about six teens who are invited to a dinner and find themselves trapped in a room with a bomb, a syringe filled with poison, and a note with instructions that they have to decide who among them to kill within the next hour or they’ll all be murdered.

There’s something about close-proximity thrillers that gets me every single time. As a person who is definitely not a big fan of enclosed spaces in real life, these types of books have me breathless.

A modestly-paced and personally relatable tale of the author's experience volunteering for an invasive ivy cleanup crew. The semi-fictionalized account highlights various social struggles and teen drama as well as difficulties with personal identity along the way. The energy this book captures is palpable and it's very easy as a reader to be drawn into Hazel's retelling of their memorable experience throttling ivy with their peers, confronting their own fears and biases along the way.