87 books like Josephine Against the Sea

The books I've recommended are all skillfully told by someone who is not of the race or sexual orientation of the protagonist. Though I believe in the importance of people telling their own stories, I also think there should be room for writers to write from viewpoints other than their own. The past is where many of my characters live, but I still have to deal with the quandry of authenticity. Daughter of Winter is placed in Essex, MA, in 1949, at the height of the shipbuilding industry and features a mixed-race child and a Wapanoag grandmother. To make certain of my characterizations, I hired a chief of that tribe to read the finished manuscript.

I’ve loved scary stories ever since I was a kid thumbing through Goosebumps, and I’m delighted that my children enjoy them as much as I do. Since they’ve outgrown spooky picture books like mine, middle grade horror audiobooks are our favorite way to pass the half-hour drive to school—but not every excellent book has an equally excellent narrator. Some sound downright bored with the material; others have such engaging voices that I will never read the books again without hearing them in my head. These are five of the most deliciously creepy middle grade novels that we’ve discovered for those long car trips.

Let's face it: pirates of the Golden Age are just cool. No one would actually want to encounter them, but they have been the stuff of escapist dreams since childhood. Adventure, fellowship, treasure–the “romantic” aspects of piracy are what make these otherwise nasty individuals anti-heroes par excellence. As an adult and academic and as an occasional crewman on square riggers, I adopted pirates as a favorite sub-set of maritime history. As with other aspects of the past, I view the history of pirates and piracy as really two narratives: what the records tell us happened and why and what our persistent fascination with them reveals about us.

As a former middle school teacher and librarian, I know first-hand the power of story to motivate and teach. Over the years, I have also been lucky enough to facilitate several mother-daughter book groups and have found that books that show characters wrestling with decisions about doing the right thing, and recovering from bad choices, help to show children that there is always hope. Middle school is a time of such challenge and change, and stories that show authentically drawn characters navigating this tough terrain can act as guideposts. Becoming independent, finding your voice, growing empathy, and cherishing family and friends are necessary steps to becoming confident and healthy humans.

When I was five my dad had to carry me, crying, out of the Salem Witch’s Dungeon. You’d think that would put a damper on my love of spooky things, but it absolutely did not! Bela Lugosi was my first crush. I set up Haunted Houses in my garage and read every single book my local library had on the Salem Witch Trials. I made my way from Bunnicula and The Halloween Tree, to books by Stephen King and Anne Rice. Halloween and horror will always have a special place in my heart, and yet…I still don’t let my legs dangle off my bed, lest the monsters get me.

Both my parents graduated with degrees in fine arts and were teachers. I was lucky to grow up in a Chinese family where drawing and reading comic books were encouraged. My parents understood that comics would help a visual learner like me to develop an interest in reading. Every weekend, my parents took me to local libraries, where I read not only comics but tons of books on history, folklore, and mythologies. I found those tales fascinating. These tales planted seeds of curiosity and imagination deeply in me, and they helped mold me in becoming the author-illustrator I am today.

When I was younger, I never quite felt like I fit in, and I was never good at expressing my feelings or verbally communicating when I was going through difficult moments. Writing was my outlet when I was struggling with painful situations or overwhelming emotions—grief, loss, insecurity, fear. I know how important it is to have strong friendships and safe spaces where you can be your authentic and sometimes messy self. It’s okay to not be okay. In my writing, I hope to express to readers that they are not alone, and can overcome challenging situations.  

When I was younger, I never quite felt like I fit in, and I was never good at expressing my feelings or verbally communicating when I was going through difficult moments. Writing was my outlet when I was struggling with painful situations or overwhelming emotions—grief, loss, insecurity, fear. I know how important it is to have strong friendships and safe spaces where you can be your authentic and sometimes messy self. It’s okay to not be okay. In my writing, I hope to express to readers that they are not alone, and can overcome challenging situations.  

Ever since I can remember, I have been fascinated by scary movies, creature features, and books that tell tales of the strange and supernatural. Years later, my own books explored those things that scare us, from monsters of the deep and the ways we die to the mythology of blood. Research for those books led me into realms that explained why we fear the things we do. Many of those fears are found in horror novels, which provide an endless source of fright, release, and entertainment within their haunting pages. I can’t think of any other genre of writing that takes its readers on such a joyously terrifying ride.

In my day job I’m a professor in a hard science and, unsurprisingly, a lesbian. I love sapphic fiction, especially speculative sapphic fiction, but it can be hard to find as the books are seldom labeled as such. Because I write in this genre I’ve been able to ferret out a lot of them, and have made it a mini mission to read as many as possible. I’m particularly drawn to those that get science right (bad science to a science professor is like nails on a chalk board), and those that have at least a little bit of kissing.