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I have always loved fantasy worlds and romantic stories, but in recent years I’ve found it harder to read stories with extreme violence or trauma. When I started writing fiction, I planned to write a fantasy romance with a kingdom and a battle, but I couldn’t do it—my characters organized a nonviolent revolution and formed a democratic system of governance instead. I reconsidered and decided to write what I call cozy fantasy romances. So many types of romance novels could be set in a fantasy world, such as an office romance or road trip comedy. I’ve been searching for these types of romance novels—fun, lighthearted romances set in a fantasy world—and am slowly finding them.
This book made me laugh out loud so many times—it's the funniest fantasy I have ever read. An oddball crew breaks into the protagonist’s prison cell to rescue a prince, so the protagonist claims to be the prince and is rescued along with his cellmate.
The journey back to the prince’s country is a road trip comedy with a wacky cast... but amid all the crude jokes are real emotional moments and characters being kind to each other. The protagonist can’t stop himself from falling for the prince and grows as a person in the process. Nothing about the story ever gets too serious, and the bad bits happen quickly and without prolonged trauma. I loved everything about it.
I have always loved fantasy worlds and romantic stories, but in recent years I’ve found it harder to read stories with extreme violence or trauma. When I started writing fiction, I planned to write a fantasy romance with a kingdom and a battle, but I couldn’t do it—my characters organized a nonviolent revolution and formed a democratic system of governance instead. I reconsidered and decided to write what I call cozy fantasy romances. So many types of romance novels could be set in a fantasy world, such as an office romance or road trip comedy. I’ve been searching for these types of romance novels—fun, lighthearted romances set in a fantasy world—and am slowly finding them.
From the first page to the end, this story hooked me with its enemies-to-lovers romance. It has a cast of great characters, all of them well-developed, and a huge dollop of conflict (Mercy saving the family undertaking business, Hart fighting zombie-like monsters) without constant stress. The romance progresses at the perfect pace.
I especially loved the world: it’s so calm and, at times, funny, even with the zombies. I loved that the gods and religion in the world feel tangible as if the gods have only recently departed; the religion is peaceful and brings people comfort. I was nervous to read about undertaking and zombies, but the rituals for death in the book’s world felt caring and kind.
"A uniquely charming mixture of whimsy and the macabre that completely won me over. If you ever wished for an adult romance that felt like Howl's Moving Castle, THIS IS THAT BOOK." —Helen Hoang, author of The Kiss Quotient
Hart is a marshal, tasked with patrolling the strange and magical wilds of Tanria. It’s an unforgiving job, and Hart’s got nothing but time to ponder his loneliness.
Mercy never has a moment to herself. She’s been single-handedly keeping Birdsall & Son Undertakers afloat in defiance of sullen jerks like Hart, who seems to have a gift for showing up right…
I’ve been making up characters and telling myself stories for as long as I can remember. I’m also a mood reader. I’ll read just about anything, but the stories I always yearn for are the ones that take me far away from this world, make me swoon, and devastate my soul. As a mood reader, I also have phases, and I’m in a fantasy phase right now. Magic, romance, adventure. These are just a few of my favorite things to read and write. As I read, I am inspired by the emotions that flood my senses when I read a good book.
I loved how different this fantasy rom-com was from anything I had read before picking it up. From the meet-cute to the epilogue, I adored all of it. I was shocked at first by the contemporary language and the modern world-building within a traditional fantasy setting.
The MFC was relatable, reacting to the crazy world around her as I’d imagine I would if I were taken on a wild adventure with a dragon shape-shifter. Funny, witty, steamy, and exciting. This book had it all.
I have always loved fantasy worlds and romantic stories, but in recent years I’ve found it harder to read stories with extreme violence or trauma. When I started writing fiction, I planned to write a fantasy romance with a kingdom and a battle, but I couldn’t do it—my characters organized a nonviolent revolution and formed a democratic system of governance instead. I reconsidered and decided to write what I call cozy fantasy romances. So many types of romance novels could be set in a fantasy world, such as an office romance or road trip comedy. I’ve been searching for these types of romance novels—fun, lighthearted romances set in a fantasy world—and am slowly finding them.
Deven is a super nice and laid-back guy who is sent by his village leaders to seduce the dragon who lives up on the hill, in order to get one of the dragon’s scales. The dragon has never hurt anyone (it turns out he supports the local businesses), and when he takes his human form, he’s awkward and bumbling, while trying to be commanding and scary. It’s the perfect setup for a sweet love story with some high-stakes background drama (for example, Deven has to meet the parent dragons) without a lot of stress. And, like all romance novels, it has a guaranteed happy ending.
I’ve always loved the darker side of fantasy. While heroes, knights, and handsome kings can occasionally be enjoyable, I want to know the other characters who have suffered, hurt, lost, grieved, and been hardened by grim circumstances and cruel fate. Those characters demonstrate the resilience of human nature and how goodness truly can exist even in the harshest environment. I love using this darkness in my own novels to show that even the tiniest spark can shine immensely bright—a true testament to the indefatigability of our spirits.
I love the cunning, wit, and charm of the one-and-only Vlad Taltos. Though he’s an assassin, he’s never cruel or wicked; he merely does what he needs to appease the “mafia-feeling” organization he works for. He’s almost more a swashbuckling rogue than a killer.
In his interactions with his familiar, Loiosh, you see his more nuanced side, the morality beneath the magic and swordplay. And few fantasy worlds I’ve ever visited have been as rich and colorful as those created in the Vlad Taltos series.
The first three fantastical adventures of assassin Vlad Taltos—now in one volume.
A welcome addition to any fantasy fan's library, The Book of Jhereg follows the antics of the wise-cracking Vlad Taltos and his dragon-like companion through their first three adventures—Jhereg, Yendi, and Teckla.
There are many ways for a young man with quick wits and a quick sword to advance in the world. Vlad Taltos chose the route of assassin. From his rookie days to his selfless feats of heroism, the dauntless Vlad will hold readers spellbound—and The Book of Jhereg will take its place among the classic compilations…
I come from a large family, both immediate and extended. As a result, my writing often includes a spectrum of family relationships, from the functional to the toxic. Nurturing or gaslighting? Supportive or undermining? Fantasy is my genre of choice for playing with these dynamics because its otherworldliness creates a safe space to consider true-to-life patterns, including the default trust we grant to those closest to us, how quickly that crumbles when expectations fall short, and the echo effect our earliest interactions have upon the rest of our lives.
Every time I read this book, I want to strangle basically every character except for Cat—and that’s half the fun! Charmed Lifetaught me that sometimes we can be too close to a situation to recognize its dangers or the safest paths to get away.
Cat assumes his sister is good, and everyone else assumes that he’s wicked because he’s always with her. I find his innocence endearing and I love that, as his understanding of Gwendolyn unfolds, he continues to seek goodness in others around him.
Glorious new rejacket of a Diana Wynne Jones classic award-winning favourite, featuring Chrestomanci - now a book with extra bits!
Everybody says that Gwendolyn Chant is a gifted witch with astonishing powers, so it suits her enormously when she is taken to live in Chrestomanci Castle. Her brother Eric (better known as Cat) is not so keen, for he has no talent for magic at all.
However, life with the great enchanter is not what either of them expects and sparks begin to fly!
Oh, Dragons. They have invaded my life. They’re in every room in my house – it gets crowded in the bathroom but there are a couple in there. They feature in my meditations and once I started reading fantasy, they feature in many of my books. I’m always happy to look at a book with dragons in it. If I could turn into a dragon – I would.
She’s a witch! Let’s stake her out for the dragon to eat. This happens to Alys. But she’s not a witch. Her village just didn’t like her. She wants revenge and when the dragon arrives, he becomes her ally. Here’s another twisted plot where the female is undervalued but the story helps Alys find what she thinks she wants. Part of what she finds along the way is a strength and loyalty she didn’t know she had. But she also discovers what she thought she wanted, isn’t really worth it in the end.
Fifteen-year-old Alys is not a witch. But that doesn't matter—the villagers think she is and have staked her out on a hillside as a sacrifice to the local dragon. It's late, it's cold, and it's raining, and Alys can think of only one thing—revenge. But first she's got to escape, and even if she does, how can one girl possibly take on an entire town alone? Then the dragon arrives—a dragon that could quite possibly be the perfect ally. . . .
Witchcraft as a mystical tradition is the purpose of my life. All of the craft, rituals, and spells revolve around the core concept of connecting to the divine and exploring consciousness, and that has been the purpose of my writing, teaching, and community work. While there are lots of things focused upon the “how” of Witchcraft, I like to reflect on the why and I am always seeking the philosophy, art, and poetry that can take me deeper into the mystical experience of life.
As he was a friend and mentor to me, I got to see this work evolve from the seed idea to the final form just as our beloved Raven passed from this world. As his last book, What We Knew in the Night takes lore and tradition not readily available today, drawn from Raven’s living experience as a Witch and occultist in the lively and secretive California communities. He would speak about the traditional ways lore was passed at the time, mouth to ear, and this work is the manifestation of his deep desire to see those important teachings brought together and passed to a new generation as the world changes.
Explores the roots of witchcraft while providing an integrated magical system to serve the modern witch
Raven Grimassi is among the pioneering authors of the modern witchcraft renaissance. In What We Knew in the Night, he presents a cohesive and complete system of witchcraft based on traditional sources. The author’s premise is that, beginning in the 1980s, with the rise of modern metaphysical publishing, authors began presenting very personal witchcraft practices. In the process, traditional and formerly well-established practices fell into obscurity, which potentially lead to confusion.
What We Knew in the Night uncovers and clarifies those buried gems for…
I am the Centennial Professor of history at Vanderbilt University. I have been reading and teaching about witchcraft and the occult for over thirty years. This is a topic that never fails to engage people of all backgrounds and has generated a plethora of books, some good, many not. I look for authors who understand the passions, psychology, and experiences of both accusers and supposed witches, while also exploring what it is about certain societies that leads to such claims being taken seriously, often with fatal results. The books I picked vividly convey the reality of the witch craze, while also asking some probing questions about persecutions in general.
I have read dozens of books on this subject and this is by far the best succinct overview I have come across. The author has written extensively on English witchcraft and knows the broader field inside out. It is truly amazing how much he is able to cover (clearly and vividly) in such a short space, from historic origins up to the present day. There is also a very helpful bibliography so readers can pursue certain topics in more depth.
Witchcraft is a subject that fascinates us all, and everyone knows what a witch is - or do they? From childhood most of us develop a sense of the mysterious, malign person, usually an old woman. Historically, too, we recognize witch-hunting as a feature of pre-modern societies. But why do witches still feature so heavily in our cultures and consciousness? From Halloween to superstitions, and literary references such as Faust and even Harry Potter, witches still feature heavily in our society. In this Very Short Introduction Malcolm Gaskill challenges all of this, and argues that what we think we know…
I’m a historian who wants to know: Why did people burn other people at the stake for what we think was an impossible crime? It seems so unjust; indeed it was unjust. I mention Amnesty International in my book; as well as being a professional historian, I’ve been writing letters for Amnesty for many years, trying to rectify injustice. Yet witch-hunting made sense to the perpetrators; they weren’t simply ‘wicked’ or ‘crazed’ or ‘ignorant’. We need to understand them on many levels, from the most erudite demonology, all the way down to psychological processes by which we identify enemies. The five books I’ve chosen move gradually downwards, in order, from the highest to the deepest level.
As well as the fears of godly states, early modern villagers had their own fears.
This book shows ‘witches’ being created in a process of everyday village rivalries between neighbours. Two villagers quarrel; either or both of them may utter insults, threats, or curses. You witch! You will regret this! May the Devil drag your soul through hell! And so on.
Insults (even ‘You witch!’) were relatively harmless, but threats and curses could get you into trouble. If your opponent then experienced some misfortune, neighbours might explain this as your curse taking effect.
This was particularly likely if you were female: people feared men’s physical violence, but they feared women’s curses. This book brings early modern villages to life.
Witches and Neighbours is a highly original and unconventional analysis of a fascinating historical phenomenon. Unlike other studies of the subject which focus on the mechanisms of persecution, this book presents a rich picture of witchcraft as an all-pervasive aspect of life in early modern Europe. Robin Briggs combines recent research with his own investigations to produce a brilliant and compelling account of the central role of witchcraft in the past. Although the history of witchcraft can only be studied through records of persecutions, these reveal that trials were unusual in everyday life and that witchcraft can be viewed as…
