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I have always loved fantasy worlds and romantic stories, but in recent years I’ve found it harder to read stories with extreme violence or trauma. When I started writing fiction, I planned to write a fantasy romance with a kingdom and a battle, but I couldn’t do it—my characters organized a nonviolent revolution and formed a democratic system of governance instead. I reconsidered and decided to write what I call cozy fantasy romances. So many types of romance novels could be set in a fantasy world, such as an office romance or road trip comedy. I’ve been searching for these types of romance novels—fun, lighthearted romances set in a fantasy world—and am slowly finding them.
From the first page to the end, this story hooked me with its enemies-to-lovers romance. It has a cast of great characters, all of them well-developed, and a huge dollop of conflict (Mercy saving the family undertaking business, Hart fighting zombie-like monsters) without constant stress. The romance progresses at the perfect pace.
I especially loved the world: it’s so calm and, at times, funny, even with the zombies. I loved that the gods and religion in the world feel tangible as if the gods have only recently departed; the religion is peaceful and brings people comfort. I was nervous to read about undertaking and zombies, but the rituals for death in the book’s world felt caring and kind.
"A uniquely charming mixture of whimsy and the macabre that completely won me over. If you ever wished for an adult romance that felt like Howl's Moving Castle, THIS IS THAT BOOK." —Helen Hoang, author of The Kiss Quotient
Hart is a marshal, tasked with patrolling the strange and magical wilds of Tanria. It’s an unforgiving job, and Hart’s got nothing but time to ponder his loneliness.
Mercy never has a moment to herself. She’s been single-handedly keeping Birdsall & Son Undertakers afloat in defiance of sullen jerks like Hart, who seems to have a gift for showing up right…
I’ve been making up characters and telling myself stories for as long as I can remember. I’m also a mood reader. I’ll read just about anything, but the stories I always yearn for are the ones that take me far away from this world, make me swoon, and devastate my soul. As a mood reader, I also have phases, and I’m in a fantasy phase right now. Magic, romance, adventure. These are just a few of my favorite things to read and write. As I read, I am inspired by the emotions that flood my senses when I read a good book.
I loved how different this fantasy rom-com was from anything I had read before picking it up. From the meet-cute to the epilogue, I adored all of it. I was shocked at first by the contemporary language and the modern world-building within a traditional fantasy setting.
The MFC was relatable, reacting to the crazy world around her as I’d imagine I would if I were taken on a wild adventure with a dragon shape-shifter. Funny, witty, steamy, and exciting. This book had it all.
I have always loved fantasy worlds and romantic stories, but in recent years I’ve found it harder to read stories with extreme violence or trauma. When I started writing fiction, I planned to write a fantasy romance with a kingdom and a battle, but I couldn’t do it—my characters organized a nonviolent revolution and formed a democratic system of governance instead. I reconsidered and decided to write what I call cozy fantasy romances. So many types of romance novels could be set in a fantasy world, such as an office romance or road trip comedy. I’ve been searching for these types of romance novels—fun, lighthearted romances set in a fantasy world—and am slowly finding them.
In this novella, a human witch from an Earth-like world falls for a life-form from another dimension, who is a fragment of the all-consuming being who fills her dimension and occasionally breaks through to the human planet and devours people. Trillan struggles to maintain a humanoid shape so she won’t scare off Sian, while Sian tries to keep her mind on her research and off of the ethically gray area of getting it on with her research subject. The whole thing is completely adorable and sweet.
Life is tough when you're an eldritch abomination.
Trillin isn't technically a person. She's a tiny breakaway piece of consciousness from the all-devouring Endless, doomed to eventually rejoin it. But when a human witch stumbles into her world, Trillin suddenly has a new reason to figure out individuality-one shape-shifting tentacle at a time.
Sian is sure important magical discoveries are just around the corner, if she can just get her portals to work reliably. Reaching the dimension of the Endless without being eaten on sight is a dream come true, and Sian is determined to explore every bit of it.…
I have always loved fantasy worlds and romantic stories, but in recent years I’ve found it harder to read stories with extreme violence or trauma. When I started writing fiction, I planned to write a fantasy romance with a kingdom and a battle, but I couldn’t do it—my characters organized a nonviolent revolution and formed a democratic system of governance instead. I reconsidered and decided to write what I call cozy fantasy romances. So many types of romance novels could be set in a fantasy world, such as an office romance or road trip comedy. I’ve been searching for these types of romance novels—fun, lighthearted romances set in a fantasy world—and am slowly finding them.
Deven is a super nice and laid-back guy who is sent by his village leaders to seduce the dragon who lives up on the hill, in order to get one of the dragon’s scales. The dragon has never hurt anyone (it turns out he supports the local businesses), and when he takes his human form, he’s awkward and bumbling, while trying to be commanding and scary. It’s the perfect setup for a sweet love story with some high-stakes background drama (for example, Deven has to meet the parent dragons) without a lot of stress. And, like all romance novels, it has a guaranteed happy ending.
Since I was young, I’ve suffered from Major Depressive Disorder, coupled with chronic pain that surfaced when I was in middle school. Being in constant pain—mental and physical—obviously drains the spirit. I found no hope whatsoever in phrases such as, “It gets better.” When you have chronic pain, that statement means nothing, because you know it won’t. These books, however, offered me something that I hadn’t encountered before: someone acknowledging that, although it may never get better, there is still something for me here, whatever form it takes. These books do not shame depressives, they console (and even commiserate) with them, and I hope you find them as fulfilling as I have.
The Savage God destroyed me upon finishing it for the first time.
Alvarez travels through history in this non-fiction study, tracing the perceptions of suicide from ancient societies to the present day, all with an empathetic eye. Alvarez views suicide both as a societal phenomenon and an intimately personal experience.
His own experience with suicide so closely mirrored my own that I still remember the final pages of the book vividly. To be frank, the book’s a bit dated—it was written in the 70s and some of Alvarez’s comments (as well as his reverence of Freud) haven’t aged well. Nevertheless, the worthwhile sections—of which most of the book is composed—are unforgettable.
"Suicide," writes the notes English poet and critic A. Alvarez, "has permeated Western culture like a dye that cannot be washed out." Although the aims of this compelling, compassionate work are broadly cultural and literary, the narrative is rooted in personal experience: it begins with a long memoir of Sylvia Plath, and ends with an account of the author's own suicide attempt. Within this dramatic framework, Alvarez launches his enquiry into the final taboo of human behavior, and traces changing attitudes towards suicide from the perspective of literature. He follows the black thread leading from Dante through Donne and the…
In my career as a medievalist, I’ve been inspired by L. P. Hartley’s maxim that “the past is a foreign country: they do things differently there.” At the same time, the people who live there are humans like ourselves. So, I’ve always tried to balance the alterity with the universality of the medieval past, asking big questions that bring together a wide range of sources and genres. In my forty years of teaching at Northwestern, I’ve enjoyed watching the impact of medieval texts change with each generation of students as they discover this strange yet immensely generative world.
My favorite anthropologist, Tanya Luhrmann, always has fascinating insights about how people come to believe what they believe. In this book, she argues that today’s Christian converts—much like the medieval saints I write about—must learn the art of prayer through intentional training.
We often think of praying as a solitary pursuit, but she demonstrates that this spiritual discipline can only be taught and learned in community. Luhrmann uses both in-depth interviews and ingenious scientific experiments to explore how this happens.
A New York Times Notable Book A Kirkus Reviews Best Book of 2012
A bold approach to understanding the American evangelical experience from an anthropological and psychological perspective by one of the country's most prominent anthropologists.
Through a series of intimate, illuminating interviews with various members of the Vineyard, an evangelical church with hundreds of congregations across the country, Tanya Luhrmann leaps into the heart of evangelical faith. Combined with scientific research that studies the effect that intensely practiced prayer can have on the mind, When God Talks Back examines how normal, sensible people—from college students to accountants to housewives,…
I was brought up on a farm in the middle of nowhere. Surrounded by standing stones, crypts, and burial mounds of races turned to dust. I started sending sci-fi tales to mags like Uncanny Tales, New Worlds, Astounding Tales, Amazing Stories when I was thirteen, but none were accepted. I left the wilderness for the city, Edinburgh, the “Athens of the North” when fifteen and entered university. All I yearned to do after that was go home. I never did. A little more experience of life behind me, I was first published in Peoples Own and in the same year in New Worlds and then it worked well for me for a while.
My mother read Call of the Wild and White Fang to my brother and I whilst still children. Well, those tales stayed with me over the years despite forays into Science Fiction, Religious Dogma, psychology, historical fiction, and fantasy. As an older boy I returned to the works of Mr. London and read Martin Eden, The Sea Wolf, and many of his short tales. Tales of the Klondyke are perhaps the best of them and so take my prize as number one on my list. (Though I had an argument with myself over Voltaire’s Candide and Other Tales and Aeschylus' Tragedies) for the top spot.
Each tale in this collection whilst imagined strikes me as true in every way, sure a little drama is added but I suspect that those heroes just trying to survive existed. And so, in a way I have come full circle, and…
This book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.
I'm a teacher, philosopher, writer, Professor of Philosophy, and holder of the Sullivan Chair in Philosophy at Rockhurst University, Kansas City, Missouri, USA. I'm the author/editor of sixteen books on such topics as religion and science, religion and politics, contemporary European philosophy, and political philosophy. I'm particularly interested in how religion and science, especially evolution, can be shown to be compatible with each other, as well as in developing an argument that there is no chance operating in nature (including in biology). My book and the books below explore these fascinating topics from almost every possible angle, and should whet readers’ appetites for further thinking about these intriguing matters!
This book considers the relationship between the natural sciences and the concept of God acting in the world. Nicholas Saunders examines the Biblical motivations for asserting a continuing notion of divine action and identifies several different theological approaches to the problem. He considers their theoretical relationships with the laws of nature, indeterminism, and probabilistic causation. His radical critiques of current attempts to reconcile special divine action with quantum theory, chaos theory, and quantum chaos are especially interesting, though he will not convince everyone! Saunders provocatively suggests that we are still far from a satisfactory account of how God might act in a manner that is consonant with modern science despite the copious recent scholarship in this area.
Divine Action and Modern Science considers the relationship between the natural sciences and the concept of God acting in the world. Nicholas Saunders examines the Biblical motivations for asserting a continuing notion of divine action and identifies several different theological approaches to the problem. He considers their theoretical relationships with the laws of nature, indeterminism, and probabilistic causation. His book then embarks on a radical critique of current attempts to reconcile special divine action with quantum theory, chaos theory and quantum chaos. As well as considering the implications of these problems for common interpretations of divine action, Saunders also surveys…
I am an ordained minister with over 10 years of experience serving as a pastor in both the hospital and church settings. I’m also a mom of three children, ages 2, 5, and 7. I routinely get asked for resources to help raise children in the Christian faith. As both a pastor and a mother, I am a strong advocate for teaching children a theology they won’t have to heal from. All the books I recommend are progressive, inclusive, and diverse. I’ve done extensive research when it comes to faith-based literature, and I’m passionate about finding the best books to recommend to families.
The illustrations are incredible, and the language invites readers of every age to imagine how expansive God is. I love the use of the female imagery for God. This has been lost for too long. If you’re looking to instill a theology that’s broad, diverse, and full of wonder, start here.
Teach your kids that God's love transcends single-gender expression--God is creative, fierce, protective, and her love as a Mother knows no bounds.
With lyrical, rhyming text and exquisite illustrations, Mother God introduces readers to a dozen images of God inspired by feminine descriptions from Scripture. Children and adults alike will be in awe of the God who made them as they come to know her as a creative seamstress, generous baker, fierce mother bear, protective mother hen, strong woman in labor, nurturing nursing mother, wise grandmother, and comforting singer of lullabies.
This gorgeous picture book welcomes children into a fuller,…
We are two dads, both with three kids, who are on a journey of trying our best to raise our kids in the way of Jesus. Of particular interest to us both is exploring how Jesus overcomes evil. Does He beat up the bad guys like superheroes do? Does He drop bombs on them, like nations do? With all the struggles kids experience at school—and everything they hear about evil occurring around the world—we think it’s important for kids to learn how Jesus teaches us to love our enemies, even from the earliest ages.
We believe that at the heart of Christian theology is the truth that God has chosen to reveal himself definitively in Jesus Christ. This is how we know what God is like!
We don’t just love our enemies as an abstract ethic that we hope will work. In looking at Jesus, we now know that this is also what God is like. This book is a beautiful introduction to the theological truth that Jesus really is the image and nature of God.
The answer depends on the imagination of those we ask. Some of those answers are not very healthy--especially for children! Many ideas and images of God are harmful, such as the angry God who threatens us. Or the distant God who is not there when we need him. Or the magical God who will grant our wishes if we are good enough or beg hard enough. Such ideas of God make it hard for us to love God with our whole heart or to let God love us.
