Fans pick 100 books like Hello from Renn Lake

As a kid, I had a lot of experience having a close group of friends… and a lot of experience looking into other groups from the outside. I waded from circle to circle, trying on friendships like some people try on hats. The books I’m recommending represent the best of fictional friend groups—the groups that topped any clique I saw in real life. Reading these books made me feel like an in-kid in the best possible way. Many of the characters remain the absolute coolest people I know, and serve as inspiration for the friend group dynamics I get to explore in my own stories. 

I live in a town near a wildlife refuge. I frequently encounter wildlife, including turtles, in my neighborhood. Trouble at Turtle Pond was inspired by volunteer work my son and I did with a local conservation group, fostering endangered Blanding’s turtles. Although my previous books were mysteries set in other countries, I have become interested in the mysteries we can find in our own back yards and in other community spaces we share with nature. I love eco-fiction about kids who love animals, who are “nature detectives,” who have strong opinions, and who are working for the environment, recognizing that every small step makes a difference.

My novel choices were part of the Afterschool Literacy & Building Modules for an organization called LitShop. It encourages growth in literacy, making, building, and leadership in girls ages 10-15 in St. Louis, Missouri. I’m honored to lead the writing classes. All of the LitShop books feature strong girls who believe they can make and build their way to a better world, and I aim to include similar characters in my stories. Stories can provide us with motivation, inspiration, and companionship, and all of these books have done just that… for the girls of LitShop as well as myself.

I live in a town near a wildlife refuge. I frequently encounter wildlife, including turtles, in my neighborhood. Trouble at Turtle Pond was inspired by volunteer work my son and I did with a local conservation group, fostering endangered Blanding’s turtles. Although my previous books were mysteries set in other countries, I have become interested in the mysteries we can find in our own back yards and in other community spaces we share with nature. I love eco-fiction about kids who love animals, who are “nature detectives,” who have strong opinions, and who are working for the environment, recognizing that every small step makes a difference.

After I was sent for a breast biopsy in 2008, my twin sister and I began the very real work of researching our closed adoption. My health, my sister’s, and our collective six children depended upon it. For nearly five decades, I had placed my adoption in an internal lockbox, one I had promised myself I would get to “one day.” At 48, that day had finally come. Concurrent with my search, I absorbed many of the books I mention here. These works became foundational in how I came to view my adoption, and they provided the support I needed during the search and reunion process. 

When I was going through the process of adopting my second child, after having my first by a more conventional route, I looked for diverse representations of mothering to help me make sense of my journey. These recommended books helped me to understand the lived experience from all sides of the adoption triangle: adoptee, birth mother, and adopter. I was curious about the experience of other mothers whose children have an additional mother and found a lack of life writing on surrogacy and egg donation. As a published novelist and poet, I decided to move into experimental life writing and undertook a PhD in Creative Writing to discover and write their stories.

Like most children growing up with fairy tales and Bible instruction, I believed in miracles and magic. But it was the death of my father at age eight, then having his spirit return to my childhood bedroom to comfort and reassure me, that planted in me a core belief in dimensions beyond material reality. Other influences, including living as a neurodiverse woman and raising a neurodiverse son, working as a science journalist, and reading quantum physics, helped me re-embrace the liminal as part of my adult worldview. The most interesting novels to me often carry subtle messages and bring awareness to underrepresented people and issues, and many do this using magic and the fantastic.

I am the author of over fifty books for young readers including the Zapato Power series, the Sofia Martinez series, Duck for Turkey Day, Unite or Die: How Thirteen States Became a Nation, Never Say a Mean Word Again, Tag Your Dreams: Poems of Play and Persistence, and The Porridge-Pot Goblin. Many of my books were inspired by my students during my days as a school librarian. Other books were inspired by my work as a Jewish educator in synagogue settings. I read voraciously and review for the Sydney Taylor Shmooze, an online blog about Jewish books.

I don’t just write stories, I study them. I’ve noticed that nearly every major hero/ine’s journey and epic tale has an adoption component. From Bible stories and Greek myths (adoption worked out well for Moses, not so much for Oedipus) to Star Wars through This Is Us, we humans are obsessed with origin stories. And it’s no wonder: “Where do I come from?” and “Where do I belong?” are questions that confound and comfort us from the time we are tiny until we take our final breath. As an adoptive mother and advocate for continuing contact with birth families, I love stories about adoption, because no two are alike. They give us light and insight into how families are created and what it means to be a family—by blood, by love, and sometimes, the combination of the two.

I have loved story since I was little, and I’ve curated a life where it has always taken center stage in some or another. I was a high school English teacher for ten years, and have been a college professor for eight. But what really inspires me to write the books I do is my PhD in mythological studies. As a mythologist, I’m lucky enough to be able to see why stories resonate with us for so long and use those same themes and metaphors to write my own.