Here are 100 books that Ghost Train fans have personally recommended if you like
Ghost Train.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I have been an avid reader all my life and have been fortunate (or unfortunate) to have a life full of a variety of experiences. Wonderful stuff to draw on when you’re writing, including a unique near-death experience. When I stumbled on a book idea with a topic I’d never heard of before, I was fascinated with the idea of writing “something new under the sun.” I also am thrilled to write books that give others as much joy as reading has given me over the years. A little action, a little passion, and a bunch of plot twists bring other worlds to life for me.
I picked this book because it is the 1st Jack Reacher novel, but they are all great. They speak to me because they depict a very unusual guy. A tough guy with a brain and a strong sense of right and wrong. A vagrant who fixes problems wherever he goes.
I have been accused of having a white-knight syndrome all my life, so I find this character riveting. Action, plot twists usually a touch of romance. These are all things that speak to me and Jack Reacher novels are full of them.
Ex-military policeman Jack Reacher is a drifter. He's just passing through Margrave, Georgia, and in less than an hour, he's arrested for murder. Not much of a welcome. All Reacher knows is that he didn't kill anybody. At least not here. Not lately. But he doesn't stand a chance of convincing anyone. Not in Margrave, Georgia. Not a chance in hell.
As a retired police officer, I believe that my insight into police procedures helps move my novels along. By creating a strong female protagonist, FBI Agent Jeannie Loomis, my readers get the best of both worlds. A somewhat flawed female main character who is still a dedicated law enforcement officer who believes, similarly to Lucas Davenport of the Prey Novel series, and Jack Reacher of the Reacher novels, that the ends, justify the means.
Great follow-up novel in Sanford’s Prey Series concerning a serial female killer. Sanford leaves the reader from a previous prey novel, where the female serial killer escapes. This leaves his readers with a desire to learn more….a continuing storyline…and he more than satisfies that with her return in Mortal Prey.
Years ago, Lucas Davenport almost died at the hands of Clara Rinker, a pleasant, soft-spoken, low-key Southerner, and the best hitwoman in the business. Now retired and living in Mexico, she nearly dies herself when a sniper kills her boyfriend, the son of a local druglord, and while the boy's father vows vengeance, Rinker knows something he doesn't: The boy wasn't the target-she was-and now she is going to have to disappear to find the killer herself. The FBI and DEA draft Davenport to help track her down, and with his fiancie deep in wedding preparations, he's really just as…
I have SB degrees in physics and electrical engineering from M.I.T. and a JD degree from the Georgetown University Law Center. I’m interested in how things work and how people think. I’ve written four novels, published countless articles, as well as many children’s stories. A few of them may be found on my author’s website.
Michael Connelly continues to hit it out of the park when it comes to police procedurals. The Dark Hours is the fourth of his five novels about a young LAPD detective, Renee Ballard, who works “the late show” (the nighttime hours) and catches a midnight murder. She seeks assistance from a friend—the semi-retired detective, Harry Bosch—in working the case. I’ve read every one of Connelly’s Bosch Series books and have loved them all. Once you become involved and engrossed—usually by the third page—you cannot stop reading! Connelly’s novels are that good.
A Wall Street Journal and South Florida Sun-Sentinel Best Book of the Year
“A masterpiece”—LAPD detective Renée Ballard must join forces with Harry Bosch to find justice in a city scarred by fear and social unrest after a methodical killer strikes on New Year’s Eve (Publishers Weekly).
There’s chaos in Hollywood at the end of the New Year’s Eve countdown. Working her graveyard shift, LAPD detective Renée Ballard waits out the traditional rain of lead as hundreds of revelers shoot their guns into the air. Only minutes after midnight, Ballard is called to a scene where a hardworking auto shop…
I have always had a passion for anything crime fiction—books, movies, podcasts, or TV shows. It didn’t matter. I loved it all. It was probably because I grew up in a family with six police officers that seldom talked about anything unrelated to policing. I was like a sponge and picked up some terminology and learned about different police procedures they would discuss. There was rarely a family gathering that didn’t have some type of story or anecdote being shared by each of them and I always found myself being drawn right in. For those reasons, I fell in love with trying to figure out the who’s, how’s and why’s of any story.
I always enjoy a warped plot with lots of twists and this one certainly didn’t disappoint. It was riveting and kept me on the edge of my seat until the very end. The fast pace of the story continually left me thirsty for what was to come next. I absolutely love the four strong female characters in this book. They are so unique and individual yet complement each other perfectly, making them a very believable and dynamic force of leading ladies. As the book progressed, I could see and feel the growth and development of each of the characters which made them not only believable, but relatable. This fast-paced page-turner had my heart pounding more than once and diving into the rest of the series without hesitation.
As the only woman homicide inspector in San Francisco, Lindsay Boxer has to be tough. But nothing she has seen prepares her for the horror of the honeymoon murders, when a brutal maniac begins viciously slaughtering newly wed couples on their wedding nights. Lindsay is sickened by the deaths, but her determination to bring the murderer to justice is threatened by her own personal tragedy. So she turns to Claire, a leading coroner, Cindy, a journalist and Jill, a top attorney, for help with both her crises, and the Women's Murder Club is born.
After seventeen years of researching media use in the Soviet Union, I found I was hooked for life on the problems of totalitarianism. I went on reading about Stalinist Russia, Nazi Germany, and the East German Stasi and wrote several novels based on what I had read. In 2009, I saw an exhibition of paintings called “Looking for Owners.” Some of the pictures were extremely beautiful works by well-known artists which, I was surprised to learn, had been stolen by the Nazis during World War II. Their rightful owners had never been traced. I knew at once that there was a story in this.
If you want to know about art thefts in Europe during World War II, this is the book to read. This is the Bible!
Lynn Nicolas provides an exhaustive account of why the works were taken, where the looting took place, how it was done, how many artworks were plundered (the answer is in the hundreds of thousands), and what attempts were made after the war to recover the works and restore them to their owners.
I was awed by the extent of her research, which is truly groundbreaking. Before The Rape of Europa was published in 1994, little was known about the means and scale – and even the fact – of Nazi looting.
When the Nazi occupation of Poland, France and the Low Countries, and finally Italy, began a colossal wave of organised and casual pillaging stripped entire countries of their cultural heritage. From the day Hitler came to power, art was a matter of the highest priority to the Reich. He and other Nazis were ravenous collectors, stopping at nothing to acquire paintings and sculpture. Nicholas catalogues this theft and destruction but also shows how the dedicated corps of `Museum Officers', brought to Europe after the Allied victory, spent six years locating and sorting huge repositories of treasure and restoring their contents…
I’m a historian and writer and worked in universities all my life. I love writing and everything about it—pencils, pens, notebooks, keyboards, Word—not to mention words. I started writing the histories of migrants and refugees in twentieth-century Britain (and their entanglement with the history of the British Empire) in the 1980s and then kept going. When I studied history at university, migrants and refugees were never mentioned. They still weren’t on historians’ radar much when I started writing about them. Here I’ve picked stories that are not widely known and histories that show how paying attention to migrants and refugees changes ideas about what British history is and who made it.
I chose this memoir because it tells the compelling story of Germans and Austrians who joined the British forces to strike back against Nazi Germany—a story that is missing from most histories. First, they had to undergo many metamorphoses—a main theme of this memoir. Peter Masters—originally a member of a respectable Jewish family in Vienna—escapes to Britain and is a refugee from Nazi oppression, but in 1940 the British government identify him as an enemy alien and intern him. For his fourth metamorphosis he becomes a soldier in the British army, but the British government bans Austrians and Germans from bearing arms. After this ban is lifted there is a final metamorphosis when he joins a British commando unit. He writes, "The antithesis of 'lambs to the slaughter,' we fought and many of us died... Those who died preferred their fate to being gassed and cremated by the Nazi brute."
In writingThe Lost Son, which is loosely based on family history, I immersed myself in the history of World War II and in the world between the wars. It was important to me to understand this period from both sides—from the perspective of Germans who were either forced to flee their homeland or witness its destruction from within by a madman, and from the perspective of Americans with German ties who also fought fascism. The stories of ordinary people during this time are far more nuanced than the epic battles that World War II depicted, as the stories of ordinary people often are.
Born in 1934 in Berchtesgaden, in the shadow of Hitler’s Eagles Nest, Irmgard Hunt witnessed the growth of fascist ideology among the people she loved during an otherwise idyllic childhood. As the shadow of World War II fell over the mountain, however, Hunt began to question and then disavow the Nazi doctrines she had accepted as a young child. As time went on and the regime crumbled literally before her eyes, she was vocal in confronting her country’s criminal past and in championing the democratic principles her elders had so easily dismissed.
Irmgard Hunt was born into Nazi Germany in 1934 and brought up in the Bavarian village of Berchtesgaden, just outside the fence that surrounded Hitler's alpine retreat and headquarters. On Hitler's Mountain is her account of a childhood under the Third Reich as the daughter of low-level Party members. As a model Aryan toddler, she was photographed sitting on Hitler's knee, and attended school with the children of Albert Speer and Fritz Sauckel. Like many ordinary Germans her parents considered themselves to be moral and honourable: her father was a porcelain artist (at the workshop that provided Hitler with his…
After seventeen years of researching media use in the Soviet Union, I found I was hooked for life on the problems of totalitarianism. I went on reading about Stalinist Russia, Nazi Germany, and the East German Stasi and wrote several novels based on what I had read. In 2009, I saw an exhibition of paintings called “Looking for Owners.” Some of the pictures were extremely beautiful works by well-known artists which, I was surprised to learn, had been stolen by the Nazis during World War II. Their rightful owners had never been traced. I knew at once that there was a story in this.
Adam von Trott was a Prussian aristocrat who studied at Oxford, worked for the German resistance, and was executed by the Nazis in August 1944. I discovered Trott when I was researching wartime Berlin. Christopher Sykes’ biography gives a fascinating portrait of an intense and charming man. His deep loyalty to Germany led him to oppose its government, attempt to reach an understanding with its enemies and participate in an effort to kill its leader.
Adam and his contradictions continue to intrigue me – and I’m not the only one! He pops up regularly in other people’s novels under various aliases: as Hartmann in Robert Harris’ Munich, for instance, and as Axel von Gottberg in Justin Cartwright’s The Song Before It Is Sung.
I’m the U.S. author of more than thirty books, many of them traditional or cozy mysteries. As the daughter and niece of several World War II veterans, I grew up hearing some of their experiences – they left out the horror. But I did see the impact those travesties had on gentle people. I often marveled at the courage of those who fought without weapons to survive the deprivation and loss of many loved ones. And I’m glad I had opportunities to visit Germany and Japan as an adult, to see the friendships our nations foster today.
The story holds almost more sorrow than seems possible. Krystia Fediuk, her mother Kataryna, sister Maria and their longtime friends, many of them Jewish, live in a Ukrainian town that celebrated as their Soviet occupiers left in 1941. But the even more cruel Nazis arrived, joined by many more Germans and Balkans friendly to them. And they were determined to single out Jewish townspeople, eventually forcing them into a ghetto.
It was then that Krystia and her mother decided to hide three Jewish friends in a hole dug under their stove. The price for what the Nazis saw as their treachery was steep. Krystia fled to the Ukrainian insurgents in the forest, taking only her dwindling hope. Though fiction, the author based the book on several real Ukrainians and the stories of others who survived.
Marsha Forchuk Skrypuch (author of Making Bombs for Hitler) crafts a story of ultimate compassion and sacrifice based on true events during WWII.
The year is 1941. Krystia lives in a small Ukrainian village under the cruel -- sometimes violent -- occupation of the Soviets. So when the Nazis march into town to liberate them, many of Krystia's neighbors welcome the troops with celebrations, hoping for a better life.But conditions don't improve as expected. Krystia's friend Dolik and the other Jewish people in town warn that their new occupiers may only bring darker days.The worst begins to happen when the…
When I was invited to write a historical fiction that appealed to male readers, I wanted to showcase the struggles and dramas in peacetime rather than in war. Scientists vilifying the fly in order to demonstrate the connection between microbes and disease—and enlisting children to kill the fly—now that was a battle I could get behind. Revenge on the Fly, in all the forty books I’ve written, is my only foray into historical fiction. However, like most writers, I read across the genres voraciously. What I most love to read and write about are strong characters who demonstrate unwavering resilience.
This story has won many awards including the Geoffrey Bilson Award for historical fiction but I love it for looking at the German side of World War II, not the battle but the prejudices a 12-year-old Canadian German and a 17-year-old German prisoner of war face in rural Alberta. Karen creates compelling fiction that humanizes instead of demonizes “the enemy.”
It's WWII. Erich, a young German prisoner of war who dislikes Nazism, and Max, the twelve-year-old son of German immigrants, become friends when Erich is sent to work at a Canadian logging camp near Max's town. But with a saboteur haunting the logging camp and anti-German feeling running high in town, their friendship puts them both in danger.
Seventeen-year-old Erich is a prisoner of war working at a northern Alberta logging camp. Twelve-year-old Max goes to school-reluctantly-in the nearby town. The two would be unlikely friends, except that neither has anyone else to turn to. At the height of World…
