Here are 100 books that Dust Tracks on a Road fans have personally recommended if you like
Dust Tracks on a Road.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
While a history student at the University of Washington I became aware that courses never included more than a paragraph on the important contributions of women, such as Eleanor Roosevelt or Jane Addams. I longed to know more. What gave some women motivation to defy conventions and use their talents? When I first learned that Helga Estby’s audacious achievement was silenced for over 100 years, it launched me into over 15 years of research trying to recover this forgotten woman’s story. As a writing professor for twenty years, I saw how assigning papers that led to exploring and understanding the women in one’s family background deeply enriched college students' lives.
Olsen’s landmark book (1994) sheds light on how the writings and creativity of marginalized women and working-class people are often disenfranchised and the circumstances and forces that seek to silence them. I discovered her seminal ideas while in the midst of writing my Ph.D. dissertation at Gonzaga University on Helga Estby that emerged later as Bold Spirit. I was trying to figure out why her family burned hundreds of the pages Helga secretly wrote of her audacious journey across America. This evolved into my closing chapter in Bold Spirit on “the silencing of family stories,” which prompts readers to consider their own family silences. She raises important questions, especially for writers, on what nurtures creativity.
A study of the crucial relationship between circumstances - of sex, economic class, colour, the times and climate into which one is born - and creativity. The book draws on the lives, letters, diaries and testimonies of writers such as Melville, Hardy, Blake and Rimbaud. Tillie Olsen focuses on the financial and cultural pressures which obstructed, or silenced, their work. She then turns to those who have lost most: women writers, their energies deflected into domesticity and motherhood; black American writers, only 11 of whom published more than two novels from 1850-1950.
While a history student at the University of Washington I became aware that courses never included more than a paragraph on the important contributions of women, such as Eleanor Roosevelt or Jane Addams. I longed to know more. What gave some women motivation to defy conventions and use their talents? When I first learned that Helga Estby’s audacious achievement was silenced for over 100 years, it launched me into over 15 years of research trying to recover this forgotten woman’s story. As a writing professor for twenty years, I saw how assigning papers that led to exploring and understanding the women in one’s family background deeply enriched college students' lives.
This introduces readings to the life, teachings, and art of one of the world’s greatest female artists and intellectuals of the western mystical traditions. A 12th-century abbess of a large and influential Benedictine abbey, she defied convention for women in the Middle Ages and became a prominent preacher, healer, scientist, artist, composer, and theologian. Virtually unknown for almost 800 years, it is a credit to the women’s movement in restoring her lost legacy.
Publications of her writings, performances of her musical compositions, her ecological insights, and sense of earth “as a region of delight” are no longer silenced and contribute to vibrant understanding and discussions in the contemporary world. The art in Illuminations emerges from her mystical visions.
An introduction to the life and work of Hildegard.
• Reveals the life and teachings of one of the greatest female artists and intellectuals of the Western Mystical Tradition.
• Contains 24 full-color illustrations by Hildegard of Bingen.
• Includes commentary by Matthew Fox, author of Original Blessing (250,000 sold).
Hildegard of Bingen (1098-1179) was an extraordinary woman living in the Rhineland valley during most of the twelfth century. Besides being the abbess of a large and influential Benedictine abbey, she was a prominent preacher, healer, scientist, and artist. She also was a composer and theologian, writing nine books on…
I write as Robert J. Lloyd, but my friends call me Rob. Having studied Fine Art at a BA degree level (starting as a landscape painter but becoming a sculpture/photography/installation/performance generalist), I then moved to writing. During my MA degree in The History of Ideas, I happened to read Robert Hooke’s diary, detailing the life and experiments of this extraordinary and fascinating man. My MA thesis and my Hooke & Hunt series of historical thrillers are all about him. I’m fascinated by early science, which was the initial ‘pull’ into writing these stories, but the political background of the times (The Popish Plot and the Exclusion Crisis, for example) is just as enticing.
I’d never have guessed I’d be so beguiled by a book about moss. Or, more precisely, about Alma Whittaker, a bryologist observing moss.
I enjoyed this book's ‘differentness’. It’s an episodic story, unusually structured, with various life-like trailings-off of plotlines, characters, and marriage, but no less gripping for that.
Researching natural sciences in the nineteenth century is skilfully described, but it’s Alma who lingers in the mind. Its sentences, I thought, are beautiful too.
_______________
SHORTLISTED FOR THE WELLCOME BOOK PRIZE
LONGLISTED FOR THE BAILEYS WOMEN'S PRIZE FOR FICTION
_______________
'Quite simply one of the best novels I have read in years' - Elizabeth Day, Observer
'Charming ... extensively researched, compellingly readable' - Jane Shilling, Daily Telegraph
'Sumptuous ... Gilbert's prose is by turns flinty, funny, and incandescent' - New Yorker
_______________
A captivating story of botany, exploration and desire, by the multimillion copy bestselling author of Eat Pray Love
Everything about life intrigues Alma Whittaker. Her passion for botany leads her far from home, from London to Peru to Tahiti, in pursuit of…
While a history student at the University of Washington I became aware that courses never included more than a paragraph on the important contributions of women, such as Eleanor Roosevelt or Jane Addams. I longed to know more. What gave some women motivation to defy conventions and use their talents? When I first learned that Helga Estby’s audacious achievement was silenced for over 100 years, it launched me into over 15 years of research trying to recover this forgotten woman’s story. As a writing professor for twenty years, I saw how assigning papers that led to exploring and understanding the women in one’s family background deeply enriched college students' lives.
Jane Kirkpatrick, a New York Times bestselling writer of over 35 books, specializes in fictionalizing true stories of prominent women in history who are often unknown to today’s readers. Something Worth Doing, a historical novel, brings to life the story of Abigail Scott Duniway, an early suffragist and pioneer in the 19th century Pacific Northwest. As a married woman and mother of eight living children, Kirkpatrick weaves together Dunn's challenges as a newspaper publisher, primary breadwinner, and national speaker fighting for the rights of women and the vote.
Kirkpatrick, a psychologist, illustrates the universal pulls between career and family in a male-dominated sphere. One of my favorite genres is historical fiction and Kirkpatrick backs her novels with significant historical research.
In 1853, Abigail Scott was a 19-year-old school teacher in Oregon Territory when she married Ben Duniway. Marriage meant giving up on teaching, but Abigail always believed she was meant to be more than a good wife and mother. When financial mistakes and an injury force Ben to stop working, Abigail becomes the primary breadwinner for her growing family. What she sees as a working woman appalls her, and she devotes her life to fighting for the rights of women, including their right to vote.
Following Abigail as she bears six children, runs a millinery and a private school, helps…
I’m a picture-book author who wrote about Mahalia Jackson so more people would feel the sense of awe about her that I do. When I first read how she was treated by our own country, I was furious. But her amazing grace allowed me to focus on the positive aspects of her life, like she did.
The life of Zora Neale Hurston, the extraordinary novelist and first female African-American anthropologist, was bigger than words. But this picture book catches the uncatchable. The words are gorgeous. And the illustrations further illuminate the portrait, including delightful hats on the endpapers (a hat-tip to Ms. Hurston’s “HATitude”).
From the Newbery Honor-winning author of Genesis Begins Again comes a shimmering picture book that shines the light on Zora Neale Hurston, the extraordinary writer and storycatcher extraordinaire who changed the face of American literature.
Zora was a girl who hankered for tales like bees for honey. Now, her mama always told her that if she wanted something, "to jump at de sun", because even though you might not land quite that high, at least you'd get off the ground. So Zora jumped from place to place, from the porch of the general store where she listened to folktales, to…
Fairy tales are some of my favorite stories: each time we touch them, we change them. Before we began writing them down, fairy tales were passed from speaker to listener, always changing with the teller, the audience, the culture. I’m fascinated by how often we revisit them, by what we change, and what we decide to keep. I think there are as many ways to tell a story as there are folks who are interested in telling it, and I like to see what authors and illustrators will cook up from our communal pot of stories.
This novella has some of my favorite descriptions of the natural world and I love how it plays with its protagonist’s sense of time.
The lead character and his relationship to the forest draw from the mythology of the Green Man, and it’s a fantastic example of how much the narration style can be affected by the viewpoint character.
Tesh’s pose is dreamlike and slow, and all of its elements—the plot, the characters, the relationships—unfold slowly, like winter melting into spring.
Stories rife with forest magic and characters who learn to let go of past hurts are two of my favorite things, and Silver in the Wood executes both beautifully.
From Astounding Award winner and Crawford Award finalist Emily Tesh
An ALA RUSA Reading List Selection
"A true story of the woods, of the fae, and of the heart. Deep and green and wonderful.”—New York Times bestselling author Naomi Novik
There is a Wild Man who lives in the deep quiet of Greenhollow, and he listens to the wood. Tobias, tethered to the forest, does not dwell on his past life, but he lives a perfectly unremarkable existence with his cottage, his cat, and his dryads.
When Greenhollow Hall acquires a handsome, intensely…
I fell in love with Romantic poetry when I was young. Then, after a gap of several years, I began to write historical fiction, and it was at this time that I found myself being drawn once more to the Romantic poets, this time as people as much as for their work. I discovered their place in the world, contested and controversial, and their influence became a driving light to me and my characters. InBeneath Black Clouds and White, Delphi explains: “It has a pulse, you see, like any other living thing. You must treat each poem as though it were alive.” I feel the same way!
I’m a person with limited interests so, as well as loving history and poetry, I also collect bits of both… Ballads and Lyrical Pieces is one of the only books I can boast about having a first edition of!
I have a lot of time for Walter Scott, not only as a writer, but as a cultural politician and a folklorist. A lot of the pieces in this book are not solely his work, but the reimagining of local ballads. After scooping up these, there’s no wonder he went on to invent the romanticised “Scottishness” we recognise today. This book, 15 years before Scott influenced George IV’s visit to Scotland, shows where his own influences came from.
Leopold is delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure…
Nearly forty years ago, as a young poet, I started going to a storytelling circle in Toronto, thinking it would be a good venue to recite my poems. What I heard there awakened something in me. When I was a child, my parents read me wonder tales, and I soon began to read them on my own. Now I was hearing these stories, the way they were heard for millennia before anyone wrote them down. Today, I am a storyteller, I am married, and I am a professor who teaches a course on storytelling and writes about stories – all because of those weekly gatherings years ago and the storytellers there.
Stories come alive when people tell them to each other.
In my mid-20s, I happened upon a weekly gathering in Toronto, “1001 Friday Nights of Storytelling.” In a former synagogue turned art school – with candlelight shining on works in progress – people told old tales, by heart and with heart. This was the beginning of many things in my life, and this is the community that folklorist Kay Stone has written about.
She shows that the Toronto storytelling circle is part of a worldwide movement. She talks with great storytellers and explores favourite stories with them. And she shares her own struggle with a witch story from Grimms’ Fairy Tales, and how, as she told it again and again, she changed the story and the story changed her.
Burning Brightly is the first full-length book treatment of professional storytelling in North America today. For some years there has been a major storytelling revival throughout the continent, with hundreds of local groups and centres springing up, and with storytelling becoming an important part of the professional training for librarians.
In the book, Stone explores storytelling through storytellers themselves, while providing enlightening commentary from her own background as a storyteller. Included in her analysis are informative discussions of organized storytelling communities, individual tellers, and tales. Issues such as the modern recontextualization of old tales and the role of women in…
I’ve been living in and writing about Japan for two decades—it’s where my wife and I have raised a bicultural family and where I don’t think I’ll ever run out of stories I want to tell. Whether written by Japanese or non-Japanese, I love reading work that documents Japan and its culture in an honest and thoughtful way. I hope you’ll try some of the books on this list because, with so much Japan coverage today veering towards cultural exoticism and fetishism or leaning on familiar stereotypes and tropes, it’s even more important to seek out great Japanese writing.
This book might be light (my battered copy is only 83 pages), but it contains over 100 fascinating folk tales, all of which were collected by folklorist Kunio Yanagita from villagers in rural Tono in northern Japan in the early 1900s.
From a tragic tale about a farmer’s daughter who fell in love with a horse to stories about mythical creatures, the book shines a light on the fascinating superstitions and lore that were once part of the fabric of rural life in Japan.
In 1910, when Kunio Yanagita (1875-1962) wrote and published The Legends of Tono in Japanese, he had no idea that 100 years later, his book would become a Japanese literary and folklore classic. Yanagita is best remembered as the founder of Japanese folklore studies, and Ronald Morse transcends time to bring the reader a marvelous guide to Tono, Yanagita, and his enthralling tales. In this 100th Anniversary edition, Morse has completely revised his original translation, now out of print for over three decades. Retaining the original's great understanding of Japanese language, history, and lore, this new edition will make the…
At school I fell in love philosophy. But at university, as I grew older, I started to feel out of place: all the authors we read were men. I loved Plato, but there was something missing. It didn’t occur to me until I was in my thirties to look for women in the history of philosophy! I read Wollstonecraft first, then Olympe de Gouges, and the other women I wrote about in my book, and now I’m looking at women philosophers from the tenth to the nineteenth century. There is a wealth of work by women philosophers out there. Reading their works has made philosophy come alive for me, all over again.
Anna Julia Cooper is one of the nineteen and twentieth American philosophers I find most exciting.
Her book, A Voice from the South, is the first feminist book to introduce the idea of intersectionality! She spent her very long lifetime writing about education, women’s rights, racism, and she has a fascinating correspondence with the intellectuals of her time, including W.E.B Dubois.
But until recently getting hold of her writings wasn’t terribly easy, unless you were willing to read online, or had access to a good academic library.
This beautiful and cheap edition is a godsend and everyone should buy it.
A collection of essential writings from the iconic foremother of Black intellectual history, feminism and activism
The Portable Anna Julia Cooper will introduce a new generation of readers to an educator, public intellectual and community activist whose prescient insights and eloquent prose underlie some of the most important developments in modern American intellectual thought and African-American social and political activism.
This volume brings together, for the first time, Anna Julia Cooper's major collection of essays, A Voice from the South, along with several previously unpublished poems, plays, journalism and selected correspondences, including over thirty previously unpublished letters between Anna Julia…
