Fans pick 100 books like Camber of Culdi

This is a wonderful blend of magic, history, and romance that completely swept me away. I loved how Harkness created a world where science and magic coexist, and the way she weaves historical references into a modern love story stole my heart.

The relationship between Diana and Matthew feels real, complicated, and deeply emotional, and I found myself fully invested in their journey. What really hooked me was the rich world-building, with its intricate details of witches, vampires, and daemons, making it feel like a universe I could dive into again and again. This is an annual reread for me. Book 1 in a wonderful series.

This is the first book in a series that goes on and on, following the life of a couple of characters as the world changes around them. Spanning two different worlds, this first book builds up a number of characters you want to keep reading about. As the series continues through time, new threats to the two worlds introduce new characters. What I like most about this series is it keeps moving the worlds forward instead of stagnating.

Chronicles of the One starts with this book, and it is a wild ride. It’s postapocalyptic but with a supernatural edge to it. There’s a plague that sweeps the world, but most of the ones left standing after it have some supernatural abilities. It becomes a war to save the world, waged between the supernaturals and the normal humans.

There’s romance—because Nora Roberts is the queen of romance—battles, and a nice HEA (happily ever after) at the end. This whole series is a do-not-miss page-turner.

This coming-of-age story centers on Jaxom, a young dragon rider and future lord of a hold, and his bonded dragon Ruth, a rare, small, and often silly white dragon. Jaxom thinks his greatest problem is the bullies who mock him for his status and his dragon’s unusual size, but as he strives to prove his naysayers wrong, he ends up thrown in the middle of political machinations far beyond what he could have dreamed. I love Ruth’s almost childlike nature and his fearless willingness to rise to whatever challenge they faced. Their friendship, and unique relationship with the tiny fire lizards of the land, was charming at every turn. 

In this, the final novel of Kurtz’s epic series about the magic-wielding Deryni race, the half-blood King Kelson navigates dynastic marriage, alliances with far-flung kingdoms, assassination plots, and family betrayals. Kelson is a favorite character of mine: decent, brave, practical, and devout, and I felt great satisfaction when he finally met his soulmate in the spirited and courageous Princess Araxie. All doesn’t go smoothly for the pair, however, and they have to overcome many obstacles before they can be united. Kurtz is a master at atmospheric world-building, and I fell into her world as readily as I fell into Narnia and Middle Earth. I really liked how Kurtz expanded her scope to include regions similar to Byzantium, medieval Hungary, and the Islamic world. It was fascinating, thrilling, and uplifting; another of my all-time favorites.

It was this book that disabused me of the notion that fantasy had to be written in a specific way, often in highfalutin or profound language. It encouraged me to put my own stories into writing.

Though very much a historical fantasy novel, this book was easy to understand despite the unfamiliar terms and background details of a fantastical universe. I think it’s due to Katheryn Kurtz’s initial use of simple, down-to-earth language and a fairly straightforward story, which, looking back now, was probably aimed at teenagers or young adults. I was sometimes reminded of the first volume of JRR Tolkien’s epic novel, especially because the succeeding books got progressively darker and more complex.

In this introductory book, the world of the Deryni, a race of mortals with magical powers, is fleshed out so well that the kingdom of Gwynedd, its people, and its neighboring realms feel so real that… show more.

This is a genuine classic. Denys Turner almost single-handedly made us re-evaluate the nature of ‘mysticism’ and spirituality. More in particular, he distances himself from typically modern interpretations of mysticism in terms of an immediate experience of God: given the traditional emphasis upon the unknowability of God, Turner argues that mysticism is not about an experience of God, but it offers ‘categories of experience’: the mystic, transformed by faith, hope, and love, relates to the world, others, and self in a radically different way.

Eckhart’s notion of detachment, involving a letting go or renunciation of the possessiveness that characterizes our ordinary dealings with the world, is a prime example. This may not be an easy read for people new to the field, but it deserves a close reading.

This is Volume 3 of a major series covering Western spirituality from the era of the Church Fathers to the seventeenth century. Every volume contains a wealth of insights into medieval spirituality (and theology). This series is a monument of scholarship: nothing like this has ever been tempted by any scholar in the English-speaking world—and achieved with so much flair and expertise.

One would buy these books just for the bibliographies alone, even in an age of search engines. This volume covers Franciscan spirituality, women mystics, and beguines, including Hadewijch, Mechthild, and Marguerite Porete. Like the other volumes, it is lucid, informative, and comprehensive. Warmly recommended.  

I am including Turkey as located in Asia Minor. As a frequent visitor to Istanbul in the past, I watched with fascination the whirling Dervishes. I know it is corrupted by tourism. The dance reflects the legacy of Rumi the 13 century Persian poet. The beauty of Rumi’s philosophy and the world of Sufism comes through as does the grace of the body.

Edward Marston is a really prolific writer – he’s written seven or eight series of historical novels.

My personal favourite is the Domesday series, which follows the adventures of a group of men ordered to put right any mistakes in the Domesday Book, which William the Conqueror used to tax his English subjects. En route, Ralph Delchard and his colleagues also find time to solve a brand new crime – proto-private detectives, I suppose. The book roisters along with some strong female characters to lighten the masculine darkness.

The main reason I chose this is because when I read it I contacted the author to say how impressed I was. And then – Reader, I married him!