Here are 100 books that Bring Back Our Girls fans have personally recommended if you like
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Not many people know that I was so timid as a child; I used to burst into tears if I had to ask for something in a store. Now, I am known for my “out there” presentation style and mastery of words. Since 1982, I have been working with individuals and groups to help them get better at persuading, solving conflicts, and having inspiring relationships. So, how can you be a nice, caring person and still be persuasive, even with the most skeptical of people? These books helped me do this.
I love this book because his techniques are so practical and easy to use.
I re-read his book when I was in the middle of a difficult business negotiation over Zoom and email and followed his directions step by step. This led to a positive outcome for both of us.
He makes sure that you are very clear on what is essential for you, enables you to figure out the sometimes hidden motivations of the other person, and guides you through on what to say and do next. I will go through it again the next time I am preparing a negotiation.
A former FBI hostage negotiator offers a new, field-tested approach to negotiating - effective in any situation.
'Riveting' Adam Grant 'Stupendous' The Week 'Brilliant' Guardian ____________________________ After a stint policing the rough streets of Kansas City, Missouri, Chris Voss joined the FBI, where his career as a kidnapping negotiator brought him face-to-face with bank robbers, gang leaders and terrorists. Never Split the Difference takes you inside his world of high-stakes negotiations, revealing the nine key principles that helped Voss and his colleagues succeed when it mattered the most - when people's lives were at stake.
My book recommendations reflect my experience as a former US government physician-diplomat, based overseas in Russia, Mexico, Europe, and South Asia, where I was involved in working closely with law enforcement and diplomatic negotiators in several highly sensitive, delicate, and dangerous hostage situations, both as a consultant and in providing medical support/care coordination to released hostages. I always found this work to be exhilarating and demanding, and it left me with the highest respect for law enforcement, diplomatic, and mental health professionals who work in this space. As a result, I’ve had additional formal training in hostage negotiation, negotiation psychology, and medical/psychological support to victims.
Daniel Levin’s book is a gripping, gut-wrenching tale of his search for missing young man in Syria during the aftermath of the Arab Spring.
A gifted international negotiator, Levin also tells a very human and tragic tale, with valuable lessons on how negotiators should approach the most dangerous, high-risk negotiations, where the chances of failure and sorrow are extremely high. Levin writes masterfully, and his story overwhelms the reader with his sense of empathy, tragedy, and yes, even hope, in a part of the world where hope is in short supply.
“Riveting . . . Well-written and highly compelling."—Wall Street Journal
“Truly thrilling. Daniel Levin brilliantly conveys both the menace and the evil of Middle Eastern intrigue, and some victories of human kindness over cruelty and despair.”—Daniel Kahneman, New York Times bestselling author of Thinking, Fast and Slow
Daniel Levin was in his New York office when he got a call from an acquaintance with an urgent, cryptic request to meet in Paris. A young man had gone missing in Syria. No government, embassy, or intelligence agency would help. Could he? Would he? So begins a suspenseful, shocking, and at times…
My book recommendations reflect my experience as a former US government physician-diplomat, based overseas in Russia, Mexico, Europe, and South Asia, where I was involved in working closely with law enforcement and diplomatic negotiators in several highly sensitive, delicate, and dangerous hostage situations, both as a consultant and in providing medical support/care coordination to released hostages. I always found this work to be exhilarating and demanding, and it left me with the highest respect for law enforcement, diplomatic, and mental health professionals who work in this space. As a result, I’ve had additional formal training in hostage negotiation, negotiation psychology, and medical/psychological support to victims.
Picco’s book is a striking tale of his role as a UN diplomat in the 1980s and 1990s, where he worked tirelessly behind the scenes to negotiate and free numerous hostages held by Islamic terrorist groups in Lebanon.
He describes his meetings with key Israeli, Syrian, American, and Iranian interlocutors in extremely risky, high-stakes hostage negotiations; he was thought to have been one of the few Westerners to have ever met the late Imad Mugnihyah, leader of Islamic Jihad—and lived to tell the tale.
Picco is a true hero, and the released Lebanon hostages owed their lives to his compassion, courage, unbelievable endurance, and remarkable diplomatic gifts.
Can an unarmed man triumph in a land of terror and violence?
Man Without a Gun is the true story of a single UN diplomat's astonishing high-wire struggle for peace in the Middle East. UN secretary-general Javier Pérez de Cuéllar called the author "more of a soldier than a diplomat." And, indeed, his life is the stuff of John le Carré thrillers. But Man Without a Gun is more than a thriller: It is a real-life voyage through the maze of the secretive Middle East, the inside account of the political maneuverings that continue to dominate today's headlines, and the…
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
My book recommendations reflect my experience as a former US government physician-diplomat, based overseas in Russia, Mexico, Europe, and South Asia, where I was involved in working closely with law enforcement and diplomatic negotiators in several highly sensitive, delicate, and dangerous hostage situations, both as a consultant and in providing medical support/care coordination to released hostages. I always found this work to be exhilarating and demanding, and it left me with the highest respect for law enforcement, diplomatic, and mental health professionals who work in this space. As a result, I’ve had additional formal training in hostage negotiation, negotiation psychology, and medical/psychological support to victims.
Noesner’s book is a must-read for any professional hostage negotiator.
At the FBI, Noesner was one of the founders of the discipline in the 1980s, and he worked tirelessly as a student, and later, master of the craft of crisis negotiation. The book is a deeply human and personal tale, and Noesner describes his many successes but also his failures – including Waco – where his patient, careful approach was overtaken by other events, subsequently resulting in tragedy and a loss of life.
Noesner’s humility, dedication, and empathy shine throughout this superb book.
An enraged man abducts his estranged wife and child, holes up in a secluded mountain cabin, threatening to kill them both. A right wing survivalist amasses a cache of weapons and resists calls to surrender. A drug trafficker barricades himself and his family in a railroad car, and begins shooting. A cult leader in Waco, Texas faces the FBI in an armed stand-off that leaves many dead in a fiery blaze. A sniper, claiming to be God, terrorizes the DC metropolitan area. For most of us, these are events we hear about on…
I have always believed in the power of journalism to tell stories of people: the powerful as well as the ordinary and disenfranchised. In the hands of the right writer, such stories can have as much dramatic sweep and be as engrossing as any work of fiction. I have read literary nonfiction since before I became a journalist, and as a foreign correspondent, while breaking news is a key part of my job, longform narrative writing is where I really find gratification, as a writer and a reader. It’s a vast genre, so I focused this list mostly on stellar examples of foreign reporting. I hope you enjoy it.
This is classic literary journalism from a reporter who, at the time, had no business writing this beautifully at such a young age. It’s a great example of how ordinary lives caught up in conflict when told with enough flair and sensitivity, contain sufficient drama and universal appeal to rival any fictionalized character.
Okeowo’s geographic sweep is impressive, as she brings us to Uganda, Mauritania, Somalia, and Nigeria, weaving a unifying narrative of ordinary people fighting extremism.
I grew up in Uganda and Kenya, and when I moved to the United States, I felt separated from myself. Learning how to be American was exhausting and so I disappeared into books. I’m now more settled, but I still travel through fiction. These days, I am reading fiction by African women. You should be, too! There is so much stunning literature out there. These five books are just the beginning, but they are novels I can’t stop thinking about.
The Son of the House is modern, original, page-turning, powerful, and beautifully written. I was curious about the seeming contradiction between Onyemelukwe-Onuobia’s title, and the novel’s subject, two women who have been kidnapped in Enugu, Nigeria. Of course, I soon learn there is no contradiction. The lives of both Nwabulu and Julie are impacted by the value once placed upon the son of the house. The novel makes clear that these traditions are changing fast, even as the characters grapple with the reverberations. The novel introduces us to fascinating women who I have thought about long after I finished reading it.
Pulsing with vitality and intense human drama, Cheluchi Onyemelukwe-Onuobia’s debut is set against four decades of vibrant Nigeria and celebrates the resilience of women as they navigate and transform what remains a man’s world.
Benghazi: A New History is a look back at the enigmatic 2012 attack on the US mission in Benghazi, Libya, its long-tail causes, and devastating (and largely unexamined) consequences for US domestic politics and foreign policy. It contains information not found elsewhere, and is backed up by 40 pages of…
I grew up dreaming of other worlds, both real and imagined. I’ve since had the great fortune of living in Angola, Bangladesh, Gambia, Italy, Malawi, Mozambique, Myanmar, and Tanzania—each country as fascinating to me as the next. Yet there’s so much more of the world I want to experience! This is why I love novels that immerse me in the history and culture of foreign lands. By entering the hearts and minds of characters with different life experiences than myself, I feel a sense of connection that expands my own worldview. I hope you enjoy these books as much as I have!
Exquisitely written and profoundly wise, this is one of my all-time favorite novels. Ifemulu and Obinze meet in high school, forming a deep attachment that continues into university. When political turmoil in Nigeria forces them to emigrate to separate countries, their love story comes to an unexpected halt.
As I read this book, I was moved by Ifemulu’s struggle to recapture her sense of self and stirred by the grief she felt, both for her broken relationship and for her country. Alternating between Nigeria and the USA, the novel transported me into Ifemulu’s world, making me reflect anew on questions of race, identity, and belonging.
Introducing the Collins Modern Classics, a series featuring some of the most significant books of recent times, books that shed light on the human experience - classics which will endure for generations to come.
How easy it was to lie to strangers, to create with strangers the versions of our lives we imagined.
Ifemelu and Obinze are young and in love when they depart military-ruled Nigeria. Self-assured Ifemelu heads for America. But quiet, thoughtful Obinze finds post-9/11 America closed to him, and plunges into a dangerous undocumented life in London.
Fifteen years later, they reunite in a newly democratic Nigeria,…
I have been professionally involved with contemporary art since the 1980s, when I was a curator at the Institute of Contemporary Art in Boston. In the forty years since I've seen an enormous shift in the orientation of American curators and scholars from Western art to a global perspective. After earning my PhD at Harvard, and writing several books on contemporary art, I wanted to tackle the challenge of a truly comparative contemporary art history. To do so, I've depended on the burgeoning scholarship from a new more diverse generation of art historians, as well as on many decades of travel and research. My book Heritage and Debt is an attempt to synthesize that knowledge.
This is the best account I know of the double bind that artists subjected to settler forms of colonialism have had to endure. Taking Nigerian modern art as his case study, this eminent Africanist art historian shows how, on the one hand, colonial officials attempted to abolish the indigenous artistic heritage as "savage," or "primitive," while simultaneously blocking African artists from a European art education. To become modern required a negotiation between these dual limitations and ended up producing something very different from Western modernism.
Written by one of the foremost scholars of African art and featuring 129 color images, Postcolonial Modernism chronicles the emergence of artistic modernism in Nigeria in the heady years surrounding political independence in 1960, before the outbreak of civil war in 1967. Chika Okeke-Agulu traces the artistic, intellectual, and critical networks in several Nigerian cities. Zaria is particularly important, because it was there, at the Nigerian College of Arts, Science and Technology, that a group of students formed the Art Society and inaugurated postcolonial modernism in Nigeria. As Okeke-Agulu explains, their works show both a deep connection with local artistic…
In my early twenties, I worked in a maximum security, Category A men’s prison. I got to know the prisoners, who were usually polite, funny, and, for want of a better word, ‘normal,’ even if guilty of terrible crimes. It made me realize you can’t simply tell if someone is ‘good’ or ‘bad’ by looking at them. It left an indelible mark on me: a fascination with people who lie easily and fool the world. My fascination grew when I became a journalist, but writing fiction has given me the freedom to truly explore liars of all types and try to understand them.
Why people lie is often as interesting as the lie itself for me. This book lays this out as Korede finds herself being a protective big sister to the beautiful Ayoola, a woman with an unfortunate hobby of bumping off men she dates. Despite the darkness of the subject matter, it’s a story full of humor as Korede finds herself telling lie after lie and getting in way over her head to cover up her sister’s murders.
I’ve got two sisters (none of us serial killers!), and it’s funny how much of this tale is relatable! It’s fresh and sharp, with a rich vein of humor that had me chuckling through much of it.
Sunday Times bestseller and The Times #1 bestseller
Longlisted for the Booker Prize 2019 Shortlisted for the Women's Prize for Fiction 2019 Winner of the 2019 LA Times Award for Best Crime Thriller Capital Crime Debut Author of the Year 2019 __________
'A literary sensation' Guardian
'A bombshell of a book... Sharp, explosive, hilarious' New York Times
'Glittering and funny... A stiletto slipped between the ribs and through the left ventricle of the heart' Financial Times __________
When Korede's dinner is interrupted one night by a distress call from her sister, Ayoola, she knows what's expected of her: bleach, rubber…
I'm passionate about stories that portray women as full human beings managing their passions, challenges, and obligations with grit because I grew up surrounded by a phalanx of them. Those who add “wife” and “mother” to their plate fascinate me all the more, especially as I grow older and better understand the pressures heaped on women. I saw my mother, sister, grandmothers, and aunties in all their complexities, building themselves up as they built families and businesses, starting over when they had to, overcoming the seemingly insurmountable, challenging the status quo, and never giving up. I gravitate toward female characters who share that spirit or grapple with how to get it.
What I appreciate most about this story is that it offered me painstaking clarity on the emotional journey to and through motherhood. I was shaken by how quickly Nnu Ego went from sought-after bride to castoff to competitor for her husband’s affections—and how, through it all, her ability to bear children was the only metric society valued her for.
Even more harrowing to me was how thanklessly her daughters and sons treated her. This book gave me a wholly new appreciation for my mother and motherhood.
A feminist literary classic by one of Africa’s greatest women writers, re-issued with a new introduction by Stéphane Robolin.
First published in 1979, The Joys of Motherhood is the story of Nnu Ego, a Nigerian woman struggling in a patriarchal society. Unable to conceive in her first marriage, Nnu is banished to Lagos where she succeeds in becoming a mother. Then, against the backdrop of World War II, Nnu must fiercely protect herself and her children when she is abandoned by her husband and her people. Emecheta “writes with subtlety, power, and abundant compassion” (New York Times).
