Here are 100 books that The Son of the House fans have personally recommended if you like
The Son of the House.
Shepherd is a community of 11,000+ authors and super readers sharing their favorite books with the world.
Shepherd is reader supported. When you buy books, we may earn an affiliate commission.
I grew up in Uganda and Kenya, and when I moved to the United States, I felt separated from myself. Learning how to be American was exhausting and so I disappeared into books. I’m now more settled, but I still travel through fiction. These days, I am reading fiction by African women. You should be, too! There is so much stunning literature out there. These five books are just the beginning, but they are novels I can’t stop thinking about.
What does environmental racism look like? ReadHow Beautiful We Wereby Imobolo Mbue for a vital, searing answer. An American oil company is destroying the land and water of the fictional village of Kosawa. Children are dying. The company does this because they can, spouting only empty words about restitution. The novel narrates the village’s fight back, using alternating points of view to electric, pulsing effect.
'Sweeping and quietly devastating' New York Times 'A David and Goliath story for our times' O, the Oprah Magazine
Set in the fictional African village of Kosawa, this is the story of a people living in fear amidst environmental degradation wrought by an American oil company. Pipeline spills have rendered farmlands infertile. Children are dying from drinking toxic water. Promises of clean-up and financial reparations are made - and broken. Left with few choices, the people of Kosawa decide to fight back. But it will come at a steep price - one which generation after generation…
The world is an amazing, diverse place that needs stories that represent everyone. I identify as gender fluid and am part of my city’s LGBTQIA+ community. For kids, there aren’t enough stories that feature non-straight cis protagonists where that identity isn’t the focus. LGBTQIA+ kids exist. They are normal. Let a gay kid go into space. Let a teenage lesbian solve a mystery. Let a trans girl defeat a dragon. Let an ace teen be a witch. Everybody deserves their adventure.
The City of Lucille has gotten rid of all its monsters.
That’s what Jam, a teenage trans girl, believed until the demonic-looking Pet emerged from one of her mother’s paintings. But despite their monstrous appearance, Pet isn’t the monster, but came forth to hunt a monster already living among the people of Lucille undetected.
Pet contains vivid imagery, powerful themes, and a sensitive and brave protagonist. Be bold. Be vigilant. Monsters never entirely go away because we are the monsters.
4
authors picked
Pet
as one of their favorite books, and they share
why you should read it.
This book is for kids age
12,
13,
14, and
15.
What is this book about?
How do you save the world from monsters if no one will admit they exist?
She stumbled backwards, her eyes wide, as the figure started coming out of the canvas ... She tried to be brave. Well, she said, her hands only a little shaky, at least tell me what I should call you. ... Well, little girl, it replied, I suppose you can call me Pet.
There are no more monsters anymore, or so the children in the city of Lucille are taught. With doting parents and a best friend named Redemption, Jam has grown up with this lesson…
I grew up in Uganda and Kenya, and when I moved to the United States, I felt separated from myself. Learning how to be American was exhausting and so I disappeared into books. I’m now more settled, but I still travel through fiction. These days, I am reading fiction by African women. You should be, too! There is so much stunning literature out there. These five books are just the beginning, but they are novels I can’t stop thinking about.
The First Woman is perhaps the best novel you haven’t yet read. Kirabo has never known her mother and she is looking for answers at the same time as she is becoming a woman. She is guided first by the village’s blind witch Nsuuta, who has her own reasons for getting involved. Nsuuta tells Kirabo that women were once, “huge, strong, loud, proud, brave, independent. But it was too much for the world.” The writing in this ambitious novel is sometimes funny and sometimes poignant.
'In Jennifer Makumbi, we have a giant of literature living among us.' Peter Kalu, Jhalak Prize Judge
Longlisted for the Diverse Book Awards, 2021
'Jennifer Makumbi is a genius storyteller.' Reni Eddo-Lodge
A SUNDAY TIMES, OBSERVER, DAILY MAIL, BBC CULTURE & IRISH INDEPENDENT BOOK OF THE YEAR
At once epic and deeply personal, the second novel from prize-winning author Jennifer Makumbi is an intoxicating mix of Ugandan folklore and modern feminism that will linger in the memory long after the final page.
As Kirabo enters her teens, questions begin to gnaw at her - questions which the adults in her…
I grew up in Uganda and Kenya, and when I moved to the United States, I felt separated from myself. Learning how to be American was exhausting and so I disappeared into books. I’m now more settled, but I still travel through fiction. These days, I am reading fiction by African women. You should be, too! There is so much stunning literature out there. These five books are just the beginning, but they are novels I can’t stop thinking about.
Doreen Baingana’s novel Tropical Fish is smart and empathetic, with a keen eye for details. The story is set in post-Idi Amin Uganda and is primarily Christine’s coming of age, but we also read chapters from her sisters’ points of view. The novel is a page-turner with an innovative structure, but it’s the characters who will stay with you.
In her fiction debut, Doreen Baingana follows a Ugandan girl as she navigates the uncertain terrain of adolescence. Set mostly in pastoral Entebbe with stops in the cities Kampala and Los Angeles, Tropical Fish depicts the reality of life for Christine Mugisha and her family after Idi Amin’s dictatorship.
Three of the eight chapters are told from the point of view of Christine’s two older sisters, Patti, a born-again Christian who finds herself starving at her boarding school, and Rosa, a free spirit who tries to “magically” seduce one of her teachers. But the star of Tropical Fish is Christine,…
My book recommendations reflect my experience as a former US government physician-diplomat, based overseas in Russia, Mexico, Europe, and South Asia, where I was involved in working closely with law enforcement and diplomatic negotiators in several highly sensitive, delicate, and dangerous hostage situations, both as a consultant and in providing medical support/care coordination to released hostages. I always found this work to be exhilarating and demanding, and it left me with the highest respect for law enforcement, diplomatic, and mental health professionals who work in this space. As a result, I’ve had additional formal training in hostage negotiation, negotiation psychology, and medical/psychological support to victims.
This book is an incredible story of the behind-the-scenes efforts to locate and free the 276 young Nigerian [Chibok] schoolgirls kidnapped by Boko Haram in 2014, a kidnapping which attracted worldwide media attention.
It’s a story of 2 tales: first, of the incredible courage and Christian faith of those young girls, which in many cases, sustained them, keeping them alive physically, psychologically, and spiritually as they underwent immense hardships and tortures. Second, it’s a tale of two other heroes, a Nigerian lawyer, Zanna Mustapha, and a Swiss diplomat, Pascal Holiger, who worked tirelessly over many years to free many of the hostages.
A gripping read about Nigeria, Christian faith, hostage negotiation, terrorism, and redemption.
What happens after you click tweet?. . . The heart-stopping and definitive account of the rescue mission to free hundreds of Nigerian schoolgirls, and their heroic survival, after their 2014 kidnapping spurred a global social media campaign that prompted the intervention of seven militaries, showing us the blinding possibilities-for good and ill-of activism in our interconnected world.
In the spring of 2014, American celebrities and their Twitter followers unwittingly helped turn a group of teenagers into a central prize in the global War on Terror by retweeting #BringBackOurGirls, a call for the release of 276 Nigerian schoolgirls who'd been kidnapped…
As a Moldovan emigrant growing up in Greece, I believed that Western institutions were centers of excellent knowledge. After studying in the USA and the UK and conducting research with Muslim and Christian communities in Africa, I became aware of colonial, ethnocentric, and universalizing tendencies in gender, religion, and domestic violence studies and their application in non-western contexts. International development had historically followed a secular paradigm congruent with Western societies’ perception of religion and its role in society. My work has since sought to bridge religious beliefs with gender analysis in international development work so that the design of gender-sensitive interventions might respond better to domestic violence in traditional religious societies.
Oyèrónké Oyěwùmí’s was the first book I encountered when I started to critically engage with Western feminist scholarship as a Master's student in the UK.
This book made a major intervention by challenging theories of gender in Western social sciences and questioning their relevance to African societies. I especially loved the book because Oyěwùmí offered a detailed presentation of gender realities in the Oyo-Yorùbá society of Nigeria that paid attention to human relations holistically and situationally and did not assume gender inequality on the basis of female/male bodies.
A must-read analysis for anyone working to decolonize gender theory.
The "woman question", this book asserts, is a Western one, and not a proper lens for viewing African society. A work that rethinks gender as a Western contruction, The Invention of Women offers a new way of understanding both Yoruban and Western cultures. Oyewumi traces the misapplication of Western, body-oriented concepts of gender through the history of gender discourses in Yoruba studies. Her analysis shows the paradoxical nature of two fundamental assumptions of feminist theory: that gender is socially constructed in old Yoruba society, and that social organization was determined by relative age.
When I decided to familiarize myself with eighteenth-century authors of African descent by editing their writings, I didn’t anticipate becoming their biographer. In annotating their writings, I quickly became intrigued and challenged by trying to complete the biographical equivalent of jigsaw puzzles, ones which often lack borders, as well as many pieces. How does one recover, or at least credibly speculate about, what’s missing? Even the pieces one has may be from unreliable sources. But the thrill of the hunt for, and the joy of discovering, as many pieces as possible make the challenge rewarding. My recommendations demonstrate ways others have also met the biographical challenge.
English enslavers called Ancona Robin Robin John and Little Ephraim Robin John “princes” because they were literate English-speaking members of one of two ruling African slave-trading families in present-day southeastern Nigeria.
The lives of the Johns illuminate the surprisingly complex relationships among the participants in the transatlantic slave trade, when African suppliers of enslaved Africans often had as much economic and political power as their European customers.
The English allies of the rival family captured the two men during a trade war between the families in 1767.
They were taken to the Caribbean and North America, with several escapes and recaptures, before being brought to England, where they successfully sued for their freedom. They returned to the family business in Africa.
In 1767, two "princes" of a ruling family in the port of Old Calabar, on the slave coast of Africa, were ambushed and captured by English slavers. The princes, Little Ephraim Robin John and Ancona Robin Robin John, were themselves slave traders who were betrayed by African competitors-and so began their own extraordinary odyssey of enslavement. Their story, written in their own hand, survives as a rare firsthand account of the Atlantic slave experience.
Randy J. Sparks made the remarkable discovery of the princes' correspondence and has managed to reconstruct their adventures from it. They were transported from the coast…
I am an art and architectural historian whose field also includes the histories of cities. My area of specialty is Africa. I am also a professor at Harvard who has lived in Cambridge, Ma. for over 30 years where I have become a civic leader, co-founding the Harvard Square Neighborhood Association to help bring improvements to the city and preserve historic buildings here. I teach a class on Harvard Square (and the city of Cambridge) and following January 6, I felt it was important to rethink the way we teach young people – encouraging them to understand the diversity of all our communities.
This delightful new addition to children’s literature addresses two young cousins, both living in large cities on different continents – one (Olu) in Lagos, Nigeria, and the other (Greta) in Milan Italy – share complementary experiences and differences in their diverse settings – in their lived lives and while they are playing.
The bold, colorful, and wonderfully engaging illustrations that convey the different characters and settings are a key part of the pleasure of reading this book.
The geographical and cultural distance between two cousins is counteracted by the universalities of childhood and the dream of uniting.
Olu lives in Lagos, Nigeria; his cousin, Greta, lives in Milan, Italy. Though their lives may be different, their ways of living and playing are quite similar. They both roller skate; they both skip down the street; they both play with toy trains, trucks, and boats... and they both dream of meeting and being together. Debut author-illustrator Diana Ejaita references her own childhood and heritage to create a rich, poignant, and authentic portrayal of Nigeria, of Italy, and of the…
From the moment I first began reading about Nigerian history, I was drawn to the country’s complexity – the mix of religious traditions, ethnic groups, languages, cultures, and intersecting histories. As a graduate student, I delved deeper into the history of Islam in northern Nigeria, first by reading the secondary literature, then by exploring primary documents, and eventually by conducting my own fieldwork. Sadly, as my interest in Nigeria grew, so too did the country’s ongoing tragedies, including the violence perpetrated by Boko Haram. Nevertheless, there is much more to Nigeria than conflict, as is amply demonstrated by the tremendous contributions of Nigerian novelists, musicians, filmmakers, entrepreneurs, and scholars.
Siollun’s Soldiers of Fortune(and its acclaimed sequel, focusing on the consequential 1993 elections and what came after) take readers inside the last few military regimes that dominated Nigeria. Given that so many of the characters Siollun discusses still loom large in Nigerian politics today, the books are indispensable for understanding the country and its trajectory.
‘This book is the story of Nigeria’s political journey between December 31, 1983 and August 27, 1993. This is the story of how things fell apart.’
The years between 1983 and 1993 were momentous for Nigeria. Military rule was a time of increased violence, rampant corruption, coups, coup plotting and coup baiting. It moulded the conditions and character of Nigeria today, forcing seismic changes on the political, economic and religious landscape that nearly tore the country apart on several occasions.
Soldiers of Fortune is a fast-paced and thrilling narrative of the major events of the Buhari and Babangida era. The…
As a genderqueer non-binary person who always felt alone and invisible, it has been incredible to see the change taking place, particularly in YA, as more and more trans and non-binary authors get to tell their stories. Had I been able to read even one of these books as a teen, I might’ve avoided many years of unhappiness. Also, I’ve always been drawn to fantasy and science fiction, perhaps due to my need and desire to escape mundane reality, but I truly love how these genres let the imagination run riot, particularly when authors imagine kinder and more accepting worlds for LGBT+ people.
I left this book for last because it is, perhaps, the heaviest and most gut-wrenching. In this book, Emezi crafts an exceptional paranormal story showing the true-life difficulties (that is the life-threatening and openly hostile discrimination) faced by LGBT+ people in Nigeria. A fact that’s sadly true in many other African countries too. This book has so many layers, every scene dripping with nuance and a clear tenderness for the subject matter. It would have been easy for this story to remain steeped in tragedy, but Emezi manages to elevate their characters and narrative above that, providing an ultimately heartwarming story that leaves the reader with a sense of wonder and hope while never dismissing the severity of the reality so many LGBT+ people face on the African continent.
'Astonishing.' Stylist 'Electrifying.' O: The Oprah Magazine 'Brilliant and heartbreaking.' Marie Claire 'Propulsive and resonant.' Esquire
They burned down the market on the day Vivek Oji died.
One afternoon, a mother opens her front door to find the length of her son's body stretched out on the veranda, swaddled in akwete material, his head on her welcome mat. The Death of Vivek Oji transports us to the day of Vivek's birth, the day his grandmother Ahunna died. It is the story of an over protective mother and a distant father, and the heart-wrenching tale of one family's struggle to understand…
Interested in
Nigeria,
violence against women,
and
kidnapping?
11,000+ authors have recommended their favorite books and what they love about them.
Browse their picks for the best books about
Nigeria,
violence against women,
and
kidnapping.
