Here are 100 books that Between fans have personally recommended if you like
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Human psychology has always fascinated me, and studying what drives human behavior is necessary in writing realistic characters. I bring psychological studies into every novel I write, and realistic characters, often flawed, always receive top billing. One of my hallmarks is presenting a story’s setting as a supporting character, as well—much like the books I’ve recommended. I have written and published seventeen titles, chock full of the many facets of the human condition, whether I’m writing for teens (as Sasha Dawn) or adults (as Brandi Reeds). The books on my list inspire, entertain, and perhaps most importantly feel. I hope you enjoy them as much as I do.
Foley depicts a struggle of finding oneself and learning where one belongs, and holding onto the everchanging definition especially when the geography surrounding us suddenly changes. Maggie and her family migrate from Chicago to Ireland, leaving behind her favorite uncle, and musical influence, the wayward Kevin. Add to this the backdrop of the anticipation of attending a Nirvana concert and you have all the fixings for a well-rounded tale of love, loss, and living. Having had the pleasure of meeting Foley a time or two, I can attest that her sense of setting is as apparent in her identity as an Irish Chicago resident as ever, and this comes through in her characters, who illustrate the same.
ALA 2015 Top Ten Best Fiction for Young Adults Chicago Weekly Best Books of 2014 A Michael L. Printz Honor Award Winner Winner, 2014 Helen Sheehan YA Book Prize Kirkus Reviews Best Books of 2014 Finalist, William C. Morris Award
It's 1993, and Generation X pulses to the beat of Kurt Cobain and the grunge movement. Sixteen-year-old Maggie Lynch is uprooted from big-city Chicago to a windswept town on the Irish Sea. Surviving on care packages of Spin magazine and Twizzlers from her rocker uncle Kevin, she wonders if she'll ever find her place in this new world. When first…
There are very few novels written by psychiatrists, and even fewer that accurately show psychiatrists at work. That is one of the major reasons that I wrote The End of Miracles. I’ve been a professor of psychiatry at the University of Michigan, seen many patients, and taught many psychiatry residents, so I know a good deal about people with mental illness and its treatment. As a novelist, I also wanted to write a book that is exciting and gives pleasure to readers. I think I succeeded. Here are some comments from reader reviews online: “gripping”… ”thought-provoking”… ”spell-binding”… ”illuminating”… “a page-turner”… ”a rich and satisfying read”.
In Ordinary People, the boating-accident death of the older teenage son shatters the family.
Conrad, the younger son who was also on the boat, is tormented by self-blame for his brother’s death. After a suicide attempt and a psychiatric hospitalization, Conrad is released. He is still beset with guilt and depression and begins outpatient treatment with Dr. Berger, a blunt yet also an empathetic psychiatrist.
I like the way he helps Conrad reconsider his unrealistic guilt and helps him look at the limitations of his mother, a parent unable to provide him the warmth and support he needs. I like the way Dr. Berger is portrayed as caring and skilled, an example of how psychiatrists effectively treat their patients.
One of the great bestseller of our time: the novel that inspired Robert Redford's Oscar-winning film starring Donald Sutherland and Mary Tyler Moore
In Ordinary People, Judith Guest's remarkable first novel, the Jarrets are a typical American family. Calvin is a determined, successful provider and Beth an organized, efficient wife. They had two sons, Conrad and Buck, but now they have one. In this memorable, moving novel, Judith Guest takes the reader into their lives to share their misunderstandings, pain, and ultimate healing. Ordinary People is an extraordinary novel about an "ordinary" family divided by pain, yet bound by their…
Human psychology has always fascinated me, and studying what drives human behavior is necessary in writing realistic characters. I bring psychological studies into every novel I write, and realistic characters, often flawed, always receive top billing. One of my hallmarks is presenting a story’s setting as a supporting character, as well—much like the books I’ve recommended. I have written and published seventeen titles, chock full of the many facets of the human condition, whether I’m writing for teens (as Sasha Dawn) or adults (as Brandi Reeds). The books on my list inspire, entertain, and perhaps most importantly feel. I hope you enjoy them as much as I do.
Exit Here. was one of the first exhibits of teen literature I studied on my journey to publishing. Jason Myers portrays college-age Travis with the weight of traumatic experiences and the loft of the future spinning in his head. Readers are brought immediately into Travis’ headspace, wherein they feel all the trauma, excitement, and uncertainty Travis experiences. Because I wrote my Edgar finalist book from the male point of view, I reread Myers shortly before drafting. It’s a great example of human fallibility.
Exit here. Enter apathy. Jason Myers pushes the limits of teen fiction with this tale of love, addiction, and wrong choices.
Travis is back from college for the summer, and he's just starting to settle in to the usual pattern at home: drinking, drugging, watching porn, and hooking up.
But Travis isn't settling in like he used to; something isn't right. Maybe it's that deadly debauch in Hawaii, the memories of which Travis can't quite shake. Maybe it's Laura, Travis's ex, who reappears on the scene after a messy breakup and seems to want to get together -- or not.…
Twelve-year-old supernatural sleuth Dotty Morgan becomes embroiled in an ancient conflict between rival Japanese factions, and the timing couldn't be worse. A new girl in town creates jealousy between Dotty and her girlfriend, and her mother invites a nightmare houseguest to stay with them. She must put the drama aside…
Human psychology has always fascinated me, and studying what drives human behavior is necessary in writing realistic characters. I bring psychological studies into every novel I write, and realistic characters, often flawed, always receive top billing. One of my hallmarks is presenting a story’s setting as a supporting character, as well—much like the books I’ve recommended. I have written and published seventeen titles, chock full of the many facets of the human condition, whether I’m writing for teens (as Sasha Dawn) or adults (as Brandi Reeds). The books on my list inspire, entertain, and perhaps most importantly feel. I hope you enjoy them as much as I do.
What can I say about Liara Tamani’s beautiful tale of coming of age? The novel carries Taja from middle school through high school, the span of time in which Taja learns her place in her family and the world around her. One of the things I love about this gem is the method in which the story unfolds—in short chapters, reminiscent of the ever-changing whims of the teenage mind. As such, Taja feels as real and breathing as any living soul. Perhaps even more pertinent is the setting of Houston, Texas. While some novels set in fictitious towns do their diligence in supporting realistic characters, Tamani’s decision to drop Taja into Houston only adds to the realism.
“Calling My Name is a treasure.”—Nic Stone, New York Times–bestselling author of Dear Martin
Calling My Name is a striking, luminous, and literary exploration of family, spirituality, and self—ideal for readers of Jacqueline Woodson, Jandy Nelson, Naomi Shihab Nye, and Sandra Cisneros.
This unforgettable novel tells a universal coming-of-age story about Taja Brown, a young African American girl growing up in Houston, Texas, and deftly and beautifully explores the universal struggles of growing up, battling family expectations, discovering a sense of self, and finding a unique voice and purpose.
Told in fifty-three short, episodic, moving, and iridescent chapters, Calling My…
I was eleven when my brother died in a car accident and, although I didn’t know it at the time, this experience shaped me in ways I couldn’t anticipate. Many years later, when I began working as a social worker at a local hospice, I realized that I was drawn to the work as a way to finally grieve that early loss. As I helped people navigate their own losses I found myself feeling my own grief for the first time. It wasn’t until I started writing about the hospice work that I found my brother again. I am powerfully drawn to the parallels between writing and the work of dying.
Maggie Callanan and Patricia Kelley were both hospice nurses when they wrote this book in 1992 and their book, having sold over 500,000 copies, is still a guide for those who find themselves in the presence of the dying.
The authors act as interpreters for the living and help them understand the language the dying often use. As a hospice social worker, it was not uncommon for me to hear the dying speak of packed suitcases or imaginary taxis pulling up to their doors.
This book helped me to engage with that language and to enter the altered reality that the dying often experience. It encourages us to let go of the rational and invites us into the mystery of death and dying in ways that are life-changing.
In this moving and compassionate classic—now updated with new material from the authors—hospice nurses Maggie Callanan and Patricia Kelley share their intimate experiences with patients at the end of life, drawn from more than twenty years’ experience tending the terminally ill.
Through their stories we come to appreciate the near-miraculous ways in which the dying communicate their needs, reveal their feelings, and even choreograph their own final moments; we also discover the gifts—of wisdom, faith, and love—that the dying leave for the living to share.
Filled with practical advice on responding to the requests of the dying and helping them…
I feel strongly that large segments of the population—young and old alike—have thrown out the baby of spirituality with the bathwater of organized religion. Given the current level of interreligious hatred and misunderstanding in today’s world, two things have to change. First, we need to know the basics of the world’s major religious traditions and how they evolved so that we are not making value judgments based on erroneous information and lack of understanding. Then, we have to look through the external dogmas and rituals to the spiritual principles and experiences that are of most value and that may not be reliant on any one institutional religion.
When psychologist Matthew McKay’s son, Jordan, was killed by bike thieves at age 23, McKay learned how to channel him from the other side, as recounted in his touching book Seeking Jordan. In this later book, Jordan communicates in vivid detail the stages he went through after he died.
In what amounts to a modern-day secular Book of the Dead, McKay/Jordan describes how to navigate each stage without a body, how we learn and grow in the spirit world, and how to release anxiety about the end of life and instead view it as another stage of our ongoing consciousness.
Most notably, he reveals that there is no institutional or doctrinal “religion” on the other side and that the driving force of continued consciousness is love and a willingness to keep learning and growing spiritually.
A channeled guide to the life-death transition experience and how to prepare for the wonders of the afterlife
* Reveals the afterlife as a fluid realm of imagination and invention, a luminous landscape created entirely of consciousness
* Explains how to navigate the early stages of the afterlife, how we learn and grow in the spirit world, and how to release anxiety about the end of life
* Includes exercises and meditations to prepare you for navigating and communicating in spirit
There is no better source of information on death and the afterlife than someone who has died and lives…
Liveaboard sailor Cass Lynch thinks her big break has finally arrived when she blags her way into skippering a Viking longship for a Hollywood film. However, this means returning to the Shetland Islands, the place she fled as a teenager. When a corpse unexpectedly appears onboard the longship, she can…
I am an artist and writer drawn to the intersections of non-believe. My work explores the friction points non-believers encounter and illuminates a path forward informed by reason and empathy. My writing is evidence-based, with the skepticism that comes with being an atheist, but infused with warmth, clarity, and understanding. Grief can present friction for non-believers. I aim to support those navigating such losses by providing evidence-based guidance and compassion. I hope you find some valuable nuggets in this list of books.
This book is part science, part memoir. The author shares how she applied the research she has done around resilience as she grappled with grief when her child died.
When we are grieving without the false promises of an afterlife, learning how to support ourselves as we put one foot in front of another and continue to move forward can take everything we have. By exploring concepts of resilience and well-being, Dr. Hone provides practical tools to help us cope a bit better.
The death of someone we hold dear may be inevitable; being paralysed by our grief is not. A growing body of research has revealed our capacity for resilient grieving, our innate ability to respond to traumatic loss by finding ways to grow - by becoming more engaged with our lives, and discovering new, profound meaning.
Author and resilience/well-being expert Lucy Hone, a pioneer in fusing positive psychology and bereavement research, was faced with her own inescapable sorrow when, in 2014, her 12-year-old daughter was killed in a car accident. By following the strategies of resilient grieving, she found a proactive…
I first turned to the ‘dark side’ of travel when a student of mine introduced me to ‘dark tourism’. Sadly the world is littered with places of tragedy where our misfortunes are exposed by dark tourism. As a social scientist, I have been writing about visiting our significant dead for over 20 years. I am fascinated as to why particular deaths are remembered, by whom, and how our dead are (re)presented within visitor economies. I have lectured and published extensively within academia, as well as being a media consultant. I continue to tell tales of our dead and how we attach cultural importance to certain kinds of death.
This was one of the first books that got me thinking critically about ‘dark tourism’. Harrison inspired me to look at how the dead maintain their relations with the living. In turn, the book galvanized my thinking of the many touristic places where the dead cohabit the world of the living. These range from graves, monuments, and memorials, and made me think about how we give the dead a memorialized afterlife. Drawing upon philosophy, history, and poetry, Harrison teaches us that as we follow in the footsteps of the dead, we are not self-authored. Instead, the thought of death shapes the communion of the living. Within the ‘Dominion of the Dead’, the dead become our guardians where we give them a future so that they may give us a past.
In The Dominion of the Dead, Robert Pogue Harrison explores the many places where the dead cohabit the world of the living - the graves, images, literature, architecture, and monuments that house the dead in their afterlife among us. This elegantly conceived work devotes particular attention to the practice of burial. Harrison contends that we bury our dead to humanize the lands where we build our present and imagine our future. Through inspired readings of major writers and thinkers such as Vico, Virgil, Dante, Pater, Nietzsche, Heidegger, and Rilke, he argues that the buried dead form an essential foundation where…
My mother’s death from an E. coli outbreak over a decade ago was my wake-up call to an awareness of my own mortality and was the emotional foundation of both my first novel and my latest. I’ve reached a point in my own life where advancing age is a lived experience, and I’ve read broadly about this phase of life that goes largely unexamined despite the fact that we’re all destined for it. My essays have appeared in the New York Times, the San Francisco Chronicle, and the San Jose Mercury News. I’m a graduate of Denison University and Columbia Law School.
The title itself is a consolation to me, and it turns out there really are several strong arguments for why we should be glad we don’t live forever, no matter how appealing that may seem. I found Stark’s whimsical tone throughout the book to be a pleasant departure from the leaden prose of most academic philosophers.
This book didn’t completely convince me that worrying about death is a waste of time, but it did get me part of the way there, and that was and is an enormous comfort to me.
A penetrating and provocative exploration of human mortality, from Epicurus to Joan Didion
For those who don't believe in an afterlife, the wisdom of the ages offers four great consolations for mortality: that death is benign and good; that mortal life provides its own kind of immortality; that true immortality would be awful; and that we experience the kinds of losses in life that we will eventually face in death. Can any of these consolations honestly reconcile us to our inevitable demise?
In this timely book, Andrew Stark tests the psychological truth of these consolations and searches our collective literary,…
Worcester Glendenis is a 12-year-old wannabe private detective. He models himself on his hero, the fictional private eye Philip Marlowe, of course without the booze, cigarettes, and violence. After all, he is only twelve.
He's a likable and smart kid with two pesky 7-year-old twin sisters, and a Mum and…
Spies are everywhere across the panorama of fictional tropes, in fantasy, science fiction, horror, and historical fiction. Spies are like salt. No matter the genre, drop a little espionage into the mix, and it tastes better. There’s an inherent complexity to a spy, a dichotomy baked into the profession, simultaneously a criminal and an agent of the government. A spy could be a one-man-army, a smooth-talker, or someone inside your computer network, but no matter who they really are, they’re never who they seem. The spy plays with identity, loyalty, and integrity in ways that the worst of us do but is safely compartmentalized in fiction for our enjoyment.
If you’ve chafed at the limitations of scale by these suggestions, this is the book for you.
All the stories on this list, including my own, take pains to couch the supernatural in such a way that the political, social, and economical natural orders are not threatened by the introduction of speculative elements. Not in Summerland.
Their pseudo-science real, Victorian spiritualists find a way to the afterlife and back. Within decades the strange, alien city on the other side is flooded with the principles of industry, commerce, and espionage.
Taking place between the World Wars, the existence of Summerland, and the technologies that unfold from its discovery change the landscape of pre-World War II Europe, but not the inevitability of human nature.
"It reads like John Le Carré if Le Carré ate a ton of acid before writing Tinker Tailor Soldier Spy..." —NPR on Summerland
From Hannu Rajaniemi, one of the most exciting science fiction writers in the last decade, comes an awe-inspiring account of the afterlife and what happens when it spills over into the world of the living
Loss is a thing of the past. Murder is obsolete. Death is just the beginning.
In 1938, death is no longer feared but exploited. Since the discovery of the afterlife, the British Empire has extended its reach into Summerland, a metropolis for…
