Fans pick 100 books like Summerland

Set in the height of the Cold War, The Men Who Stare at Goats is the story of the US Army’s psychic warfare unit, the First Earth Battalion. These self-declared “warrior monks” trained in remote viewing and aspired to psychic slay capra with the force of their concentration.

Unlike the rest of the books on my list, The Men Who Stare at Goats is non-fiction. The bulk of the material in these pages are interviews with people in the First Earth Battalion.

Reading this book made me question the reality of psychic phenomena. Is there something to it? Or was this the result of a Soviet PSYOP (psychological operation, not psychic operation) to make the American military-industrial complex waste a lot of money?

Tim Powers is my #1 role model. His secret history novels take a figure or incident from history that happens to be surrounded by unexplained weirdness, then explain all these strange, loose threads through the supernatural. His work scratches the itch for both history buffs and the (harmlessly) conspiracy-minded.

To call Three Days to Never a supernatural thriller would be reductionist. Powers casts a wide net when gathering story elements; Einstein’s fictional, time-traveling family is the centerpiece, but Mossad agents, a collective of magicians, and Charlie Chaplin’s legacy are all thrown into the mix. All are seeking the secret to time travel.

Powers writes free from the limitations of the genre. Breaking the boundaries imposed by marketing and showing the reader what’s possible when the imagination is unbound.

I became aware of Mind MGMT during the first draft of my book. Its success affirmed that an audience for psychic thrillers did exist. But I put off reading this 6-volume comic series until I finished my novel. It’s good to feel encouraged, it’s another to feel beaten to the punch.

Super-hero tropes dominate the American comic medium. The story elements of weekly world salvation, good guys vs bad guys, stagnate character development, and the artistic choices; idealized anatomy, fine lines, and bright colors appeal to a younger male gaze.

By all these standards, Mind MGMT stands apart. In this morally ambiguous story of psychic spies, Matt Kindt’s illustrations are raw and sketchy, complimented by his choice to color the pages with watercolor rather than digital inks.

If you’re too young to remember The Gong Show, it was the American Idol of its day. Equally as fake, but upfront about its fraudulent nature.

Back on the subject of pushing genre boundaries, Confessions of a Dangerous Mind is Chuck Barris’ “unauthorized autobiography.” Get your head around that concept. Barris was the producer/host of both The Gong Show and The Dating Game. If that doesn’t sound like a full slate, Barris claims he was a CIA assassin during this time.

Say you wrote an autobiography, but it lacks in the excitement department. Say you also wrote a spy novel, but it came in at half the length a publisher’s looking for. A great solution for both problems; mash them together!

Along with Le Carre Adam Hall was my magical touchstone to understanding what being an exceptional thriller writer meant.

This book, the second in a long distinguished series, continued the crises dealt with by the British spy named Quiller. Hall had an idiosyncratic way of writing that taught me that style was as important as plot in a thriller – perhaps even more. For me, style is what grabs my attention as a reader.

Today, style is what draws me along, both as a reader and as a writer of thrillers. Style is the thread on which is built both plot and characters. It is also imperative when setting scenes in faraway places.

The history of the CIA features many fascinating personalities and there are several excellent spy biographies, Thomas Powers on Richard Helms, for example, or Randall Woods on William Colby. But the most complex and compelling of all figures in the Agency’s past must surely be the legendary head of counterintelligence, James Angleton. Again, there are numerous works on Angleton and his obsessive hunt for a top-level Soviet agent in the CIA, but I enjoyed and benefited most from Tom Mangold’s Cold Warrior, an astonishingly detailed and penetrating portrayal of America’s real-life George Smiley.

This is the first of a series of novels based on the Queen & Country comic book, created and written by Rucka and originally inspired by the Sandbaggers British TV series. I love the main character, Tara Chace, and I also love how her stories don’t pull punches when it comes to portraying the politics and bureaucracy that sit on top of the actual operations she’s asked to perform.

The world is complicated, but sometimes, if we can focus on solving one single problem, we can make everything just a little bit better—for a while, anyway. The work never ends, and that’s the real job: to persist despite all horrors.

This book certainly made me stop and think about how I write, and I have altered my style since. Set in modern-day London, the Slow Horses (failed MI6 operatives forced to work in Slough House) under the tutelage of Jackson Lamb eke out a futile existence. The heads of MI6 hope the demeaning work will make them walk away and leave the espionage world. Lamb is one of the great characterizations, a burnt-out spy who still has acres of tradecraft and protects his team against the outside forces at a political and international level. A string of random terrorist attacks around the UK seem to tie in with a show-boating politician riding the Brexit wave and the team goes rogue to find out the connection. A book as far away from Bond as possible but brilliantly written and plotted.

A true story based on Israel’s most amazing espionage strike. This is as good as a first-rate espionage thriller with the added benefit of being non-fiction. The title was the first thing that grabbed my attention because it was not only an espionage thriller, but also a sea story. For me, it was a combination of the two greatest genres into a rare and excellent story.

This is a sort of origin story for Breuer's characters, centered more tightly on a mid-1930s Nazi ring uncovered by the FBI's best investigator, Leon Turrou, and splashed across American newspapers’ front pages in 1938. Jeffreys-Jones' book, released in 2020, also shows why multi-stranded nonfiction has become a popular form.