99 books like Summerland

Set in the height of the Cold War, The Men Who Stare at Goats is the story of the US Army’s psychic warfare unit, the First Earth Battalion. These self-declared “warrior monks” trained in remote viewing and aspired to psychic slay capra with the force of their concentration.

Unlike the rest of the books on my list, The Men Who Stare at Goats is non-fiction. The bulk of the material in these pages are interviews with people in the First Earth Battalion.

Reading this book made me question the reality of psychic phenomena. Is there something to it? Or was this the result of a Soviet PSYOP (psychological operation, not psychic operation) to make the American military-industrial complex waste a lot of money?

Tim Powers is my #1 role model. His secret history novels take a figure or incident from history that happens to be surrounded by unexplained weirdness, then explain all these strange, loose threads through the supernatural. His work scratches the itch for both history buffs and the (harmlessly) conspiracy-minded.

To call Three Days to Never a supernatural thriller would be reductionist. Powers casts a wide net when gathering story elements; Einstein’s fictional, time-traveling family is the centerpiece, but Mossad agents, a collective of magicians, and Charlie Chaplin’s legacy are all thrown into the mix. All are seeking the secret to time travel.

Powers writes free from the limitations of the genre. Breaking the boundaries imposed by marketing and showing the reader what’s possible when the imagination is unbound.

I became aware of Mind MGMT during the first draft of my book. Its success affirmed that an audience for psychic thrillers did exist. But I put off reading this 6-volume comic series until I finished my novel. It’s good to feel encouraged, it’s another to feel beaten to the punch.

Super-hero tropes dominate the American comic medium. The story elements of weekly world salvation, good guys vs bad guys, stagnate character development, and the artistic choices; idealized anatomy, fine lines, and bright colors appeal to a younger male gaze.

By all these standards, Mind MGMT stands apart. In this morally ambiguous story of psychic spies, Matt Kindt’s illustrations are raw and sketchy, complimented by his choice to color the pages with watercolor rather than digital inks.

If you’re too young to remember The Gong Show, it was the American Idol of its day. Equally as fake, but upfront about its fraudulent nature.

Back on the subject of pushing genre boundaries, Confessions of a Dangerous Mind is Chuck Barris’ “unauthorized autobiography.” Get your head around that concept. Barris was the producer/host of both The Gong Show and The Dating Game. If that doesn’t sound like a full slate, Barris claims he was a CIA assassin during this time.

Say you wrote an autobiography, but it lacks in the excitement department. Say you also wrote a spy novel, but it came in at half the length a publisher’s looking for. A great solution for both problems; mash them together!

Along with Le Carre Adam Hall was my magical touchstone to understanding what being an exceptional thriller writer meant.

This book, the second in a long distinguished series, continued the crises dealt with by the British spy named Quiller. Hall had an idiosyncratic way of writing that taught me that style was as important as plot in a thriller – perhaps even more. For me, style is what grabs my attention as a reader.

Today, style is what draws me along, both as a reader and as a writer of thrillers. Style is the thread on which is built both plot and characters. It is also imperative when setting scenes in faraway places.

A landmark espionage book about the Cambridge Spies, which has stood up surprisingly well though published almost forty years ago and before the release of Russian and British archives, and first  made me  interested in ‘The Climate of Treason’.  It not only gives the historical background to their recruitment during the 1930s but, drawing on a deathbed confession from Goronwy Rees, named two new spies ‘Maurice’ and ‘Basil’. After leaks to the satirical magazine Private Eye , Margaret Thatcher confirmed that ‘Maurice’ was the Surveyor of the Queen’s Pictures  Sir Anthony Blunt who had been granted immunity sixteen years earlier. ‘Basil’ was identified as an atomic scientist, serving in the Washington Embassy alongside Kim Philby and Guy Burgess, called Wilfrid Mann. Mann fended off the accusations at the time and the story died but subsequent research for my book has proved Mann was a spy.

This is a sort of origin story for Breuer's characters, centered more tightly on a mid-1930s Nazi ring uncovered by the FBI's best investigator, Leon Turrou, and splashed across American newspapers’ front pages in 1938. Jeffreys-Jones' book, released in 2020, also shows why multi-stranded nonfiction has become a popular form.

William Le Queux’s Duckworth Drew was a secret agent working for British embassies around Europe reporting to the Marquis of Macclesfield, the Secretary of State for Foreign Affairs. Like many such agents to follow, he worked in diplomatic and aristocratic circles with finesse and had considerable luck with the ladies.

In short stories like “The Secret of the Submarine,” Drew starred in adventures that were precursors to later yarns focused on new technology as when he encountered an "electronic eye," an Italian device that detonated mines. Such playfulness with then cutting-edge tech reflected the author’s interest in merging adventure with weaponized science.

Talk about a real-life action heroine! I grew up loving stories of intrigue and suspense, and Marthe McKenna’s 1932 memoir is like reading a thriller! As a young woman in German-occupied Belgium during WWI, she worked for the Resistance right under the enemy’s nose. I felt her fear as she witnessed brutality or took outlandish risks, and her exploits were incredibly brave for a woman of her time. I was in awe to read the book’s foreword by Sir Winston Churchill himself, lauding Marthe’s extraordinary courage and ingenuity during her ordeal. She taught me that we can all do more than we ever imagined if it means our survival, and her story inspired the high stakes I created in my novel.

I grew up with lots of stories and books about WWII because my father was a veteran. What is different about this book’s narrative is Portugal’s position of neutrality during the Second World War and the resulting web of political intrigue. Salazar, Portugal’s dictator at the time, played both sides, aligning with the British, all the while selling off Portugal’s Tungsten, a metal used to produce armor-piercing projectiles (which apparently melted the British tanks), to the Germans for gold that the Nazi’s looted. And at the end of the war, all that gold helped Portugal emerge economically intact.